丹麦
冰姑娘 豆瓣
作者:
[丹麦] 汉斯·克里斯蒂安·安徒生
译者:
叶君健
上海译文出版社
1978
- 6
本书所收集的十篇作品,在形式上虽然是童话,但实际上是一些具有独创性的散文和游记式的中篇小说。我们从这个集子里,也可以更进一步看到安徒生作品中所具有的浓厚的人民思想感情。例如,他在《两兄弟》和《古教堂的钟》两篇里歌颂了出身寒微而对人类有所贡献的人;在《老头子做事总不会错》这一篇里歌颂了“绅士”们所不能理解的、纯朴的庄稼人的爱情。
演木偶戏的人(Marionetspilleren)发表于一八五一年。两兄弟(To Brødre)发表于一八五九年。古教堂的钟(Den gamle Kirkekloke)发表于一八六二年,实际上是在一八六一年十二月出版的。乘邮车来的十二位旅客(Tolvmed Posten),甲虫(Skarnbassen),老头子做事总不会错( Hvad Fatter giør, det er altid det Rigtige ), 雪人(Sneemanden),在养鸭场里(I Andegaardn)和新世纪的女神(Det nye Aarhundredes Musa)都发表于一八六一年,收集在新的童话和故事第二集里。冰姑娘(Iisjomfrueu)发表于一八六二年,但是在一八六一年十一月里就出版了。
在这几篇故事中,我们可以看出安徒生在用童话的形式写各种不同类型的作品——散文、故事和游记式的中篇小说。在这里我们也可以看出他的民主思想的发展:他歌颂那些出身寒微而对人类进步有贡献的人(如两兄弟和古教堂的钟),那些感情纯朴的乡下人(如老头子做事总不会错)和新的世界(如新世纪的女神)。在冰姑娘中他开始表示对于“上帝”的怀疑。每当他对于人生感到没有出路的时候,他就求助于那个他认为代表“真理”和“爱”的“上帝”。在这里“上帝”显然没有能解决人生的问题——这篇作品中隐隐地露出他一种无可奈何的失望情绪。
演木偶戏的人(Marionetspilleren)发表于一八五一年。两兄弟(To Brødre)发表于一八五九年。古教堂的钟(Den gamle Kirkekloke)发表于一八六二年,实际上是在一八六一年十二月出版的。乘邮车来的十二位旅客(Tolvmed Posten),甲虫(Skarnbassen),老头子做事总不会错( Hvad Fatter giør, det er altid det Rigtige ), 雪人(Sneemanden),在养鸭场里(I Andegaardn)和新世纪的女神(Det nye Aarhundredes Musa)都发表于一八六一年,收集在新的童话和故事第二集里。冰姑娘(Iisjomfrueu)发表于一八六二年,但是在一八六一年十一月里就出版了。
在这几篇故事中,我们可以看出安徒生在用童话的形式写各种不同类型的作品——散文、故事和游记式的中篇小说。在这里我们也可以看出他的民主思想的发展:他歌颂那些出身寒微而对人类进步有贡献的人(如两兄弟和古教堂的钟),那些感情纯朴的乡下人(如老头子做事总不会错)和新的世界(如新世纪的女神)。在冰姑娘中他开始表示对于“上帝”的怀疑。每当他对于人生感到没有出路的时候,他就求助于那个他认为代表“真理”和“爱”的“上帝”。在这里“上帝”显然没有能解决人生的问题——这篇作品中隐隐地露出他一种无可奈何的失望情绪。
踩着面包走的女孩 豆瓣
9.7 (6 个评分)
作者:
[丹麦] 汉斯·克里斯蒂安·安徒生
译者:
叶君健
上海译文出版社
1978
- 6
沼泽王的女儿(Dyndkongens Datter)发表于1858年。安徒生自己说,他写这书费了很大的气力,读了许多关于埃及的书,原稿前后修改了六次。故事发生的时间大约是在纪元830 年前后;那时丹麦刚刚开始接受基督教。赛跑者(Hurtigløberne)发表于1858 年。钟渊(Klokkedybet)发表于1857 年。这是根据安徒生的故乡奥登塞的一个民间传说写的。恶毒的王子(Den onde Fyrste)发表于1840 年。一个贵族和他的女儿们(Vinden fortoeller om Valdemar Daae og hans Døtre)发表于1859 年。这个故事是真有其事,发生于十七世纪初。安徒生借萧萧的风声把它讲出来,在技巧上是一个新的尝试。踩着面包走的女孩(Pigen,som tradte pad Brødet)发表于1859 年。这是根据一个民间传说写的。在传说中主人公变成了石象,但安徒生却使她最后得救。这几篇童话的排列次序是依照安徒生生前亲手编的安徒生童话和故事全集(H.C.Andersens Eventyr og Historier)第三册,而不完全是依照它们发表的年月先后。
月光男孩 豆瓣
8.2 (6 个评分)
作者:
(丹麦)依卜·斯旁·奥尔森
译者:
杨玲玲
/
彭懿
湖北美术出版社
2009
- 1
即使在开本五花八门的图画书中,《月光男孩》也是一本罕见的异型开本。
这是一本从下往上翻的书,上下两个画面加起来,就变成了一个长长的竖画面了。依卜·斯旁·奥尔森为什么要别出心裁地选择这样一个超长的画面呢?
