Pharoah Sanders is an American jazz saxophonist. A member of John Coltrane's groups of the mid-1960s, Sanders is known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound".

Pharoah Sanders is an American jazz saxophonist. A member of John Coltrane's groups of the mid-1960s, Sanders is known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound".

Japanese pressing of this CD reissue of Sanders' 1973 album, originally released on Impulse Records. Features two tracks: 'Love Is Everywhere' and 'To John'. 2006.

Live in Japan is a four-disc box set by American saxophonist John Coltrane and his last group, featuring the quintet of Coltrane, his wife/pianist Alice, saxophonist/bass clarinetist Pharoah Sanders, bassist Jimmy Garrison and drummer Rashied Ali. The 4-CD set compiles all the music issued as three albums in the seventies by Impulse!; Concert In Japan (1973, US 2-LP, electronically processed for compatible quadrophonic/stereo), Coltrane In Japan (1974, Japan 3-LP (side six is blank), mono) and Second Night In Tokyo (1976, Japan 3-LP (side six contains an interview, mono). (Some of this material was also reissued as two 2-LP sets in 1980 by MCA under the titles Coltrane In Tokyo Vol. 1 and Coltrane In Tokyo Vol. 2) The first CD issues were by Impulse! Japan as two 2-CD sets: Live In Japan Vol. 1 (same as "Coltrane In Japan") and Live In Japan Vol. 2 (same as "Second Night In Tokyo"). The US 4-CD edition includes both of these volumes, with identical mastering from the original mono tapes. The side six interview from "Second Night In Tokyo" has never been reissued on any CD edition.
Recorded live on Coltrane's only Japanese tour in July 1966 at two Tokyo venues, Shinjuku Kosei Nenkin Hall and Sankei Hall, it is taken from mono radio broadcasts. It is notable for the presence of alto saxophone by both Coltrane and Sanders; neither man often recorded with the instrument.
By this point in his career, Coltrane was firmly enmeshed into the avant-garde style of jazz. Sanders, who was an innovator of free jazz, influenced Coltrane's playing through his technical use of overblowing and fierce vibrations of the reed, and this record is remarkable for its use of multiphonics, overtones, and other extended musical techniques from both players.

Pharoah Sanders is an American jazz saxophonist. A member of John Coltrane's groups of the mid-1960s, Sanders is known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound".

Bass – Kohichi Yamazaki, Yasushi Yoneki
Drums – Akihiro Ishiwatari, Kenichi Kameyama
Piano – Shoji Aketagawa
Producer – Shoji Aketagawa
Tenor Saxophone – Kazunori Takeda

Cecil Percival Taylor (born March 25, 1929) is an American pianist and poet.Classically trained, Taylor is generally acknowledged as one of the pioneers of free jazz. His music is characterized by an extremely energetic, physical approach, producing complex improvised sounds, frequently involving tone clusters and intricate polyrhythms. His piano technique has been likened to percussion, for example described as "eighty-eight tuned drums" (referring to the number of keys on a standard piano). He has also been compared to "Art Tatum with contemporary-classical leanings."

自身のソロデビューアルバムであり、邦楽ポップス史に燦然と輝き続ける名盤=『HOSONO HOUSE』(1973年5月発売)をまるごと新録!『HOSONO HOUSE』とはエイプリルフール、はっぴいえんど、ティン・パン・アレーで活動したのち、狭山市/アメリカ村の自宅へレコーディング機材を持ち込み制作された、細野晴臣初のソロ作品であり、以降の邦楽シーンに多大なる影響を与えた金字塔。2019年にデビュー50周年を迎える細野晴臣が、「HOSONO HOUSE」をいかに新構築するのか? 50周年のキックオフアイテムとしての鮮烈な一撃!

Drums – Moses Boyd, Yussef Dayes
Harp – Tori Handsley
Tenor Saxophone – Binker Golding
Tenor Saxophone, Soprano Saxophone – Evan Parker
Trumpet – Byron Wallen
Recorded At Total Refreshment Centre, London, June 2017.
Limited release of 500 hand numbered copies.
Comes with an insert with black and white photo's.

Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on December 24, 1965
Cornet, Composed By – Don Cherry
Bass – Henry Grimes
Drums – Edward Blackwell*
Engineer [Recording] – Rudy Van Gelder
Liner Notes [Original] – Nat Hentoff
Mastered By [Transferred Using 24-bit Resolution] – Ron McMaster
Photography By [Cover And Liner Photographs] – Francis Wolff
Producer [Original Session Produced By] – Alfred Lion
Reissue Producer [Reissue Produced By] – Michael Cuscuna
Tenor Saxophone – Leandro "Gato" Barbieri*

山下洋輔（Piano）、坂田明（Alto Sax）、森山威男（Drums）
坂田明,森山威男を擁する伝説の山下トリオの,75年の德国でのライヴ・レコーディング。3人が疾風怒濤のごとく突っ走る演奏はまさに圧巻だ。3人の個性がぶつかりあい,山下トリオでしか創り出すことのできない音楽をクリエイトしている。迫力満点だ。

Matana Roberts returns with the fourth chapter of her extraordinary Coin Coin series - a project that has deservedly garnered the highest praise and widespread critical acclaim for it's fierce aesthetic originality and unflinching narrative power. The first three Coin Coin albums, issued from 2011-2015, charted diverse pathways of modern/avant composition - Roberts calls it "panoramic sound quilting" - and ranged sequentially from large band to sextet to solo, unified by Roberts' archival and often deeply personal research into legacies of the American slave trade and ancestries of American identity/experience. Roberts also emphasizes non-male subjects and thematises these other-gendered stories with a range of vocal and verbal techniques: singspeak, submerged glossolalic recitation, guttural cathartic howl, operatic voice, gentle lullaby, group chant, and the recuperation of various American folk traditionals and spirituals, whether surfacing in fragmentary fashion or as unabridged set-pieces. The root of this vocality comes from her dedication to the legacy of her main chosen instrument, the alto saxophone. On Coin Coin Chapter Four: Memphis, Roberts convened a new band, with New Yorkers Hannah Marcus (guitars, fiddle, accordion) and percussionist Ryan Sawyer (Thurston Moore, Nate Wooley, Cass McCombs) joined by Montréal bassist Nicolas Caloia (Ratchet Orchestra) and Montréal-Cairo composer/improviser Sam Shalabi (Land Of Kush, Dwarfs Of East Agouza) on guitar and oud, along with prolific trombonist Steve Swell and vibraphonist Ryan White as special guests. Memphis unspools as a continuous work of 21st century liberation music, oscillating between meditative incantatory explorations, raucous melodic themes, and unbridled free-improv suites, quoting archly and ecstatically from various folk traditions along the way. Led by Roberts' conduction and unique graphic score practice, her consummate saxophone and clarinet playing, and punctuated by her singing and speaking various texts generated from her own historical research and diaristic writings, Coin Coin Chapter Four is a glorious and spellbinding new installment in this projected twelve-part Gesamtkunstwerk. Says Roberts: "As an arts adventurer dealing w/ the medium of sound and it's many contradictions I am most interested in endurance, perseverance, migration, liberation, libation, improvisation and the many layers of cognitive dissonance therein as it relates to my birth country's history. I speak memory, I sing an American survival through horn, song, sadness, a sometimes gladness. I stand on the backs of many people, from so many different walks of life and difference, that never had a chance to express themselves as expressively as I have been given the privilege. In these sonic renderings, I celebrate the me, I celebrate the we, in all that it is now, and all that is yet to come or will be... Thanks for listening."

On Elephantine, his new album released exclusively on Sub Rosa as vinyl LP, Cairo-based Maurice Louca guides a 12-piece ensemble through a 38-minute masterwork that might best be described as panoramic. Elements of free improvisation, Sun Ra’s cosmic jazz, gorgeous Arabic
melody, trancelike African and Yemeni music and minimalism meet in his wholly unique compositional vision. Louca also makes vital contributions on guitar and piano, and inspires stirring performances from a global lineup.

Pharoah Sanders is an American jazz saxophonist. A member of John Coltrane's groups of the mid-1960s, Sanders is known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound".

Pharoah Sanders is an American jazz saxophonist. A member of John Coltrane's groups of the mid-1960s, Sanders is known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound".

Pharoah Sanders is an American jazz saxophonist. A member of John Coltrane's groups of the mid-1960s, Sanders is known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound".