★“今夜，你是舞曲，世界是错误。”
★当代著名诗人、作家廖伟棠二十五年诗作精选，心血与积淀之作
★翟永明、蓝蓝、陈东东 诚挚推荐
【编辑推荐】
本书精选廖伟棠近二十五年优秀诗作，系统呈现了诗人整体风格，兼具诗学价值和文学史料价值。廖伟棠的诗葆有汉语独特的美感和古典质地，诗歌造 境开阔而立意深邃，诗人居于古典与现代、东方与西方的时空汇聚点上，作为一位有醒觉能力的同时代人，写下了这些既能言说自我的心路历程、又能彰显语言和精神共同体经验的抒情诗。
【内容简介】
雪与呼喊声，都属于诗里的远方。诗人通过写诗来试炼灵魂，看它能够变化成何样？通向哪里？本书收录了廖伟棠1997年至2021年二十五年间诗创作中的精选和大量新作，它将把我们带到闪电与回旋的雪花之中，让我们微醺或酩酊。然后去滑翔，去接受夜的考验，看你能不能从语言的魔法中穿越，抵达远方。

One evening, eight Mennonite women climb into a hay loft to conduct a secret meeting. For the past two years, each of these women, and more than a hundred other girls in their colony, has been repeatedly violated in the night by demons coming to punish them for their sins. Now that the women have learned they were in fact drugged and attacked by a group of men from their own community, they are determined to protect themselves and their daughters from future harm.
While the men of the colony are off in the city, attempting to raise enough money to bail out the rapists and bring them home, these women--all illiterate, without any knowledge of the world outside their community and unable even to speak the language of the country they live in--have very little time to make a choice: Should they stay in the only world they've ever known or should they dare to escape?

本書短短十一篇，是作者十多年創作的成果。香港前輩作家劉以鬯論吳煦斌小說謂：「中國現代短篇小說浩如煙海，像《獵人》與《牛》那樣具有獨特風格的，並不多見。讀《金鎖記》，我驚服於張愛玲在小說中顯現的智能。 讀《獵人》與《牛》，吳煦斌在小說中顯現的智能同樣令我驚服。張愛玲是綠叢中的紅，寫小說，有特殊的表現手法。吳煦斌的小說，為數不多，也常能令人感到新鮮。兩人之間只有一點相似：與眾不同，張愛玲小說無處不是刺繡 功夫的纖細精巧，民族色彩濃；吳煦斌的小說民族色彩淡，卻充滿陽剛之美。向叢林與荒野尋找題材的吳煦斌，是一位有抱負的女作家。

死氣沉沉的人生，再見！
我要離開這個鳥地方，把生命丟到路上流浪！
一部傳奇經典，一種新世代之聲，一本反抗文化的聖經
二次大戰後，最激動人心的文學流派「垮掉的一代」代表作
西方旅行文學和背包客文化的聖杯、公路電影的原型
《TIME》百大最佳英文小說（1923 ~2005年）、美國圖書館廿世紀世界百大小說，知名譯者何穎怡全新翻譯；名導演華特．沙勒斯改拍的同名電影即將問世
薩爾是位對文學、爵士樂和女人充滿好奇的年輕作家，他在紐約有一群瘋狂的波希米亞好友，成天談論文藝創作，直到富於熱情與野性的狄恩加入這個圈子，薩爾的生活也面臨轉變契機：他決定追隨狄恩「在路上」的步伐，實現西部之旅的夢想，開啟通往體驗生命以及無限可能的那扇大門。
全書以薩爾第一人稱描述，他與狄恩等人四度驅車橫跨美國大陸，展開一段段混亂而亢奮的旅程。他們漫無目的奔走，在路上體察流浪漢、農民、工人、少數族裔的生活，同時縱情於爵士樂、性愛與藥物，尋找另一種感官境界；在放蕩不安的生活基調之中，他們盡情地燃燒自我與探索世界，獲得絕對的靈魂自由。
這是一部自傳體小說。1951年，將近卅歲的凱魯亞克花了短短三星期時間，不眠不休地把自己七年來與友人在公路上浪蕩的故事化為文字。凱魯亞克極力在語言上實驗「自發性文體」；為了避免打斷寫作的思緒，凱魯亞克刻意在書寫時不做隔行、沒有分段，最後成品是一幅長達三十六點五公尺的捲軸。
這部作品寫成後屢遭出版社退稿，凱魯亞克自己修改過多達六種版本之後，才終於在1957年正式出版。這本小說被譽為定義了「垮掉的一代」，凱魯亞克也成了新世代的精神教主，鼓舞著無數年輕人循著他的足跡去找尋人生真義。
同名電影由《中央車站》、《革命前夕的摩托車之旅》名導演華特．沙勒斯執導、劇作家Jose Rivera改編，已在2010年底殺青。演員包括Sam Riley、Garrett Hedlund、Viggo Mortensen、Kirsten Dunst 和Kirsten Stewart。

