❈ 陈楸帆、淡豹推荐。曾获美国国家图书奖提名、星云奖提名。入选《纽约时报》《巴黎评论》《洛杉矶时报》《ELLE》年度好书。、
❈ 作者是师承安吉拉·卡特、奥康纳、麦卡勒斯的美国新生代小说家。她以细腻敏感又古灵精怪的声音，打破科幻、奇幻、现实主义、成长小说文类界限，直面最 接地气的女性话题。
❈ 八篇故事，带来八种惊奇与洞察，有关女性生活和内心的混乱与狂喜，思考性、权力、快乐、痛苦和自我挣扎，书写生活中那些未曾言明但无处不在的真相。无论你是男性还是女性，它们都会促使你重新审视当下的生活选择和情感关系。
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这是一部小说集，由八篇小说组成。作者将现实和幻想混合在一起，讲述了八个有关自我意识和成长的故事：脖子上绑着丝带的女子原本一直拒绝丈夫取下丝带，最后终于妥协，导致离奇事件发生；独居时，一个女人记录下与其他人交往的细节，以人际互动中的种种困境，审视孤立状态下的人性；改写经典美剧中的警探故事，讲述女性职场生活的真实困境和诡怪的都市传奇……作者塑造了许多或迷茫或坚定，但都努力追寻理想的女性形象，用她们的视角探索何为更好的生活、更好的世界。
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这部书是充满野性的，覆满亮片和鳞甲，安吉拉•卡特、凯莉•林克、海伦•奥耶耶美这些寓言作者的影响在马查多的作品中闪耀，也混合了科幻、恐怖故事的元素。
——《纽约时报》
这本书有一些科幻，有一些幻想，通篇都幽默风趣。马查多的小说讨论的是一些不可思议的身为女人的方式：完全做她自己。
——美国全国广播公司
这是一部令人意外、独具一格、野心勃勃的小说集，充满了猎奇的故事，但它们揭示的是有关身为女性的那些无处不在又未曾言明的真相，而这是那些更“现实主义”的写作所难以企及的。
——美国国家公共电台
《派对恐惧症》是无与伦比的：作者用荒诞奇诡的叙事才能讲述的是那些切中要害，但此前却被我们忽略的事……马查多展现了发自肺腑深处的写作可以多么独特、具有颠覆性、充满骄傲和乐趣，即使这肺腑已经受到创伤。
——《洛杉矶时报》
《派对恐惧症》的语言如此富有质感，你简直想把这些句子拿起来放在手指间摩挲……一种强健的女性主义精神流溢在整部书中，作者对女性身体的思考集中于性、权力、快乐、痛苦和自我挣扎。很少有作者像马查多这样善于在写作中激发身体感觉：在血肉中栖息的无数种感受及其混乱与狂喜。马查多将迥然不同的、互相冲撞的元素融为一体。
——《波士顿环球报》
《派对恐惧症》是一部令人赞叹的处女作，黑暗而熠熠闪光，如黑夜，如刀锋。
——书籍论坛
在马查多笔下，似乎一切事物都经历了摧毁和重生。
——《明星论坛报》

"Writing Diaspora" questions aspects of cultural politics, including the legacies of European imperialism and colonialism, the media, pedagogy, literature, literacy, sexuality, intellectual labour, the uses and abuses of theory, and popularized notions about 'others'. Essentialist notions of culture and history; conservative notions of territorial and linguistic propriety, and the 'otherness' ensuing from them; unattested claims of oppression and victimization; sexist and racist reaffirmations of sexual and racial diversities that are made in the name of moralist rectitude - all these forces create new 'solidarities' whose ideological premises remain unquestioned. "Writing Diaspora" sets up an oppositional discursive space in the midst of these new solidarities. Chow juxtaposes a range of cultural contradictions in order to rethink the currently dominant conceptualizations of the solidarities themselves.

2019年8月第1版 有2019年9月3印本

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

With the Nebula Award–winning Uprooted, Naomi Novik opened a brilliant new chapter in an already acclaimed career, delving into the magic of fairy tales to craft a love story that was both timeless and utterly of the now. Spinning Silver draws readers deeper into this glittering realm of fantasy, where the boundary between wonder and terror is thinner than a breath, and safety can be stolen as quickly as a kiss.
Miryem is the daughter and granddaughter of moneylenders, but her father’s inability to collect his debts has left his family on the edge of poverty—until Miryem takes matters into her own hands. Hardening her heart, the young woman sets out to claim what is owed and soon gains a reputation for being able to turn silver into gold.
When an ill-advised boast draws the attention of the king of the Staryk—grim fey creatures who seem more ice than flesh—Miryem’s fate, and that of two kingdoms, will be forever altered. Set an impossible challenge by the nameless king, Miryem unwittingly spins a web that draws in a peasant girl, Wanda, and the unhappy daughter of a local lord who plots to wed his child to the dashing young tsar.
But Tsar Mirnatius is not what he seems. And the secret he hides threatens to consume the lands of humans and Staryk alike. Torn between deadly choices, Miryem and her two unlikely allies embark on a desperate quest that will take them to the limits of sacrifice, power, and love.
Channeling the vibrant heart of myth and fairy tale, Spinning Silver weaves a multilayered, magical tapestry that readers will want to return to again and again.

The popular paperback edition with a cover design by Tolkien himself, to complement the Hobbit and Lord of the Rings paperbacks. Includes a special preface by J.R.R. Tolkien. The Silmarillion is an account of the Elder Days, of the First Age of Tolkien's world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included in the book are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabeth recounts the downfall of the great island kingdom of Numenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings.

本书对女性与现代性之间的复杂关系进行了创新而激动人心的探索，挑战了传统的以男性为中心的现代性理论，并大胆质疑了某些女性主义观点，这些观点或是将现代性妖魔化为内在的父权制的产物，或是假定了一个有关现代社会男性经验和女性经验之间的简单对立。作者将文化历史和文化理论相结合，聚焦于19世纪末这个特殊的历史时期，对怀旧、消费、女性书写、大众化的崇高、进化、革命和变态等概念进行了检视。她从比较和跨学科的视角出发，对来自英语、法语和德语传统的大量文献进行了细致的文本分析，涉及社会学理论、现实主义和自然主义小说、颓废文学、政论文章和演讲、性学话语，以及通俗情感小说等多个领域，分析的男性和女性作家包括齐美尔、左拉、萨克-马索克、拉希尔德、玛丽•科雷利、王尔德和奥利芙•施赖纳等。
“得益于菲尔斯基开阔的批评视野和丰富的批评情感，该书提供了对性别和现代性的绝佳思考，而且菲尔斯基最终让我们相信，对这两个问题的思考必须紧密联系在一起。我想不出还有什么书能具有这种兴趣的广度，以及对理论价值变化的警觉。可以说，菲尔斯基以出类拔萃的水准，用后结构主义的方法书写了一部翔实的历史唯物主义佳作。说这本书充满智慧毫不为过：它缜密公允，关注政治，兼收并蓄，又具有令人振奋的跨学科思维。”
——詹妮弗•维克（Jennifer Wicke）, 纽约大学
“菲尔斯基向我们证明了性和性别对现代主义/现代性文化的核心意义，她的研究复杂而巧妙，既利用了当代理论，又借助了对手边材料的历史研究。与她先前的论著一样，菲尔斯基展现了扎实的、前沿的学者知识，同时对该领域一些过热的理论话语表现出了良好的冷静态度。她对女性主义、后结构主义、马克思主义等常见的理论观点的评论总是十分公正，她文笔清晰，论证中闪耀着洞见的火花。”
——安德烈亚斯•许森（Andreas Huyssen），哥伦比亚大学

The celebrated author of Gender Trouble here redefines Antigone´s legacy, recovering her revolutionary significance and liberating it for a progressive feminism and sexual politics. Butler´s new interpretation does nothing less than reconceptualize the incest taboo in relation to kinship -and open up the concept of kinship to cultural change. Antigone, the renowned insurgent from Sophocles´s Oedipus, has long been a feminist icon of defiance. But what has remained unclear is whether she escapes from the forms of power that she opposes. Antigone proves to be a more ambivalent figure for feminism than has been acknowledged, since the form of defiance she exemplifies also leads to her death. Butler argues that Antigone represents a form of feminist and sexual agency that is fraught with risk. Moreover, Antigone shows how the constraints of normative kinship unfairly decide what will and will not be a livable life. Butler explores the meaning of Antigone, wondering what forms of kinship might have allowed her to live. Along the way, she considers the works of such philosophers as Hegel, Lacan, and Irigaray. How, she asks, would psychoanalysis have been different if it had taken Antigone -the "postoedipal" subject -rather than Oedipus as its point of departure? If the incest taboo is reconceived so that it does not mandate heterosexuality as its solution, what forms of sexual alliance and new kinship might be acknowledged as a result? The book relates the courageous deeds of Antigone to the claims made by those whose relations are still not honored as those of proper kinship, showing how a culture of normative heterosexuality obstructs our capacity to see what sexual freedom and political agency could be.

