A curious story involving not only the Snow Goose, the Canada-bred wanderer of the airways, but also a couple and their travels. In print in this small hardcover gift format since 1941.

Connell and Marianne grow up in the same small town in rural Ireland. The similarities end there; they are from very different worlds. When they both earn places at Trinity College in Dublin, a connection that has grown between them lasts long into the following years.
This is an exquisite love story about how a person can change another person's life - a simple yet profound realisation that unfolds beautifully over the course of the novel. It tells us how difficult it is to talk about how we feel and it tells us - blazingly - about cycles of domination, legitimacy and privilege. Alternating menace with overwhelming tenderness, Sally Rooney's second novel breathes fiction with new life.

What makes a story a story? What is style? What's the connection between realism and real life? These are some of the questions James Wood answers in "How Fiction Works," the first book-length essay by the preeminent critic of his generation. Ranging widely--from Homer to David Foster Wallace, from "What Maisie Knew "to "Make Way for Ducklings"--Wood takes the reader through the basic elements of the art, step by step. The result is nothing less than a philosophy of the novel--plainspoken, funny, blunt--in the traditions of E. M. Forster's "Aspects of the Novel "and Strunk and White's "The Elements of Style." It sums up two decades of insight with wit and concision. It will change the way you read.

From one of the Observer's Rising Stars of 2017, a high-risk, highbrow and intimate novel – and one of the most anticipated works of fiction this year. Features Frances, Bobbi, Nick and Melissa, four characters who ask each other endless questions. As their relationships unfold, in person and online, they discuss sex and friendship, art and literature, politics and gender, and, of course, one another.
From one of the Observer's Rising Stars of 2017, a high-risk, highbrow and intimate novel – and one of the most anticipated works of fiction this year.
Conversations with Friends is about Frances, Bobbi, Nick and Melissa, four characters who ask each other endless questions. As their relationships unfold, in person and online, they discuss sex and friendship, art and literature, politics and gender, and, of course, one another. Twenty-one-year-old Frances is at the heart of it all, bringing us this tale of a complex menage-a-quatre and her affair with Nick, an older married man.
You can read Conversations with Friends as a romantic comedy, or you can read it as a feminist text. You can read it as a book about infidelity, about the pleasures and difficulties of intimacy, or about how our minds think about our bodies. However you choose to read it, it is an unforgettable novel about the possibility of love.
'Fascinating, ferocious and shrewd. Sally Rooney has the sharpest eye for all of the most delicate cruelties of human interaction.' (Lisa McInerney, author of The Glorious Heresies)
'Sally Rooney is a writer going all the way to the top. Conversations with Friends features the twenty-first century Irish descendents of Salinger's guileless wiseasses brought to life in prose as taut and coolly poised as early Bret Easton Ellis.' (Colin Barrett, author of Young Skins)
'Written with such precision and perceptiveness, full of arid humour and reckless despair, a novel of spine-tingling salience.' (Sara Baume, author of Spill Simmer Falter Wither)
'Forensically smart and pin-sharp witty, this is a book to cherish and a writer to fall in love with.' (Thomas Morris, author of We Don't Know What We're Doing)

The untold story of a New York City legend's education in creativity and style
For Bill Cunningham, New York City was the land of freedom, glamour, and, above all, style. Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Bill dreamed of a life dedicated to fashion. But his desires were a source of shame for his family, and after dropping out of Harvard, he had to fight them tooth-and-nail to pursue his love.
When he arrived in New York, he reveled in people-watching. He spent his nights at opera openings and gate-crashing extravagant balls, where he would take note of the styles, new and old, watching how the gowns moved, how the jewels hung, how the hair laid on each head. This was his education, and the birth of the democratic and exuberant taste that he came to be famous for as a photographer for The New York Times. After two style mavens took Bill under their wing, his creativity thrived and he made a name for himself as a designer. Taking on the alias William J.--because designing under his family's name would have been a disgrace to his parents--Bill became one of the era's most outlandish and celebrated hat designers, catering to movie stars, heiresses, and artists alike. Bill's mission was to bring happiness to the world by making women an inspiration to themselves and everyone who saw them. These were halcyon days when fashion was all he ate and drank. When he was broke and hungry he'd stroll past the store windows on Fifth Avenue and feed himself on beautiful things.
Fashion Climbing is the story of a young man striving to be the person he was born to be: a true original. But although he was one of the city's most recognized and treasured figures, Bill was also one of its most guarded. Written with his infectious joy and one-of-a-kind voice, this memoir was polished, neatly typewritten, and safely stored away in his lifetime. He held off on sharing it--and himself--until his passing. Between these covers, is an education in style, an effervescent tale of a bohemian world as it once was, and a final gift to the readers of one of New York's great characters.

