1970年。共产主义波兰的罢工工人示威反对价格上涨。随着反叛活动愈演愈烈，紧张气氛和政府的暴力镇压也愈发强烈。托马斯·沃尔斯基利用定格动画再现电话时的场景，创作出一部精确而出色的电影。

How to succeed in an occupation for at least 54 years? Mograbi, director and narrator, builds the handbook of the perfect occupier based on testimonies from Israeli soldiers and archive footage. 5 million Palestinians live in the occupied territories under Israeli military rule, 2 million of them in the Gaza Strip, under total siege for the past several years. “The Israeli occupation of the West Bank and Gaza Strip has already lasted for 54 years.” This statement does not tell much about occupation. What does “occupation” imply? The first 54 years aims to provide an exclusive insight into the Israeli occupation of the Palestinian people while it is still ongoing. Describing their orders, their missions and their actions, Israeli soldiers witnesses report on the mechanisms of oppression of Palestinians from 1967 to the present day. With these testimonies, they reveal the factory of the occupation machine.

Tal Elkayam’s first feature-length documentary is an unorthodox exploration of the bizarre reality of the Israeli-Palestinian conflict: an associative compilation of found footage, composed entirely of excerpts from YouTube videos of the beach of Tel Aviv and the hills and valleys of the West Bank.
As bathers hurriedly seek shelter when the siren warns of missiles, soldiers on the other side clash with protesting Palestinians, and a bulldozer goes about its demolition work. An Israeli settler shows off his grapes, while elsewhere a Palestinian describes how his orchard was destroyed. Dogs harass a flock of sheep, dogs play on the beach. At times, protesters confront each other with Israeli and Palestinian flags.
In this energetic and apparently intuitive collage, two parallel realities full of staggering contrasts are juxtaposed, yet they are also inextricably linked. And not only because the poppies on the coast look just like the flowers growing in the hills.

Imbued with nostalgia and striking a wide range of emotional notes, filmmaker Mahdi Fleifel travels to the Lebanese refugee camp of Ain El Helweh to explore how the camp's displaced people use the World Cup series to articulate their own ideas of home, community, victory and hope.

2001 年 9 月 11 日的恐怖袭击事件改变了世界，人们花了几十年时间才认识到这一点。20 年过去，继美国历史上最长的战争后，阿富汗再度落入塔利班手中，而《转折点：911 与反恐战争》回答了以下问题：谁袭击了美国？为什么？情报系统出了什么问题，导致悲剧发生？三届政府在反恐战争中的最高决策如何导致了今日的局面？该剧集中包含对多位受访者的访谈，包括多位美国总统政府的官员、前中央情报局成员、美国退伍军人以及阿富汗国民军士兵、塔利班指挥官、阿富汗政府成员、阿富汗军阀、以及阿富汗平民 — 许多以前从未在镜头前发言的人。该剧集还将聚焦袭击幸存者本人的声音。这部纪录片共五集，是一部重要而富有启发性的编年史，讲述了 911 袭击事件以及这些事件如何改变了历史进程。

在这部动画纪录短片中，二战老兵透露美国在华盛顿州附近设立一处秘密军营，专供犹太士兵主掌并审问纳粹战俘。

基因测试显示这三个由不同的美国家庭所领养的女孩是表亲，于是她们决定前往中国，希望能见到各自的亲生父母。

1938年，一位年輕人回到出生地波蘭納謝爾斯克，拿著業餘攝影機拍攝旅遊影像，這份膠卷在數十年後被意外發現，區區三分鐘的片段，記錄當時猶太居民面對攝影機的好奇。幾年後，小鎮遭到大屠殺，導演聚焦於這份浩劫之前唯一動態影像，抽絲剝繭地將之停格與放大，延伸調查與研究，歷史轉而起死回生。

Apple TV+和BBC联合出品，以“911”事件发生后12小时的故事为主线，记录了布什政府在袭击当天的行动轨迹，并公布了一些从未被披露过的细节。

In this documentary, set in Bosnia during the war, Pawlikowski steers clear of the usual cliches of war reporting. He takes on a more anthropological perspective relying not on commentary but on the power of images: a mass baptism before the final battle, the bizarre antics of the remaining members of the Karadjordje dynasty and the tribal chants of Serbian peasant/soldiers at the front line. The result is more universal enquiry into the nature of the nation state and the ethnocentric view of the world.

