兔斯基是一只面无表情，完全靠肢体动作来表达情绪的兔子，几乎囊获了80后和90后的所有特征：富有想象力、自娱自乐、独立特行、反传统。也自带80后和90后所少有的优点：雍容、睿智、洒脱、富有洞察力。虽然看起来很困顿，内心却是很敏锐、强大、积极，那对象征性的眯眼和软耳，具有独特的解压作用，能消解人心灵负重。它自己的人生观和世界观已经能够成一种人生哲学，基本上可用一句话概括它的形象价值：用情绪改善人生，用想象力改变世界。

One night Max puts on his wolf suit and makes mischief of one kind and another, so his mother calls him 'Wild Thing' and sends him to bed without his supper. That night a forest begins to grow in Max's room and an ocean rushes by with a boat to take Max to the place where the wild things are. Max tames the wild things and crowns himself as their king, and then the wild rumpus begins. But when Max has sent the monsters to bed, and everything is quiet, he starts to feel lonely and realises it is time to sail home to the place where someone loves him best of all. When Maurice Sendak won the American Library Association's Caldecott Medal for WHERE THE WILD THINGS ARE, he said: 'Max, the hero of my book, discharges his anger against his mother, and returns to the real world sleepy, hungry and at peace with himself...from their earliest years children live on familiar terms with disrupting emotions, fear and anxiety are an intrinsic part of their everyday lives, they continually cope with frustration as best they can. And it is through fantasy that children achieve catharsis. It is the best means they have for taming Wild Things.'

《我的心中每天开出一朵花》是幾米“手绘图像”的梦想之作，每天都画下一朵花，象征着梦想与期望，更是一种生命力的展现。书中有一个男主角，并有一只小兔子、小女孩陪伴，他们用极富想象力的图片和简洁深刻的语言带领大家在作者丰富的内心世界里畅游。

看不見的，是不是就等於不存在？
記住的，是不是永遠不會消失？每一個黃昏過後，大家焦慮地等待，卻再也沒有等到月亮升起。
潮水慢慢平靜下來，海洋凝固成一面漆黑的水鏡，
沒有月亮的夜晚，世界變得清冷幽寂．但是，最深的黑夜即將過去，月亮出來了……

It's a new school year, and Greg Heffley finds himself thrust into middle school, where undersized weaklings share the hallways with kids who are taller, meaner, and already shaving. The hazards of growing up before you're ready are uniquely revealed through words and drawings as Greg records them in his diary.
In book one of this debut series, Greg is happy to have Rowley, his sidekick, along for the ride. But when Rowley's star starts to rise, Greg tries to use his best friend's newfound popularity to his own advantage, kicking off a chain of events that will test their friendship in hilarious fashion.

德国著名漫画家埃·奥·卜劳恩的连环漫画《父与子》已风靡世界半个多世纪，画中的“父”与“子”的形象实际上是画家自己与儿子的真实写照。1934年12月当《父与子》最初与读者见面时，画家天真无邪的儿子才只有3岁。联邦德国《斯卡拉》杂志曾发表过一幅卜劳恩伏在地上给儿子当马骑的照片，并解释道：卜劳恩和儿子克里斯蒂安在一起这样无忧无虑的日子尽管很短暂，而连环漫画《父与子》的素材多来源于此。”这一幅幅小巧精湛的画面闪烁着智慧之光，无言地流泻出纯真的赤子之情与融融的天伦之乐，其艺术魅力征服过无数读者的心。