因为这是一个从天而降的故事。
月光男孩为了给月亮寻找另外一个月亮,拎着篮子出发了。他落啊落啊,从天上落了下来,先是穿云而过,然后是飞机、一大群候鸟、风筝、气球、站在梯子上采苹果的小女孩、打扫烟囱的黑脸男人、红砖房、街道,最后“扑通”一声落到了水里……整个故事就是一个下落的过程。尽管在半道上曾经遭遇过狂风,被吹得东倒西歪,但月光男孩基本上还是一条直线落了下来。
这下我们明白了,还有什么开本,比这种窄长的画幅更适合表现这个由上往下降落的过程呢?这种拉长的画面,有效地增加了阅读时的距离感。如果将这一幅幅长长的画面连接起来,就宛如一幅长卷,从天上一直垂到了地上,月光男孩的奇异旅程尽收眼底。
有人统计了一下,如果算上封面和封底,画家一共画了二十三个形态各异的月光男孩,有举着篮子像吊在降落伞下面一样的,有摔一个屁墩儿的,有飞翔的,有横躺过来的……多数页面里月光男孩还不止出现一次,少的两次,多的甚至达到了三次,就像高速摄影机拍下来的画面一样,给人视觉上留下了一种连续下落的映像。
还有,一开始月光男孩下降得很快,但随着地面的接近,速度明显地放慢了,这从背景上也可以看得一清二楚。也许是月光男孩来自高处不胜寒的天上,人间的一切更让他觉得亲切吧!看,这时他不是在下落了,人好似羽毛一般地浮了起来,飘了起来,慢慢地飘过苹果树,慢慢地飘过有孩子的窗户,慢慢地飘过熙熙攘攘的街道……
不知依卜·斯旁·奥尔森是不是学graphicarts(应用于印刷和图书设计的平面造型艺术)出身的缘故,他对色彩与印刷也部十分在行。比如这本《月光男孩》,从封面、正文到封底,背景的底色一律部印成了象征朗夜的湖蓝色,给人一种透彻、一碧如洗的视觉效果。有趣的是,这种湖蓝色的底色一直延续到了水下,于是,天空的蓝色又变成了大海的蓝色。头一次看这本书时,就被依卜·斯旁·奥尔森的配色迷住了,大面积的蓝色,配上月亮、星星的黄色以及月光男孩红衣的红色,冷暖一搭,画面立刻就洋溢出一种说不出来的温暖与清澄。
再看看他写的这个故事。
这是一本从下往上翻的书,上下两个画面加起来,就变成了一个长长的竖画面了。依卜·斯旁·奥尔森为什么要别出心裁地选择这样一个超长的画面呢?
