The concept of Songs, the duo project of guitarist Taku Sugimoto and vocalist Minami Saeki, came about in the second half of 2016. By that December they had already made recordings of their music, and the following February they released their debut album, Songs (CD), on Sugimoto's label, slubmusic. Since then, the duo has had an active performance schedule in Japan and overseas, including European tours in 2017 and 2018. Now they have released their second album, the 2-CD set Songs.
Most of the tracks are short songs between one and four minutes long. All 40 songs (22 on CD 1 and 18 on CD 2) were recorded in Japan and Europe in 2017 and 2018. Lyrics are by Saeki, and compositions are by Sugimoto (except for one song composed by Saeki). Some songs were performed with guest musicians Takashi Masabuchi (guitar), Wakana Ikeda (flute), French musician Léo Dupleix (computer, objects, sine-tones), and Finnish musician Lauri Hyvärinen (guitar).
The basic format consists of extremely short, simple songs performed slowly and quietly, with few sounds, using vocals and guitar only. But if you listen carefully, you'll hear within the simplicity a mysteriously well thought out organization. Both extremely unique and abundantly charming, this is a song album that makes you feel as if you could listen forever.
Taku Sugimoto: guitar
Minami Saeki: voice
Guests
Léo Dupleix: computer, objects, sine-tones (Disc 1-16, 21, 22; Disc 2-9)
Lauri Hyvärinen: guitar (Disc 2-7, 8)
Takashi Masubuchi: guitar (Disc 1-11, 12, 13, 15)
Wakana Ikeda: flute (Disc 1-11, 13, 15)
Words by Minami Saeki
Compositions by Taku Sugimoto except Disc 1-10, by Minami Saeki
Recorded by Taku Sugimoto
Edited and mastered by Hiroyuki Ura
Artwork by Taku Sugimoto (cover) and Mario Sarramian (discs)
Photo by Luke Lund
Design by Cathy Fishman

王者荣耀的新年音乐又与大家见面了，今年的两首音乐分别是《王者冰刃》和《王者雪魄》，音乐的具体含义和表达的情感，我们不去解读太多，每个人的理解相信都会不一样。只是我们思考的是作为一款竞技类型的游戏，过年对我们来说，也不是单纯的欢天喜地，张灯结彩，而是希望在中国新年的时候，给大家一个从“如何描写中国战场”这个角度，来进行创作的音乐。
音乐中使用了琵琶，二胡，也使用了很多中国打击乐器，为了让整个音乐听起来更有气势，我们也与管弦乐团一起进行了录音，整个音乐制作下来大概花了三个月左右，希望大家喜欢，祝大家新年快乐！
主创名单：
Composer: Thomas Parisch
Arranger：Thomas Parisch/White Zoo
Music Supervisor: 赵鸿飞
Music Producer: Vivita Zheng
Music Production Studio: Unisonar Studios
Vocal：Uyanga Bold
Erhu：Karen Han
Pipa：Celia Liu
Flute：Zac Zinger
Sound Engineer: Rick Parker
Music Editor: Max Philipson
Recording Studio: Whispering Pines Studios, Studio 22
Conductor：Peter Illenyi
Orchestra Supervisor: Bálint Sapszon
Orchestrator: Bálint Sapszon
Orchestra: Budapest Scoring Symphony Orchestra
Score Mixer: John W. Chapman
Mixing Studio: Remote Control Productions
Mastering Engineer: Reuben Cohen
Mastering Studio: Lurssen Mastering
封面设计：彭坤

Go Slow这张EP讲述四个年轻人生命中的喜悦与痛苦，两种矛盾情感的麻辫——看似壁垒分明却无法丝丝顺理；相互纠缠并同时依赖著对方。此辑高昂地开始，柔软地结束 。在生活中的愠怒、愁苦、无奈像无边的夜晚，而微小的期待是夜里的风。
This ep is about the anger, misery and contradiction in the lives of four young men in Taipei, an subtropical city on the west end of Pacific. The gentle words rage like an endless night, and the tiny expectation are the breeze from the warm, sandy beach.