Myanmar, formerly Burma, is a country shaped by Buddhism and military dictatorship. One ethnic minority, the Rohingya, is facing state organized campaign of killings as of 1978. Transition to democracy under Nobel Prize winner, Aung San Suu Kyi, made things even worse. The problem is now called a genocide. EXILED tells the story of Rohingya through the witness accounts of the radical Buddhist Monks, chief mastermind of a genocide and Rohingya genocide survivors.

The film tells the story of former Israeli Prime Minister Ehud Olmert's unexpected rise to power and his dramatic fall from grace, from the highest office in the land to Ward 10 at Maasiyahu Prison. Set as a political thriller, it follows the incredible events that elevated him to power and set the stage for his epic fall, creating a portrait of a multi-faceted man and providing a behind-the-scenes look at the mechanisms and machinations that control politics, justice, war and peace.

In 1982, during the Israeli invasion of Lebanon, an Israeli paratroop company was ordered to guard hundreds of Lebanese war prisoners for 10 hours.
#Schoolyard: An Untold Story is the anatomy of a murder – the step by step, blow by blow, memory by memory chronicle of a horrible moment in Israeli military history.

The story of Lebanon is one of ongoing tragedy. A march of follies orchestrated by heads of state, sects, and militias. The Palestinians, French, British, Iranians, Syrians, Americans, Israelis and the Lebanese themselves, have all, at one point or another, contributed to the country's tragic history. Caught up in the chaos were the Lebanese themselves - made up of different sects, religions, and ethnicities - writing their own history in a string of political assassinations, massacres, and betrayals.

Monuments are silent witnesses to the times when they were built and the people who built them. Through monuments one can trace the history of human kind. Monuments teach us about different customs, religions, cultures, economies, wars and social norms. Had their monuments not been preserved many peoples would have perished without a trace. Thousands of monuments were built throughout the former Yugoslavia in the 1945-1990 period to commemorate the sites where World War II battles had been fought. These monuments were once favorite destinations for school trips and political gatherings, as well as a necessary part of all family photos. At the present time, the monuments and their symbolism have been abandoned, neglected and destroyed. The main focus of this film is the destiny of these monuments as secondary raw materials.

This feature documentary covers 24 years of conflict in Bosnia, focused on the capital city of Sarajevo during the siege and its aftermath. The story is told through the experiences of five people who survived.

这部三集剧集将带领观众深入了解世界上最优秀的网球运动员之一大坂直美的生活。我们对大坂直美进行了空前深入的访问，并了解到，在这意义非凡的两年内，她在继续从事运动工作的同时，也开始寻找自己的声音。无论是捍卫自己的大满贯头衔，戴着面具捍卫黑人的生命，还是为失去导师科比·布莱恩特而哀悼，亦或是寻找自己的独立性，个人和社会层面中的双重挑战向直美席卷而来。本剧以富有人情味的方式，记录下大坂直美忙碌的训练和旅行日程，从而了解到她所承受的重重压力，并跟拍了她在场外与亲人和密友相处的时光。这些剧集还记录了大坂直美的环球历程，进一步探索她的海地根源，以及她与所代表的国家日本的深厚联系。作为一名年轻运动员和冉冉升起的领袖，当大坂直美把握好自己的多重身份时，观众将看到她毫无掩饰的诚实和脆弱。

When director Philippe Aractingi is forced to leave his motherland for the third time, the realisation dawns on him: his ancestors have been fleeing wars for five generations. Exploring his roots, Aractingi goes back to the fall of the Ottoman Empire, the creation of Israel and the Lebanese Civil War. Experimenting with a radical new film-making style, he interlaces directed scenes and archive images with video-filmed personal diaries, family photos and super 8 reels. Written by Dubai International Film Festival

Kibbutz volunteering began in an eclipse. The idealistic and rebellious 1960s generation was charmed by the old communist ideology as it came to life in the Israeli Kibbutz. The 1967 Six-Day War attracted a wave of support for Israel that the Kibbutz Movement saw as a miracle. When travel agencies started selling “Kibbutz Volunteering” packages, it was clear that volunteering also became a profitable business. The Kibbutz found itself facing unfamiliar phenomenon – drugs, alcohol and marriage with non-Jewish volunteers.
During the 1980s, unemployment across Europe secured a steady number of volunteers, but now Israel was no longer the same country. The war in Lebanon and the Israeli-Palestinian conflict forced the volunteers to face a new question – does supporting the Kibbutz mean supporting the state of Israel?