TheRollingStones
乞丐的盛宴 豆瓣
9.4 (57 个评分) The Rolling Stones 类型: 摇滚
发布日期 1968年1月1日 出版发行: Abkco
Beggars Banquet is a studio album by English rock band the Rolling Stones. It was released in December 1968 by Decca Records in the United Kingdom and London Records in the United States; it is the band's seventh British and ninth American studio album. The recording marked a change in direction for the band following the psychedelic pop of their previous two albums, Between the Buttons and Their Satanic Majesties Request
一些女孩 豆瓣
8.9 (29 个评分) The Rolling Stones 类型: 摇滚
发布日期 1994年8月15日 出版发行: Virgin
During the mid-'70s, the Rolling Stones remained massively popular, but their records suffered from Jagger's fascination with celebrity and Keith's worsening drug habit. By 1978, both punk and disco had swept the group off the front pages, and Some Girls was their fiery response to the younger generation. Opening with the disco-blues thump of "Miss You," Some Girls is a tough, focused, and exciting record, full of more hooks and energy than any Stones record since Exile on Main St. Even though the Stones make disco their own, they never quite take punk on their own ground. Instead, their rockers sound harder and nastier than they have in years. Using "Star Star" as a template, the Stones run through the seedy homosexual imagery of "When the Whip Comes Down," the bizarre, borderline-misogynistic vitriol of the title track, Keith's ultimate outlaw anthem, "Before They Make Me Run," and the decadent closer, "Shattered." In between, they deconstruct the Temptations' "(Just My) Imagination," unleash the devastatingly snide country parody "Far Away Eyes," and contribute "Beast of Burden," one of their very best ballads. Some Girls may not have the back-street aggression of their '60s records, or the majestic, drugged-out murk of their early-'70s work, but its brand of glitzy, decadent hard rock still makes it a definitive Stones album.
流亡大街 豆瓣
9.2 (71 个评分) Rolling Stones 类型: 摇滚
发布日期 1994年8月15日 出版发行: Virgin
这部雄浑壮伟的钜作,正是滚石探索美国音乐集其大成的总验收--蓝调、乡村、灵魂、福音,从Gram Parsons教给他们的白人歌谣到国会图书馆留下来的二○年代密西西比田野录音,Exile On Main Street探索了摇滚乐所从出的美国文化最深邃的灵魂,也替后世树立了一座绝难攀越的巨碑--或者该说,一条切进美国音乐古老的心脏地带的Main Street。   Exile On Main Street,如今大家都同意,是摇滚乐诞生至斯,最值得纪念的扛鼎之作,可能也是滚石最好的一张唱片--不幸的是,它也是滚石最后一张真正担得起「伟大」两字的专辑,结束了他们从1968年起算的辉煌年代。