ONEPOINTFIVE is (according to Aminé) an “EPLPMixtapeAlbum.” It was released on August 15, 2018, and is the follow-up to 2017’s Good For You. The project boasts features from G Herbo, Gunna, and Rico Nasty. ONEPOINTFIVE was officially announced less than eight hours before its release when Aminé posted the tracklist and cover artwork. He also posted a promotional video discussing what label he wanted to put on the project:
Leading up to ONEPOINTFIVE’s release, two promotional singles were released: “Squeeze” in October 2017, and “Campfire” with Injury Reserve in April 2018. However, neither song makes an appearance on the project.

王嘉尔为勇闯天涯superX量身定制单曲《X》热血首发，
这首《X》单曲不仅诠释了嘉尔一贯对于音乐的专注执着，
更是一种挑战生活的积极态度。
Jackson Wang’s custom-made single X for Snow Beer’s subsidiary brand superX, has made its anticipated debut to the Chinese public.
This single not only reflects Jackson’s constant concentration on music, but also shows an initiative attitude when facing the challenging of life.
《X》的创作过程是嘉尔从未有过的全新体验。喝下勇闯天涯superX的每一口，劲爽、畅快的感觉瞬间让王嘉尔灵感爆棚，啤酒与音符的碰撞，《X》因此而生。
The creative process of X was an unprecedented experience to Jackson. The cool and smooth feeling of drinking superX lightened up Jackson’s mind. The liquid collides with the notes, therefore X was born.
每一瓶勇闯天涯superX中都封印着王嘉尔的创作体验，品尝superX劲爽口感，一同感受王嘉尔创作时灵感迸发的激情。
Every bottle of superX has sealed part of Jackson’s inspiration in it. Let’s taste the cool feeling of superX, share Jackson’s brilliant creative passion together.

〈Do You Remember〉－回到未来
睽违七年 MC HotDog热狗回归，重磅来袭前，自称废物的大师兄，首先掷下的却是一枚温柔炸弹。
首发单曲〈Do You Remember〉无视 Trap 当道，二十一世纪出生的孩子们都要成年了，竟以Old School的编曲开始深情叨絮地跟大家说起上一个世纪的事。但那个世纪末的华丽其实并不陌生，九零年代种种的荒诞与妖艳，单纯与勇气，是这个世纪的未来预言，所有科幻电影的美学都在述说同一主题，“感受可以模拟，但无法真正获得。”
什么是Hip Hop？肉身得道。
如今大家都会说Keep Real，那是什么？MC HotDog热狗反其道说，什么是Truth。他在〈Do You Remember〉里往来交错辩证过去与未来，好似怀旧的说以前有多荒唐，却是宣示未来就有多从容可以驾驭所有光怪陆离。
敢说废物才是自信，他是目中无人姚中仁，他是驾驭整个华人Hip Hop的贫民百万歌星MC HotDog。
你记得吗？不，你知道吗？不知道的话，嘿，自己去查。

