#Crime
周处除三害 (2023) IMDb 豆瓣 TMDB Eggplant.place
周處除三害
7.2 (1025 个评分) 导演: 黄精甫 演员: 阮经天 / 袁富华
其它标题: 周處除三害 / The Pig, the Snake, and the Pigeon
通缉犯陈桂林(阮经天 饰)生命将尽,却发现自己在通缉榜上只排名第三,他决心查出前两名通缉犯的下落,并将他们一一除掉。陈桂林以为自己已经实现了当代的周处除三害,却没想到永远参不透的贪嗔痴,才是人生终要面对的罪与罚。
2024年3月8日 看过
記得看過的周處的故事遠比這個動人也合理得多。橫行霸道的周處開始去殺猛虎的時候還只是逞勇鬥狠,但鄉民的慶賀讓他覺得自己好像也能做點好事,於是又去殺了蛟龍,興高采烈地要去除第三害才知道就是自己。這麼個小故事發展的動力的合理、必然又出乎意料都比該片的要強多了,也讓最後第三害的揭曉能把情緒推向一個高峰。桂林仔要去除害的動機和發生的過程就超級經不起推敲。然後片中如果不搞那個大突鯊來讓觀眾懲罰愚民的“高潔情操”得以發洩,還有什麼能讓人覺得Wow的呢?而且為什麼感覺第一個被殺的黑幫老大的陣仗才是這幾個裡面最配得上最惡的呢?後面那兩個都是什麼老混混一樣的啊。而且還有剽竊醜聞,呃……
#Crime @Taiwan
紅太陽是怎樣升起的 谷歌图书 Goodreads
9.5 (8 个评分) 作者: 高華 香港中文大學出版社 2020 - 2
延安整風運動是深刻影響二十世紀中國歷史進程的重大事件,這是由毛澤東親自領導的中共黨內第一次大規模政治運動,也是建國後歷次政治運動的濫觴。毛澤東在延安整風中運用他所創造的思想改造和審幹、肅反兩種手段,全面清除了中共黨內存留的五四自由民主思想的影響,徹底轉換了中共的「俄化」氣質,重建了以毛澤東為絕對主宰的上層結構,奠定了黨的全盤毛澤東化的基礎,其間所產生的一系列概念、範式在1949年後改變了億萬中國人的生活和命運。本書作者歷時十餘年,搜尋考辨大量歷史資料,在此基礎上,從實證研究的角度,詳細剖析了延安整風的前因後果及運動所涉及的各個方面,力圖再現當年這場運動的歷史真貌,是目前海內外唯一一本全面研究延安整風運動的歷史著作。
2024年1月2日 已读
新年第一天就讀(音: fān)完一本書,不錯 不錯。
對歷史、政治小白來說,實在是內容太多了。真的只是翻完。這些中共要員,我充其量只能說聽過名字。他們的身世、相互的恩仇完全空白,簡直無法想像對中共八卦瞭如指掌的朋友們看是什麼樣的感覺。
看了感覺就是一群最有權勢的人卻覺得自己“一無所有”、“沒有選擇”造成的惡果。
#Crime #Democracy #Politics #Revolution #中共罪行
Deir Yassin: The Agony
导演: Eyad Al-Daoud 演员: Zeinab Mohammad Ismail Attieh
Remembering the 1948 siege of Deir Yassim, Jerusalem

On April 9, 1948, the small Muslim village of Deir Yassin just outside Jerusalem was attacked by Jewish Israelis, and 100 unarmed civilians were massacred.

With powerful archive footage from the siege itself, we relive the terror that has inspired Palestinian suicide attacks ever since.
2023年12月25日 看过
[從河到海] 把嬰兒當著其父親的面扔進烤麵包爐、把孕婦開膛就是這次屠殺中神族王師、IOF前身伊爾貢恐怖武裝的“義舉”。所以,在給別人編造謊言的時候,都只能依賴自己的真實經歷。指揮此任務的時任伊爾貢偽軍官、“以色列”第六任偽總理 Manahem Begin 對此次屠殺的評價是:Deir Yassin massacre was not only necessary; but without it the State of Israel could not have emerged.
#Crime #Documentary #Genocide #IsraelNazi #War
Memory of the Cactus: A Story of Three Palestinian Villages (2008) IMDb
ذاكرة الصبار
导演: Hanna Musleh
其它标题: ذاكرة الصبار / Thakirat al sabbar: Hikayat thalath qura Falasteenia
A 42 minute documentary film that combines the cactus and the memories it stands for. The film addresses the story of the destruction of the Palestinian villages of Latroun in the Occupied West Bank and the forcible transfer of their civilian population in 1967. Over 40 years later, the Israeli occupation continues, and villagers remain displaced.