一位难以解读的小说家
一部台湾文学史上不可忽视的经典
联合报文学小说大奖得主，童伟格作品首次引进
◎ 编辑推荐
★ 童伟格是台湾六年级小说家中最具代表性的一位，曾获台湾省文学奖、联合报文学奖、台湾文学金典奖等认可，被认为是袁哲生、骆以军之后“内向世代的集大成者”。
★ 魔幻写实、乡土主义、现代主义、内向世代……我们能从童伟格的书写轮廓中瞥见许多风格，却无法用某一个特定的形容词去概括他。如同骆以军所说：“童伟格的可怕，在于他可以解释其他全部人，而竟无人能解释他。”
★ 作为童伟格首次引进的作品，《王考》有着不可忽视的地位。它是童伟格25岁出版的首部作品，一出版便惊艳台湾文坛，在其中他将种种小说的技艺操练到相当的高度，如黄锦树曾言：“童伟格的小说写作，几乎是一开始就很成熟了，好似直接跳过了学徒的阶段，第一部小说集《王考》里的多个短篇就几乎是杰作。”
★ “我问祖父，爱情是什么？我问他，人怎么这么愚蠢？我问，我们活着为什么？”在《王考》中，童伟格用锐利的冷调文字捕捉生命中的神秘瞬间，讲述老灵魂不欢的童年故事。他拆解具体情节、冻结叙事时光，让人物直接和命运对话。故事仓皇流转，却始终覆盖在死亡的阴影之下。
◎ 内容简介
在这部短篇小说集中，童伟格运用乡土、魔幻写实，甚至是历史与神话的嫁接等各种自由的叙事，拓展出九篇面貌繁复的作品，并在这些篇章以滨海山村为原点，反复书写来去其中的人。他们跨过山，越过海，穿行公路，去往城市，最终又回返山村。不断徘徊的人们，重复出现的场景，让小说展示出一幅幅时间冻结的画面，并且在一次次静止的瞬间之中，直面命运。
◎ 名人推荐
★ 我确实为童伟格这些篇优美纯粹的小说迷惑吸引。“怎么可能那么好？”那是一个比我的小说启蒙时刻上跳了几十年的，宽阔而完整的“人直接与命运对话”“叙事尚未被污染之前”的地貌。
——台湾小说家 骆以军
★ 《王考》彻底的抒情风格，也道出童伟格与抒情主义的亲缘性。在这一点上，他的写作可说是位于其他两个早夭的同代人袁哲生（强烈的抒情性）和黄国峻（标准的现代主义）的延长线上，企图更远地朝向其消失点——那永远不可能趋近的可能性的尽头。
——马华文学作家 黄锦树
★ 老灵魂不欢的童年，这是我对童伟格的小说看法。他几乎用小孩“我”的口吻说故事，锐利而冷静，情节流畅，难得之处是他擅用人物的动作描摹内心状态，纯然带着说故事的本色。读他的小说，我想到的画面是：“乡村杂货店前的老人，讲着童年故事。”
——台湾小说家 甘耀明
★ 在《王考》这本小说中，处处充满了死亡与失落的阴影，仿佛是不可抗拒地陷入到一个时间与时间的夹缝之中，指针卡住，故人物仓皇流转在梦境与现实的边际，而生与死俨然成为一体之两面，记忆斑驳成为拼凑的残缺碎片。
——台湾作家 郝誉翔
◎获奖记录
★《我》荣获1999年“台北文学奖”短篇小说评审奖
★《暗影》荣获2000年“大专学生文学奖”短篇小说叁奖
★《躲》荣获2000年“台湾省文学奖”短篇小说优选
★《王考》荣获2002年“联合报文学奖”短篇小说首奖
★ 作者以长篇小说《西北雨》成为2010年“台湾文学奖”图书类长篇小说金典奖得主