How does anthropology help us understand who we are?
What can it tell us about culture, from Melanesia to the City of London?
Why does it matter?
For well over one hundred years, social and cultural anthropologists have traversed the world from urban Zimbabwe to suburban England, Beijing to Barcelona, uncovering surprising facts, patterns, predilections and, sometimes, the inexplicable, in terms of how humans organize their lives and articulate their values. By weaving together theories and examples from around the world, Matthew Engelke brilliantly shows why anthropology matters: not only because it allows us to understand other points of view, but also because in the process, it reveals something about ourselves too.

"An obsessive, mystical, terrifying, and even phantasmagorical exploration of anesthesia’s shadowy terra incognita." —The New Yorker
Anesthetize: to render insensible
First there’s the injection, then the countdown—and next thing you know, you’re awake. Anesthesia: The Gift of Oblivion and the Mystery of Consciousness is the story of the time in between, an exploration of that most crucial and baffling gift of modern medicine: the disappearing act that enables us to undergo procedures that would otherwise be impossibly, often fatally, painful.
In the past 150 years, anesthesia has made surgical intervention routine, from open-heart surgery to the facelift. But how much do anesthesiologists really know about what happens when their patients go under? Can we hear and retain what’s going on? Is pain still pain if we don’t remember it? How does the unconscious mind deal with the body’s experience of being sliced open and ransacked—and how can we help ourselves through it all?
Kate Cole-Adams weaves her own personal experiences with surgery and its aftermath with the explorations and personal accounts of others, doctors and patients alike—accounts of people who wake under the knife, who experience traumatic reactions, dreams, hallucinations, and submerged memories—accounts that evoke and illuminate the provisional nature of the self.
Haunting, lyrical, sometimes shattering, Cole-Adams leavens science with personal experience, and brings an intensely human curiosity to the unknowable realm beyond consciousness.

“Goodbye, beliefs in sex differences disguised as evolutionary facts. Welcome the dragon slayer: Cordelia Fine wittily but meticulously lays bare the irrational arguments that we use to justify gender politics.”―Uta Frith, emeritus professor of cognitive development, University College London
Many people believe that, at its core, biological sex is a fundamental, diverging force in human development. According to this overly familiar story, differences between the sexes are shaped by past evolutionary pressures?women are more cautious and parenting-focused, while men seek status to attract more mates. In each succeeding generation, sex hormones and male and female brains are thought to continue to reinforce these unbreachable distinctions, making for entrenched inequalities in modern society.
In Testosterone Rex, psychologist Cordelia Fine wittily explains why past and present sex roles are only serving suggestions for the future, revealing a much more dynamic situation through an entertaining and well-documented exploration of the latest research that draws on evolutionary science, psychology, neuroscience, endocrinology, and philosophy. She uses stories from daily life, scientific research, and common sense to break through the din of cultural assumptions. Testosterone, for instance, is not the potent hormonal essence of masculinity; the presumed, built-in preferences of each sex, from toys to financial risk taking, are turned on their heads.
Moving beyond the old “nature versus nurture” debates, Testosterone Rex disproves ingrained myths and calls for a more equal society based on both sexes’ full, human potential.

From the bestselling author of Alias Grace and the MaddAddam trilogy, here is the #1 New York Times bestseller and seminal work of speculative fiction from the Booker Prize-winning author.
Now a Hulu series starring Elizabeth Moss, Samira Wiley, and Joseph Fiennes. Includes a new introduction by Margaret Atwood.
Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable.
Offred can remember the days before, when she lived and made love with her husband Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now….
Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and literary tour de force.