The film follows two separate but parallel journeys. Aisha Um Najeh takes us down the painful road that Palestinians have been forcefully pushed down, separating them in time and place from the land they nurtured; while Israelis walk freely through that land, enjoying its fruits. The stems of the cactus, however, take a few of them to discover the reality of the crime committed.

اختزل الفيلم الوثائقي الفلسطيني "ذاكرة الصبار" في 42 دقيقة قصة معاناة فلسطينيي قرى اللطرون الذين هجروا على أيدي الجيش الإسرائيلي عام 1967. الفيلم من إنتاج مؤسسة الحق وإخراج حنا مصلح.

لاتزال قصة (عمواس ويالوا وبيت نوبا) قرى اللطرون محفورة في ذاكرة من بقوا من الجيل الفلسطيني الشاهد على عمليات تهجير الفلسطينيين من القدس عام 1967 . حكايات يجسدها فيلم ذاكرة الصبار الوثائقي الفلسطيني والذي يحكي قصص من اقتــلعوا من منازلهم التي تحولت الآن إلى متنزه لأبناء المستوطنين في القدس.


خوف وحيرة وذكريات لا تنتهي جمعها الفيلم الذي أنتجته مؤسسة "الحق" الفلسطينية وأخرجه حنا مصلح والذي عرض من خلاله نماذج من معاناة سكان قرى اللطرون غربي القدس ساردا حكايتهم على ألسنهم فأعاد الفيلم المشاهدين الى الوراء عشرات السنين وكأن الحدث كان البارحة.

وقد حاز الفيلم على الجائزة الأولى كأفضل فيلم وثائقي في مهرجان دبي السينمائي للسنة الثالثة على التوالي
2023年12月21日 看过
[從河到海] 六日戰爭期間“以色列”佔領 Latrun 三個村莊 Yalo, Imwas, Beit Nuba。還是老樣子“以色列掃蕩三件套”:全部驅趕村民,推土機將村莊整個推平,宣布這裡是荒野,神族要來大開發。侵略者想要抹除的不僅僅是物質上的存在,還有這裡存在過的記憶。曾經繁榮村莊的廢墟要么用大善人加拿大的“慷慨”捐贈建成了看起來像是有“古老”人類遺址的公園,要么直接將高速路蓋在上面讓它徹底消失。但傲慢又愚蠢的侵略者怎麼會想到此地只有有過村落的地方才會有茂盛如林的仙人掌。Aisheh老奶奶說她們逃難的經歷她都不在乎了,她只想回到自己的家園,那裡有她這輩子唯一美好的記憶。[油管有資源,直接搜片名即可。]
#Crime #Genocide #War @Palestine
坦图拉杀戮谎言(港) (2022) TMDB IMDb 豆瓣
Tantura
8.7 (6 个评分) 导演: Alon Schwarz 演员: Teddy Katz / Yitzhak Pinto
其它标题: Tantura
置于历史与战争的背景下,录音带里的“抹除”一词被赋予了新的意义。1948年以色列建国时,战争爆发,数百个巴勒斯坦村庄在战后人口锐减。这被以色列人称为独立战争,而对巴勒斯坦人而言则是“Nakba”(灾难)。上世纪九十年代末,研究生泰迪·卡兹对一场大屠杀展开研究,据说其发生于1948年的坦图拉村。后来这项工作遭受到抨击,并使他声誉俱毁,但长达140小时的音频证词幸免于难。
2023年12月8日 看过
[從河到海] 上一次看得這麼難過、氣憤是看越戰紀錄片,但那是長達十集、每集90分鐘的係列片,而這是只有短短的80分鐘講海法一個小鎮的故事。
他們在強占的屋捨裡唱歌跳舞
他們腳下踩著被他們殺死的人眺望大海 感慨這裡真美
他們作出了這樣的事 還堅定地相信自己是最有德行的民族
......
越南到最後終究勝利了的。但巴勒斯坦土地上的屠殺在現在這一秒都還在發生。
這樣的“國家”憑什麼還認為它有存在的理由。
我的電影標籤裡永遠不會有 @Israel 。這片土地只有一個名字 @Palestine 。
#Crime #Genocide #Massacre #War @Palestine
Born a Crime 豆瓣 Goodreads
9.4 (137 个评分) 作者: Trevor Noah Spiegel & Grau 2016 - 11
#1 NEW YORK TIMES BESTSELLER • The compelling, inspiring, and comically sublime story of one man’s coming-of-age, set during the twilight of apartheid and the tumultuous days of freedom that followed
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
Michiko Kakutani, New York Times • Newsday • Esquire • NPR • Booklist
Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle.
Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.
The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.
Praise for Born a Crime
“[A] compelling new memoir . . . By turns alarming, sad and funny, [Trevor Noah’s] book provides a harrowing look, through the prism of Mr. Noah’s family, at life in South Africa under apartheid. . . . Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.”—Michiko Kakutani, The New York Times
“[An] unforgettable memoir.”—Parade
“What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. . . . What also helped was having a mother like Patricia Nombuyiselo Noah. . . . Consider Born a Crime another such gift to her—and an enormous gift to the rest of us.”—USA Today
“[Noah] thrives with the help of his astonishingly fearless mother. . . . Their fierce bond makes this story soar.”—People
“[Noah’s] electrifying memoir sparkles with funny stories . . . and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.”—Booklist (starred review)
“A gritty memoir . . . studded with insight and provocative social criticism . . . with flashes of brilliant storytelling and acute observations.”—Kirkus Reviews
Review
“[A] compelling new memoir . . . By turns alarming, sad and funny, [Trevor Noah’s] book provides a harrowing look, through the prism of Mr. Noah’s family, at life in South Africa under apartheid. . . . In the end, Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.”—Michiko Kakutani, The New York Times
“[An] unforgettable memoir.”—Parade
“You’d be hard-pressed to find a comic’s origin story better than the one Trevor Noah serves up in Born a Crime. . . . [He] developed his aptitude for witty truth telling [and]…every hardscrabble memory of helping his mother scrape together money for food, gas, school fees, and rent, or barely surviving the temper of his stepfather, Abel, reveals the anxious wellsprings of the comedian’s ambition and success. If there is harvest in spite of blight, the saying goes, one does not credit the blight-but Noah does manage to wring brilliant comedy from it.”—O: The Oprah Magazine
“What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. . . . What also helped was having a mother like Patricia Nombuyiselo Noah. . . . Consider Born a Crime another such gift to her—and an enormous gift to the rest of us.”—USA Today
“[Noah] thrives with the help of his astonishingly fearless mother. . . . Their fierce bond makes this story soar.”—People
“This isn't your average comic-writes-a-memoir: It’s a unique look at a man who is a product of his culture—and a nuanced look at a part of the world whose people have known dark times easily pushed aside.”—Refinery29
“Noah’s memoir is extraordinary . . . essential reading on every level. It’s hard to imagine anyone else doing a finer job of it.”—The Seattle Times
“Powerful prose . . . told through stories and vignettes that are sharply observed, deftly conveyed and consistently candid. Growing organically from them is an affecting investigation of identity, ethnicity, language, masculinity, nationality and, most of all, humanity—all issues that the election of Donald Trump in the United States shows are foremost in minds and hearts everywhere. . . . What the reader gleans are the insights that made Noah the thoughtful, observant, empathic man who wrote Born a Crime. . . . Here is a level-headed man, forged by remarkable and shocking life incidents, who is quietly determined and who knows where home and the heart lie. Would this unique story have been published had it been about someone not a celebrity of the planet? Possibly not, and to the detriment of potential readers, because this is a warm and very human story of the type that we will need to survive the Trump presidency’s imminent freezing of humane values.”—Mail & Guardian (South Africa)
“[Noah’s] story of surviving—and thriving—is mind-blowing.”—Cosmopolitan
“A gifted storyteller, able to deftly lace his poignant tales with amusing irony.”—Entertainment Weekly
“Noah has a real tale to tell, and he tells it well. . . . Among the many virtues of Born a Crime is a frank and telling portrait of life in South Africa during the 1980s and ’90s. . . . Born a Crime offers Americans a second introduction to Trevor Noah, and he makes a real impression.”—Newsday
“An affecting memoir, Born a Crime [is] a love letter to his mother.”—The Washington Post
“Witty and revealing . . . Noah’s story is the story of modern South Africa; though he enjoyed some privileges of the region’s slow Westernization, his formative years were shaped by poverty, injustice, and violence. Noah is quick with a disarming joke, and he skillfully integrates the parallel narratives via interstitial asides between chapters. . . . Perhaps the most harrowing tales are those of his abusive stepfather, which form the book’s final act (and which Noah cleverly foreshadows throughout earlier chapters), but equally prominent are the laugh-out-loud yarns about going to the prom, and the differences between ‘White Church’ and ‘Black Church.’”—Publishers Weekly (starred review)
“[A] substantial collection of staggering personal essays . . . Incisive, funny, and vivid, these true tales are anchored to his portrait of his courageous, rebellious, and religious mother who defied racially restrictive laws to secure an education and a career for herself—and to have a child with a white Swiss/German even though sex between whites and blacks was illegal. . . . [Trevor Noah’s] electrifying memoir sparkles with funny stories . . . and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.”—Booklist (starred review)
“A gritty memoir . . . studded with insight and provocative social criticism . . . with flashes of brilliant storytelling and acute observations.”—Kirkus Reviews