做一只章鱼或乌贼是怎样的？
动物是否能意识到自身感觉到的一切？
完全不像人脑的大脑会如何看待世界？
哲学×演化 → 心灵×物质
主观经验的演化起源也许未必以“有类似人脑的复杂大脑”为前提
特别说明：乌贼也是本书的重要角色！
◎ 编辑推荐
☆写作层次丰富，拓展多元新知：这是一部视角多维的自然志和哲学分析笔记。作者作为一名哲学家，跳离扶手椅中的空想推论，一跃潜入海面之下，搜寻探究他心问题（the problem of other minds）的信息拼图。他以人类的心灵，观察、跟踪和理解章鱼、乌贼等他者的心灵，让文字在哲学和科学之间无缝切换。
☆收录作者本人的潜水摄影：作者早年就通过博客记录下自己的潜水经历、与章鱼和乌贼相遇的种种趣闻，还有前沿的研究报道。本书不仅通过文字重现了这个哲学家对头足纲动物产生兴趣的过程，还穿插了作者和潜水同伴在水下（尤其在章鱼城邦架设GoPro相机）拍摄到的精彩照片和视频截图。书中还精选了部分彩插，为我们生动展现了头足纲动物调色、摆造型和追赶打斗的细节。
☆从潜水爱好到学术研究，从专业探索到社会关怀：作者的写作和思考并不止步于满足自己的好奇心和研究旨趣。作者在书中还为我们展示了海洋环境变迁的一角历史，他本人同时积极投身澳大利亚本土的生物多样性与海洋保护行动，并把这本书题献给每一个保护海洋的人。
☆已翻译成20多种语言版本，备受各界赞赏：《科学》《科学美国人》《纽约时报》《大西洋月刊》《金融时报》《卫报》《华尔街日报》《伦敦书评》等科学媒体、大众文化媒体和潜水专业杂志赞赏热评。本书还曾入围2017年英国皇家学会科学图书奖终选。
◎ 内容简介
海洋是心灵（mind）的起源地，或者说，心灵最早期的模糊形式是在海洋中形成的。痴迷潜水的心灵哲学（Philosophy of Mind）研究者彼得·戈弗雷-史密斯，关注从演化角度探索意识是如何从生物体的身体基础上产生的、动物是如何演化出主观经验的，也就是动物身为这种动物的特别感受。当这位全身包裹着橡胶的哺乳动物代表和一只同样对他充满好奇的头足纲动物在海中相遇，物质和心灵既在物理层面互相牵引，也为身心关系的研究带来了不同于人类的、他者意义上的全新认识。
在大约6亿年前，哺乳动物与头足纲动物走上了各自的演化之路。头足纲动物从只能吸附着平移，到像齐柏林飞艇一样自由地游向高处，然后到彻底抛弃外壳、再无固定形状——在身体形状不断变化的过程中，它们的感官、行为和心灵也在输入和输出的反馈中演化出了不同于其他动物的特征：它们的大部分神经系统不在大脑，而是遍布全身；它们用触腕卷上你的时候，并不是在触摸你，而是在感觉你是否能吃；关于章鱼的高智力趣闻传得神乎其神，可是它们的寿命又令人费解的短暂……如何去理解这些接近外星智能生命的动物的心灵？这本既关于哲学也关于动物演化的小书或许能够带来启发。
◎ 媒体推荐
说这是一本哲学书是成立的，因为戈弗雷-史密斯是一个很少见的在现实世界中搜寻线索的哲学家。渊博且富有好奇心，他小心探索，又细细欣赏。他是充满善意的自然探索者。他从不教条，还惊人地敏锐。
——卡尔·萨菲那，《纽约时报·书评》（The New York Times Book Review）
令人入迷且意义深远……戈弗雷-史密斯潜入海洋，进行了一次非常独特的哲学之旅。我们跟着这位活力满满的潜水者，同时也是一位令人钦佩的作家，看他研究和思考头足纲动物的生命和意识的起源……从本书的书名，以及戈弗雷-史密斯对自己和章鱼相遇的描述，我们都可以清晰地看出，他相信，这些动物都有意识。
——史蒂芬·凯夫，《金融时报》（Financial Times）
在彼得·戈弗雷-史密斯看来，章鱼的异质性一定程度上反映了意识的本质，而且它们这种有意识的状态不能通过简单类比人类的意识来理解。戈弗雷-史密斯从认为意识是演化的产物出发，再到承认意识有更原始的起源：动物的意识是连续过渡演化的。
——埃米娅·斯里尼瓦桑，《伦敦书评》（London Review of Books）
我爱这本书，它在书中娴熟地交织了自然志、哲学和好奇心。本书带我们潜入深海，不止潜入波浪之下，还近距离地接触了神秘且有高智力的章鱼，透过数亿年的演化史叩问意识的本质和起源。戈弗雷-史密斯通过生动、文雅的叙述为我们讲述这个引人入胜的故事。
——詹妮弗·阿克曼，《鸟类的天赋》（The Genius of Birds）作者
◎ 获奖信息
★《纽约时报·书评》年度编辑推荐
★《出版人周刊》2016年季度十佳科普著作