从美国世界出版公司1956年版译出。存在主义不是一种哲学，而是一个标签，它标志着反抗传统哲学的种种逆流，而这些逆流本身又殊为分歧。拒绝归属于思想上任何一个派系，否认任何信仰团体的充足性。存在主义是一种每个时代的人都有的感受，在历史上随处都可以辨认出来，只是在现代才凝结成坚定的抗议和主张。本书收入了不少原著，什么是存在主义？自己拿主意吧。

In the linked essays that make up her debut collection, This Is One Way to Dance , Sejal Shah explores culture, language, family, and place. Throughout the collection, Shah reflects on what it means to make oneself visible and legible through writing in a country that struggles with race and maps her identity as an American, South Asian American, writer of color, and feminist.

This Is One Way to Dance draws on Shah's ongoing interests in ethnicity and place: the geographic and cultural distances between people, both real and imagined. Her memoir in essays emerges as Shah wrestles with her experiences growing up and living in western New York, an area of stark racial and economic segregation, as the daughter of Gujarati immigrants from India and Kenya. These essays also trace her movement over twenty years from student to teacher and meditate on her travels and life in New England, New York City, and the Midwest, as she considers what it means to be of a place or from a place, to be foreign or familiar.

Shah invites us to consider writing as a somatic practice, a composition of digressions, repetitions--movement as transformation, incantation. Her essays--some narrative, others lyrical and poetic--explore how we are all marked by culture, gender, and race; by the limits of our bodies, by our losses and regrets, by who and what we love, by our ambivalences, and by trauma and silence. Language fractures in its attempt to be spoken. Shah asks and attempts to answer the question: How do you move in such a way that loss does not limit you? This Is One Way to Dance introduces a vital new voice to the conversation about race and belonging in America.

Designers create worlds and solve problems using design thinking. Look around your office or home—at the tablet or smartphone you may be holding or the chair you are sitting in. Everything in our lives was designed by someone. And every design starts with a problem that a designer or team of designers seeks to solve.
In this book, Bill Burnett and Dave Evans show us how design thinking can help us create a life that is both meaningful and fulfilling, regardless of who or where we are, what we do or have done for a living, or how young or old we are. The same design thinking responsible for amazing technology, products, and spaces can be used to design and build your career and your life, a life of fulfillment and joy, constantly creative and productive, one that always holds the possibility of surprise.

