Hudba: Ludvík Kandl, PPU [1], Milan Hlavsa [2-5, 7, 9-10], Joe Karafiát, PPU [6], Jiří Kabeš, PPU [8]
Texty: Bruno Schulz, úprava Vratislav Brabenec [1, 6], J. H. Krchovský [2, 4, 7, 9, 10], Petr Lampl [3], Zbyněk Hejda [5], Vratislav Brabenec [8]
Vratislav Brabenec – basklarinet [1], altsaxofon [2, 4, 7, 9, 10], zpěv [3, 6, 8], klarinet [8]
Josef Janíček – klávesy [1-10], zpěv [2, 3, 4, 9]
Jiří Kabeš – viola [1-10], zpěv [7]
Ludvík Kandl – bicí [1-7, 9-10], zpěv [1]
Joe Karafiát – kytara [1-2, 4-10], baskytara [3]
Eva Turnová – zpěv [1, 3, 5, 6], baskytara [2, 4, 7, 9, 10]
Ivan Bierhanzl – kontrabas [1, 5, 6, 8, 10]
Milan Hlavsa – zpěv [10]
Recorded, mixed, produced and additional compositions by PPU.
Recorded and mixed at studio Kufr, Slabce u Rakovníka.
Mastered at studio Aion, Praha.
Cover design: Jiří Kabeš
Design: Karel Drašnar
Production: Tomáš Uher, Globus Music
Lyrics translated by Marek Tomin and Howard Sidenberg
© Globus Music 2001
Vyšlo na CD a MC, 4. 6. 2001. Booklet obsahuje texty písní v češtině a v angličtině.

Companies, etc.
Recorded At – Cacophony Recorders
Mixed At – Cacophony Recorders
Recorded At – Wire Recording
Mixed At – Wire Recording
Recorded At – Shh! Recording
Mixed At – Shh! Recording
Mastered At – Bionic (2)
Printed By – Thingmakers
Published By – The Black Angels Publishing Co.
Pressed By –
Credits
Bass, Guitar – Nate Ryan
Design [Graphic] – Brian Jones (19), Christian Bland
Drone [Drone Machine] – Jennifer Raines
Drums, Percussion – Stephanie Bailey
Guitar, Bass, Vocals – Christian Bland
Mastered By – Dave Cooley
Recorded By, Mixed By – Erik Wofford (tracks: 1 to 4, 7 to 10), Ross Ingram (2) (tracks: 5, 6)
Vocals, Bass – Alex Maas
Notes
6-panel embossed digipak with clear tray.
Track 10 contains a hidden track (track 10.2). Track 10.1 lasts for 10:33 before a period of silence. Track 10.2 runs from 14:13 to 18:06.
Recorded and mixed at Cacophony Recording Studio, except tracks 5 and 6 at Wire Recording and Shh! Recording.
℗ & © 2006 Light In The Attic Records & Productions, LLC, PO Box 31970 Seattle, WA 981031
Made In Canada
Barcode and Other Identifiers
Barcode (UPC): 826853001823
Matrix / Runout: MM-C0-09546-01-G2
Mould SID Code: IFPI 3J03

《武侠》7月4日全国巨献
导演：陈可辛
演员：甄子丹、金城武、汤唯、王羽、惠英红、李小冉
久未出声的窦唯，在陈可辛的诚意下，怀着对《武侠》摇滚主题的兴趣，亲自操刀为影片量身定做并演绎了主题曲《迷走江湖》。
江湖中迷走，浑然身自由，末日归家路，立地诵佛经。

★電子迷幻搖滾先鋒，1981年發行之舞曲傑作精選輯，2017全新發行進口黑膠版本
★收錄1981年由David Gilmour重新錄製之版本“Money”, “Shine On You Crazy”, “Wish You Were Here”, “Another Brick in the Wall”等名曲
★2017年全新黑膠珍藏版本，由Pink Floyd葛萊美獎御用製作人James Guthrie&錄音師Joel Plante，以及世界級母帶製作大師Bernie Grundman聯手使用樂團原始類比母帶重新製作，180g黑膠高品質壓製，音質全面提升更添搖滾傳奇收藏價值

