Forest Swords, aka electronic producer and artist Matthew Barnes, releases his debut score for film: ‘The Machine Air'.
"Part art film, part performance piece, ‘The Machine Air’ is a fever dream visual poem and the first film to be both about – and recorded by – flying drones. Created by speculative architect and director Liam Young, it jams together Youtube and Liveleak rips with specially filmed, astonishing aerial shots of Indian textile factories and Bolivian lithium mines – the first time ever captured on camera. Premiered in its original form at BFI London Film Festival, it’s since been screened at the likes of Sonar Festival and Eindhoven Bienniale.
Barnes’ score, presented here sculpted and edited into 14 individual tracks, echoes the film’s cyberpunk claustrophobia: smeared sci-fi synth and distorted melodies rattle alongside metronomic rhythms and stretched samples, rewiring the hums of flying vehicles into warped and contorted sound design. Intimate piano melody weaves with sub bass, while woozy electronics and strings mirror the fluttering of the machines as they hover skywards, powering up and down. ‘The Machine Air’s soundtrack navigates the tension of this tech in our lives: drones simultaneously used as autonomous killing machines or aid delivery vehicles; surveillance robots or Amazon shopping tools. While Barnes’ previous work has retooled organic and human sounds into modern electronic worlds, here he pushes and pulls the music into beautiful, more dystopian shapes, combining with Young’s visuals to give a chilly glimpse into the near future."

The soundtrack to Stanley Kubrick's Full Metal Jacket is an even split of memorable needle drops from artists such as The Dixie Cups, Nancy Sinatra & The Trashmen and an intense, moody score by Abigail Mead (actually Kubrick's daughter Vivian under her preferred composer credit).
Mead's work delivers huge haunting swathes of metallic drones and atmosphere, giving way to punishing rhythmic drums that sound like explosions, helicopters, and warfare. It's a remarkable piece of music that sounds years ahead of its time.

Death Stranding: Timefall is a soundtrack album for the 2019 action game, Death Stranding. Featuring eight songs from various artists, it was released on November 7, 2019 in digital stores, through RCA Records and Sony Interactive Entertainment.

Jeff Russo is an American composer, songwriter, guitarist, vocalist and music producer, and one of the two founding members of American rock band Tonic. He is also a founding member of acoustic rock band Low Stars.

《指环王》以四项奥斯卡大奖震惊全世界，其中电影原声音乐获第74届奥斯卡最佳原创配乐大奖。

汇集了爱尔兰New Age音乐女王Enya和擅长惊栗片配乐的Howard Shore这两位蛮声国际的音乐人为该片创作的电影原声大碟《指环王》也将是一张绝对值得广大乐迷和影迷期待和珍藏的原声专辑。无论是Enya为该片创作的主题曲《May it be》，还是Howard Shore在该片中气势磅礴的配乐，都能让你体验到那种只有在梦中才能体验的感觉。

Laurel Halo presents an album’s worth of score provided for the 2018 experimental documentary Possessed by Dutch design collective Metahaven, produced in collaboration with Rob Schröder and Dutch Mountain Films. Her first foray into writing music for the screen, the album provides a rich variety of sounds, from aqueous, subterranean drones, to plaintive folk pieces for violin and cello, to uncanny pseudoclassical piano mutations.
It’s fitting for Laurel Halo to move into the score world. Already known for her ability to craft evocative, emotionally charged music, the pieces on offer give shade and contour to the central questions of Possessed: how do we find new ways of being together, outside the self-surveillance of social media? What can life look like outside neverending competition? The film’s sophisticated collage including makeup tutorials, phones melted by liquefied lead, FBI facial recognition, selfie risk-takers atop cranes, and ecstatic believers all point to the central question of the film: who is looking out for you?
The soundtrack traverses both the synthetic and acoustic, in keeping with the film’s tension between what is natural and unnatural. Opening track Hyphae unfolds like the eponymous fungal network, spreading and extending indelibly; the Rome Themes signalling religious, romantic yearning; the delicate piano of Marbles recalling the recurrent motif of black marbles, all knocking against one another, but never touching. Zeljava, named after the abandoned former Yugoslavian military airbase featured in the film, is a central piece for its wrenching resonance. In a nod to film music tradition a simple rendition of Pergolesi’s Stabat Mater is also included in the collection.
Violinist Galya Bisengalieva and cellist Oliver Coates provide rich performances, and renowned engineer Paul Corley lends additional production.