德國最高人文榮譽「書商和平獎」作家
剖析民主未來走向的必讀之作！
當「仇恨」在全球成了毒害民主、壓抑自由的真凶，
我們還能置身事外嗎？
【本書特色】
德國亞馬遜排行民主類書籍第1名、種族主義與仇外類書籍第1名！
結合西方文學、思想與政治人物的反思，挑戰我們對「人權」的扁平印象。
《從帝國廢墟中崛起》作者潘卡吉．米什拉、耶魯大學政治系講座教授賽拉．班哈波柏、臺大外文系教授葉德蘭、政大政治系副教授葉浩共同推薦，讚譽本書為現今時代的必讀之書
本書作者行遍世界各個紛爭之地，包括阿富汗、哥倫比亞、加薩、伊拉克、黎巴嫩、巴基斯坦、巴勒斯坦、科索沃、古巴、海地，走訪在地的社會運動、被仇視者的生活模式，揭示討論「仇恨」時容易忽略的歷史背景與社會環境。
【內容簡介】
漠視暴力的旁觀群眾、相互感染的恐懼畏縮、虐殺異己的駭人奇觀
仇恨何以阻止我們伸出援手？我們還有可能安全共處嗎？
伊拉克和敘利亞的同性戀遭ISIS軍隊從高牆上推下來墜地而死
穆斯林與猶太人因為宗教信仰而在西方國家受到歧視與屠殺
倡議性別平權的女性主義者卻被視為帶來禍害的基進分子
爭取應有權利的公民運動總是被國家視為異端，賦予暴民的不理性形象
同性戀、跨性別、變性者因為殊異的情欲模式而無法以公民身分繼續生存，在醫療資源、社會福利、婚姻制度等方面，被國家剝除原本屬於他們的資源
歷史上從來沒有真正落實人人自由與平等的社會。對「社會異類」的仇視，我們總是視為理所當然，彷彿是與生俱來的憎恨與厭惡，但其實不然。本書作者過去以戰地記者身分，行遍世界各個紛爭之地，包括阿富汗、哥倫比亞、加薩、伊拉克、黎巴嫩、巴基斯坦、巴勒斯坦、科索沃、古巴、海地，走訪在地的社會運動、被仇視者的生活模式，希望揭示討論「仇恨」時容易被忽略的歷史背景與社會環境。
【「社會異類」脆弱不安的生存條件】
對作者來說，仇恨的根源來自我們不理解「非我族類」，又容易相信並複製刻板印象，將他們視為社會潛在的威脅，進而採取激烈的手段，限縮他們的生活空間，奪取生活資源，甚至透過暴力虐待與殘忍獵殺，企圖抹除他們的生命痕跡。
在暴力肆虐的仇恨年代，「非我族類」一直活在矛盾的社會之中。他們一方面是「不可見的」低賤生命，人性尊嚴遭到踐踏；另一方面卻也是「可見的」社會異類，因為他們淪為主流社會的攻擊對象。
「仇恨」也往往被包裝成弱勢的情感，例如恐懼、害怕、憂慮，以合理化他們的暴力行為。然而，作者也在絕望的環境看見希望的可能。世界各地正在發生的社會改革，例如平權運動、#blacklivesmatter（黑人的命也是命）網路串聯運動等，都展現了抵抗種族主義、性別霸凌、宗教攻擊、仇恨犯罪，重新實踐民主價值的未來。
【面對日漸殘暴的世界，有什麼是我們能做的？】
作者主張公民社會的每個成員都應該集結起來，共同對抗狂熱主義、憎恨以及暴力。「為了達成這個目標，我們必須相信使我們成為人類的素質，也就是開始的能力。我們可能重新開始，作為個體也作為社會整體……鬆動限制與壓迫我們的種種體制，一起向前邁進，發現新的社會形式。」