★美國《搖滾名人殿堂》和英國《音樂名人堂》的至尊榮耀 搖滾傳奇平克佛洛伊德Pink Floyd，1977年第十張錄音室專輯
★英國流行專輯榜No.2，全美流行專輯榜No.3，一張呈現1970年代後期英國政治與社會現象的概念專輯
「平克佛洛伊德Pink Floyd」整合迷幻和太空搖滾，將實驗、敘事性豐富的前衛搖滾，以及運用哲學性的詞藻，摸索出前衛搖滾的未來，進而造就了流行音樂史上最偉大的傳奇，每一個世代的樂迷不斷地從他們的音樂作品中，體驗到跨越時空的聽覺驚喜；每一個世代的樂團持續在他們的音樂作品中，思考著搖滾樂所能創造的想像空間與情感共鳴。自1967年組隊以來至2014年底的最後一張專輯《The Endless River》，47年以來，平克佛洛伊德歷年專輯的全球累積銷售量超過二億張，其中加總停留美國告示牌881週的傳世經典《The Dark Side Of The Moon》、史上最偉大的概念專輯《The Wall》，都是影響後輩的膜拜聖碟。分別入籍美國《搖滾名人殿堂》和英國《音樂名人堂》的至尊榮耀、滾石雜誌和VH1頻道的《史上百組經典藝人》、Q雜誌《史上最偉大的樂團》名單，留給後世無數搖滾樂迷，一篇跨越半世紀，定義完美經典的搖滾史記。
平克佛洛伊德第10張專輯《Animals》，深受英國作家喬治歐威爾、反烏托邦的政治寓言小說【動物農莊Animal Farm】的啟發，Roger Waters在歌曲中以不同的動物性格，代表人類社會中的不同階層，透過歌曲中描述動物社會的統治與對抗情形、來抨擊當時英國的社會問題與政治局勢。除了政治意涵，專輯中也向當時的龐克搖滾運動嗆聲: 專輯中除了〈Dogs〉是Roger Waters與David Gilmour所合寫，其它歌曲都是Roger Waters獨自創作。以兩部曲方式呈現的〈Pigs On The Wing〉是一首散發民謠氣息的搖滾曲，Roger在這首歌曲中表達了對當時愛人的深情，相對於專輯中其它歌曲較為黑暗的主題氛圍，這首歌在表達私情之餘，也帶來一絲希望。

Featuring band members from REM, Coldplay, The Flaming Lips and The Verve. Half vocal and half instrumental, it ranges from ominous and churning to sweetly beautiful and hypnotic. Combining classic songwriting skills and deeply soulful guest performances with experimental sounds. 2002.

英国Trip-hop乐队。1994年在cup of tea厂牌下发行了首张EP《Foot Damage》。自1994年发布CDS以来 至今共出了1张CD 3张EP 4支CDS。
<hey> 作为一个纯粹的器乐作品的开场已经显示了这个乐队的重心 更加地强调各种器乐和鼓机的融合来营造一个trip hop的深邃幽暗的意境。
<purple> 动听清脆的镲 BRONAGH温柔平静的嗓音和感伤的歌词 流畅的旋律。
<ride on> 翻唱于古爱尔兰民谣。

Ege Bamyası is the fourth studio album by the German experimental rock band Can which was originally released as an LP in 1972 by United Artists. The album contains the single "Spoon", which charted in the Top 10 in Germany, largely because of its use as the theme of a German TV thriller mini-series called "Das Messer" (The Knife). The success of the single allowed Can to move to a better studio in which they recorded Ege Bamyası. Ege Bamyası was remastered as a hybrid SACD in 2004 which includes a booklet with commentary on the album by former Melody Maker journalist David Stubbs, as well as previously unreleased photos of the band.

Can在1969年带着他们制作粗糙却令人鼓舞的专辑《Monster Movie》初次登场，这也是唯一一张由来自美国本土的歌手Malcolm Mooney主唱所有歌曲的专辑。
Can's debut is the only full-length, proper release to feature original vocalist Malcolm Mooney