只用三个词来让人最快速地记住你，你会怎么介绍自己？社交达人？派对动物？佛系森系盐系青年？恐怕你绞尽脑汁搜刮热门词条的时候，这些“Title”已经更新了几轮。
我们常常陷入一种错觉：如果不快速投入一种人设，并用心经营呵护，我就会被互联网抛弃，被嘲笑没有“娱乐精神”，跟不上潮流。仿佛人人头顶一个时髦标签，就能万事大吉，大家迅速站队划分阵营，谨小慎微，生怕一不小心露出破绽就被Kick出局。
可还有人记得契科夫的“套中人”吗？人人都嘲笑在艳阳天穿雨鞋带雨伞全副武装的套中人，可谁敢说，活在2018年互联网上的自己不是呢？不信你低头看看自己的分组，在粗暴归类别人的时候，你也早已是别人列表xx组的一员。而9年前，在没有“人设”/“Pick”的年代，她的出现就已给当时的娱乐生态一记重拳。
在媒体和大众争论什么标签更“女生”的时候，曾轶可用从不按规矩来的方式，让所有人记住了她的名字：曾轶可。而本是一个突破常规、无法定义的异类，却被当时的媒体舆论粗暴地冠以各种标签，令大众对她的认知严重固化。“曾轶可”这个名字，一度被捆绑在几个极易传播却又极度浅表的形容词上。
而今，当“人设”成为所有明星和互联网追捧的热词，人人试图抢占高地制霸一方时，曾轶可却带着9年前那个“反人设”的自己回归，同时，她要说的第一句话却是：“反对自己”——当你听到这张名为《Anti！Yico》的全新专辑，你会明白她到底是谁，并会重新认识她自己眼中的曾轶可。
联合海外多重制作班底倾力打造，《Anti！Yico》是一张无法用任何音乐风格和概念定义的专辑，而它最想传递的就是“破除人设”。
单曲《I Need Love》和《Need A Friend》由St. Vincent御用制作人John Congleton操刀编曲制作，并由国内跨界艺人田沅导演掌镜两支MV，一中一英，曾轶可用口中不断跳跃而出的词汇来分别诠释友情和爱，电子元素的冲击与念白式的口吻相互碰撞交汇，以强烈的字眼和情绪，冲撞大众媒介所砌筑的物质欲望迷墙。
而同样以电子元素为主线的《同类》却呈现出另一种样貌：充满科技未来感的编曲为旋律镀上一层金属外衣，人声若有似无置后，好似漂浮在宇宙真空之中的宇航员。而歌中的一段采样正是来源于NASA发布的阿波罗登月中与地面沟通时的录音（Audio Samples courtesey of NASA）。在茫茫宇宙寻找同类的过程中，我们就像漂浮着的孤独宇航员，等待着“感应”那一刻的到来。
在摩登系音乐美学的输入之下，破除单一的音乐风格，将电子乐、City-pop、梦幻流行、另类摇滚揉为一体、化为内力后的曾轶可，在音乐本身层面已独具Art-pop式的前沿质感。
在你为曾轶可的前几首力作感到兴奋和惊叹之时，不妨继续听一听下面几首——正如过往音乐磁带的B面，和A面华丽的主打歌不同，那是专门留给资深乐迷的一方心灵慰藉。
删繁就简，褪去华丽编配，简单到极致反而最打动人。《Give You All》中的钢琴来自Matt Rohde（《美国好声音》音乐总监，曾合作宇多田光），由格莱美获奖混音师Bob Horn助力，这首真挚的作品恰恰流露出曾轶可内心浪漫的另一面,“ If you give me nothing / I will also give you all.”
而只由吉他和人声编织而成的《守望星》同样做到了简单的极致，在深邃的音域空间内，仿佛为我们构筑了一个黑色的防空洞，给无处安放的心一个最安全的栖身之所：“躲在寂寞的星空/藏在浩瀚的宇宙/我这颗小星球/因你而降落”。
在看似冷峻的外表之下，细腻的浪漫和温情在曾轶可的创作中从未缺席。而正因这份比常人更易捕捉情绪的敏感，才让她成为当下独立都市年轻人的心灵捕手，捕获听众隐藏在坚硬外壳之下柔软的真心。
作为曾轶可出道9年至今的英文名，《Anti ! Yico》中的“Yico”，或者“曾轶可”这三个字，某种意义上已是一种固化认知和标签式消费的代名词。无论是对于公众人物还是普通民众，无论是外界强加还是自我盲从，每个真实个体的所谓“人设”，都无异于超市货架上的分类标签，只为快速定位、快速消费。我们都是彼此的商品。
“Anti！Yico”以一种激进的姿态反对人设，但既然我们无法将“人设”从语言中抹除，就要让自己的名字成为自我的“专属人设”——拒绝粗暴地划分阵营，尊重自己的每一面人格，尊重世界上的任何一种人，才能清醒地看到世界的全貌。
“Anti ! Yico”，不是要与过去的自我划清界限，这一次，她要借这张全长创作专辑，用最丰富的音乐语汇、最个体化的生命经验，从娱乐工业的商品货架上，夺回自己的名字：曾轶可。

Sunset Rollercoaster is a jazz influenced, subtropical sextet who write retro love songs with a modern spin. The Taiwan-based group's breezy, chilled out tunes perfectly accompany sunny strolls along the riverside or lazy mornings in bed with your love.

