A powerful, multi-faceted beast, packed with the most aggressively dancefloor-focussed music Hopkins has ever made, Immunity is about achieving euphoric states through music. Inspired by the arc of an epic night out, the album peaks with Collider, a huge, apocalyptic, techno monster and dissolves with the quiet, heartbreakingly beautiful closer, Immunity, a track featuring vocals from King Creosote which could sit comfortably alongside the gems of their Mercury-nominated collaboration, Diamond Mine.
Immunity is a confident, dramatic record defined by an acute sense of physicality and place.It feels like the hypnotic accompaniment to a journey of creativity, a trip inside Hopkins’ mind, using analog synthesis alongside manipulations of physical, real-world sounds to make dance music that feels as natural and unforced as possible.

好听得骨头都酥了的《Music to Make Love to Your Old Lady By》整张专集充斥着浓浓的爱和性，你甚至能听到男女做爱的时呻吟.这张专集发行于2001年11月6号，发行了两种种版本（Instrumental版和Explicit Lyrics版），大量的hiphop和triphop节奏和采样，歌词露骨大胆。让这张倍感神秘而又性感。
以Hip-Hop怪才Automator组建的Lovage乐队名义发表，Mike Patton和“乐土”(Elysian Fields)乐队的女主唱挑大梁，Damon Albarn、Kid Koala、Prince Paul随喜——根本没法相信“地下”和“好听”之间还有什么界限。 --转自颜峻《Mike Patton——他自己的世界》

Nicolás Jaar and Dave Harrington return with a meticulous work of unexpected and even unprecedented familiarity—less a portal than a kiosk existing entirely within the boundaries set by their 2013 debut.

a new mix. includes mostly unreleased tracks as well as a few current favorites.
credits
via:

2020: the year the Earth stood still for many of us. At least Kieran Hebden aka Four Tet has managed to stay productive. Amid the near-constant livestreams broadcasted from his home — which frequently featured a thrilling mixture of age-old classics and synthesis magic neatly matched by the bucolic setting of leafy trees that surround his house — he was evidently cooking up the slow-burning, meditative tones that would later become Parallel.
Months of confinement can’t help but make Parallel seem like an album of nostalgia for faraway worlds, and Hebden’s deeply felt sentimentality rings through its 10 tracks, each numbered like recollections in a quarantine diary. The first entry is an extended piece; kosmische textures and rain droplet rhythms unfurl in a vast 27-minute suite, the construct later giving way under the weight of a soaring drone. You get a real impression of time’s palpable dilation with errant voice messages and recordings of life’s activity. He ends the album on a similar note of reflection, the electronics stripped away to reveal a beautifully lively piano tinkering. While deep ambient music informs much of Parallel, Hebden quickens his pace with rolling electronic percussion and livewire synth leads recalling the vivacity of house, later rediscovering the cadences of his track ‘Baby’ in the crisp snares and reams of vocal samples on ‘Parallel 4’.
Naturally, Parallel is another striking LP from Four Tet, and after the year we’ve had, it’s exactly what we need.

@Es Dubya: ....unreal, like waking up from a dream that you were so enjoying.. but you can't get back there...
@jamesdelgap: This like dying while fucking as you mawkishly indulge in a favorite memory. Favorite track: ego chamber.
@lollo4th: Ambient and dreamy.... One of my favourite HFM release. Thank you once again for this gem Favorite track: omega station.

bié Records 和 Yu Su 想以厂牌第一号出品 Yellow River Blue 作契机，为华人文化区域内不同背景的音乐人建立抒发个体感受的出口。
2019 年冬，这位中原生⻓又旅居海外的音乐人一路从黄海西岸的青岛游历至青藏高原最大的城市西宁；在这趟首尾对应黄河两端的巡演途中，她被中国前卫电子音乐场景和场景参与者的自由姿态深深吸引，随即思考如何以音乐创作为这个集体作出贡献。
Yellow River Blue，Yu Su 对于这段经历的开放性回应，听感流畅也暗藏情绪张力。源于自己丰富的聆听经验和对个人经历的敏锐感知，Yu Su 的音乐语言包含了超越⻛格标签和自身文化根源及所处环境的复杂意识。山水的清幽不仅仅源于她与自然的亲近关系，更是一种个人情绪外化的 “人造” ⻛景。
透过 Yu Su 拨弄的象征符号与音乐风格元素，你会清楚看到她扰乱 “内与外” “中与洋” “我与他” 边界的初心以及她温和又澄澈的自我画像 —— 于愈发混浊的湍流中泛起轻舟，以自若之势扬起一面古老的帆；Yu Su 正为自己，也为世上紊乱的风指引新的方向。

Brilliant 1999 debut album for Klaus Waldeck, a producer for Vienna's Spray Records, home to work by Kruder & Dorfmeister & Count Basic. Ten tracks.