战争
帝国的毁灭 (2004) 豆瓣 IMDb Min reol TMDB
Der Untergang
8.8 (455 个评分) 导演: 奥利弗·希施比格尔 演员: 布鲁诺·冈茨 / 亚历山德拉·玛丽亚·拉娜
其它标题: 다운폴 / ヒトラー ~最期の12日間~
  本片取材自约阿希姆·费斯特2002年的著作《希特勒的末日》和希特勒的私人秘书特劳德尔·荣格同年的回忆录《直到最后时刻》,曾获得奥斯卡最佳外语片奖的提名。 荣格自从1942年被希特勒雇佣为秘书后,转眼到了1945年3月,苏联大军兵临城下,纳粹德国政府内人心惶惶。不但重要的亲信希姆莱和戈林相继叛离希特勒而去,而且军队人手不足,连平民和小孩都被迫送上战场,看不到希望的将军也整日借酒消愁...这是一部纪实性电影,逼真地反映了希特勒人生的最后12天,第三帝国最后的日子。苏联红军已经攻入柏林,希特勒和情妇爱娃也躲到了掩体下。爱娃知道自己是来陪希特勒一起共赴黄泉的,但她并不后悔。即使在她向希特勒为妹夫求情遭拒绝后,她也和希特勒一起举办了最后一次的婚礼。希特勒的忠实追随者戈倍尔决心全家一起陪着元首殉葬。他共有7个孩子,他和妻子坚决不让自己的孩子们在没有帝国的天空生长,在希特勒和爱娃自杀后也一同自杀。令人不胜感慨。历史的真实通过镜头一幕幕重现。
2020年12月21日 看过
开头和结尾的女主原型为自己当初的无知和盲信忏悔,说当时和自己同样年龄的女孩能知道纳粹是错的,自己却去为希特勒工作,所以自己是错的,需要忏悔。但是她活了下来,那个女孩没活下来,从这个角度来说,她或许才是“对”的。个人在历史社会的洪流下被裹挟、淹没。她选了当时最好的阵营,然而马上就到这个阵营要扑街的时代了;尤其是当时信息闭塞,难把眼光放长远。不过要投靠阵营是因为资源分配按阵营分配;在全球化的影响下,个人拿到蛋糕的渠道多元化了。希望全球化还有希望,这样个人可以好好活的几率才会继续提高。人类的历史总会不断重复,今日全球社会不断走向极端,或许又要来一次极权的社会了,但是人类终究又会走向自由的,因为那个历史也会重复。但是人生短暂,时代的转变需要几代人的积累。我对人类长期上是乐观的,但我这短短一生只能悲观
2004 二战 人性 剧情 德国
机动战士高达 闪光的哈萨维 第1部 (2021) 豆瓣 TMDB 豆瓣 Bangumi
機動戦士ガンダム 閃光のハサウェイ
7.6 (136 个评分) 导演: 村濑修功 演员: 小野贤章 / 上田丽奈
其它标题: 機動戦士ガンダム 閃光のハサウェイ / 机动战士高达 闪光的哈萨维
自第二次新吉翁战争结束了12年后的U.C.105年,因地球联邦政府的腐败和地球环境污染的加速,在强制平民前往宇宙的同时,也开始实施非人道的政策“人类狩猎”。
在这种局面下,反地球联邦政府运动组织“马夫蒂”,在组织首领:“马夫蒂·纳比尤·艾林”(其真实身份是联邦军内素有声望的一年战争的功臣联邦军上校布莱德·诺亚之子哈萨维·诺亚)的带领下,针对地球联邦高官展开了暗杀等一系列恐怖活动。
继承了阿姆罗·雷和夏亚·阿兹纳布尔两人的思想,成为了为了内心的意志和道路而不断奋斗前行的战士哈萨维,却与联邦军上校凯奈斯·斯雷克和谜之少女琪琪·安达露西亚相遇了,而这也是改变他们命运的相遇。
2021年8月2日 看过
听说战斗场景很棒,结果一看全都是黑乎乎的,全片都有逆袭的夏亚的影子,那作战能不能有点影子 / 琪琪这个角色看得要吐了,男性心中所谓“神秘”的女性就是这样行事无逻辑,前言不搭后语,供人意淫的符号,在大家抛头颅洒热血的革命里安排这样的女性角色,真是侮辱 / 对马夫蒂这样已经成为一种旗帜的组织的探讨毫不到位,连0079、Z里对中立地的描写的深度都达不到 / 哈萨维要继承夏亚的“遗志”,而这所谓的遗志就是满脑子都想着女人怎么影响自己,上了战场都还是想着“是琪琪让我变弱了吗”,真是丢脸,用别人来当借口,所谓的成长也是为了“证明给葵司看自己可以脱离女人”,笑死,这就是主角、领袖吗 / 真怀念0079的女性角色,哈萨维妈妈米莱,一代神舵手,完全没谜来谜去的,男性还不需要神出鬼没的女角色来为自己的无能找借口
动画 战争 日本 科幻
二十二 (2015) 豆瓣 TMDB
二十二
8.6 (616 个评分) 导演: 郭柯 演员: Wei Shaolan / Luo Shanxue
其它标题: Twenty Two / 22
在日本侵华战争的八年间,至少20万中国妇女被迫沦为日军的性奴隶,也就是我们经常提及的“慰安妇”。在影片2014年开拍之时,中国内地仅剩22位“慰安妇”幸存者。当光阴慢慢划过,时间抚平伤口,这些经历了常人无法想象的磨难的老人们,如今又身在何处,过着怎样的生活,经历着怎样的悲喜忧乐?
他们已不再变老 (2018) Eggplant.place TMDB 豆瓣
They Shall Not Grow Old
8.8 (418 个评分) 导演: 彼得·杰克逊 演员: Thomas Adlam / William Argent
其它标题: They Shall Not Grow Old / 不老的战迹(港)
《他们已不再变老》是由华纳兄弟影业出品,奥斯卡金像奖获奖导演彼得·杰克逊(《指环王》三部曲,《霍比特人》三部曲)执导的战争纪录片。电影聚焦于1914年—1918年一战士兵的日常生活。片中大部分史料均为首次公开,制作团队应用最顶尖修复、上色及3D 技术,将百年前影像进行全彩修复并重新加入声效,以英国老兵口述史为旁白还原一战士兵遭遇和感受,为观众呈现身临其境、极度真实的沉浸式战争体验。影片将于2019年11月11日(一战结束一百零一周年纪念日)全国艺联专线上映。
从海底出击 (1981) 豆瓣 IMDb TMDB
Das Boot
9.1 (155 个评分) 导演: 沃尔夫冈·彼得森 演员: 尤尔根·普罗奇诺 / 赫贝特·格勒内梅厄
其它标题: 특전 U보트 / U・ボート
  二次大战期间,德军一艘U型潜艇奉命出击,完成对英国船队的袭击任务,当他们完成任务返航途中,却遭遇上前所未见的危机。《从海底出击》片长超过三个小时,而从开始到结束的每一分钟里,时间几乎都消耗在一艘德国潜艇的封闭空间里面,满脸油污、胡子拉茬的德国海军是影片的主要角色。在它的悠长篇幅之中并不缺乏大起大落的情节起伏,潜在的重重危机随时威胁着舰艇上官兵的生命安全,这个貌似强大而冷冰冰的庞然大物完全不能自保,一切只能听天由命。
苏菲的抉择 (1982) 豆瓣 TMDB
Sophie's Choice
7.9 (65 个评分) 导演: 艾伦·J·帕库拉 演员: 梅丽尔·斯特里普 / 凯文·克莱恩
其它标题: Sophie's Choice / 索菲的抉择
一位来自美国南部的年轻作家斯汀戈(彼特·麦尼科 Peter MacNicol 饰)为求生计来到布鲁克林,认识了居住在楼上的苏菲(梅丽尔·斯特里普 Meryl Streep 饰)和内森(凯文·克莱恩 Kevin Kline 饰)。他们很热情的表达希望和这位年轻的作家交朋友 ,斯汀戈欣然接受他们的邀请。逐渐地交往之后,他们之间相互建立了亲密友好的感情。在这个过程中斯汀戈了解到,苏菲常因内森的猜疑和暴怒伤心哭泣,但她非常的爱内森,最让她担心是:内森没有她以后的生活将不可想象。苏菲是波兰人,二战后来到美国,在这里认识了内森并和他相依为命,战时苏菲曾被关进纳粹集中营,而她的父亲、丈夫、儿女全部在这场战争中罹难。对于自己的受难和亲人一个个的悲惨命运,和这场战争中人间地狱般的种族大灭绝,苏菲的精神和肉体该如何抉择……
乔乔的异想世界 (2019) 豆瓣 IMDb TMDB
Jojo Rabbit
8.1 (1466 个评分) 导演: 塔伊加·维迪提 演员: 罗曼·格里芬·戴维斯 / 托马辛·麦肯齐
