violence
狼族尖兵 (1991) 豆瓣 维基数据 IMDb TMDB
Clearcut
导演: Ryszard Bugajski 演员: 罗恩·利 / 格雷厄姆·格林
其它标题: Clearcut / 아더는 영혼을 살해했다
当一名律师失去了阻止伐木公司砍伐美洲原住民土地的上诉时,一名印第安人激进分子将他和被绑架的伐木工厂经理拖进了森林。律师的空谈是关于公司的贪婪应该受到怎样的惩罚,这是亚瑟的残酷行为,他以寓言的方式折磨经理,模仿伐木者对森林的所作所为。
最后的日出 (2019) IMDb 豆瓣 TMDB
最后的日出
导演: 任文 演员: 张珏 / 张苒
其它标题: Last Sunrise / 라스트 선라이즈
在未来,地球上所有的化石能源都被消耗殆尽,人类全面进入了太阳能时代。能源公司开始全面的开发和控制太阳,人类社会逐渐向完全依赖太阳能Ⅱ型文明迈进。
但在一次人类科学无法探明的天体活动中,太阳突然消失了。整个世界陷入了黑暗的无政府状态,大面积抢夺生存资源的恶性事件在城市不断发生,富人乘坐宇宙飞船逃离到其他星球,普通人只能留在地球享受世界末日。社恐障碍的天文学自由撰稿人孙炀与素未谋面的废柴邻居陈暮被迫结伴共同踏上末日逃亡之旅,前往传说中人类最后的庇护之所——第四区。一路上他们与形形色色的人匆匆相遇,见到了最残酷的人性与最温情的告别。在无数次的死里逃生之后,两颗寂寞的心开始慢慢靠近,并在残酷的灾难面前逐渐发现了生命的意义……
2021年12月31日 看过
Watched as a part of the 42nd Asian American Film Festival. The story behind how the film was made is fascinating.
chinese scifi solar violence
90年代中期 (2018) Eggplant.place 豆瓣 维基数据 IMDb TMDB
Mid90s
7.2 (72 个评分) 导演: 乔纳·希尔 演员: 桑尼·苏尔季克 / 凯瑟琳·沃特斯顿
其它标题: mid90s / Mid90s
影片围绕13岁的史蒂维在夏天与一群滑板少年交朋友的过程。酒精、毒品、性爱、滑板运动是他们生活中的必备元素,但与此同时,他们也在跌跌撞撞中寻找自我。
北好莱坞 (2021) IMDb TMDB 维基数据 豆瓣
North Hollywood
导演: 米基·艾尔弗雷德 演员: 赖德·麦克劳克林 / 米兰达·卡斯格拉夫
其它标题: North Hollywood / 노스 헐리우드
第一部关于成为职业滑冰选手的电影。
2021年12月31日 看过
2021年12月31日 评论 a review of 北好莱坞 - Similar to Mid-90’s, North Hollywood holds the tension of being in a group of friends who have contradicting life paths, even it seemed like they were on the same page before, and sometimes, when doing stuff like skating, it still feels that way. The pacing of the movie was a little off, I honestly couldn’t tell what time period the movie was trying to set itself in with the sets and outfits until I realized it was supposed to be a Gen Z thing. With some awkward acting and some questionable casting, not to mention the whirlwind of an ending in the last ten minutes, it was clear that this was a movie that I wasn’t really watching for a good movie per se, but because of the relatability of the story portrayed: why my head has been at while growing up with kids like this, talking like this, doing things like this. I think about what my wolrd would be like if I had stayed on one path or another then, would I have found a place for myself where there was no one like me anyway? It’s a little weird now, not having people to talk to this about, the people that this makes me nostalgic for. I’ll sit with that. I was glad to see Nico Hiraga though I wish he got to play a stronger role. I have no intention of watching Booksmart (2019) or Moxie (2021) which are comedies. I think I also became conscious that without knowing a lot about how skate reels are done it can be hard to follow why certain cuts are highlighted over others: doing the same trick over and over and sometimes it’s not the same guy, sometimes it pans to other people in the background, I couldn’t tell if it was part of the plot at first but by the end of it I kind of just let it go. It was definitely much less explicit than Mid-90’s, and for a coming of age film, this wasn’t really about the jokes. I’m almost a little reminded of Submarine (2010) (which has some awesome music by Alex Turner of Arctic Monkeys, probably some of my favorite songs by him on there) in terms of drama and vibe, but Submarine still was meant to be a comedy too. This film has an emphasis on loneliness and the real consequences of being lower-middle class. It’s kind of wild to think that this movie was produced by Pharrell Williams and Noah Centineo (among others). While more tame than the Mid-90s it’s also why they got turned down by Sundance for this one, but again this film showcases kids who grew up in a certain era, from the color blocking to the slang used.
coming of age drugs gen z skate violence