名義を新たにソロアーティストとして再起動した、マルチ・クリエイター“Reol"が放つミニアルバム「虚構集」
3月14日にビクターCONNECTONEレーベルより発売決定!
収録曲全ての作詞・作曲をReol本人が担当。
盟友“ギガ"氏が「平面鏡」・「カルト」等の楽曲でアレンジおよびミックスに携わり、更にはクラムボン“ミト"氏や“瀬恒 啓"氏などが新たに迎えたミュージシャンがアレンジを担当。
メディア掲載レビューほか
2015年、ソロアーティスト、れをるとしてアルバム『極彩色』でビクターよりメジャーデビュー。オリコン初登場9位を獲得した他、その年のオリコン新人アーティスト4位に選ばれる。2016年、サウンドクリエイターのギガ、映像クリエイターのお菊と共に3人組ユニット“REOL”として活動を開始。トイズファクトリーより2016年10月にリリースしたアルバム『Σ』はオリコン初登場8位を獲得。2017年10月22日の豊洲ピットでのワンマンライブをもって、ユニットREOLは解散。2018年、Reol名義で再始動! (C)RS

2018年、Reolとして再起動したカリスマ・シンガーソングライター、マルチ・クリエイターの1stアルバム。2018年7月からオンエアのNHK Eテレ アニメ『メジャーセカンド』新エンディングテーマ「SAIREN」他を収録。れをる、REOL時代からの制作パートナーであるギガもトラックメーカーとして参加しているのも話題。

11月に発売したアルバム「BOOTLEG」が初週首位23冠、出荷30万枚を突破し、若者だけでなくファン層を大きく広げ、大ヒット中の米津玄師。
いま勢いに乗る米津玄師の新作は、石原さとみ主演、野木亜紀子脚本のTBS金曜ドラマ「アンナチュラル」の主題歌として書き下ろした楽曲。“切なさと怖さと希望"そして“美しくも切ない"「Lemon」。ドラマの内容と相まって更なる臨場感を引き起こされる曲だ。今作もレモン盤、映像盤、通常盤と3形態での発売となる。

电影《无名之辈》11月16日正式上映
汪苏泷为其创作并演唱同名主题曲
唱出迄今最爆发的呐喊——
你是否甘心自己一直做个无名之辈？
低谷中，庸庸碌碌地苟且；
迷雾中，毫无目的地徘徊；
黑暗中，揣测人生的意义；
内心里，质疑自我的价值。
生活总会给我们意外之“喜”,
小到事业不顺、感情受阻，
大到身心俱疲、一损俱损；
仿佛在告诉你：“你根本不是这世界的主角” ！
但是生活又总会给我们另外一些“惊喜”,
“再来一瓶”的饮料瓶盖，
相见恨晚的陌生人，
不期而遇的烟火……
时间总会抚平伤痛，人与人之间的美好情感最终让大家重获希望。
也许我们不是世界的主角，但我们也不做人生的鸡肋，
所以，
就算置身在四处碰壁的低谷，也依然要保持希望；
就算迷失在深不见底的迷雾，也依然要昂首向前；
就算沉没在长夜漫漫里，也要在眼神中燃烧着熠熠光辉，只为了对自己证明：
我，不是《无名之辈》！

The Fur. 的首张专辑《Town》阐述了关于友谊、情感，及长大过程中追求理想的心情。这些心情被投射在城镇的各个角落，用歌曲诉说着这里的人们相遇、共处，以及分离的故事。
The Fur.’s debut album 'Town' tells stories about friendship, love and the desire of getting continuous satisfaction during the process of adolescence. The songs are reflecting the emotions and feelings people once experienced in the home town.

