Acoustic Neo-Folk
Ambient, Dark Metal
国家: Finland

Join us for a special double celebration to mark the 100th release and ten-year anniversary of Debemur Morti Productions. The past decade has been an enlightening journey and, on this special commemoration, we offer three exclusive tracks from ground-breaking, trend-defying, awe-inspiring Black Metal pioneers BLUT AUS NORD. Presented in 2x7” and MCD formats, this landmark memorial captures the band at its vintage best, emitting their inimitable strain of swirling, cascading, spectral sonic (dis)harmony. Representing a hearty display of gratitude to those who have supported us down through the years, DMP0100 (which features music specifically written and recorded by BLUT AUS NORD - and is therefore not an actual release of the band) is both a celebration of the past and a glimpse of the future. This one is for you. Enjoy.

The Satanist is the tenth studio album by Polish extreme metal band Behemoth. The album was announced on May 31, 2013 and released on February 3, 2014, through Nuclear Blast and on February 4 in Poland via Metal Blade Records and Mystic Production, respectively.

What is that <lie> you question your heart about?
DIR EN GREY, the band that has continued to shock and resonate across the globe is releasing their 29th single "SUSTAIN THE UNTRUTH " on January 22, 2014, just nine months after their mini album "THE UNRAVELING" (released 03.04.2013).
The title track "SUSTAIN THE UNTRUTH " is packed with groovy and heavy bass and drums, guitar expressions brimming with technicalities finished off with a wide range of vocal expressions with a melodious tune. The arrangement on this track is spot-on and we guarantee you a chorus that that will leave an impact on you and stay in your mind. The single includes a re-recorded and acoustic version of "Ruten No Tou" previously released on their album "DUM SPIRO SPERO" and a Live Recording of "GAIKA, CHINMOKU GA NEMURU KORO" from Yokohama Blitz (18.09.2013).
The Limited Order-Only Deluxe Version of this single will include a Bonus DVD which includes 10 tracks from the SHIBUYA PUBLIC HALL concert held on May 24, 2013. Some of the tracks featured are "MACABRE", "JEALOUS -reverse-" and more.

Lacrimosa 2013年新EP

The untitled demo EP by the American black metal band Deafheavenwas self-released by the band on June 1, 2010. A remastered edition was released in 2012 through Sargent House.

自赏黑 美国加州旧金山

Brought on by the notion that discernible notes bear weakly for this sort of crowd we have brewing another upstart it seems from the Cascadian persuasion of Black Metal. Somewhere in 2007, at least that's when I became conscious of it, black metal bore another fuzzy creation which focused on the condensation of notes into one stream of momentum. To which I found this evolution in music to create a sort single consciousness, each musician and often each title contributing to a trance like solidarity. Beyond that time I have absorbed many of it's imitators and in doing so I have become disillusioned by the rank texture of communism...few even suffice to provide any grasp of tone that this sort music demands, (I'm probably talking about amplifiers and shit...) yet in that statement itself I see a sort of conforming rendering, adhering to the doctrine of a micro-genre of a stupid genre title (Heavy Metal) is succumbing to a coalescing decline, but tremolo picking with what sounds like an entry level stratocaster with it's pickups too loose is hardly reminiscent of someone who happens to actually care about what those notes mean, it all just seems to be a facade for passion. But enough of Fool Hens.
Deafheaven take this sort of strayed formula of Black Metal and craft their own aerial offspring. In this we get a taste for a more intelligent sound, it doesn't stray from the rise and fall, sometimes quietly sometimes loudly, but it does execute with deliberate motive to succeed it's forebears, it tries and accomplishes something new in each stroke with out failing to a dying standard. The typical forest and earth ritual titles are kept to a sort of esoteric medium and it benefits the listening to know that when you close your eyes you're not going to see Missouri and shotguns by the influence of a some obligatory album cover and accompanying track titles. Reviews are a a slant to the right when watching toe eroticism. To surmise, Road to Judah amounts to a success that doesn't define anything but allows the definition that said release adheres to ring with a superior clarity.
Let's just say that very few superior albums have been released in this style since Alcest and Wolves in the Throne Room set the standard for it five years ago. The main difference here appears to be a certain kind of emotional passion, not unlike something you would hear on the great screamo records of the late 90s/early 00s. It doesn't feel as though this band is simply riding the new wave of 'blackgaze' or the cascadian black metal movement so much as they're attempting to set their own new standard for where modern black metal should be going. Maybe neither is true and these guys couldn't give a fuck less about the scene, who knows. What's important is that this relatively short release is incredibly exciting and should be heard by anyone interested in atmospheric black metal of any kind.