A video collage featuring professional American Football player Marshawn Lynch.

Chasing Yehoshua begins in the West Bank during September 2004 when Yehoshua Elitzur, a settler who shot an innocent Palestinian taxi driver dead, was found guilty and put under house-arrest until the court’s verdict. On the day of the verdict Yehoshua doesn’t show up…
From that point on, Shay Fogelman, who covered the story for “Ha’aretz,” will do anything to find Yehoshua. The journey will carry Shay across continents, to places he never thought he would find himself, and to the realization that he’s probably the only person who is still chasing Yehoshua.

2002年的一个晚上，与恐怖分子英勇抗争的警察萨利姆不幸身亡，人们传颂着这位英雄的无畏精神和无私奉献。然而萨利姆的哥哥却发现了当年案件中的疑点，警察声称萨利姆是被刀刺中，录音中却有枪声，幸存者的手枪中子弹又少了一枚，当年的法医检测报告也不翼而飞。警方是否隐瞒了真相？事实又是如何？在萨利姆逝去十年后我们还能否得知那个晚上究竟发生了什么？

Beitar Jerusalem is the most popular and influential soccer team in Israel. It also happens to be the only one that has never contracted a Muslim player. Forever Pure follows the team over the tumultuous 2012-2013 season. The team’s owner is Arcadi Gaydamak, a wealthy Israeli-Russian with political ambitions and an extremely dubious reputation. Following a successful first few games, Gaydamak causes shockwaves when a secret transfer deal brings two Muslim players from Chechnya onto the team. Both young men have to face racist chants and choruses of whistles from the crowd; the slogans on the banners read “Death to the Arabs” and “Forever Pure.” Initially, the opposition comes from just a small group of radical fans, but one thing leads to another and it spirals into popular revolt and a total boycott. These events have huge consequences for the team – their performance takes a nosedive, there’s disunity among the players and a grim atmosphere in the stadium. This film is testimony to the devastating effects of racism.

It’s packed at Fifi’s beauty salon in Haifa. As is normal in such a place, the women are quick to enter into conversation. The young director takes advantage of the situation, allowing her customers to air their opinions on the coexistence of Arabs and Jews as she washes their hair, while also offering a more general look at politics, history, love, and life.

Claude Lanzmann discusses the process of directing, writing, and producing his groundbreaking and influential documentary Shoah(1985).

One week after the 1967 Six-Day War, renowned author Amos Oz and editor Avraham Shapira recorded intimate conversations with soldiers returning from the battlefield. The Israeli army censored the recordings, allowing only a fragment of the conversations to be published. Censored Voices reveals these recordings for the first time. World Premiere

以色列秘密安全组织“辛贝特”(Shin Bet)的6位前领导人讲述了该国1967年之后的历史，包括那些公开的和不为人知的历史。如果你认为你理解中东，那么你必须看看这部纪录片，它会让你大开眼界。
辛贝特是以色列的国家安全机构，主要负责保卫国内首脑和外国来访政客的人身安全。他们的座右铭是“看不见的盾”，在任何时候他们的成员姓名都是保密的，只有领导人的名字会被披露出来。辛贝特是一个很成功的组织，有些人对他们颇有微词，包括他们刑讯逼供的不择手段，再有就是1995年他们没能阻止对当时总统拉宾的暗杀。
在以色列历史上，曾有过十三任的首领。而在过去三十年里，只有六个人有资格统领这个机构。此前，他们从未接受过任何采访，在导演德赫-莫雷赫的镜头前，他们第一次打开了话匣。“到底是什么让他们决定道出有关这个组织的秘密和运作方式？”从1980年任职的亚伯拉罕-沙洛姆，到2011年刚刚卸任的尤瓦尔-迪斯金，他们以充满自信和挑衅的口吻谈论了以色列的秘密行动、审讯手段和反恐措施。这些处于机构最高级别的人，深知许多政权内幕，而未来在他们眼中却是一片黯淡……
【幕后制作】
以色列导演德赫-莫雷赫的灵感来源于2003年的奥斯卡最佳纪录片《战争迷雾》。那时，莫雷赫刚刚制作完关于以色列前总理阿里埃勒·沙龙的电影，他意识到辛贝特在过去的四十年里在政坛扮演了决定性的角色。阿米-阿亚隆是六位辛贝特首领中第一个同意接受采访的。基于这个组织的机密性，他们之前谁都没有这种采访的经验，莫雷赫准备的很多话题不是涉及机密就是太过敏感。
尽管有这些困难，莫雷赫还是惊喜于阿亚隆的积极配合态度，他不仅欣然接受访问还帮忙联系其他幸存下来的辛贝特前任领导成员：亚伯拉罕-沙洛姆、亚科夫-佩瑞、迦米-吉隆和阿维-迪西特。而第六位辛贝特首领尤瓦尔-迪斯金在接受采访时还在任期中。虽然这些人都愿意加入影片的拍摄，但在最初有些人不愿意谈论自己经历过的政治事件，比如沙洛姆便不愿意谈起自己在公交车劫持事件和处决恐怖分子中扮演的角色，尤其是随后的丑闻直接导致了他离职。不过，随着时间的推移和莫雷赫的沟通与鼓励，关于这一事件的访谈已经成为了电影重要的一部分。
片中主要涵盖的是1967年之后的以色列历史。辛贝特不属于军队机构，而是直接听命于国家总统，它作为以色列体制的一部分而存在，有时候它也是政客犯错误时的公共替罪羊。在1967年之后，辛贝特绝大部分的工作重心都放在约旦河西岸和加沙地带的反恐情报收集。导演和几位辛贝特成员，虽然观点不太相同，但都认为在现今的路径下，以色列很可能收获苦果。而至于巴以冲突，莫雷赫说：“和平是可能的。问题是以色列缺乏领导力，在历史上没有什么领导人愿意和巴勒斯特好好沟通。”