For one-semester/-year, junior-/senior-level courses in Quantum Mechanics and Quantum Chemistry. This text first teaches students how to do quantum mechanics, and then provides them with a more insightful discussion of what it means. Fundamental principles are covered, quantum theory presented, and special techniques developed for attacking realistic problems. Two-part coverage organizes topics under basic theory, and assembles an arsenal of approximation schemes with illustrative applications.

Electrifying when they were first delivered in 1973, becoming legendary in the years since, as transcripts passed from hand to hand, Dieter Henrich's lectures on German idealism were the first contact a major German philosopher had made with an American audience since the onset of World War II. They remain, to this day, one of the most eloquent interpretations of the central philosophical tradition of Germany and the way in which it relates to the concerns of contemporary philosophy. Thanks to the editorial work of David Pacini, one of the original auditors of Henrich's course, the lectures appear here with annotations that link them to the editions of the masterworks of German philosophy as they are now available. </p>
Henrich describes the movement that led from Kant to Hegel, beginning with an interpretation of the structure and tensions of Kant's system. He locates the Kantian movement and revival of Spinoza, as sketched by F. H. Jacobi, in the intellectual conditions of the time and in the philosophical motivations of modern thought. And he explains the motives behind Fichte's Doctrine of Science. Henrich connects this history to the poet Hölderlin's original philosophy and to the thought of the founders of Romanticism, Novalis and Friedrich Schlegel. He concludes with an interpretation of the basic design of Hegel's system. </p>

Edited by Joan New and Melvyn New.

This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.

Written over a seven-year period, from 1914 to 1921, this book has survived bowdlerization, legal action and controversy. The novel dea ls with the events of one day in Dublin, 16th June 1904, now known as "Bloomsday". The principal characters are Stephen Dedalus, Leopold Bloom and his wife Molly. "Ulysses" has been labelled dirty, blasphemous and unreadable.In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book - although he found it not quite obscene enough to disallow its importation into the United States - and Virginia Woolf was moved to decry James Joyce's "cloacal obsession". None of these descriptions, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in its own way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, "Ulysses" is also a compulsively readable book.

Book Description
"Don't you think there is a certain resemblance between the mystery of the Mass and what I am trying to do?...To give people some kind of intellectual pleasure or spiritual enjoyment by converting the bread of everyday life into something that has a permanent artistic life of its own."
-- James Joyce, in a letter to his brother
With these fifteen stories James Joyce reinvented the art of fiction, using a scrupulous, deadpan realism to convey truths that were at once blasphemous and sacramental. Whether writing about the death of a fallen priest ("The Sisters"), the petty sexual and fiscal machinations of "Two Gallants," or of the Christmas party at which an uprooted intellectual discovers just how little he really knows about his wife ("The Dead"), Joyce takes narrative places it had never been before.
The text of this edition has been newly edited by Hans Walter Gabler and Walter Hettche and is followed by a new afterword, chronology, and bibliography by John S. Kelly. Also included in a special appendix are the original versions of three stories as well as Joyce's long-suppressed Preface to Dubliners.
From Library Journal
Joyce's classic has been recorded before, of course, but in this new version, each of the 15 stories will be read by a different person, including writers Frank McCourt, Malachy McCourt, and Patrick McCabe, and actors Ciaran Hinds and Colm Meaney.
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length: (cm)17.4 　　　 　　　　　 　　　　　 width:(cm)10.8

Published in 1916, James Joyce's semiautobiographical tale of his alter ego, Stephen Dedalus, is a coming-of-age story like no other. A bold, innovative experiment with both language and structure, the work has exerted a lasting influence on the contemporary novel.
'Joyce dissolved mechanism in literature as effectively as Einstein destroyed it in physics,' wrote Alfred Kazin. 'He showed that the material of fiction could rest upon as tense a distribution and as delicate a balance of its parts as any poem. Joyce's passion for form, in fact, is the secret of his progress as a novelist. He sought to bring the largest possible quantity of human life under the discipline of the observing mind, and the mark of his success is that he gave an epic form to what remains invisible to most novelists.... Joyce means many things to different people; for me his importance has always been primarily a moral one. He was, perhaps, the last man in Europe who wrote as if art were worth a human life.... By living for his art he may yet have given others a belief in art worth living for.'

The Merriam-Webster Encyclopedia of Literature
Experimental novel by James Joyce. Extracts of the work appeared as Work in Progress from 1928 to 1937, and it was published in its entirety as Finnegans Wake in 1939. The book is, in one sense, the story of a publican in Chapelizod (near Dublin), his wife, and their three children; but Mr. Humphrey Chimpden Earwicker, Mrs. Anna Livia Plurabelle, and Kevin, Jerry, and Isabel are every family of mankind. The motive idea of the novel, inspired by the 18th-century Italian philosopher Giambattista Vico, is that history is cyclic; to demonstrate this the book begins with the end of a sentence left unfinished on the last page. Languages merge: Anna Livia has "vlossyhair"--wlosy being Polish for "hair"; "a bad of wind" blows--bad being Persian for "wind." Characters from literature and history appear and merge and disappear. On another level, the protagonists are the city of Dublin and the River Liffey standing as representatives of the history of Ireland and, by extension, of all human history. As he had in his earlier work Ulysses, Joyce drew upon an encyclopedic range of literary works. His strange polyglot idiom of puns and portmanteau words is intended to convey not only the relationship between the conscious and the unconscious but also the interweaving of Irish language and mythology with the languages and mythologies of many other cultures. --This text refers to an out of print or unavailable edition of this title.

