音乐这种东西很抽象，需要你亲自去听、去感觉，光凭我说的话，也说不出什么。而且我的音乐并不深奥，老少皆宜，很容易理解。 ——窦唯说《东游记》
《东游记》的音乐算是窦唯与他的伙伴们全新的一次合作，也是最有创造性与延伸性的作品集。这次的乐手组合除了窦唯(瑟、琴、萧)、张荐(琴、鼓)、巫娜(琴、瑟)、文智涌(琴、瑟)这些“不一定”的固有成员外，又增加了一位吹笛的乐手宁英杰。由此可见，古乐依然是《东游记》的中心思想，古琴依然还是重点，“不一定”的每一位乐手，个个都是乐器的行家，拿起琴瑟，玩起古乐来，一样给你舒服流畅的感觉。（注：“不一定”是…）
令人称奇的是《东游记》的音乐，让你有更强烈的画面感，如同一副浓墨淡施的山水画，从中你可以感受到身心舒畅、心旷神怡的诗情画意，最为适合现代人在休闲时刻一边品茶、一边赏乐的恬淡生活。《东游记》分为上、下游两段音乐，也是迄今为止国内纯音乐作品中首次段落式的音乐专集，两段音乐不刻意的去区分曲目，而是顺其自然的将即兴表演的音乐录音制作完成，所以我们所听到的“上游”与“下游”，完全是一气呵成，未经修饰的一番杰作，这样的音乐形式更好也更完美的再现了乐手们现场的演绎与音乐的精髓，可谓中国纯音乐作品最大胆的一次尝试，也让许多国外专业音乐人士对窦唯、对中国音乐刮目相看，窦唯与他的乐手们，无疑是目前国内音乐圈中最用心、也是最勇敢的音乐人。

巫娜：古琴 一、三、四、五、八； 瑟 二、六、七
张荐：双面琴 打击乐 采样合成
文智勇：瑟 二、四；古琴 七；双面琴 八
窦唯：瑟 一、五、八；古琴 二；萧 三、四

Originally released in 1983.Between 1979 and 83, Shimizu belonged to this group playing tenor sax with other top class musicians and an American singer in a kind of art pop/new wave progressive rock and jazz mix which could probably be more appreciated now than back then.

Flying Lotus' full-length Warp debut, Los Angeles appears to be much more of a mission statement than a simple introduction – laying the foundation for a field on which an entire generation of artists would soon be playing. While that album was an introspective, moody travelogue through the Californian metropolis, it certainly hinted at Flying Lotus inclination to expand his sound beyond terrestrial means. As you may deduce from the title of his latest opus, he s done just that. Not only has an entirely new range of sounds been unlocked by our intrepid astral traveler, but every genre touchstone associated with his name has been merged into a self-described space opera. Seamless in execution and too wide in scope to properly describe, it is the authentic embodiment of his unique musical heritage. Expect collaborations with relative Ravi Coltrane, bass virtuoso Thundercat and the brilliant harp prodigy, Rebekah Raff as well as Erykah Badu and Outkast string arranger Miguel Atwood-Ferguson PLUS guest vocalists Thom Yorke and a returning Laura Darlington (featured on Los Angeles epic closing track Inifinitum ) help deliver Cosmogramma to dizzying new heights.

* 12" vinyl available at kontrabandstor.es/forestswords *
Original audio score created for contemporary dance piece 'Shrine', premiered in January 2016 in Liverpool, UK.
All pieces composed & produced by Matthew Barnes.
Mastered by Carl Saff. Available via Dense Truth.
Design & art direction by Matthew Barnes.
Commissioned by Metal.

