minimal
Basictonalvocabulary 豆瓣
Surgeon
发布日期 1997年6月6日 出版发行: Tresor (EFA)
真名Anthony Child,英国电子音乐人/DJ。他在自己的厂牌Counterbalance和Dynamic Tension下发行音乐。大厂牌如Tresor,Soma,Harthouse也出版过Surgeon的原版作品和混音作品。个人感觉他的作品比较黑暗、激烈,非常有层次感。
上海的地下Techno和House音乐组织Void可能会在今年五月将Surgeon带来上海,如果确定后会在我的博客放出消息。
个人网站:
Mort Aux Vaches 豆瓣
fm3
发布日期 2005年1月1日 出版发行: Virgin
FM3 went into the VPRO studio for their Mort Aux Vaches session in August 2004, right in the middle of a six-month tour of Europe and North America. The session captured the last-ever performance of FM3 material developed for a project at the Louvre museum,
and was seen by the band as a definitive version of that particular live set. Following this MaV session, the material was retired and never performed again.
Founded in Beijing in 1999, FM3 pioneered avant-garde electronic music in China. Virant works closely with computer musician Zhang Jian, distilling the FM3 sound from traditional Chinese instruments and home-made electronic loop boxes called "buddha machines."
Sonne 豆瓣
Rival Consoles 类型: 电子
发布日期 2014年9月16日 出版发行: Erased Tapes
2019年6月20日 听过
Haunt!这首我在哪儿听过?可能是虾米的日推给我播过,我收藏了?
electronic idm minimal
生命金属 豆瓣
5.8 (9 个评分) Sunn O))) 类型: 摇滚
发布日期 2019年4月19日 出版发行: Southern Lord
SUNN O))) are pleased to present Life Metal, their first new studio album in four years, due for release on Southern Lord in April 2019. The album will be supported by their first European tour since 2016, including their first ever French tour - dates and details below.
At the very beginning of 2018 SUNN O))) co-founders Stephen O'Malley & Greg Anderson set out on a path toward a new album production. They were both determined to create new music and a new method of working in the studio, without forgetting the long and proud history of production and studio accomplishments forged during their first two decades of existence (and the members' own musical experiences out of the band's). One long term goal was completely clear: to record Sunn O))) with Steve Albini in his Electrical Audio studio. Steve took the call, said "Sure, this will be fun. I have no idea what is going to happen."
Greg and Stephen gathered twice that spring for writing, conceptualising and riff woodshedding in the very building where the band was formed: Downtown Rehearsal in Los Angeles. Sonic cosmoses, flashes of abstract colour (synthetic and objective) and themes emerged from the mastered depths of saturation and circuits between the two players and their mountains of gear. Themes developed in terms of brightness and energy, while visionary cues pointed toward subconscious areas of practice and the pair realised they were exploring other zones of consciousness via sound/time and sound/energy manipulation. In early summer a pre-production session with full backline, as a trio with T.O.S. on Moog, was recorded at Dave Grohl’s 606 studios, Northridge, California.
In July 2018 SUNN O))) spent just over two weeks in Chicago at Electrical Audio (Studio A) with Steve Albini at the helm. The results are astounding: there is breadth and luminosity of colour, it sounds vast. The sessions were impeccably recorded, authentically represented and completely accurate. The spectrum cracked the firmament open in clarity. An all analogue technique was used, they recorded and mixed on tape, providing a creative gateway for SUNN O))) to evolve their production methods into stronger, confident, performance based and a more logical executive process. The album was mastered and lacquers cut from tape in October by SUNN O))) ally Matt Colton at Alchemy in London. The LP version is a AAA album, recorded and mixed on tape via a completely analogue production, from the input of the band's amplifiers and the air coming off the speakers in front of the microphones to needle touching the pressed vinyl on your turntable.
Continuing one of the main currents of the SUNN O))) concept, depth of exploration within collaboration, brought forth Hildur Guðnadóttir to the Sunn O))) constellation. Hildur is a sometime live collaborator of Sunn O))) and a renowned film music composer, former member of the bands Múm, Pan Sonic and Angel. She was a long time collaborator with the composer Jóhann Jóhannsson (RIP). Hildur lent her incredible attitude, as well as her voice, breath and electric cello, and the enigmatic haldorophone to the proceedings, culminating in the epic composition/concerto "Novæ". The cosmos clearly expands.