라이엇 게임즈, (여자)아이들 소연 & 미연 참여한 POP/STARS 공개
‘리그 오브 레전드(이하 LoL)’의 개발 및 유통사 라이엇 게임즈가 여러 아티스트와 협업해 음악 프로듀서로 변신했습니다. 라이엇 게임즈가 만든 노래를 소화해 낼 주인공은 가상의 그룹인 K/DA. 노래 제목은 “POP/STARS”입니다. 2018년 5월 데뷔하자마자 놀라운 성공을 거둔 (여자)아이들, 인디 팝 싱어송라이터 Madison Beer 그리고 Jaira Burns가 보컬을 담당했으며, 올해 한국에서 개최된 LoL 월드 챔피언십 결승전 개막식에서 전 세계 수천만 명이 지켜보는 가운데 처음으로 선보이기도 하였습니다.
라이엇 게임즈가 탄생시킨, 어느 실존 걸그룹 못지않게 매력적인 팝 그룹 K/DA는 LoL의 인기 챔피언 카이사, 아리, 이블린, 아칼리가 팝 아이돌로 변신해 결성한 그룹입니다.
K/DA와 그들의 데뷔곡 POP/STARS에는 라이엇의 대중음악과 케이팝에 대한 애정이 담겨 있으며, 전 세계 대중음악, 패션, 문화를 반영하고 있습니다. 라이엇 뮤직 팀은 이 프로젝트에서 독특하면서도 글로벌한, 전 세계 LoL 커뮤니티를 대표하는 노래를 만들어내고자 했습니다. 그 과정에서 힙합, 일렉트로닉, 케이팝 등 여러 가지 장르의 요소를 차용했는데요, 그중 케이팝을 차용한 것은 올해 LoL 월드 챔피언십 개최지 한국에 바치는 선물이며 라이엇 뮤직 팀의 케이팝에 대한 애정을 반영하는 것이기도 합니다. POP/STARS의 작곡 및 프로듀싱은 공동 작곡자 Harloe 및 제작 프로듀서 Justin Tranter와의 협업을 통해 라이엇의 뮤직 팀이 담당했습니다.

P.K.14 第七张专辑《当我们谈论他的名字时我们在谈论什么》由兵马司发行。 试听与无损数字版本购买地址：
Bandcamp:
Apple Music:
网易云音乐：
P.K.14 是许波、 施旭东、雷坛坛和杨海崧。所有歌曲由 P.K.14 创作并由 P.K.14 和欧阳汉客共同演奏。 欧阳汉客 制作，迈克尔·帕迪斯出品。
2017年10月24日至11月5日在德国柏林汉莎录音棚录音。 尤娜录音并担任磁带操作员，朱利安·赫尔姆斯和菲利克斯·舒巴担任录音助手。
米盖尔·伊伯特在德国柏林汉莎混音室混音。亨里克·扬森在瑞典斯德哥尔摩音频母带棚制作母带。
来自仙女座大管弦乐团的法比亚娜·丝特里弗勒(小提琴), 约翰纳斯·史莱因马赫(长笛， 低音和次中音萨克斯), 丹尼尔·格莱策尔(黑管和低音黑管)以及理查德·科赫(小号) 参与了《影子的秘密》,《二十分钟的路程》以及《因你之名》的演奏，由丹尼尔·格莱策尔编曲。
特邀打击乐:托马斯·赫伦德。特邀小提琴:弗里达·约翰松。
《因你之名》中的长笛由尤纳 斯·库尔哈玛演奏。特邀模块合成器:大卫·容格。
图像设计:查吟，三维图像部分由尤目工作室制作。
摄影:雷坛坛和王路阳。
图案设计来自Dedar, NLXL、Wall&Decò、Cole&Son、Calico、Pierre Frey 以及 Designers Guild。
封套设计和排版:候鸽。歌词翻译:潘佳朗。
谢谢 !