其它标题: Jojo Rabbit / 乔乔兔
二战时期,男孩乔乔(戴维斯)和母亲(斯嘉丽)生活在纳粹德国统治下,他不知道母亲在家中藏着一个犹太女孩(麦肯齐),而母亲秘密为抵抗军工作。乔乔渴望加入希特勒青年团,他脑内出了一个颠覆版的希特勒,这个希特勒有魅力、傻傻的、天真可爱,是他的朋友,帮助他应付生活中的困境。
我是女兵,也是女人 豆瓣
WAR'S UNWOMANLY FACE
9.2 (61 个评分) 作者: S.A.阿列克谢耶维奇 译者: 吕宁思 九州出版社 2015 - 9
★获得2015年诺贝尔文学奖,全球销量逾200万册
★“她的复调书写,是对我们时代的苦难和勇气的纪念。”
★“每一页,都是感人肺腑的故事。”
★苏联女兵亲历战争实录,一经问世就震惊世界文坛,“这是一本痛苦的书,也是一本真相的书。”
★作者连续两年入围诺贝尔文学奖决选名单,为世界文坛开创了崭新纪实体裁
★作 品被译为35种文字,屡获世界级权威大奖
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超过100万名15—30岁的苏联女兵参加了第二次世界大战,她们中有医生、护士,还有伞兵、坦克兵、重机枪手、狙击手等。本书真实记录了她们亲历的那些感人泪下的故事,还有战火中伟大的爱情……
书里所有的故事都是真实发生过的,大量内容曾被苏联官方严禁出版。
这些女兵眼里的战争, 与男人们的描述截然不同。这些女兵的回忆,会让你感受到二战中最直观的冲击和从未有过的强烈震撼。
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从初版到新世纪修订版,几乎就是作者的重新创作,不仅增加了很多内容,更由于苏联从巨变到解体之后,作者把许多曾被报刊检查部门禁止或被迫自我删去的内容发表了出来……这是一本痛苦的书,也是一本真相的书。在阅读原文并译至中文的过程中,我屡屡被其中触目惊心的内容和人性细节所震撼所感动,甚至为之而难抑泪水。
——吕宁思(本书译者,凤凰卫视资讯台执行总编辑、副台长)
2018年10月5日 已读
这本书是我读的阿列克谢耶维奇的第四本。依然是小人物拼凑的大历史。刚开始阅读的时候,我期待读到的是女性对男性的评价的不甘,以及在战争中拼搏自己的地位。然而细细读下来,我意识到我骨子里还是精英主义吧,所以女权上我也倾向于精英女权主义,是不好的。这本书里的女性大多是二战时豆蔻年华的女孩子,也就是我外婆那一辈的人,既受传统思想熏陶,也受共产党的爱国爱党教育的熏陶。她们上战场,绝不是为了证明自己,而是因为爱国报国。而在战争中她们痛苦,是因为“做不了女孩子做的事情”。所以如果是想看符合今天女权精神的内容的话,就会失望。里面提到,是因为男孩子从小就被培养去战争,而女孩子没有,所以才会想这么多“乱七八糟的”爱美打扮、心疼人命。那么,在今天这个和平年代里,男女对于生命的思维差异还有那么大吗?
