UK 'Special Collectors Edition' 2-CD set comprising the 12-track CD album plus Bonus 9-track CD including Mark Norman, Tiësto, Junkie XL, Toksin's, Dylan Rhymes & Sander Kleinenberg's remixes. Black Hole. 2007.

By helping to pioneer a style that went on to become a dominant global club sound with the Y3K & Bedrock Breaks compilations a few years back, plus his own double mix comp Wired in 2004, and the creation of the super cool Waxworks Promo Company, Hyper has secured himself a place amongst the top musical players. In 2005 Hyper returned to the studio to complete his debut artist album, "We Control". This long player that weaves and bobs in new directions while keeping it's feet firmly placed on the dance floor pulse of electronic music. Rather like the man himself, in fact. 2006.

It’s been over two and a half years since Zomby released his debut album, Where Were U In ‘92?, a rave record evoking that titular period. Following a series of releases that switched from the melancholic to the menacing, it marked him out as an unpredictable, underground hero.
Having signed a worldwide deal with 4AD, the wait for new material is almost over. Dedication, a wholly different record to its predecessor, marks Zomby's return from his hiatus with typical style; a dark and absorbing listen that engulfs the listener, running between sparse electronics, techno hooks and minimal piano riffs.
FORMATS:CD: CAD3119CD12" LP: CAD3119DOWNLOAD: EAD3119A

Underworld continues to explore the fringes of dub, dance and techno, creating a seamless, eclectic fusion of various dance genres. 'Second Toughest in the Infants' (Wax Trax!) includes the massive 'Pearl's Girls' and 7 other tracks.

Made at The House Of Love.
Track 2 "The Rockafeller Skank" contains elements from "Sliced Tomatoes" as performed by Just Brothers. Also contains a sample from "Beat Girl" by The John Barry Seven included.
Track 4 "Gangster Trippin" contains a sample from "Entropy" as performed by DJ Shadow. Features a sample of "Beatbox Wash" by Dust Junkys.
Track 5 "Build It Up - Tear It Down" features a sampled extract by The Purple Fox.
Track 7 "Soul Surfing" features a sample from "I'll Do A Little Bit More" performed by The Olympics.
Track 9 "Praise You" features a sample from "Take Yo Praise" by Camille Yarborough.
Made in England.
Desert road photograph copyright (C) Photodisc Inc..

惯听摇滚的乐迷可能不太习惯The Prodigy的成员组合，两个舞者、一个饶舌歌者和一个DJ。不同的角度会看到The Prodigy不同的面貌∶若只是拿著CD听，一肩挑起音乐创作与制作之责的Liam Howlett便是一切；若是观看他们的表演，那两个动作狂暴的舞者Kieth Flint与Leeroy Thornhill最抢眼，留著魔鬼发型的Kieth Flint，更是The Prodigy的形象代表，但整个团的头头，却是负责rap的Maxim Reality－以舞曲界的术语来说，他是「司仪（MC）」。但无论乐评或乐迷怎么看待，The Prodigy就是这四个人，缺一个就不是The Prodigy，这样的组合真切地呈现了瑞舞（Rave）的面貌。 九○年代初，The Prodigy组成之时，正是英国瑞舞方兴末艾的时候，他们以单调重覆的快速节奏、喷泻而出的电子冲击声，以及有如风暴袭卷的现场表演，撼动了英国乐坛。1992年首张专辑《Experience》在英国获得成功后，1995年的《Music for the Jilted Generation》以更为强硬直接的态度处理电子节奏及音色，并将重吉他切刷的取样溶入音乐中，促成日后所谓Big Beat的出现。 有人形容The Prodigy为「没有吉他手的庞克乐团」。1997的《The Fat of the Land》与Kula Shaker、L7等摇滚乐团合作，The Prodigy的音乐更加多元复杂。这张被主流乐评形容为「差一点就是经典」的专辑，也因为有较多的人声（虽然歌词依旧没什么意义），吸引了大批主流摇滚迷走入电子舞曲的领域，The Prodigy的影响从英国跨入美国，甚至全世界。《The Fat of the Land》可以说是他们最容易亲近的一张专辑。但是The Prodigy在态度上仍然希望与摇滚抱持距离，决不原地踏步，作出令人脚底发痒痛快狂舞的音乐，才是他们最大的企图。