EnolaÕs landlady, Mrs. Tupper, is the closest thing Enola has to family these days, besides her occasional run-ins with her brother Sherlock. Even though Mrs. Tupper is nearly deaf and can barely cook, sheÕs an endearing presence as Enola longs for her absent mother. So imagine her horror when Enola comes home to find Mrs. Tupper kidnapped! Who would take her, and why? And what does Florence Nightingale have to do with it? From the master of mystery Nancy Springer, hereÕs another absorbing adventure for our award-winning, unstoppable heroine, Enola Holmes.

Composed at the rosy-fingered dawn of world literature almost three millennia ago, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty, and power; about marriage and family; about travelers, hospitality, and the yearning for home.
This fresh, authoritative translation captures the beauty of this ancient poem as well as the drama of its narrative. Its characters are unforgettable, none more so than the "complicated" hero himself, a man of many disguises, many tricks, and many moods, who emerges in this version as a more fully rounded human being than ever before.
Written in iambic pentameter verse and a vivid, contemporary idiom, Emily Wilson's Odyssey sings with a voice that echoes Homer's music; matching the number of lines in the Greek original, the poem sails along at Homer's swift, smooth pace.
A fascinating, informative introduction explores the Bronze Age milieu that produced the epic, the poem's major themes, the controversies about its origins, and the unparalleled scope of its impact and influence. Maps drawn especially for this volume, a pronunciation glossary, and extensive notes and summaries of each book make this an Odyssey that will be treasured by a new generation of readers.

A powerful reckoning over the people we might have been if we’d chosen a different path, from a master of the short story
In this stirring, reflective collection of short stories, Joyce Carol Oates ponders alternate destinies: the other lives we might have led if we’d made different choices. An accomplished writer returns to her childhood home of Yewville, but the homecoming stirs troubled thoughts about the person she might have been if she’d never left. A man in prison contemplates the gravity of his irreversible act. A student’s affair with a professor results in a pregnancy that alters the course of her life forever. Even the experience of reading is investigated as one that can create a profound transformation: “You could enter another time, the time of the book.”
The (Other) You is an arresting and incisive vision into these alternative realities, a collection that ponders the constraints we all face given the circumstances of our birth and our temperaments, and that examines the competing pressures and expectations on women in particular. Finely attuned to the nuances of our social and psychic selves, Joyce Carol Oates demonstrates here why she remains one of our most celebrated and relevant literary figures.

"The third book in the series, which "Booklist "says "shimmers with magic, myth, and romance," will satisfy fans as well as entice new readers." Dana has few memories of her mother, who disappeared when she was small. But she has always dreamed, despite her father's discouragement, that her mother would come back one day. When her dad decides to leave Ireland and take a job across the ocean in Canada, Dana is heartbroken. How can she leave her home and the only chance of seeing her mother again? She runs away, high into the fairy mountains of Ireland. Following ancient paths, with a mysterious wolf companion by her side, Dana encounters a world of tragic enchantment and fairy romance, and discovers a great secret about herself.