s.a.阿列克谢耶维奇 二战 历史 女性 战争
The Rape of Nanking 豆瓣 Goodreads
The Rape of Nanking: The Forgotten Holocaust of World War II
9.8 (8 个评分) 作者: Iris Chang Penguin Books 1998 - 11
“这是我真正不得不写的一本书。我写,是出自义愤。即使拿不到一分钱,我也不在乎。让世界知道1937年在南京发生了什么事,对我来讲,这才是重要的。”
——张纯如
作者照片:

张纯如,在新泽西州普林斯顿出生,在伊利诺州长大。1989年从伊利诺大学毕业后,曾在美联社和芝加哥论坛报当记者,后来从约翰·霍普金斯大学获得写作学位,并开始全职写作和演说。

张纯如出身书香门第,祖父是抗日国军将领张铁军,后曾为台湾中华日报总主笔。其父当年是台大物理系“状元”,其专著《量子场论》在美国理论物理学术界颇有影响。张纯如的母亲一直从事生物化学的研究工作。

张纯如曾荣膺麦克阿瑟基金会“和平与国际合作计划”奖、美国华人团体“年度女性”称号,并且获得美国“国家科学基金会”、“太平洋文化基金会”及“哈利·杜尔门图书馆”赞助。张纯如曾成为世界最著名的文摘杂志《读者文摘》的封面人物,受到许多电视节目邀请,包括著名新闻访谈节目《夜线》(Nightline)和《吉姆莱赫新闻时间》(NewsHour With Jim Lehrer),也为多家出版物(包括《纽约时报》和《新闻周刊》)写稿。她与NBA体育明星“东方小巨人”姚明、著名钢琴家郎朗被誉为当下美国最引人瞩目的三位华人青年。

1997年,张纯如的《南京大屠杀:被二战遗忘的浩劫》在美国出版。与南京大屠杀有关的研讨会也因此在美国哈佛及斯坦福等大学举行,美国新闻媒介都大幅报道了南京大屠杀。张纯如自己也曾到纽约等地作关于这段历史的演讲。《南京大屠杀》是首部全面记录当年日军血洗南京城暴行的英文著作,曾连续5个月被列为《纽约时报》书评的最佳畅销书,引起英语世界对二次大战时日本在中国实施暴行的关注。1998年4月,东方出版社翻译的20万字《南京大屠杀:被二战遗忘的浩劫》中译本在北京出版。

2004年11月9日,张纯如突然在美国加州自己的轿车内用手枪自杀身亡。有消息推测,年仅36岁的她可能因患抑郁症自杀。

在她的网上祭奠堂的挽联中这样写道:
历经千辛示倭鬼恶昭告世界中华第一人,
自古有死太息青云一瞬如君摇落更堪悲。
Publisher Comments :
In December 1937, the Japanese army swept into the ancient city of Nanking. Within weeks, more than 300,000 Chinese civilians were systematically raped, tortured, and murdered — a death toll exceeding that of the atomic blasts of Hiroshima and Nagasaki combined. Using extensive interviews with survivors and newly discovered documents, Iris Chang has written what will surely be the definitive history of this horrifying episode.
The Rape of Nanking tells the story from three perspectives: of the Japanese soldiers who performed it, of the Chinese civilians who endured it, and of a group of Europeans and Americans who refused to abandon the city and were able to create a safety zone that saved almost 300,000 Chinese. Among these was the Nazi John Rabe, an unlikely hero whom Chang calls the "Oskar Schindler of China" and who worked tirelessly to protect the innocent and publicize the horror. More than just narrating the details of an orgy of violence, The Rape of Nanking analyzes the militaristic culture that fostered in the Japanese soldiers a total disregard for human life. Finally, it tells the appalling story: about how the advent of the Cold War led to a concerted effort on the part of the West and even the Chinese to stifle open discussion of this atrocity. Indeed, Chang characterizes this conspiracy of silence, that persists to this day, as "a second rape".
Amazon.com
China has endured much hardship in its history, as Iris Chang shows in her ably researched The Rape of Nanking, a book that recounts the horrible events in that eastern Chinese city under Japanese occupation in the late 1930s. Nanking, she writes, served as a kind of laboratory in which Japanese soldiers were taught to slaughter unarmed, unresisting civilians, as they would later do throughout Asia. Likening their victims to insects and animals, the Japanese commanders orchestrated a campaign in which several hundred thousand--no one is sure just how many--Chinese soldiers and noncombatants alike were killed. Chang turns up an unlikely hero in German businessman John Rabe, a devoted member of the Nazi party who importuned Adolf Hitler to intervene and stop the slaughter, and who personally saved the lives of countless residents of Nanking. She also suggests that the Japanese government pay reparations and apologize for its army's horrific acts of 60 years ago.