Tim Midyett, a close friend of Greg and Stephen since the Seattle days of the early 90s (and member of Silkworm, Bottomless Pit and Mint Mile), joined in a foundational role tying earth to sound with wicked performances on aluminium neck bass and baritone guitars: instruments he helped pioneer playing back in the 90s (alongside Steve and Shellac of course). Dark matter is reality.
Prolific new music composer Anthony Pateras arranged and recorded an incredible contribution of pipe organ for a piece titled "Troubled Air" (titled after an essay by author Aliza Shvarts, who also penned the liner notes for Sunn O)))’s Kannon) at Schlosskappelle, Schloss Solitude, Stuttgart. String theory of space.
The resulting album is titled Life Metal. It is fully realised and completely real. The record was produced by the core of Stephen & Greg & arranged by the greater constellation Sunn O))). Paintings by visual artist Samantha Keely Smith graciously adorn the sleeve and provide a perfect suitable mask to the proceedings. They collide ideas of 19th century romanticism & late 20th abstract expressionism (mysticism) with Sunn O)))’s approach to metal (via reference points of Arbo, Turner, Delville, Richter, Turrel, Wou-Ki). Photographer Ronald Dick shot them in baths of light colour representing depth of sound pressure in the work.
Loop-Finding-Jazz-Records 豆瓣
8.9 (14 个评分) Jan Jelinek 类型: 电子
发布日期 2017年4月28日 出版发行: Scape (EFA)
Faitiche is delighted to present a long-lost vinyl album: for the last 14 years, Jan Jelinek's Loop-Finding-Jazz-Records, originally released in 2001 on ~scape, existed only as a download. Now the album is available again on vinyl, as a double LP with two bonus tracks (B-sides from the Tendency EP, 2000).
What the press said about Loop-Finding-Jazz-Records:
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.”
(RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré... more
credits
released April 28, 2017
Written by Jan Jelinek, produced by Jan Jelinek, recorded in 2000, Berlin. Mastering by Stefan Betke and Rashad Becker. Graphic design by Jens Reitemeyer
2019年1月4日 听过
5位好友评分:10.0。五星力荐。2000录制,2017年发行(之前专辑发行时间显示为2001年,已更正)。专注。
ambient electronic idm minimal techno
Musik 豆瓣
Plastikman 类型: 电子
发布日期 1994年1月1日 出版发行: Mute U.S.
在这张 Plastikman 系列的第二张全长专辑 Musik 中,制作人 Richie Hawtin 再次实践了 Sheet One 的成功之道,制作了一张既是续集又是重写的专辑。再一次用极简而又刺耳的909鼓机为每一首歌提供动力,并加入了大量疯狂的303合成器酸性旋律线,奇妙地重现了 Sheet One 的酸性电子乐主题。不过,这次 Hawtin 摆脱了那张专辑中弥漫的氛围,反而给 Musik 带来了更活泼的感觉,尤其是在专辑的开头和结尾,节奏达到了舞池的强度。专辑以循序渐进的 Konception 和蜿蜒的 Plastique开始,两首酸度很高的“伏笔”延续20分钟。接下来的一系列短曲——Kriket、Fuk、Outbak、Ethnik、Plamastik 和 Goo——挑战了严格意义上打击乐的极限。这个有点实验性的 Musik 中间部分与之前的 Recycled Plastik EP 中杰出的作品 Spastik 的打击乐基调相似,放弃了酸性旋律以及合成器旋律,而采用了多层次的909打击乐,几乎没有其他东西。从Marbles 和 Lasttrak开始,Hawtin 又回到了 Musik 开场的酸音,又是一段非常相似的长达20分钟的慢速构建,蜿蜒的酸性Techno。专辑开场的20分钟是生动活泼,而结尾的这20分钟则是黑暗的,甚至有时简直让人不寒而栗。总之,Musik 巧妙地涵盖了极简Techno的方方面面,从酸味十足的曲目到对超极简的探索,在这个过程中展现了 Hawtin 对 Roland 303和909鼓机惊人的掌控力,以及对“专辑音乐”连续性的出色把握。
2018年12月27日 听过
拆迁队入场了!锤工们开始砸墙:咚咚咚咚!电焊工们带上面罩,开始点焊:次,次次次。有人往外甩一圈圈的旧铁丝:啾啾~啾~啾~。工人们往地上扔一块块废旧铁皮:锵!锵!锵锵!还有钻眼的,嗡嗡嗡嗡嗡。
electronic minimal techno