HEAVN is about black girlhood, about Chicago, about the people we miss who have gone on to prepare a place for us somewhere else, about the city/world we aspire to live in. I hope this album encourages listeners to love themselves and love each other. For black and brown people, caring for ourselves and each other is not a neutral act. It is a necessary and radical part of the struggle to create a more just society. Our healing and survival are essential to the fight.

Import only 29-track double disc collection! Highlights include 'Never Never Gonna Give Ya Up', 'Cant Get Enough Of Your Love Babe', 'Playing Your Game, Baby' and many more. Universal. 2006.

Anita Denise Baker is an American singer-songwriter. She is regarded as one of the most popular singers of soulful romantic ballads during the height of the quiet storm period of contemporary R&B in the 1980s.

当年得了年度最佳唱片奖的一张专辑，非常成功转型的加入了作为背景的弦乐风格，键盘和电脑运用更加的纯熟，再加上去了L.A的录音棚，唱片整体效果以及音质的水平可以说是80年代最出色的AOR和FUSION了

Until a late flurry of percussion arrives, doleful guitar and bass are Solána Rowe’s only accompaniment on opener “Supermodel,” a stinging kiss-off to an adulterous ex. It doesn’t prepare you for the inventively abstract production that follows—disembodied voices haunting the airy trap-soul of “Broken Clocks,” “Anything”’s stuttering video-game sonics—but it instantly establishes the emotive power of her rasping, percussive vocal. Whether she’s feeling empowered by her physicality on the Kendrick Lamar-assisted “Doves in the Wind” or wrestling with insecurity on “Drew Barrymore,” SZA’s songs impact quickly and deeply.

24bit digitally K2 remastered.

Digitally remastered 2008 Japanese-only release, part of their excellent Soul Masterpiece series. Originally released in 1979, this release from this Soul band is appearing here for the first time on CD. Universal.

Since the mid-1980s, Earth, Wind & Fire's output had been erratic and quite uneven. One never knew whether the veteran soul/funk band would come out with something as impressive as Share the World or something as embarrassing as Heritage. After many years with Columbia, EWF switched to Warner Bros. — ironically, a label that gave Maurice White and friends the boot back in 1972 — with Millennium. While Heritage found EWF bending over backwards to appeal to urban contemporary tastes, sounding unnatural and even silly in the process, Millennium is a more honest and organic recording. Though hardly in a class with That's The Way Of The World or Spirit — or for that matter, Share The World — Millennium is a decent offering that finds the crew being true to itself. Much of the material, especially "Sunday Morning," "Chicago (Chi-Town) Blues" and "Honor the Magic," is fairly memorable. Unfortunately, the urban contemporary audience wasn't receptive to EWF's honesty. As influential as EWF had been, and as often as it had been sampled in hip-hop, the group was treated like it was expendable.