So what happens when one of the most exciting young producers around reworks one of the most acclaimed albums from a true legend? The result is Gil Scott-Heron and Jamie xx's We're New Here which sees Jamie xx re-imagining thirteen tracks from the original I'm New Here album sessions. * In February 2010, Gil Scott-Heron released I'm New Here, his first album in 13 years. Produced by XL Recordings head Richard Russell during various studio sessions in New York, the album was enthusiastically received by fans and critics alike. * Meanwhile, the last eighteen months have been meteoric for Jamie xx. His band The xx's self titled debut album (which Jamie produced) received huge acclaim, picking up 2010's prestigious Mercury Music Prize, while Jamie garnered respect for his remixes (in particular of Florence & The Machine's `You've Got The Love' and more recently Adele's Rolling In The Deep) and solo productions (single `Far Nearer' on Numbers).

Genre: Electronic
Style: Nu Disco

Vincent Fenton (born March 27, 1991), known professionally as French Kiwi Juice or the abbreviation FKJ, is a French multi-instrumentalist, singer, and musician

张蔷2020年第三张专辑我在想着你呢……集合了电子，city pop，爵士黑炮，抒情摇滚四种风格。是一张很丰满的专辑！尝试和更年轻的音乐人合作

乐队25周年专辑

Kelly Lee Owens' masterful second album Inner Song finds the convention-blurring techno producer and singer/songwriter diving deep into her own psyche—excoriating the struggles she's faced over the last several years and exploring personal pain while embracing the beauty of the natural world.
Dinked Edition No. 44
* 2LP Exclusive Clear Vinyl
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* bonus Exclusive ‘Hidden’ track Side C
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* Etching on Side D
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* Signed and Numbered Exclusive 12” Art Print .
It's a leap in artistry from a musician who burst forth on the scene with a confident, rich sound, and Inner Song is endlessly enticing when it comes to what Owens is capable of.
Inner Song follows the star-making debut of her 2017 self-titled album, a quixotic blend of body-moving beats and introspective songwriting that garnered numerous accolades from the music press. Owens has indeed come a long way from her background as a nurse, since then she has remixed Bjørk & St Vincent, released an indelibly clubby two-tracker, 2019's "Let It Go" b/w "Omen" and
teamed up with like-minded auteur Jon Hopkins on the one-off "Luminous Spaces."
Her latest album also comes off of what Owens describes as "the hardest three years of my life" an emotionally fraught time that, in her words, "Definitely impacted my creative life and everything I'd worked for up to that point. I wasn't sure if I could make anything anymore, and it took quite a lot of courage to get to a point where I could make something again." So while the lovely cover of
Radiohead's "Arpeggi" might strike some as an unconventional way to open a sophomore effort, to Owens the winding take on the classic tune—recorded a year before work on Inner Song properly kicked off—represents the sort of sonic rebirth that's so essential to Inner Song's aura.
Inner Song was largely written and recorded over a month last winter. As with her debut, Owens holed up in the studio with co- producer and collaborator James Greenwood —and letting loose in the studio and being open to whatever sonic whims emerge was essential to Owens' craftwork. The evocative title of the album is borrowed from free-jazz maestro Alan Silva's 1972 opus, which was
gifted to Owens Smalltown Supersound's Joakim Haugland for her 30th birthday: "I'm so grateful for him and his perspectives—he's always thinking outside of the box. Those two words really reflect what it felt like to make this record. I did a lot of inner work in the past few years, and this is a true reflection of that." The hair raising bass and tickling textures of Inner Song drive home that, more so than ever, Owens is locked in to delivering maximal sonic pleasure—as evidenced by the decision to make the album's vinyl release a sesqui album, or triple-sided album: "Im still obsessed with frequencies that don't do well on vinyl if they don't have the space."
"The power of conceptualizing who you are has really informed this album" Owens states about Inner Song's essence, and her second album is truly a discovery of self— the latest statement from a fascinating artist who continues to surprise, gesturing towards a rich and varied career to come

2020年8月6日，高产的独立音乐人 haircuts for men 在其 bandcamp 主页放出了最新的专辑，新专辑延续了 downtempo 、chill-out 风格，低沉厚重、迷离而又不经意的电子节拍，似乎让听者在朦胧模糊的睡梦中漂浮，相信这张专辑是你在午夜都市中独自开车时优选背景音乐（雨夜更佳）