Can was a German experimental rock band formed in Cologne, West Germany in 1968 by the core quartet of Holger Czukay (bass), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums).
The group cycled through several vocalists, including Malcolm Mooney ('68ñ70) and Damo Suzuki ('70ñ73), as well as various temporary members. Drawing from backgrounds in the avant-garde and jazz, Can incorporated minimalist, electronic, and world music elements into their often psychedelic and funk-inflected music. They have been widely hailed as pioneers of the German krautrock scene.
The band used the names "Inner Space" and "The Can" before finally settling on "CAN". Liebezeit subsequently suggested the backronym "Communism, Anarchism, Nihilism" for the band's name. In mid-1968, the band enlisted the creative, highly rhythmic, but unstable and often confrontational American vocalist Malcolm Mooney, a New York-based sculptor, with whom they recorded the material for an album,Prepared to Meet Thy Pnoom.
The next few years saw Can release their most acclaimed works. While their earlier recordings tended to be at least loosely based on traditional song structures, on their mid-career albums the band reverted to an extremely fluid improvisational style.
The double album Tago Mago (1971) is often seen as a groundbreaking, influential and deeply unconventional record, based on intensely rhythmic jazz-inspired drumming, improvised guitar and keyboard soloing (frequently intertwining each other), tape edits as composition, and Suzuki's idiosyncratic vocalisms. Czukay: "(Tago Mago) was an attempt in achieving a mystery musical world from light to darkness and return."
The later albums Landed (1975) and Flow Motion (1976) saw Can moving towards a somewhat more conventional style as their recording technology improved. Accordingly, the disco single "I Want More" from Flow Motion became their only hit record outside Germany. Co-written by their live sound mixer Peter Gilmour, it reached No 26 in the UK charts in October 1976, which prompted an appearance on Top of the Pops, where Czukay performed with a double bass.
In 1977 Can were joined by former Traffic bassist Rosko Gee and percussionist Rebop Kwaku Baah, both of whom provided vocals to Can's music, appearing on the albums Saw Delight (1977), Out of Reach (1978) and Can (1979). During this period Holger Czukay was pushed to the fringes of the group's activity; in fact he just made sounds using shortwave radios, Morse code keys, tape recorders and other sundry objects. He left Can in late 1977 and did not appear on the albums Out of Reach or Can, although he was involved with production work for the latter album. The band seemed to be in a hiatus shortly afterwards, but reunions have taken place on several occasions since.
Tago Mago is the third album by the German krautrock band Can, originally released as a double LP in 1971. It was the band's second studio album and the first to feature Damo Suzuki after their previous vocalist, Malcolm Mooney, quit the band in 1970 to return to the United States.
Tago Mago has been described as Can's best and most extreme record in sound and structure. The album has received much critical acclaim since its release and has been cited as an influence by various artists.
With the band in full artistic flower and Damo Suzuki's sometimes moody, sometimes frenetic speak/sing/shrieking in full effect, Can released not merely one of the best Krautrock albums of all time, but one of the best albums ever, period. Tago Mago is that rarity of the early '70s, a double album without a wasted note, ranging from sweetly gentle float to full-on monster grooves. "Paperhouse" starts things brilliantly, beginning with a low-key chime and beat, before amping up into a rumbling roll in the midsection, then calming down again before one last blast. Both "Mushroom" and "Oh Yeah," the latter with Schmidt filling out the quicker pace with nicely spooky keyboards, continue the fine vibe. After that, though, come the huge highlights three long examples of Can at its absolute best.
"Halleluwah" featuring the Liebezeit/Czukay rhythm section pounding out a monster trance/funk beat; Karoli's and Schmidt's always impressive fills and leads; and Suzuki's slow-building ranting above everything is 19 minutes of pure genius.
Members
Damo Suzuki ñ vocals
Holger Czukay ñ bass, engineering, editing
Michael Karoli ñ guitar, violin
Jaki Liebezeit ñ drums, double bass, piano
Irmin Schmidt ñ keyboards, vocals on "Aumgn"

"Future Memories" is compiled by Interchill label DJ/AandR Nathalie Edell and
features 10 previously unreleased tracks by top ambient and downtempo
producers.
With hypnotic beats, sublime atmospherics and delicate ambient textures this
compilation reaches forward into uncharted realms while stirring up ephemeral
recollections of days gone by. A perfect blend of chilled-out rhythms and open
spaces, Future Memories offers the listener plenty of room to drift and
groove. Unfolding in its own time, this stellar collection of tunes represents
the sound of the ever-present moment.
Future Memories is the first Interchill release of 2008 and is reminiscent of
earlier compilations such as Interior Horizons, Infinessence and Bliminal.
With tracks by Mauxuam and Eat Static, this album gives a taste of what's to
come for Interchill's two forthcoming artist albums due out this Spring and
Summer, paving the way for one of the busiest years yet for the label.

Protection is the second album by Bristol-based trip hop collective Massive Attack. Released in 1994, it was last to feature Tricky as a member of the group, after going solo with his album Maxinquaye in 1995.

1 Atom Heart Mother: Father's Shout/Breast Milky/Mother Fore/Funky Dung Geesin, Gilmour, Mason, Waters ... 23:44
Composed by: Geesin, Gilmour, Mason, Waters, Wright
2 If Waters 4:30
3 Summer '68 Wright 5:29
4 Fat Old Sun Gilmour 5:22
5 Alan's Psychedelic Breakfast: Rise and Shine/Sunny Side Up/Morning ... Gilmour, Mason, Waters, Wright 13:00

大门主唱花样男子莫里森可谓划时代意义 形象深入人心

The Doors乐队于1965，在洛杉机成立，乐队成员是歌手JimMorrison、键盘手Day Manzarek、吉他手Robbie Krieger和鼓手John Densnore。乐队的倡导者Morrison为乐队取了“The Doors”的名字。同年，The Doors因为Morrison的《末日》而结识了Love乐队的歌手Arthur Lee, 由他引荐给了Joc Holzmen的Elektra唱片公司，并签约于该公司。

1967年1月，乐队首张专辑《The Doors》推出，立即在歌坛上引起了强烈的反响，不仅很快打入排行首，并且停留121周之久也为之罕见，专辑中《燃起我的心火》和《结束》两首主打歌曲更是精妙之作，充分展示了乐队乐手精湛的技艺及Morrison非凡的创作才华。7月，《燃起我的火》，精炼后又作为单曲发行，100多万张的销量使The Doors乐队成为世界一流的摇滚乐队.

最重要是有首張單曲Arnold Layne！