Tales from the Loop is a 2020 American science-fiction drama series based on the art book of the same title by Simon Stålenhag. The series is created by Nathaniel Halpern for Amazon, stars Rebecca Hall, Tyler Barnhardt, Duncan Joiner, Daniel Zolghadri, Nicole Law, Jane Alexander, Stefanie Estes, Tatiana Latreille, Christin Park, Alessandra de Sa Pereira, Alec Carlos, Danny Kang, Dylan Bodner, Jodi Lynn Thomas, Sean Connolly Affleck, Erik Athavale.

范吉利斯，本名埃萬蓋洛斯·奧德修斯·帕帕薩納西奧斯，希臘音樂家，他的音樂風格集電子、新世紀、古典於一體。他曾因為電影《火戰車》、《銀翼殺手》、《1492：征服天堂》、《南極物語》等製作電影配樂而成名。《火戰車》配樂贏得了第54屆奧斯卡「最佳電影音樂」獎

全球经典史诗巨制，华特迪士尼出品的电影《狮子王》原声带正式上线。
原版《狮子王》电影曾是动画影史的巅峰杰作之一，牵动着一代代人的难忘记忆，电影曾横扫了奥斯卡【最佳原创歌曲】、【最佳配乐】、金球奖喜剧类【最佳影片】、安妮奖【最佳动画】等在内的众多金奖。今年上映的新版《狮子王》电影由Jon Favreau执导，以全新方式将电影中的经典角色搬上荧幕。
1994年，原版《狮子王》曾在音乐历史上同样缔造了众多非凡荣誉，连续10周在美国公告牌专辑排行榜上问鼎第一并被美国唱片工业协会认证“钻石唱片“，销量超过1000万张。今年新版本《狮子王》延续94版音乐传奇音乐人团队联袂打造，包括奥斯卡与格莱美得主巨星Elton John，奥斯卡及格莱美得主的音乐诗人Tim Rice两位黄金搭档以及传奇配乐大师Hans Zimmer，更有音乐天后Beyoncé，Pharrell Williams等音乐人强势助阵，齐力为音乐史诗再创新荣耀。
全新《狮子王》原声带收录19首曲目，包括由Elton John与Tim Rice共同谱写，Elton John献唱的振奋人心的全新歌曲“Never Too Late“（出现在电影片尾），还有曾经风靡全球的经典曲目“Can You Feel The Love Tonight”。乐迷既可以听到二人合力新作，也可以在原声带中重温二人打造的经典原声。此次，荣获格莱美奖的金曲制单机Pharrell Williams也为新版《狮子王》原声带献力，参与5首曲目制作，包括“I Just Can’t Wait to Be King”，“Hakuna Matata”，“The Lion Sleeps Tonight”，“Can You Feel the Love Tonight”，“Mbube”。更为耀眼的还包括流行音乐天后Beyoncé的强势助阵，除了担纲电影中Nala（娜娜）角色配音，献声经典金曲“Can You Feel The Love Tonight”，更打造与献声全新原创单曲“Spirit”，歌曲由Beyoncé携手Ilya Salmanzadeh，Timothy Mckenzie共同参与创作，Beyoncé亲力参与制作。同时，参与配音(成年辛巴)与献唱的还有今年格莱美四座奖项得主Donald Glover（Childish Gambino）以及为小辛巴配音的天籁金嗓少年JD McCrary等等。
而配乐部分则继续请到奥斯卡与格莱美得主由配乐大师Hans Zimmer参与塑造。此外，带有非洲特色元素的Vocal以及合声编排请到了荣获奥斯卡奖，来自南非制作人兼创作人Lebo M。在重温《狮子王》配乐时，Hans Zimmer想到曾经的音乐主题与旋律是“故事的情感支柱”，于是，他为重塑新作请回了许多参与原版电影音乐的幕后工作者，包括Lebo M，管弦乐家Bruce Fowler，指挥家Nick Glennie-Smith，编曲家Mark Mancina以及部分合唱团的歌手，其中包括了在94版电影中献唱“Circle of Life”的音乐艺术家Carmen Twillie。为了以不同形式打造新版《狮子王》配乐，Han Zimmer还招募了由Matt Jones 和 Stephanie Matthews领衔重组的管线乐团以及交响乐团Hollywood Studio Symphony。Hans Zimmer表示他的目标是将配乐原声打造得现场表演一般的水准。
导演Favreau分享到“就让这部音乐作品直击你的心灵深处吧，就算你还不了解这部电影或舞台剧，都可以从音乐中感受到它的精神力量。但是如果你已经知道这部电影，而它的音乐也曾伴随你成长，那么它能马上唤起你对故事的记忆，并且在94版《狮子王》电影牵动下，会回忆起自己曾经的种种经历，比如你生活的地方，你的童年或者那时候遇到的事情等等。”
华特迪士尼工作室音乐及原声带总裁Mitchell Leib也赞誉道“那些为此项目共同付诸心血的音乐天才们是无与伦比的。导演Jon Favreau对这次音乐合作的深爱与本能激发了Hans Zimmer, Lebo M, Pharrell Williams, Elton John, Tim Rice, Beyoncé, Donald Glover乃至整个音乐团队。他们在音乐上的慷慨，富有灵感以及奉献精神达到了令人敬畏的高度，他们共同开辟了歌曲创作，制作以及表演的强大音乐之旅。”
《狮子王》电影领先全球，于7月12日在中国首映。跟随跨世代意义的巨制电影与史诗音乐的同步问世，那些作品也将与辛巴一同踏上这“重回荣耀大地的王者之路“。

