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NewRetroWave Review - newretrowave.com/album-reviews/2017/4/18/kalax-self-titled
NewRetroWave TOP TEN MUSICAL ARTISTS OF 2017 newretrowave.com/retrowave-articles/2017/12/27/top-ten-musical-artists-of-2017
NewRetroWave TOP TEN RETROWAVE ALBUMS OF 2017 newretrowave.com/retrowave-articles/2017/12/29/top-ten-retrowave-albums-of-2017
credits
released April 10, 2017
Track 4: Saxophone by Miguel Sueiras.
Track 7: Lyrics/Sang by World Wild.
Track 2: Mixed drums by Dream Fiend.
All Written, Recorded and Mixed/Mastered by Kalax.
Artwork by Tony Skeor.
Big thank you to World Wild <3
worldwild.bandcamp.com

E2-E4 is a 1984 album by electronica musician Manuel Göttsching. It was named the 79th greatest album of the 1980s by Pitchfork Media

Last year, Arca released KiCk i, which we’ve since learned is part of a full KiCk series. Today, she’s announced the final album is kick iiii, which is out December 3 via XL. We still haven’t heard KiCk ii or KicK iii, because those will also be arriving on December 3. That’s right: We will soon be getting three Arca albums on the same day. She’s also shared another single today called “Queer” that features Planningtorock.
“I remember finding ‘Meditation’ back in 2011/12 on Arca’s SC and becoming completely obsessed with the track,” Planningtorock said in a statement. “Then we finally met a few years later at a festival we both where playing in Krems, Austria and we instantly bonded. I threw my prosthetic nose into the crowd that night and found out later that it was Alejandra who had caught it. I love her so much and I’m so grateful she exists.”
Arca also shared some insight on the final LP in the series: “kick iiii is an entry of sensual charge in the cycle; my own faith made into song, a posthuman celestial sparkle, psychosexual pulsewidth modulation, queering the void, abyss alchemically transmuted into a deconstruction of what is beautiful, it is a healing spell, recognition of the alien inside, a bursting apart of old skin, fresh new sinew rippling outward from a beating core, the first prenatal kick—proof that there is a sentience with a will beyond its creators’ control expressing itself from within the womb.”

Kick II (stylized as KICK ii) is the fifth studio album by Venezuelan record producer and singer Arca. The album is scheduled to be released on December 3, 2021 through XL Recordings as a continuation to her 2020 record Kick I, complementing the Kick tetralogy. Kick II has been presented with one single so far: "Born Yesterday", featuring vocals by Australian musician Sia.

HYBR:ID VOL. 1 IS THE FIRST INSTALLMENT OF A NEW SERIES OF ALVA NOTO’S WORKS BRINGING TOGETHER HETEROGENEOUS COMPOSITION METHODS.
HYBR:ID VOL. 1 CAPTURES THE MUSIC COMMISSIONED FOR THE SCORE OF ‘OVAL’, THE CHOREOGRAPHIC PIECE DIRECTED BY RICHARD SIEGAL AND PERFORMED BY THE STAATSBALLETT BERLIN AT THE BERLIN STATE OPERA IN 2019.
THE PROCESS OF CREATING HYBR:ID VOL. 1 WAS DEFINED BY THE SEARCH FOR A FORM TO BIND ASTROPHYSICS PHENOMENA, FICTION, AND PERFORMANCE MOVEMENTS.
ITS NARRATIVE IS INSPIRED BY CINEMATIC VISUAL TECHNIQUES AND STATIC IMAGES PORTRAYING SCIENTIFIC EVENTS WHICH ALSO INSPIRED THE TITLES OF THE NINE COMPOSITIONS.
THE MUSIC POSSESSES A DILATED RHYTHMIC BASE CONTRIBUTING TO THE IMAGES OF GRAVITY AND SPATIALITY. AT POINTS STATIC IS USED WITH AN ORNATE, DELICATE INTRICACY. THE ALBUM’S SONIC SPECTRUM BUILDS WITH DEEP SUB-BASS, GLOOMY SONICS, SPACIOUS SOUND DESIGN, AND INORGANIC AMBIANCE THAT IS GENTLY COERCED WITH ARTISTIC FINESSE.
THE NINE COMPOSITIONS ARE ACCOMPANIED BY GRAPHIC NOTATIONS INFORMED BY THE ALBUM’S SONIC AND ACOUSTIC CODES.
HYBR:ID VOL. 1 WILL BE RELEASED DIGITALLY AS WELL AS A LIMITED EDITION VINYL AND CD.
ALBUM ART DESIGNED BY CARSTEN NICOLAI / NIBO