因为这是一个从天而降的故事。
月光男孩为了给月亮寻找另外一个月亮,拎着篮子出发了。他落啊落啊,从天上落了下来,先是穿云而过,然后是飞机、一大群候鸟、风筝、气球、站在梯子上采苹果的小女孩、打扫烟囱的黑脸男人、红砖房、街道,最后“扑通”一声落到了水里……整个故事就是一个下落的过程。尽管在半道上曾经遭遇过狂风,被吹得东倒西歪,但月光男孩基本上还是一条直线落了下来。
这下我们明白了,还有什么开本,比这种窄长的画幅更适合表现这个由上往下降落的过程呢?这种拉长的画面,有效地增加了阅读时的距离感。如果将这一幅幅长长的画面连接起来,就宛如一幅长卷,从天上一直垂到了地上,月光男孩的奇异旅程尽收眼底。
有人统计了一下,如果算上封面和封底,画家一共画了二十三个形态各异的月光男孩,有举着篮子像吊在降落伞下面一样的,有摔一个屁墩儿的,有飞翔的,有横躺过来的……多数页面里月光男孩还不止出现一次,少的两次,多的甚至达到了三次,就像高速摄影机拍下来的画面一样,给人视觉上留下了一种连续下落的映像。
还有,一开始月光男孩下降得很快,但随着地面的接近,速度明显地放慢了,这从背景上也可以看得一清二楚。也许是月光男孩来自高处不胜寒的天上,人间的一切更让他觉得亲切吧!看,这时他不是在下落了,人好似羽毛一般地浮了起来,飘了起来,慢慢地飘过苹果树,慢慢地飘过有孩子的窗户,慢慢地飘过熙熙攘攘的街道……
不知依卜·斯旁·奥尔森是不是学graphicarts(应用于印刷和图书设计的平面造型艺术)出身的缘故,他对色彩与印刷也部十分在行。比如这本《月光男孩》,从封面、正文到封底,背景的底色一律部印成了象征朗夜的湖蓝色,给人一种透彻、一碧如洗的视觉效果。有趣的是,这种湖蓝色的底色一直延续到了水下,于是,天空的蓝色又变成了大海的蓝色。头一次看这本书时,就被依卜·斯旁·奥尔森的配色迷住了,大面积的蓝色,配上月亮、星星的黄色以及月光男孩红衣的红色,冷暖一搭,画面立刻就洋溢出一种说不出来的温暖与清澄。
再看看他写的这个故事。
Ace Of Hearts 豆瓣
7.9 (15 个评分)
Green Pitch
发布日期 2007年3月6日
出版发行:
Funzalo
Green Pitch,乐队主脑Rex和Ste,美丽的丹麦组合.今年3月发行的专辑封面和厂牌Funzalo Records那只马神似.漂亮的外形,精致的嗓音.主唱Rex的空灵如Dream般迷幻.女声具有相当之水准,声音如人一样纯净。Rex,法国巴黎人,后全家移居丹麦。歌曲以女声为主,部分歌曲兼之男声.专辑中慢歌较之快歌更为悦耳动听,相当温暖,更多的是一种感性的东西.
Green Pitch is Rex Garfield and Ste Rasch at its core. This is the story of Rex & Ste - who became Green Pitch. Rex Garfield writes: I was born in Paris on December 24th, 1979. My mother and father had just moved there from Denmark with my three older siblings, because my father had been offered a job there as a preacher. A year after I was born he died suddenly, and my mother brought the family back to Denmark to raise us. Since I was a child I've been fond of words and have spent much time writing. When I was 17, I picked up my father's old Spanish guitar and started writing songs, but kept these to myself. In 1998, Ste moved from a small Danish island to Copenhagen, where we met, spending our last year of high school in the same class. He played guitar with the rock band The River Phoenix, which I joined for awhile as a backup singer. Ste and I became close friends and started composing songs together, and recording our music on a four track in the "Rivers'" rehearsing room. I was very confident and strong willed as a child, but that disappeared when I first started singing. I remember working in the rehearsing room alone, uneasy because someone might hear me. I'd wait for the bands in the other rehearsing rooms to start playing, so my voice would go unnoticed. I dreamed of performing, and often went with Ste to clubs where they had an open mic night. To Ste's frustration, I always chickened out. We moved in together after we graduated high school. A year later, in the summer of 2000, we went to Amsterdam with two friends. We'd been there for a couple days when we met some Norwegians who lived in an apartment on the top floor of the building. They invited us to come up for drinks, so we went. There was a ladder in the apartment leading to the roof, and we went up there to enjoy the view. Going back down I slipped and fell. Unfortunately I landed on the bottom of the stone staircase leading to the floor below. This accident made a mess of me, the worst of which was the total damage of my spinal cord. The accident left me paralyzed from the waist down. I was hospitalized for three weeks before I was stable enough to be put on a plane back home. Immediately I regained the will that I'd been lacking for so long. My mother told me later of statements that I made through a haze of morphine, statements that showed a sheer determination towards a life within the realm of music. After having an operation in Denmark, I was placed in a rehab center far away from Copenhagen. I stayed there for 10 months. During that time, I started writing, once again composing songs on my father's guitar that had been put away since Ste and I started collaborating. There was also a piano in a spare room on the floor where the laundry was done. It was away from the other patients. Here I found peace. Back in Copenhagen, we quickly established a home recording studio. We also obtained a booking agency and in 2002 began to play live. I will never forget the rush that I felt the first time I heard the audience applaud, while Ste carried me off of the stage. The recordings we did led to the album "Ace of Hearts" - soon to be available digitally and in stores March 6, 2007, on Funzalo Records.
