中村千尋，日本女唱作人。出身於熊本縣八代市。

-終わりの世界の更なる終わり-

「傷心欲絕的傷心，跟其他的傷心歌有點不同。在夜深人靜的時候，他會是那麼地深刻，但是後來仔細想想，卻也沒什麼大不了。這種薛丁格的哀傷，就這樣虛無的打進你心裡。可以發笑，也可以想哭，幽默得讓人感到害怕，害怕自己陷入一樣的窘境。總而言之， 簡單的旋律，配上不簡單的歌詞， 每個人都有屬於自己的傷心欲絕。」──軟體業工程師　黃浚瑜
台北民謠龐克樂團傷心欲絕，早期由主唱許正泰、貝斯手黃紹祖、吉他手劉暐及官靖剛等人構成核心陣容，2010年發行首張專輯《我愛您》，2011年發行EP《喔！我沒有靈魂》。那一段時間，他們和透明雜誌、湯湯水水、盪在空中等樂團，被戲稱台北獨立音樂圈「師大公園四大天王」，傷心欲絕更被冠上「絕望世代」代表，字字句句強行脫下弱勢者的羞愧，吉他破音加速血液循環，仿佛打從娘胎酒精中毒，無法在白天保持清醒。
一個世道的胡編羅織，可能殺死一個樂團。2013年傷心欲絕開始重整編制，加入鍵盤手葛亭筠，大量的管風琴運用加重了民謠搖滾風情，這段期間發表作品集《DEMOS 2011-2013》，其中一首〈持續三年的暈眩〉或許透露了新方向的一點端倪：「也許這樣不錯，我準備好閉上雙眼；也許我即將失去所有的記憶。」欲求不滿的苛求者、叛逆孩子，承接人生的反作用力，開始放下回憶。
2014年鼓手陳冠甫加入，確立近年最完整六人陣容。2016年春天於師大公館校區中正堂自力舉辦活動「樓下聯誼」，800人在大禮堂混亂合唱的場面，盜錄成一捲錄影帶，人生倒帶重播最頻繁的部分。傷心欲絕或許代表一個族群、一個場景、一個世代，但請不要忘記，一切的焦慮源於你／我的孤獨相互衝撞，希望從「在別人眼中，我是如何的存在」的無解習題中解脫。到頭來，《還是偶爾想要偉大》，在2017年。

人気が止まらないナユタン星人の2ndアルバムが発売 !
「 エイリアンエイリアン 」 をはじめ、
「 惑星ループ 」 や、アプリゲーム 「 #コンパス 」 への書き下ろし楽曲、
「 ダンスロボットダンス 」 を引っ提げた中毒必至の決定盤 !

キュートでロリータチック、幻想的なウィスパーヴォイスを巧みに操つる宅録女子、ボンジュール鈴木の名曲を詰め込んだベスト・アルバム。タイアップ/フィーチャリング曲まで収録された全曲リマスター音源。

THE MOVE是集合了ANK、小野道ono 、cnsouka、Tuno 、Kian、Enritsu、hayabusa这些制作人对八十年代音乐理解并诠释的一张CD，它从制作到发布经历了相当长一段时间。
Copyright © 2017 dizzylab
Label catalogue index: dlcd02
Release date: 2017.09.09(happy 909 day!)
All rights reserved
封面少女：薇恩Venn
设计：cnsouka
母带：cnsouka

Composed by Kristofer Maddigan, the Cuphead OST features nearly 3 hours of original jazz, early big band, and ragtime music. Each song is played by live musicians, including a 13-piece big band, 10-piece ragtime ensemble, a solo pianist, a vocalist, a tap dancer, and a few surprises.
released September 29, 2017
All music and lyrics by Kristofer Maddigan
Recorded at Canterbury Music Company, Toronto, Canada
Engineered, mixed, and edited by Jeremy Darby
Assistant engineer - Julian Decorte
Mastered by – Peter Letros, Wreckhouse Mastering, Toronto, Canada
John Herberman – contractor, conductor, midi programming
Additional piano recorded by Brad Prosko at B-rad Studio, Southey, Canada, and the Maddigan living room, Regina, Canada
Additional Editing and Recording – Adam King, Canterbury Music Company, Toronto, Canada