EXPEDITion heißt unsere neue Instrumental Hip Hop / Beat Art Reihe, die die talentiertesten Beatmaker des Landes präsentieren wird - egal ob noch unbekannt oder bereits in aller Munde!
Die Expedition-Reihe beschreibt nicht nur die Reise in die musikalische Welt einer neuen, kreativen Producer-Generation, auch grafisch hält die hand-nummerierte und streng limitierte Reihe eine besondere Collector's Überraschung bereit: Frei nach dem Titel EXPEDITion ergeben alle Teile gemeinsam ein liebevoll gefülltes Plattenregal, das hoffentlich bald die Wände aller 300 Hardcore-Digger des Landes schmückt!

More than an anthology, Underworld’s 1992-2002 'Best of' album includes unreleased tracks as well as some mixes available for the first time on CD. 16 re-mastered tracks from the original. Over two and a half hours of music.

Underworld 1992-2002 is not the full story. Underworld's back catalogue is too vast and rich for that, but it's a gripping one all the same, marking each step along the twisting road from (to paraphrase the Clash) Romford to the world. If Underworld's music has ever chimed with a moment in your life, these are good memories. The best.

Be Svendsen lässt sich einfach nicht in eine Schublade stecken. Zumindest eins steht aber fest: Seine stilistische Freimütigkeit passt ganz wunderbar an die frische Luft!
Durchweg spaßorientiert betreibt der Däne hier seine einzigartige Klang-Jonglage. Auf minimalem Groove wirbelt er surreale Samples und Melodiefetzen herum, bis sich das Kaleidoskopmuster der Sounds schließlich mit jazziger Stimmigkeit um die swingende Stimme einer Sängerin legt: Let Them Not Weep! Mollono.Bass zaubert für seinen Remix noch mal eine Extraportion Schub aus dem Ärmel, wie so oft ist es die Summe vieler Details, die hier für ordentlich Druck sorgt. Der Titel Leone galoppiert mit wunderbarer Verwegenheit in die Klanglandschaft eines Spaghetti Western. Zwischen Club- und Saloon-Atmosphäre tobt hier eine draufgängerische Party. Damit nicht genug cineastisches Hitpotential: Be Svendsen’s Remix seines unvergesslichen Solo Para Mi entwickelt aus wagemutigen Gitarrenakkorden eine wilde Arpeggio-Hypnose.

It’s simply impossible to put a label on the sound of Be Svendsen. Well, at least one thing can be said: His stylistic open-mindedness is just perfect for open air scenarios!
Seriously fun loving – that’s the style in which the Danish producer performs his signature sound juggling. Based on a minimal groove he whirls around surreal tunes and melody samples until eventually a kaleidoscopic pattern shapes around the swinging voice of a female singer: Let Them Not Weep! Mollono.Bass has even a little more boost up his sleeve, once again it’s the combination of many small details that makes his remix pumping and kicking. The audacious beats of Leone gallop straight into the acoustic landscape of a Spaghetti Western where a wild party is taking off when the adventurous atmosphere of a saloon meets the urban energy of a club dance floor. There’s even more cinematic hit potential on this record: Be Svendsen’s remix of his epic title Solo Para Mi evolves from daring guitar chords into the endless rising of hypnotic arpeggios.