Margaret Atwood's The Robber Bride is inspired by "The Robber Bridegroom," a wonderfully grisly tale from the Brothers Grimm in which an evil groom lures three maidens into his lair and devours them, one by one. But in her version, Atwood brilliantly recasts the monster as Zenia, a villainess of demonic proportions, and sets her loose in the lives of three friends, Tony,

Charis, and Roz. All three "have lost men, spirit, money, and time to their old college acquaintance, Zenia. At various times, and in various emotional disguises, Zenia has insinuated her way into their lives and practically demolished them.
To Tony, who almost lost her husband and jeopardized her academic career, Zenia is 'a lurking enemycommando.' To Roz, who did lose her husband and almost her magazine, Zenia is 'a cold and treacherous bitch.' To Charis, who lost a boyfriend, quarts of vegetable juice and some pet chickens, Zenia is a kind of zombie, maybe 'soulless'" (Lorrie Moore, New York Times BookReview ). In love and war, illusion and deceit, Zenia's subterranean malevolence takes us deep into her enemies' pasts.

Murderbot returns in its highly-anticipated, first, full-length standalone novel.
You know that feeling when you’re at work, and you’ve had enough of people, and then the boss walks in with yet another job that needs to be done right this second or the world will end, but all you want to do is go home and binge your favorite shows? And you're a sentient murder machine programmed for destruction? Congratulations, you're Murderbot.
Come for the pew-pew space battles, stay for the most relatable A.I. you’ll read this century.
—
I’m usually alone in my head, and that’s where 90 plus percent of my problems are.
When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action.
Drastic action it is, then.

Elizabeth Minchilli has been eating her way through Rome since she was 12 years old. Eating Rome, based on her popular blog Elizabeth Minchilli in Rome, is her homage to the city that feeds her, literally and figuratively. Her story is a personal, quirky and deliciously entertaining look at some of the city's monuments to food culture. Join her as she takes you on a stroll through her favorite open air markets; stop by the best gelato shops; order plates full of carbonara and finish the day with a brilliant red Negroni. Coffee, pizza, artichokes and grappa are starting points for mouth-watering stories about this ancient city. Illustrated with Minchilli's beautiful full-color photos and enriched with her favorite recipes for Roman classics like vignarola, carciofi alla romana and carbonara, Eating Rome is the book that you want if you are planning your first trip to Rome or if you have been to Rome a dozen times. And even if you just want to spend a few hours armchair traveling, Elizabeth Minchilli is the person you want by your side.

★内容介绍
本书为奥康纳的短篇小说集，除收录她的短篇杰作《好人难寻》外，还收录了其他9篇具有代表性的作品，并附录作者年谱。《好人难寻》一书中的很多篇章被公认为是美国文学中的经典名篇，震撼和影响了一代又一代作家。
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★名人推荐
二十世纪下半叶再也没有一个作家在写人性的邪、恶、丑上能够超过奥康纳，再也没有一个作家能够像奥康纳那样把邪、恶、丑、散发在小说中间，散发得那么的滴水不漏，一点都不留痕迹，而且读起来让我们不会觉得这个人写的就是脏、就是丑。
——阎连科
奥康纳的写作方法非常奇特，她会告诉你，你无论写什么都可以，因为你不必关心别的事情，你只需要关心人的邪恶。奥康纳就是守住自己的那一份敏感，对人恶的那种敏感，对魔鬼的洞察力，她天生就知道魔鬼在哪里。
——马原

古希腊经典作品，西方文明的源头与首次巅峰；
油画、版画、雕塑等精美插图，生动重现戏剧场景；
罗念生名家译本，详尽注释，还原悲剧神韵。
古希腊三大悲剧作家之一索福克勒斯，
伟大的悲剧家，把悲剧艺术大大向前推进了一步。
索福克勒斯作品反映了雅典民主政治全盛时期的思想。索福克勒斯提倡民主精神，反对僭主专制，歌颂英雄人物，重视人的才能。索福克勒斯的悲剧风格质朴，简洁有力，人物丰富多彩，布局严密而和谐，形式趋于完美，把悲剧艺术大大向前推进了一步。
《俄狄浦斯王》
根据哲布（SirRichardC.Jebb）编订的《索福克勒斯全集及残诗》（Sophocles,ThePlaysandFragments,Cambridge,1914）第一卷《俄狄浦斯王》（TheOedipusTyrannus）希腊原文译出。