“愚梦不醒，逝者如川。情绪丢在光程千年外的星云。故事编造从未存在的灵魂。”
乐手：Chop LooperD E Eric
录音棚：华北电力大学三食堂地下室
录音制作混音：Eric

"It felt like we were in a movie that had a totally implausible ending..."
Slowdive's second act as a live blockbuster has already been rapturously received around the world. Highlights thus far include a festival-conquering, sea-of-devotees Primavera Sound performance, of which Pitchfork noted: "The beauty of their crystalline sound is almost hard to believe, every note in its perfect place."
"It was just nice to realise that there was a decent amount of interest in it," says principal songwriter Neil Halstead. The UK shoegaze pioneers have now channelled such seemingly impossible belief into a fourth studio opus which belies his characteristic modesty. Self-titled with quiet confidence, Slowdive's stargazing alchemy is set to further entrance the faithful while beguiling a legion of fresh ears.
Deftly swerving what co-vocalist/guitarist Rachel Goswell terms "a trip down memory lane", these eight new tracks are simultaneously expansive and the sonic pathfinders' most direct material to date. Birthed at the band's talismanic Oxfordshire haunt The Courtyard - "It felt like home," enthuses guitarist Christian Savill - their diamantine melodies were mixed to a suitably hypnotic sheen at Los Angeles' famed Sunset Sound facility by Chris Coady (perhaps best known for his work with Beach House, one of countless contemporary acts to have followed in Slowdive's wake).
"It's poppier than I thought it was going to be," notes Halstead, who was the primary architect of 1995's previous full-length transmission Pygmalion. This time out the group dynamic was all-important. "When you're in a band and you do three records, there's a continuous flow and a development. For us, that flow re-started with us playing live again and that has continued into the record."
Drummer and loop conductor Simon Scott enhanced the likes of 'Slomo' and 'Falling Ashes' with abstract textures conjured via his laptop's signal processing software. A fecund period of experimentation with "40-minute iPhone jams" allowed the unit to then amplify the core of their chemistry. "Neil is such a gifted songwriter, so the songs won. He has these sparks of melodies, like 'Sugar For The Pill' and 'Star Roving', which are really special. But the new record still has a toe in that Pygmalion sound. In the future, things could get very interesting indeed."
This open-channel approach to creativity is reflected by Slowdive's impressively wide field of influence, from indie-rock avatars to ambient voyagers - see the tribute album of cover versions released by Berlin electronic label Morr Music. As befits such evocative visionaries, you can also hear Slowdive through the silver screen: New Queer Cinema trailblazer Gregg Araki has featured them on the soundtracks to no less than four of his films.
"When I moved to America in 2008 I was working in an organic grocery store," recalls Christian. "Kids started coming in and asking if it was true I had played in Slowdive. That's when I started thinking, 'OK, this is weird!'"
Neil Halstead: "We were always ambitious. Not in terms of trying to sell records, but in terms of making interesting records. Maybe, if you try and make interesting records, they're still interesting in a few years time. I don't know where we'd have gone if we had carried straight on. Now we've picked up a different momentum. It's intriguing to see where it goes next."
The world has finally caught up with Slowdive. This movie could run and run...

Japanese & Chinese Flowergaze orchestra
Vo&G:Eriko
Vo&G:Masaki Sato
PB:Nao
Dr:Sino
G:Makiku
B:Kiwako

自身のSoundCloudアカウントで「Neo STARGATE(TeddyLoid 2015 Remix)」を発表。
ファンからの強い反響を受け、ももいろクローバーZが2015年にリリースした3枚のシングル「夢の浮世に咲いてみな」、「青春賦」、「Zの誓い」を
マッシュアップした「TRINITY Z MASHUP" Mixed by TeddyLoid」を発表した。
公開後もファンからのRemix音源発売への期待の声が多数寄せられ、今回Remixアルバム発売が決定！

很多时候生活中的意外和惊喜总是很突然,预测是很没有意义的事,不用去猜结果,过好每一个当下,感谢所有摸黑的路上亮起的灯,当我放光的时候希望也可以为你照亮