沒有人是局外人，也沒有人應該遭到孤立。當受害者不再需要為自己辯護、旁觀者能挺身而出、仇視者開始反省「仇恨」何以是種「有毒的政治情緒」，我們才可能找回個人之間的連結，從整體社會打造穩固的民主地基，讓彼此有所差異的社群得以生活在一起。
正如恩可在榮獲德國書商和平獎的演說中提到的，「我們絕不能讓自己落入無力抵抗與無話可說的窘境。我們可以倡議與行動。我們可以承擔責任。換言之，我們可以透過文字與實踐，積極介入日漸殘暴的世界。」
【臺灣讀者三大必讀理由】
1. 本書不只是人性災難的忠實報導
德國書商協會主席海因理希‧理瑟姆勒指出：「恩可讓我們看到暴力與言說之間、暴力與失語之間都存在著關聯。她寫下的不只是人們告訴她的故事，也是自己聆聽過程中親身體會到的恐懼、憤怒與絕望。她抵達世界上最為紛爭的幾個區域，所呈現的敘述與文字遠遠超越所謂的忠實報導。恩可的作品一再提醒我們，世界正處於動盪之中，我們的目光所及無不深陷火海。德國書商和平獎也建立在言說上，歷來獲獎人所給的演說都傳遞了和平與理解的訊息。」
2. 本書大量從西方思想、文學與政治人物汲取靈感
每一章的開頭都引用了莎士比亞、浮士德、歌德、沙特等名家，行文間也穿插了霍克海默、阿多諾、漢娜鄂蘭、傅柯、德希達、班納迪克．安德森的哲學與社會學思想，乃至於歐巴馬在非裔美籍平權運動的省思，讓本書不只是一本忠實報導之作，也是極具啟發的深度寫作。
3. 本書不斷豐富我們對於人權的扁平想像
透過編織許多思想系譜，作者認為，「人權並非一場零和遊戲。當人權落實在所有人身上時，並不會有人因此失去原有的權利。人權是無條件的。人權事實上不能、也不應該被爭取，因為將人視為人並且保護他作為人的資格，不應該存在任何先決條件。無論你喜歡或討厭、贊成或鄙視別人的生活方式、社會實踐與宗教信仰，都不能影響他人的權利。這正是一個自由、開放、世俗的社會之核心。」
【好評讚譽】
「《差異自由消失的年代》為我們提供了不落入二元對立的洞見來重新檢視目前各種價值對立的僵局，特別是作者以同質、自然、純粹三種身份政治概念區分人我、打擊異己的偏狹想像，去看清、揭露仇恨言論或犯罪的意識形態及其背後系統性體制，正是法治民主國家公民需要的分析思考路徑，可用以理解、拆解所謂『以道德傳統包裝歧視仇恨』的合法性及支持度，從根本逐漸瓦解不包容和仇恨的源頭，平等和尊重多元的人權社會才可能真正存在。」──臺大外文系教授葉德蘭
「透過卓越的清晰論證、情感與膽識，恩可深度剖析一種有毒的政治情緒，以及它在公共生活中廣泛偽裝的許多狡猾，甚至看似良好的形式。《反仇恨》是一部迫切而必要之作，所有在我們當今的政治無力感中尋覓出路的人都應該好好閱讀。」──《從帝國廢墟中崛起》作者潘卡吉．米什拉
「當世界各地的諸多社群都因為對陌生人、外來者、移民與難民而開始動員，恩可分析仇恨者不僅深入細微之處，也精確掌握了他們的心理狀態。這是一本此刻必讀之書。」──耶魯大學政治系講座教授賽拉．班哈波柏

