Theo Parrish is an American DJ and record producer based in Detroit, Michigan. He is an owner of the Sound Signature record label. He is a member of 3 Chairs, The Rotating Assembly, and T.O.M. Project.

Maya Bouldry-Morrison wrote and produced Resonant Body at the end of December 2018. She recorded the songs at her cabin in New Hampshire. Half of the profits from the new record will be donated to the Sylvia Rivera Law Project (SRLP), which “works to guarantee that all people are free to self-determine gender identity and expression, regardless of income or race, and without facing harassment, discrimination, or violence,” according to the organization’s website.
Resonant Body follows Octo Octa’s 2019 For Lovers EP and her album Where Are We Going? from 2017.

"Walking with Elephants" is a song by musician Ten Walls. It was released as a digital download on 7 September 2014 in the United Kingdom. The song has peaked to number 6 on the UK Singles Chart, the song has also charted in Belgium.

Theory of Movement is a collaboration between two die hard electronic music enthusiasts, Dan Piu and Grant, who came together by there shared passion.
This 3xLP is the sum of all these years spent collecting records, recording and performing.

Salty shores of a deep blue sea, mountain tops with blinding hats and wrapped up greenery in reoccuring patterns. Three places, two journeys, heavenly lit in gentle warmth by the Feathered Sun. A collaboration of impressive beauty and beautiful impressions: Acid Pauli, Chris Schwarzwalder, Jo.Ke, Nu and Raz Ohara take us, you, me, Luise by the hand to paint a picture of shifting shapes and scenery. Two slow paced tracks, one per side, for that extra length and space it deserves.
Just breathe, brother. Breathe.
∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿
A1: Welcome Woodi
B1: Mar y Tierra
∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿
Label: Laut & Luise
Cat-No: LUL011
EAN-Barcode: 4025858070780
Format: 12” Vinyl + Digital Download
Release Date: June 2017

Nicolas Jaar has never been the type of artist to impose constraints on himself. Across the last decade, he’s made meticulous, collage-like compositions under his own name and through the longform psychedelia of Darkside. Sometimes he ends up with thrilling, dystopian techno-punk. Other times he ends up with a literal aluminum cube filled with music. Jaar’s work is exciting because its final destination rarely seems fixed.
Jaar snuck his latest album 2012 - 2017 out under his A.A.L (Against All Logic) moniker last week, and it is interesting in part because it is the first Jaar release in some time in which many sounds sit in familiar places and arrive at familiar times. Kicks, snares, and hi-hats assemble in predictable motifs. Samples—largely sourced from funk and soul—sing loudly, and plainly. Pianos gallop, because that is what pianos do at 128 beats per minute. There’s plenty to unpack here, as there is with all of Jaar’s work, but if you wanted to simplify things you could call 2012 - 2017 his house album, in that Jaar imposes upon himself the conventions and requirements of traditional house music.
This is something Jaar seemingly confesses with the title of the loping first track: “This Old House Is All I Have.” That opening sets the table for what is, by some margin, the sunniest and most ebullient song in Jaar’s discography: “I Never Dream.” These are thrilling, racing tracks, but they're also familiar, both functionally—every hi-hat in its right place—and emotionally, with the kind of crests and ecstasies you might find on 1990s labels like Nu Groove and Cajual. This familiarity is welcome, both allowing Jaar to more directly engage with styles he's referenced in the past, and to allow us, as listeners, to hear how his talents and idiosyncrasies shake out in this context.
Jaar’s work can be deeply rewarding but it can also feel stuffy; 2012 - 2017 is much looser and less formal, in part because it appears to be just a collection of tracks, and in part because no one would be expected to sit quietly in the presence of a kick drum and piano vamp. There are moments of downright silliness: The wildly chirpy vocal refrain on “Know You” practically tugs at your pant leg. To borrow from Yeezus—itself a masterclass of brazen sampling—as he does on “Such a Bad Way” is practically the equivalent of grinning after delivering a bad pun.
Samples have long been a foundation of Jaar’s sound. On 2012 - 2017, instead of molding them into obscure shapes, he’s scaffolding stages for them, happy to let long, coherent portions ring out. Stirring vocal refrains, rather than Jaar’s compositional talents, are the real stars of tracks like “Now U Got Me Hooked” and “Cityfade.” Jaar has excellent taste, and laying plain his choices in this manner reaffirms his ability to unearth potent source material.
This is hardly Jaar’s first stab at dance music; his precocious early work came out on club-oriented labels like Wolf + Lamb and Circus Company. (He even had a semi-official EP full of disco edits.) But Jaar has gotten weirder—and better—since then, and the material here is both bolder and more refined. He will occasionally break out some of his more outré tricks, like when he dresses “Flash in the Pan” in queasy synth ribbons, or when he tears open “You Are Going to Love Me and Scream” and exposes its gnarly digital innards. “Rave on U” is 10 minutes of Jaar foraging for a big, transcendent melody. But because the structures of these tracks never veer into abstraction, Jaar’s artful sound design never hits you from unexpected angles like on his previous records. On 2012 - 2017 Jaar’s compositional dynamic is reversed: He’s in service to the beats.

New Yorker and label founder Jay Denes' Blue 6 project has set the standard for Naked Music since day one, providing his stripped-down, soulful production - only matched by his dynamic songwriting, as heard on Naked classics like 'Pure' and 'Music and Wine'. His debut album 'Beautiful Tomorrow' is a masterpiece of modern urban soul, a blend of different shades and tempos all tied together with that classic Naked vibe. Naked Music Recordings.