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Book Dimension:
length: (cm)17.7 　　　 　　　　　 　　　 　 width:(cm)11.3

The year 1984 has come and gone, but George Orwell's prophetic, nightmarish vision in 1949 of the world we were becoming is timelier than ever. 1984 ...more [close] The year 1984 has come and gone, but George Orwell's prophetic, nightmarish vision in 1949 of the world we were becoming is timelier than ever. 1984 is still the great modern classic of "negative utopia"--a startlingly original and haunting novel that creates an imaginary world that is completely convincing, from the first sentence to the last four words. No one can deny the novel's hold on the imaginations of the whole generations, or the power of its admonitions--a power that seem to grow, not lessen, with the passage of time.

'Naming and Necessity' has had a great and increasing influence. It redirected philosophical attention to neglected questions of natural and metaphysical necessity and to the connections between these and theories of naming, and of identity. This seminal work, to which today's thriving essentialist metaphysics largely owes its impetus, is here reissued in a newly corrected form with a new preface by the author. If there is such a thing as essential reading in metaphysics, or in philosophy of language, this is it.

This book is a continuation of Giorgio Agamben's investigation of political theory, which began with the highly influential volume Homo Sacer: Sovereign Power and Bare Life. Having already traced the roots of the idea of sovereignty, sacredness, and economy, he now turns to a perhaps unlikely topic: the concept of the oath. Following the Italian scholar Paolo Prodi, Agamben sees the oath as foundational for Western politics and undertakes an exploration of the roots of the phenomenon of the oath in human experience. He rejects the common idea that the oath finds its origin in religion, arguing instead that the oath points toward a particular response to the experience of language, a response that gave birth to both religion and law as we now know them. This book is important not only for readers of Agamben or of continental philosophy more broadly, but for anyone interested in questions relating to the relationships among religion, law, and language.

In this brilliant work, the most influential philosopher since Sartre suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner's body to his soul.

In the eighteenth century, medicine underwent a mutation. For the first time, medical knowledge took on a precision that had formerly belonged only to mathematics. The body became something that could be mapped. Disease became subject to new rules of classification. And doctors begin to describe phenomena that for centuries had remained below the threshold of the visible and expressible.
In The Birth of the Clinic the philosopher and intellectual historian who may be the true heir to Nietzsche charts this dramatic transformation of medical knowledge. As in his classic Madness and Civilization, Michel Foucault shows how much what we think of as pure science owes to social and cultural attitudes -- in this case, to the climate of the French Revolution. Brilliant, provocative, and omnivorously learned, his book sheds new light on the origins of our current notions of health and sickness, life and death.

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Book Description
The classic tale of a group of English school boys who are left stranded on an unpopulated island, and who must confront not only the defects of their society but the defects of their own natures.
Amazon.com
William Golding's classic tale about a group of English schoolboys who are plane-wrecked on a deserted island is just as chilling and relevant today as when it was first published in 1954. At first, the stranded boys cooperate, attempting to gather food, make shelters, and maintain signal fires. Overseeing their efforts are Ralph, "the boy with fair hair," and Piggy, Ralph's chubby, wisdom-dispensing sidekick whose thick spectacles come in handy for lighting fires. Although Ralph tries to impose order and delegate responsibility, there are many in their number who would rather swim, play, or hunt the island's wild pig population. Soon Ralph's rules are being ignored or challenged outright. His fiercest antagonist is Jack, the redheaded leader of the pig hunters, who manages to lure away many of the boys to join his band of painted savages. The situation deteriorates as the trappings of civilization continue to fall away, until Ralph discovers that instead of being hunters, he and Piggy have become the hunted: "He forgot his words, his hunger and thirst, and became fear; hopeless fear on flying feet." Golding's gripping novel explores the boundary between human reason and animal instinct, all on the brutal playing field of adolescent competition.
--Jennifer Hubert
From School Library Journal
Grade 10 Up?A solid tool for the study of William Golding's classic novel. Sixteen critical selections from both journals and books are arranged in chronological order by date of publication from 1961 to 1993. The examined topics, length and completeness of entries, and depth of analysis present a wide range of material. Articles selected by Bloom have not previously appeared in works easily accessible to most readers. There is little duplication with "Contemporary Literary Criticism" (Gale) or with "British Writers" (Scribners); both cover less ground. Clarice Swisher's Readings on Lord of the Flies (Greenhaven, 1997) includes two of the same critics, but Bloom's book has complete articles rather than excerpts. While some readers may struggle with these selections, the book is an excellent resource.
Gail Richmond, San Diego Unified Schools, CA
From Booklist
A plane crashes on an uninhabited tropical island during wartime. A group of schoolboys--the sole survivors--form their own society, an experiment that quickly descends into chaos and death in Golding's classic allegory. Listening Library recently rereleased this historic 1976 recording, and the timing could not be more apt. As CNN keeps viewers on edge with the latest military overtures in the real world and the reality TV show "Survivor" offers escape in the form of backstabbing, bug-eating "tribal" rituals, LORD OF THE FLIES gives the reader a lucid and chillingly objective mirror to our modern society. William Golding's narration is as impartial as his work, yet his grumbly, grandfatherly voice, complete with mid-sentence sniffs and swallows, is intimate. Included on the tapes is background on how he came to conceive the book and a brief rebuttal to critics about its meaning. M.M.O. Winner of AudioFile Earphones Award
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length: (cm)18.4 　　　 　　　　　 　　　　　 width:(cm)10.8