第55屆金馬獎八項入圍，並榮獲2018台北電影節五項大獎的《誰先愛上他的》，由邱澤、謝盈萱一起主演，導演徐譽庭、許智彥一起指導，共同合作。
故事講述從一場保險金的爭奪戰，揭開了一群善良台北人的可愛面貌。一個十四歲的臭屁男孩，
因為父親病逝後留下的保險受益人被竄改，而成為這場爭奪戰的客觀視角。故事藉著男孩的探索拼湊出自己死去父親的故事，
也逐漸揭開那位歇斯底里的母親的秘密，以及竊佔保險金的惡人小王的真實面貌。

以『台北直直撞』撞出新樂種的李英宏，這回獲導演徐譽庭欽點，搭配《誰先愛上他的》電影，首度嘗試電影配樂，
以他擅長電子樂風結合70年代復古的編曲調性，擔綱詞曲創作、演唱、編曲、製作成電影原聲帶，配合畫面及劇情，將電影裡人性情感的張力烘托更為濃厚。
電影主題曲【愛上你】特別邀請到萬芳與李英宏男女合唱，曲風以西部搖滾為的基調，編曲加入李英宏擅長的復古電子元素，
對唱的設計如同用音樂「談」了一場電光石火的戀愛，直接俐落表達「命中註定」的愛戀般天雷勾動地火，轟轟烈烈。
電影插曲【峇里島】更是入圍第55屆金馬獎[最佳原創電影歌曲]
當初在構思時，導演徐譽庭藉由一齣舞台劇的故事，引導李英宏去構思電影裡情境的呈現，讓他譜寫出電影裡不同性別情感的認同與接納，在拉扯的現實狀態裡，人人都能去追尋心中各自有愛的夢奇地。即使夢想不一定能成真，但能懷有夢想還是美好的，只要心中有愛。

以拍摄意大利西部片成名的意大利籍导演塞吉欧里昂，带领观众横跨四十余年，以纽约的犹太社区为背景，叙述四个从小一起长大的童年玩伴之间纠葛的恩怨情仇。金奖影帝罗伯特·德尼罗(Robert De Niro)饰演面条，是四位主要人物中的主角，本片以艾隆索与其伙伴的犯罪生涯为主轴，是一部描写友谊与对立、忠诚和背叛等人性冲突的黑帮史诗电影，时代背景跨越经济大恐慌、禁酒令及第一次世界大战等美国史上的重要大事。 演技派演员詹姆斯 伍兹(James Woods)也在片中出饰一角；本片当年曾入围金球奖最佳导演，而曾为多部脍炙人口的电影配乐，堪称意大利国宝级大师的颜尼欧莫利克奈（Ennio Morricone）也以本片获得金球奖的最佳原著音乐提名，颜尼欧以忧伤怀旧的配乐，将观众带回多年前纽约的犹太人区，重温昔日风情.
音乐在缓慢的节奏中展现出的是时代的变迁，人岁月的流逝，在饱尽风雨之后的一种外表上的宁静和内心里的动荡。她没有多少大气磅礴的气势，但在绵绵中透露出人间的种种风云变更，那流淌不息的音乐像是一位经历了各种世态炎凉的老人回顾着自己所走过的坎坷一生，充满了悲凉与孤寂。
Ennio Morricone最大限度地发挥了音乐对心理的的启示作用，每一个跳动着的音符都蕴藏着一种生命趋向，让你漫步于生命的巷道中，朝着深巷里那无边的尽头走去，虽然天空是一片晴朗，虽然生活仍在继续，但这路没有尽头，只有无尽的彷徨和对生命的迷惑，这恰与影片中几位主角的生存状态相吻合，他们是混迹于世间，但没有任何的结果，在最后只是曲终人散，以前曾经有过的辉煌现在已经不在，只能在残烛中萧萧地回忆着、回忆着...... 纯洁的少年时光在如流水般的音乐声中渐渐消逝掉....

美剧《双峰 第三季》歌曲专辑