"David Sedaris's ability to transform the mortification of everyday life into wildly entertaining art," ( The Christian Science Monitor ) is elevated to wilder and more entertaining heights than ever in this remarkable new book.
Trying to make coffee when the water is shut off, David considers using the water in a vase of flowers and his chain of associations takes him from the French countryside to a hilariously uncomfortable memory of buying drugs in a mobile home in rural North Carolina . In essay after essay, Sedaris proceeds from bizarre conundrums of daily life-having a lozenge fall from your mouth into the lap of a fellow passenger on a plane or armoring the windows with LP covers to protect the house from neurotic songbirds-to the most deeply resonant human truths. Culminating in a brilliant account of his venture to Tokyo in order to quit smoking, David Sedaris's sixth essay collection is a new masterpiece of comic writing from "a writer worth treasuring" ( Seattle Times ).
Praise for When You Are Engulfed in Flames :
"Older, wiser, smarter and meaner, Sedaris...defies the odds once again by delivering an intelligent take on the banalities of an absurd life." -- Kirkus Reviews
This latest collection proves that not only does Sedaris still have it, but he's also getting better....Sedaris's best stuff will still--after all this time--move, surprise, and entertain." -- Booklist
Table of Contents:

It's Catching
Keeping Up
The Understudy
This Old House
Buddy, Can You Spare a Tie?
Road Trips
What I Learned
That's Amore
The Monster Mash
In the Waiting Room
Solutions to Saturday's Puzzle
Adult Figures Charging Toward a Concrete Toadstool
Memento Mori
All the Beauty You Will Ever Need
Town and Country
Aerial
The Man in the Hut
Of Mice and Men
April in Paris
Crybaby
Old Faithful
The Smoking Section

A vibrant ode to the culture and achievements of the LGBTQ+ community, The Meaning of Pride , written by Rosiee Thor and illustrated by Sam Kirk, celebrates the beauty, significance, and many dimensions of the concept of Pride as celebrated by millions of people around the world!

Every year in June, we celebrate Pride! But what does Pride mean? And how do you celebrate it?

This inspiring celebration of the LGBTQ+ community throughout history and today shows young readers that there are many ways to show your pride and make a difference.

Whether you want to be an activist or an athlete, a poet or a politician, a designer or a drag queen, you can show your pride just by being you!

Now a major motion picture from Lion's Gate Films starring Christian Bale (Metroland), Chloe Sevigny (The Last Days of Disco), Jared Leto (My So Called Life), and Reese Witherspoon (Cruel Intentions), and directed by Mary Harron (I Shot Andy Warhol). In American Psycho, Bret Easton Ellis imaginatively explores the incomprehensible depths of madness and captures the insanity of violence in our time or any other. Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

Curtis Sittenfeld’s debut novel, Prep, is an insightful, achingly funny coming-of-age story as well as a brilliant dissection of class, race, and gender in a hothouse of adolescent angst and ambition.
Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel.
As Lee soon learns, Ault is a cloistered world of jaded, attractive teenagers who spend summers on Nantucket and speak in their own clever shorthand. Both intimidated and fascinated by her classmates, Lee becomes a shrewd observer of–and, ultimately, a participant in–their rituals and mores. As a scholarship student, she constantly feels like an outsider and is both drawn to and repelled by other loners. By the time she’s a senior, Lee has created a hard-won place for herself at Ault. But when her behavior takes a self-destructive and highly public turn, her carefully crafted identity within the community is shattered.
Ultimately, Lee’s experiences–complicated relationships with teachers; intense friendships with other girls; an all-consuming preoccupation with a classmate who is less than a boyfriend and more than a crush; conflicts with her parents, from whom Lee feels increasingly distant, coalesce into a singular portrait of the painful and thrilling adolescence universal to us all.
From the Hardcover edition.

This beautiful and sad first novel, recently adapted for a major motion picture, tells of a band of teenage sleuths who piece together the story of a twenty-year old family tragedy begun by the youngest daughter's spectacular demise by self-defenstration, which inaugurates 'the year of the suicides.'

Nikki, a modern young Punjabi, lives in cosmopolitan London, where she tends bar at the local pub. The daughter of Indian immigrants, she's spent most of her twenty-odd years distancing herself from the traditional Sikh community of her childhood, preferring a more independent (that is, Western) life. When her father's death leaves the family financially strapped, Nikki, a law school dropout, impulsively takes a job teaching a ''creative writing'' course at the community center in the beating heart of London's close-knit Punjabi community.
The proper Sikh widows who show up are expecting to learn English, not short-story writing. When one of the widows finds a book of sexy stories in English and shares it with the class, Nikki realizes that beneath their white dupattas, her students have a wealth of fantasies and memories. Eager to liberate these modest women, she teaches them how to express their untold stories, unleashing creativity of the most unexpected -- and exciting -- kind.
As more women are drawn to the class, Nikki warns her students to keep their work secret from the Brotherhood, a group of highly conservative young men who have appointed themselves the communitys ''moral police.'' But when the widows' gossip offer shocking insights into the death of a young wife -- a modern woman like Nikki -- and some of the class erotica is shared among friends, it sparks a scandal that threatens them all.