From School Library Journal
The events in this book are horribly off-putting, which, paradoxically, is why they must be remembered. Chang tells of the Sino-Japanese War atrocities perpetrated by the invading Japanese army in Nanking in December 1937, in which roughly 350,000 soldiers and civilians were slaughtered in an eight-week period, many of them having been raped and/or tortured first. Not only are readers given many of the gory details?with pictures?but they are also told of the heroism of some members of a small foreign contingent, particularly of a Nazi businessman who resided in China for 30 years. The story of his bravery lends the ironic touch of someone with evil credentials doing good. Once the author finishes with the atrocities, she proceeds with the equally absorbing and much easier-to-take story of what happened to the Nazi businessman when he returned to Germany and the war ended. This by itself is material for a movie. The author tells why the Japanese government not only allowed the atrocities to occur but also refused, and continues to refuse, to acknowledge that they happened. She is quite evenhanded in reminding readers that every culture has some episode like this in its history; what makes this one important is the number of people killed and tortured, the sadism, and the ongoing Japanese denial of responsibility. Mature readers will look beyond the sensational acts of cruelty to ponder the horror of man's inhumanity to man and the examples of heroism in the midst of savagery.
Judy McAloon, Potomac Library, Prince William County, VA
From Library Journal
Even though the Japanese government still refuses to acknowledge the massacre of at least 250,000 Chinese civilians by invading Japanese troops in 1937, freelance writer Chang (the Chicago Tribune, the New York Times, the Associated Press) has exposed in detail the full, terrible account of what happened to the war-torn capital of Nanking. Chang, whose grandparents survived the brutality, first establishes Japan's social hierarchy by martial competition, then shows how the city of Nanking fell, the six weeks of horror following, and the Nanking safety zone created by Americans and Europeans. The book goes on to depict the city's occupation, the judgment day for Japanese war criminals, the cover-up perpetrated by Japanese textbooks, and Japan's self-imposed censorship. The unseen illustrations will certainly complement the vivid description of one of the most horrible massacres of all. This unique, deeply researched book, with its firsthand account, is an excellent choice for larger public libraries and the East Asia collections of academic libraries.
Steven Lin, American Samoa Community Coll. Lib.
From AudioFile
Few know the details of the Japanese invasion of Nanking during WWII. Once a capital city of China, it became a scene of holocaust, rivaling any of Europe's in brutality and numbers. This is not history for the squeamish. Chang unfolds episodes with painstaking detail. She documents facts, reactions and rebuttals and includes a psycho-sociological analysis of the Japanese character to explain (if not excuse) their excesses. With a dry voice, Fields keeps her narrative from overreaction, using a finely tuned ear for inflection to emphasize the worst horrors. This is a real accomplishment as it would be hard NOT to express indignation. Her intelligent performance makes this a remarkable and compelling experience. S.B.S.
From Kirkus Reviews
Billing itself as the first English-language history devoted to the Japanese Army's 1937 massacre in China's capital, this slight account will by no means be the last word. Repeated references to Schindler's List point to the problem with this overdigested version of the past: It reads like a treatment for a probably inevitable cinema version of the hideous incident. Its economical, blandly shocking anecdotes of crimes against humanity and its cardboard heroes suggest scenes ready-made for screenwritten history. Thus, while rigorous in its moral earnestness, the book is inadequate as a history. After a minimal background chapter on Japanese militarism, Chang, a freelance journalist, describes the Japanese assault on Nanking. The specifics are deeply horrific: Over a period of several months Japanese soldiers killed approximately a quarter of a million Chinese, almost all of them noncombatants, including the elderly, women, and children. But the potential ingredients of a skillfully woven narrative are separated here into lifeless clumps of facts--catalogues of atrocities by kind; tiny summaries of topics of significant contextual interest, like foreign intelligence concerning the massacre; and probably gripping oral recollections flattened into clunky prose (``of the hundreds of people killed that day . . . Tang was the only survivor''). Chang tells only as much as one needs to know to indignantly draw the familiar lessons for humanity--``the frightening ease with which the mind can accept genocide, turning us all into passive spectators to the unthinkable.'' What's needed is to vivify such truths with intense historical reality. Chang fails because he rushes to simplify complex events and to universalize what happened at the expense of a careful, comprehensive appreciation of a world violently destroyed. (photos, not seen) (First serial to Newsweek)
Frederic Wakeman, Director of the Institute of East Asian Studies, University of California, Berkeley
Iris Chang's RAPE OF NANKING is an utterly compelling book. The descriptions of the atrocities raise fundamental questions not only about imperial Japanese militarism but the psychology of the torturers, rapists and murderers. Many Japanese have denied that these events ever took place, substituting amnesia for guilt, but Iris Chang's heartbreaking account will make such evasion impossible in the future for all but the most diehard right-wing Japanese extremists.