《Light》是11人的首次正式合唱，是11位小女生在经历了诸多波折和坎坷后的内心独白，是怀抱着梦想初心说出的细语，是一首温暖的慢歌。此刻，希望世界静谧，听火箭少女们手牵着手演唱，一起看见前方的光。

EP包含4首作品，其中3首舞曲，1首慢歌。首先公开的《撞》是一首复古摇滚舞曲，拥有80年代的复古摇滚元素，也巧妙融入了些许电音，非常洗脑带感，代表了火箭少女们的冲刺力量。第二个作品将是一首抒情慢歌，更多表达的是比赛后来自梦想初心的内心独白。专辑整体概念参考了火箭发射的节奏，垂直发射《撞》破大气层，进入轨道在安静无声的太空中释放我们的心声；随后会接到从地球传来的一个个信号～完成大家交付的探索任务。这张EP是火箭真正的开始，真正的启动——撞！撞！撞！

火箭少女101出道以来就备受关注，成团后的电影献声首秀，让人充满期待。喜剧电影《西虹市首富》插曲《卡路里》 李聪作词，Akiyama Sayuri作曲，彭飞制作，火箭少女101元气演绎。活泼动感的曲风，简单轻快的旋律，超写实的歌词让人过耳不忘。
少女们清新可爱的歌声结合魔性的旋律，洗脑程度满分，不久后即将在西虹市掀起一阵“燃烧卡路里”的减肥热潮。

In 2018, Low will turn twenty-five. Since 1993, Alan Sparhawk and Mimi Parker—the married couple whose heaven-and-earth harmonies have always held the band’s center—have pioneered a subgenre, shrugged off its strictures, recorded a Christmas classic, become a magnetic onstage force, and emerged as one of music’s most steadfast and vital vehicles for pulling light from our darkest emotional recesses. But Low will not commemorate its first quarter-century with mawkish nostalgia or safe runs through songbook favorites. Instead, in faithfully defiant fashion, Low will release its most brazen, abrasive (and, paradoxically, most empowering) album ever: Double Negative, an unflinching eleven-song quest through snarling static and shattering beats that somehow culminates in the brightest pop song of Low’s career.
To make Double Negative, Low reenlisted B.J. Burton, the quietly energetic and adventurous producer who has made records with James Blake, Sylvan Esso, and The Tallest Man on Earth in recent years while working as one of the go-to figures at Bon Iver’s home studio, April Base. Burton recorded Low’s last album, 2015’s Ones and Sixes, at April Base, adding might to many of its beats and squelch and frisson beneath many of its melodies.
This time, though, Sparhawk, Parker, and bassist Steve Garrington knew they wanted to go further with Burton and his palette of sounds, to see what someone who is, as Sparhawk puts it, “a hip-hop guy” could truly do to their music. Rather than obsessively write and rehearse at home in Duluth, Minnesota, they would often head southeast to Eau Claire, Wisconsin, arriving with sketches and ideas that they would work on for days with Burton. Band and producer became collaborative cowriters, building the pieces up and breaking them down and building them again until their purpose and force felt clear. As the world outside seemed to slide deeper into instability, Low repeated this process for the better part of two years, pondering the results during tours and breaks at home. They considered not only how the fragments fit together but also how, in the United States of 2018, they functioned as statements and salves.
Double Negative is, indeed, a record perfectly and painfully suited for our time. Loud and contentious and commanding, Low fights for the world by fighting against it. It begins in pure bedlam, with a beat built from a loop of ruptured noise waging war against the paired voices of Sparhawk and Parker the moment they begin to sing during the massive “Quorum.” For forty minutes, they indulge the battle, trying to be heard amid the noisy grain, sometimes winning and sometimes being tossed toward oblivion. In spite of the mounting noise, Sparhawk and Parker still sing. Or maybe they sing because of the noise. For Low, has there ever really been a difference?