作曲，制作，母带处理：罗可居
All music written, produced and mastered by Keju Luo
绘画：赵尔东
Original artwork by Erdong Zhao
设计：袁田
Graphic design by ytian
官方免费下载地址：

又是一张ECM的唱片,但是所有听过这张CD的人可能会觉得这还是我们熟悉的ECM之声吗?
挪威人尼尔斯.皮特.穆尔瓦代表了欧洲爵士的最新潮流,在这些新兴的音乐势力看来,爵士乐和其他音乐之间的界限应该再一次被打破或模糊,就像当年的融合爵士,只有和新的其他的音乐的结合,才是爵士乐的未来之路.穆尔瓦的这张专辑,是爵士乐和JUNGLE,DRUM' N 'BASS,BREAKBEAT,HOUSE等等正方兴未艾的当代电子的组合,前一分钟还是纯正的冷爵士SOLO,后一分钟,则出现了凶悍强劲的DRUM' N ' BASS节拍或迷幻的JUNGLE节奏,如此的实验在年轻人那里得到了更多的赞赏.
这是一张20世纪的人写给21世纪的人群听的爵士乐.AMG:四星

《儿童乐园》的最初构想是为两台模拟合成器而作的纯器乐专辑，但在写作与制作的过程中，它却悄然变了形，到最后成了一本偏向于歌的杂集。
既然是歌，就总得有人来唱。于是，我生了野心，欲邀请多位友人歌者来献声其中，演绎这些拼命也进不了卡拉OK厅的荒野情歌。可遗憾的是，其中多数的他们听过小样与试唱以后，都摇头皱眉婉拒而去。这让我始料未及，并陷入窘迫，眼前这一方乐园也就在去年初秋无奈搁浅了。
录音虽不进行，但我依然坚持不停地为《儿童乐园》写作。幸运的是，在每个周日的午后或黄昏，我都能为自己交出几页还算不差的草稿。这给人宽慰，也让我提起了信心并再次开始了器乐与人声试唱的录制。
“你为什么不自己来唱？” “本不是歌手，再加多年不唱，我看是整不成。” “这个无需顾虑，至少你的版本呈现是完全自然的。” 他是我最好的友人，也是我最尊敬的老师，但我依旧怀疑这是另外一种婉拒我邀约的方式。“主要后半段，肯定不如你的力度，我气息太保守。” 如上两句留言，更肯定了我的对他猜测。
随后的两个月里，我开始对人声进行重新录制，是的，我演唱了专辑里几乎所有的歌。而那另外的两首由成都歌者袁田，和电子音乐家姚春旸完成，她们是我心中的斗士，在此由衷感激。
《儿童乐园》包含了八部作品，分别为《非法戏院》、《艾迪布鲁斯》、《老醉鬼》、《亲爱的阿波普卡》、《星》、《第三十一封情书》、《虫斗组曲》(分上与下两章)、《黑狗》。每部音乐分别对应我在过去一年里写作的一些诗歌、信件与杂文，而歌词大多也摘于这些文本。
也感谢那些人与事，你们无疑才是这张专辑最美的缘起。

James Blake Litherland is an English singer, songwriter, multi-instrumentalist, and record producer from London. He first received recognition for a series of 2010 EPs including CMYK and Klavierwerke, and he released his self-titled debut album in 2011 to critical praise.

2011 album from the Canadian Electronic musician and sound artist. Recorded in a church in Reykjavik, Iceland and using a pipe organ as the primary sound source, this piece is essentially a live recording. In reality, it exists in a nether world between captured live performance and meticulous studio work, melding the two approaches to sonic artifice as a unity. It is in parts a document of air circulating within a wooden room, and also a pagan work of physical resonance within a space once reserved for the hallowed breath of the divine.