Harry Potter has to sneak back to Hogwarts, after accidentally inflating his horrible Aunt Petunia. But once there everyone is whispering about a prizoner who has escaped from the famous wizard prizon, Azkaban. His name is Sirius Black, and as a follower of Lord Voldemort he is determined to track Harry Potter down - even if it means laying siege to the very walls of Hogwarts!

In Fixed Ideas Joan Didion describes how, since September 11, 2001, there has been a determined effort by the administration to promote an imperial America --a "New Unilateralism"-- and how, in many parts of America, there is now a "disconnect" between the government and citizens.
"[Americans] recognized even then [immediately after 9/11], with flames still visible in lower Manhattan, that the words 'bipartisanship' and 'national unity' had come to mean acquiescence to the administration's preexisting agenda --for example the imperative for further tax cuts, the necessity for Arctic drilling, the systematic elimination of regulatory and union protections, even the funding for the missile shield."
Frank Rich in his preface notes: "The reassuring point of the fixed ideas was to suppress other ideas that might prompt questions or fears about either the logic or hidden political agendas of those conducting what CNN branded as 'America's New War.'"
He adds, "This White House is famously secretive and on-message, but its skills go beyond that. It knows the power of narrative, especially a single narrative with clear-cut heroes and evildoers, and it knows how to drown out any distracting subplots before they undermine the main story."
Book and cover design by Milton Glaser, Inc.

In one of the most hotly anticipated sequels in memory, J.K. Rowling takes up where she left with Harry s second year at the Hogwarts School of Witchcraft and Wizardry. Old friends and new torments abound, including a spirit named Moaning Myrtle who haunts the girl s bathroom, an outrageously conceited professor, Gilderoy Lockheart, and a mysterious force that turns Hogwarts students to stone.

Harry Potter has never played a sport while flying on a broomstick. He's never worn a Cloak of Invisibility, befriended a giant, or helped hatch a dragon. All Harry knows is a miserable life with the Dursleys, his horrible aunt and uncle, and their abominable son, Dudley. Harry's room is a tiny cupboard under the stairs, and he hasn't had a birthday party in ten years.
But all that is about to change when a mysterious letter arrives by owl messenger: a letter with an invitation to a wonderful place he never dreamed existed. There he finds not only friends, aerial sports, and magic around every corner, but a great destiny that's been waiting for him... if Harry can survive the encounter.

On Christmas Eve 1951, Santa Claus was hanged and then publicly burned outside of the Cathedral of Dijon in France. That same decade, ethnologists began to study the indigenous cultures of central New Guinea, and found men and women affectionately consuming the flesh of the ones they loved. "Everyone calls what is not their own custom barbarism," said Montaigne. In these essays, Claude Lévi-Strauss shows us behavior that is bizarre, shocking, and even revolting to outsiders but consistent with a people's culture and context.
These essays relate meat eating to cannibalism, female circumcision to medically assisted reproduction, and mythic thought to scientific thought. They explore practices of incest and patriarchy, nature worship versus man-made material obsessions, the perceived threat of art in various cultures, and the innovations and limitations of secular thought. Lévi-Strauss measures the short distance between "complex" and "primitive" societies and finds a shared madness in the ways we enact myth, ritual, and custom. Yet he also locates a pure and persistent ethics that connects the center of Western civilization to far-flung societies and forces a reckoning with outmoded ideas of morality and reason.

From Matteo Pericoli, the celebrated author of Manhattan Unfurled , comes a unique collection of illustrated cityscapes. In these intimate drawings of window views, Pericoli captures the essence of the city by showing us what New Yorkers see when they look out their windows. The City Out My Window shows us a series of private New Yorks, as seen by Tom Wolfe, Tony Kushner, Nora Ephron, Stephen Colbert, Richard Meier, Oliver Sacks, Mario Batali, David Byrne, and other artists, writers, and thinkers who help make the city what it is. The book includes their comments on what they see out their window and is introduced by Pulitzer Prize-winning architecture critic Paul Goldberger.