From the Booker Prize-winning author of The Remains of the Day comes a devastating new novel of innocence, knowledge, and loss. As children Kathy, Ruth, and Tommy were students at Hailsham, an exclusive boarding school secluded in the English countryside. It was a place of mercurial cliques and mysterious rules where teachers were constantly reminding their charges of how special they were.
Now, years later, Kathy is a young woman. Ruth and Tommy have reentered her life. And for the first time she is beginning to look back at their shared past and understand just what it is that makes them special–and how that gift will shape the rest of their time together. Suspenseful, moving, beautifully atmospheric, Never Let Me Go is another classic by the author of The Remains of the Day .

With a career, a boyfriend, and a loving family, Piper Kerman barely resembles the reckless young woman who delivered a suitcase of drug money ten years ago. But that past has caught up with her. Convicted and sentenced to fifteen months at the infamous federal correctional facility in Danbury, Connecticut, the well-heeled Smith College alumna is now inmate #11187-424—one of the millions of women who disappear “down the rabbit hole” of the American penal system. From her first strip search to her final release, Kerman learns to navigate this strange world with its strictly enforced codes of behavior and arbitrary rules, where the uneasy relationship between prisoner and jailer is constantly and unpredictably recalibrated. She meets women from all walks of life, who surprise her with small tokens of generosity, hard words of wisdom, and simple acts of acceptance. Heartbreaking, hilarious, and at times enraging, Kerman’s story offers a rare look into the lives of women in prison—why it is we lock so many away and what happens to them when they’re there.
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David Sedaris plays in the snow with his sisters. He goes on vacation with his family. He gets a job selling drinks. He attends his brother's wedding. He mops his sister's floor. He gives directions to a lost traveler. He eats a hamburger. He has his blood sugar tested. It all sounds so normal, doesn't it? In his newest collection of essays, David Sedaris lifts the corner of ordinary life, revealing the absurdity teeming below its surface. His world is alive with obscure desires and hidden motives -- a world where forgiveness is automatic and an argument can be the highest form of love. Dress Your Family in Corduroy and Denim is another unforgettable collection from one of the wittiest and most original writers at work today.

"These are poems which blaze and pulse on the page."—Adrienne Rich "The first declaration of a black, lesbian feminist identity took place in these poems, and set the terms—beautifully, forcefully—for contemporary multicultural and pluralist debate."— Publishers Weekly "This is an amazing collection of poetry by . . . one of our best contemporary poets. . . . Her poems are powerful, often political, always lyrical and profoundly moving."— Chuckanut Reader Magazine "What a deep pleasure to encounter Audre Lorde's most potent genius . . . you will welcome the sheer accessibility and the force and beauty of this volume."— Out Magazine

Peni a grondaia o peni doppi, a cavatappi o a quattro teste, peni sonori e addirittura staccabili! Vagine immagazzinatrici con spermoteche, clitoridi spinosi e quant'altro: la straordinaria varietà delle forme e strutture genitali è tra gli aspetti più sorprendenti dell'evoluzione animale. A che cosa serve un pene? Perché certe specie non ne hanno, mentre altre ne hanno due? Perché tanta diversità? Si può ipotizzare un'origine comune a tutta questa varietà di forme? Qual è lo scopo del pene? Soltanto trasferire lo sperma o anche ottimizzare la riproduzione? Assicurarsi l'esclusività? Sopravvivere? E, in tutto ciò, che posto hanno le vagine, il clitoride e il piacere? Esisterà davvero nel mondo animale? Quest'opera intrigante, illustrata da Julie Terrazzoni, esplora le caratteristiche e le pratiche sessuali di 35 specie animali, dai coccodrilli alle libellule, dagli elefanti alle vipere, ai polpi, ai formichieri, ai ragni... Emmanuelle Pouydebat è etologa e ricercatrice presso il CNRS (il Centro nazionale francese per la ricerca scientifica) e il Muséum National d'Histoire Naturelle di Parigi. I suoi studi si concentrano soprattutto sull'intelligenza animale.