Alva Noto、池田亮司、ミカ・ヴァイニオ。
世界の電子音響～エクスペリメンタル・シーンに多大な影響を及ぼす巨星３人による2002年のコラボレーション・ライブが初音源化！
ドイツ電子音響レーベルRaster-Noton再編成後、Alva Noto主宰レーベルとなる【NOTON】がついに再始動。
再始動第１弾となる本作は、2002年9月23日にイギリス・ニューキャッスルのバルティック・センター・フォー・コンテンポラリー・アーツで行われた、アルヴァ・ノト、池田亮司、そして故ミカ・ヴァイニオの３人による素晴らしいパフォーマンスをキャプチャーしたライブレコーディング作品。ドイツ、日本、フィンランドの電子音響～エクスペリメンタル・シーンを代表する3人が共演した最初で最後のコンサートとなったこの録音は、2017年4月に53歳の若さで惜しくも他界したPan Sonicのメンバーでもあるヴァイニオへの追悼盤としてリリースされる。
「ミカは友人やコラボレーターとしてだけではなく、アーティストとしても私の作品にとってのインスピレーションでした。このリリースは我々の作品への彼の貢献を称えるものです。」とアルヴァ・ノトことカールステン・ニコライは語る。
電気や静電気、機械のハムを彷彿させるエレクトリックでインダストリアルな音の要素は、芸術的で繊細なテクニックを持った熟練の匠たちの手によりエレガントに支配され、深みのある超低音ベース、高圧で無機質なアンビエンス、なめらかで空間性のあるサウンドデザイン、機械のように反復を繰り返すリズムへと構築され、3人の個性と特徴が驚くほどに素晴らしいバランスで融合されたミニマルかつパワフルなパフォーマンスが展開される。45分に渡るパフォーマンスの幕を閉じる圧倒的なインダストリアル・ノイズの壁は聴くものに高揚感と強烈な余韻を与えるだろう。

Special deluxe edition of the definitive 1974 album from Krautrock pioneers! Features all new artwork, liner notes by band founder and mini LP packaging. Purple Pyramid. 2002.

1977年12月發表的Before And After Science，參與樂手粒粒皆星：Bill MacCormick、Brian Turrington、Paul Rudolph、Achim Moebius, Mobi Roedelius、Dave Mattacks、Jaki Liebezeit、Phil CollinsFred Frith。記得留意By This River。

Seeping to the surface two years since his cherished and widely acclaimed 'Persistent Repetition Of Phrases' LP, 'An Empty Bliss Beyond The World' returns our doddering protagonist to the deserted ballroom, wandering its waxed floor and dilapidated grandeur in an attempt to capture an era which has long since disappeared but still haunts the atmosphere. In the meantime he's accessed an alternate set of memory banks with his derivés into Leyland Kirby land, but back in The Caretaker role, James Leyland Kirby conjures a quieter, more introspective spirit, lost in his own mind amidst a low-lit labyrinth of ever-decaying and antediluvian shellac phrases. Sourced from his mysterious collection of 78s, these vague snippets of archaic sonics reflect the ability of Alzheimers patients to recall the songs of their past, and with them recollections of places, people, moods and sensations. The effect is subtly amplified by the chronic vinyl cut at Berlin's D&M, allowing each memory to segue seamlessly and unpredictably into the next for an otherworldly and disorienting experience. Coupled with another deeply enigmatic artwork commission from Ivan Seal, 'An Empty Bliss Beyond The World', is a highly potent transmission from one of the most singular characters operating in music today.

THE CARETAKER IS RELEASING SIX NEW WORKS.
'Everywhere at the end of time' is a new and finite series exploring dementia, its advance and its totality. Featuring the sounds from the journey The Caretaker will make after being diagnosed as having early onset dementia. Each stage will reveal new points of progression, loss and disintegration. Progressively falling further and further towards the abyss of complete memory loss and nothingness. Viewing dementia as a series of stages can be a useful way to understand the illness, but it is important to realise that this only provides a rough guide to the progress of the condition. Drawing on a recorded history of 20 years of recollected memories this is one final journey and study into recreating the progression of dementia through sound.

Limited Edition Japanese "Mini Vinyl" CD, faithfully reproduced using original LP artwork including the inner sleeve. Features most recently mastered audio including bonus tracks where applicable.