《期待美梦成真》是红粉马丁尼阔别乐坛5年后的第二张生涯大碟。 在上一张《往日情怀》专辑大卖之后。在红粉马丁尼灵魂女主唱吉娜．福毕丝与钢琴手汤玛斯．劳德戴利的号召之下，重新加入了更多的国际乐手以及音乐家，因此，在新旧成员们的集思广义下，新型态的红粉马丁尼作品便诞生了。
专辑《期待美梦成真》除了保有《往日情怀》专辑中大家最爱的浪漫巴黎情怀外，以往出现的古巴骚沙和巴西的婆娑娜瓦节奏仍旧少不了，并保持着轻快、热情却不吵杂的舞曲型态。 此外令人感观为之一振的是专辑中所尝试的音乐新元素，例如专辑中的第一张国际单曲 《拿坡里之夜》(UNA NOTTE A NAPOLI)便结合了意大利民谣及骚沙节奏，成为了一首活力四射的嘉年华舞曲，而首曲《永不停止坠入爱河》(LET’S NEVER STOP FALLING IN LOVE)则是首令人瞬间摒息的古巴爵士以及专辑中的同名曲《期待美梦成真》(HANG ON LITTLE TOMATO)则是改编自意大利70年代的一首励志诗歌，由主唱吉娜．福毕丝以香颂般的温情口吻，悄悄道出：「继续坚持，总有一天美梦成真…」的道理。 专辑中众多的新风格也包含了首次尝试的日本演歌《Kikuchiyo to mohshimasu》以及融合了西班牙佛朗明哥的《U plavu zoru》内容十分的丰富。 对于曾经听过第一张专辑的人，这像是一次风格与视野的延伸。

《Jasmine》是Keith Jarrett和伟大的贝司手Charlie Haden再度联手合作的最新作品，它标志着三十多年来Keith Jarrett和他曾经的标准三重奏之间又开始了首次录音合作，70年中期前他们一直是紧密合作的搭档。亲密、自然和温暖，这张表现爱情的歌曲专辑在Jarrett的家里录制，以他们的自然、率直，说明了他们的亲密关系。《Jasmine》专辑里的节目包含非常经典的歌曲如'Body and Soul', 'For All We Know' , 'Where Can I Go Without You', 'Don't Ever Leave Me'等，还覆盖了一首现代的流行歌曲“One Day I'll Fly Away”，这对于Keith Jarrett来说很少见。Jarrett和Haden弹奏音乐非常忘情和投入，除了音乐其他毫无干扰——也只有他们俩能做到这样！

Recorded：December 9, 1964
Studio：Van Gelder Studio, Englewood Cliffs
The John Coltrane Quartet[edit]
John Coltrane – bandleader, liner notes, vocals, tenor saxophone, soprano saxophone[40]
Jimmy Garrison – double bass
Elvin Jones – drums, gong, timpani
McCoy Tyner – piano
Additional personnel[edit]
Archie Shepp – tenor saxophone on alternate takes of "Acknowledgement"
Art Davis – double bass on alternate takes of "Acknowledgement"
Rudy Van Gelder – engineering and mastering
Bob Thiele – production and cover photo[41]
George Gray/Viceroy – cover design
Victor Kalin – illustration
Joe Lebow – liner design

Full performer name: Art Blakey & The Jazz Messengers.
The Rudy Van Gelder Edition of MOANIN' includes an essay by Bob Blumenthal.
Art Blakey & The Jazz Messengers: Art Blakey (drums); Benny Golson (tenor saxophone); Lee Morgan (trumpet); Bobby Timmons (piano); Jymie Merritt (bass).
Producer: Alfred Lion.
Reissue producer: Michael Cuscuna.
Recorded at the Van Gelder Studio, Hackensack, New Jersey on October 30, 1958. Originally released on Blue Note (4003). Includes liner notes by Leonard Feather and Bob Blumenthal.
Digitally remastered using 24-bit technology by Rudy Van Gelder (Van Gelder Studio, Englewood Cliffs, New Jersey).
This is part of the Blue Note Rudy Van Gelder Editions series.
If you simply can only have one Art Blakey and the Jazz Messengers disc (and why would you stop there?), it absolutely must be MOANIN'. This 1958 Blue Note date is the cream of the early Messengers' studio sessions. The group of this period featured the wailing Lee Morgan (trumpet), the swinging Benny Golson (sax) and the soulful Bobby Timmons (piano) with longtime bassist Jymie Merritt by Blakey's side. All of the pieces fell into place here to create one of the most hard-swinging, blues-inflected records in jazz history.
Timmons' classic title cut sets the pace as it's laid-back call-and-response chorus and swinging bridge will get in your soul and start your head bobbing. Golson's bouncing "Are You Real" and the subtle "Along Came Betty" feature that golden Messengers ensemble sound that can't be matched as Blakey drives his men mercilessly. The most dynamic tracks, of course, are the drum feature "The Drum Thunder Suite," a Blakey tour-de-force, and the powerful "Blues March" featuring Art's signature shuffle groove. A delightful reading of the standard "Come Rain Or Come Shine" caps it all off. This is the one to get first.