Green Pitch is Rex Garfield and Ste Rasch at its core. This is the story of Rex & Ste - who became Green Pitch. Rex Garfield writes: I was born in Paris on December 24th, 1979. My mother and father had just moved there from Denmark with my three older siblings, because my father had been offered a job there as a preacher. A year after I was born he died suddenly, and my mother brought the family back to Denmark to raise us. Since I was a child I've been fond of words and have spent much time writing. When I was 17, I picked up my father's old Spanish guitar and started writing songs, but kept these to myself. In 1998, Ste moved from a small Danish island to Copenhagen, where we met, spending our last year of high school in the same class. He played guitar with the rock band The River Phoenix, which I joined for awhile as a backup singer. Ste and I became close friends and started composing songs together, and recording our music on a four track in the "Rivers'" rehearsing room. I was very confident and strong willed as a child, but that disappeared when I first started singing. I remember working in the rehearsing room alone, uneasy because someone might hear me. I'd wait for the bands in the other rehearsing rooms to start playing, so my voice would go unnoticed. I dreamed of performing, and often went with Ste to clubs where they had an open mic night. To Ste's frustration, I always chickened out. We moved in together after we graduated high school. A year later, in the summer of 2000, we went to Amsterdam with two friends. We'd been there for a couple days when we met some Norwegians who lived in an apartment on the top floor of the building. They invited us to come up for drinks, so we went. There was a ladder in the apartment leading to the roof, and we went up there to enjoy the view. Going back down I slipped and fell. Unfortunately I landed on the bottom of the stone staircase leading to the floor below. This accident made a mess of me, the worst of which was the total damage of my spinal cord. The accident left me paralyzed from the waist down. I was hospitalized for three weeks before I was stable enough to be put on a plane back home. Immediately I regained the will that I'd been lacking for so long. My mother told me later of statements that I made through a haze of morphine, statements that showed a sheer determination towards a life within the realm of music. After having an operation in Denmark, I was placed in a rehab center far away from Copenhagen. I stayed there for 10 months. During that time, I started writing, once again composing songs on my father's guitar that had been put away since Ste and I started collaborating. There was also a piano in a spare room on the floor where the laundry was done. It was away from the other patients. Here I found peace. Back in Copenhagen, we quickly established a home recording studio. We also obtained a booking agency and in 2002 began to play live. I will never forget the rush that I felt the first time I heard the audience applaud, while Ste carried me off of the stage. The recordings we did led to the album "Ace of Hearts" - soon to be available digitally and in stores March 6, 2007, on Funzalo Records.
安娜情欲史 (2005) TMDB 豆瓣
All About Anna
5.7 (29 个评分)
导演:
杰西卡·尼尔森
演员:
格莱·贝
/
阿德里安·布薛特
…
其它标题:
All About Anna
/
关于安娜的艳史
…
安娜(格莱·贝 Gry Bay 饰)一直坚信,男友乔纳(马克·史蒂文斯 Mark Stevens 饰)是自己的真命天子,但是很显然,乔纳并不这么想,他抛弃了安娜,开始了独自探索世界的旅程。一晃五年过去了,这五年里,安娜从来都没有忘记过去乔纳,终于,在日复一日的痛苦中,安娜想通了,她开始了在陌生人身上寻求安慰的混乱生活。
一次偶然中,安娜结识了名叫弗兰克(Thomas Raft 饰)的男子,弗兰克的温柔和善良逐渐治愈了安娜的内心,就在安娜重新振作只是,乔纳居然回到了安娜的身边,重新陷入纠结的安娜离开了弗兰克,但几乎是在同时,乔纳再度失去了音讯。安娜将注意力转移到了工作上,但在内心里,她明白,乔纳总有一天还会回来。
一次偶然中,安娜结识了名叫弗兰克(Thomas Raft 饰)的男子,弗兰克的温柔和善良逐渐治愈了安娜的内心,就在安娜重新振作只是,乔纳居然回到了安娜的身边,重新陷入纠结的安娜离开了弗兰克,但几乎是在同时,乔纳再度失去了音讯。安娜将注意力转移到了工作上,但在内心里,她明白,乔纳总有一天还会回来。
小小男儿狼 (2006) 豆瓣 TMDB
Lille mand
7.6 (9 个评分)
导演:
Esben Tønnesen
演员:
Nikolaj Rasmussen
其它标题:
Lille mand
来自丹麦的短片《小男孩,女人的世界是这样滴(Little man,the way girls are)》,关于什么“男人来自火星,女人来自金星”之类的老生常谈也就不说了,且来看看这位小男人是如何经历懵懂的“性意识”,逐步深入探索女人世界的(话说外国的孩子真是早熟)。最终他会发现,女人既不奇怪也不完美,磕磕绊绊在所难免,我们毕竟还是需要对方。温馨、幽默的儿童片,相信各位过来人都会有所触动,请欣赏。
PS.虽然短片说的是丹麦语,但配有英语字幕。
PS.虽然短片说的是丹麦语,但配有英语字幕。