About Author
Iris Chang, a full time author living in California, heard stories about the Rape of Nanking from her parents, who survived years of war and revolution before finding a serene home as professors in Champaign-Urbana, Illinois. A journalism graduate of the University of Illinois at Urbana, she worked briefly as a reporter in Chicago before winning a graduate fellowship to the writing seminars program at The Johns Hopkins University. Her first book, Thread of the Silkworm (the story of Tsien-Hsue-shen, father of the People's Republic of China's missile program) received worldwide critical acclaim. She is the recipient of the John T. and Catherine D. MacArthur Foundation's Program on Peace and International Cooperation award, as well as major grants from the National Science Foundation, the Pacific Cultural Foundation, and the Harry Truman Library. She is 30 years old.
Book Dimension :
Height (cm) 19.8                      Width (cm) 12.8
2022年2月3日 已读
比起刚读完的《Gulag》更简明扼要,分析和叙事的配比恰到好处。独裁的政治、不把人当人看的文化、崇尚暴力的宗教,造就了极度toxic masculinity、极度缺乏自尊、被碰一下就复仇心拉满的性格;遇到无心无力抵抗的假想敌,想要重振最有毒的那种雄风,造就了世界上有史以来最惨绝人寰的暴行。更有长久历史意义的是由于战后政治博弈,日本无需赔偿、罪人领袖安然在位,更让日本无法正视错误,保留了国家中导致必然悲剧的因素;第一代不负责任,则让接下来的一代代人承受沉重责任,冤冤相报,重复错误。这本书字字珠玑,所有人类都应该读。
中国 历史 战争 日本
我不要你死于一事无成 豆瓣
Letters to my Daughters
9.6 (5 个评分) 作者: [阿富汗] 法齐娅·库菲 译者: 章忠建 中信出版集团 2018 - 10
活着,是有使命的。
法齐娅•库菲,阿富汗唯一一位女性国会议员,自童年开始便亲眼目睹阿富汗人民的苦难与悲惨,立誓投身政治,面对质疑、诽谤,不公正的政治环境,一次次的暗杀与迫害,她始终坚定地与所有反对力量抗争,也幸运地躲过了一次次死亡的威胁。
她每一次走出家门都是充满危险的未知旅程,都无法保证自己能否平安返回,于是她只能在每次出门前给最亲爱的两个女儿留下一封信:
☆痛失亲人对任何人来说都是最难忍受的痛苦之一。但是,失去所爱的人是生活的一部分,是我们成长路上的一部分,没有人能够例外。
☆一定要勇敢,不要对生活中的任何事情心存惧怕。
☆如果你总是随波逐流,那你会迷失,会忽略自己的信念。
☆拒绝承认现实是不对的,但是当你处于汹涌澎湃的绝望之海,拒绝承认现实就成了你的救命木筏。
☆把目标放高,你永远无法估计一个人的爆发力能达到什么程度,如果一开始就设限,那么这辈子你就没有了爆发的欲望,何来高度深度宽度可言?
☆不要随便打发上门求助的人,你根本不知道什么时候也需要他们的帮助。
☆改变并不一定都是我们的敌人,你们必须学会接受它,视其为生活的一部分。
……
The Assassins' Gate 豆瓣
作者: George Packer Farrar, Straus and Giroux 2005 - 10
THE ASSASSINS’ GATE: AMERICA IN IRAQ recounts how the United States set about changing the history of the Middle East and became ensnared in a guerilla war in Iraq. It brings to life the people and ideas that created the Bush administration’s war policy and led America to the Assassins’ Gate—the main point of entry into the American zone in Baghdad. The consequences of that policy are shown in the author’s brilliant reporting on the ground in Iraq, where he made four tours on assignment for The New Yorker. We see up close the struggles of American soldiers and civilians and Iraqis from all backgrounds, thrown together by a war that followed none of the preconceived scripts.
The Assassins' Gate also describes the place of the war in American life: the ideological battles in Washington that led to chaos in Iraq, the ordeal of a fallen soldier’s family, and the political culture of a country too bitterly polarized to realize such a vast and morally complex undertaking. George Packer’s first-person narrative combines the scope of an epic history with the depth and intimacy of a novel, creating a masterful account of America’s most controversial foreign venture since Vietnam.