本片讲述了在广州寻找“中国梦”的非洲人的故事，对于这些非洲人来说，中国看起来就像是新的机遇之地，一个一切皆有可能的地方，他们编织着对于非洲移民来说，绚丽而又难于捕捉的梦。
"Immigration, globalization, Chinese factories and African dreams...This documentary weaves stories of Africans chasing alluring, yet elusive, ""Made in China"" dreams into a compelling critique of 21st century global capitalism.
Guangzhou Dream Factory, following a filmmaker's journey from Ghana to China and back to Africa, gives viewers a rare glimpse of African aspirations while also providing fresh, new perspectives on China and African economic development. "

This soulful and heartfelt celebration of 50 years of the funky and fabulous New Orleans Jazz & Heritage Festival invites you to bliss out on New Orleans’ unique culture, featuring Jimmy Buffett, Bruce Springsteen, Katy Perry, Earth, Wind & Fire, and many others.

When Korean American filmmaker Grace Lee was growing up in Missouri, she was the only Grace Lee she knew. Once she left the Midwest however, everyone she met seemed to know "another Grace Lee." But why did they assume that all Grace Lees were reserved, dutiful, piano-playing overachievers? The filmmaker plunges into a funny, highly unscientific investigation into all those Grace Lees who break the mold -- from a fiery social activist to a rebel who tried to burn down her high school. With wit and charm, THE GRACE LEE PROJECT puts a hilarious spin on the eternal question, "What's in a name?"

2003年12月，广州中山大学中文系公演了《阴道独白》。自此，这部来自美国、致力于消除性别暴力的女性主义戏剧，在中国大陆燃起了一股阴道之火。上海复旦大学知和社、上海海狸社、北京Bcome小组，不同的剧组用不同的方式演绎。她们在学校演、在小剧场演、在咖啡馆演、在街头演、在地铁里演。《阴道独白》也有了自己的中国名字：《阴DAO多云》、《阴道之道》、《将阴道独白到底》。这些名字都保留着那个令公众感到刺耳的词——阴道。“阴道，我说出来了”，这是一个说出来的过程，也是一个行动的过程；这是自我觉醒的过程，也是走向公众空间的过程；这是学习、认识的过程，也是本土化的过程。十年后，我们重走阴道，去问问当年的参与者，看看现在的行动者，听听来自阴道的声音。

本作品以钱学森的系统论思想和他的科研生涯为线索虚构了一个故事，讲述了钱学森与集体共同研制了一台可以将自然能量和群众计算力进行耦合的超技计算机装置。影片结合了相关真实历史文献，在完成“新历史科幻小说”叙事的同时，也对新中国的电子技术发展史进行了回溯和重读。

Traces the global forces that brought the first Asians -- Filipinos, Chinese and Asian Indians -- to the Americas and the Caribbean in the 18th and 19th centuries, and looks at their lives as sailors, coolies, and finally settlers.

“Take Me to the River New Orleans,” the second film, celebrates the rich musical history, the heritage, legacy, and influence of New Orleans and Louisiana. A true collaboration and melting pot of influences from around the World, that came together and formed one of the world’s most unique cultural jewels. Our adventure shows the resiliency of surviving disaster to a formidable rebirth. Pairing legacy musicians with stars of today.
There is nothing like the music of New Orleans. It is a wholly unique, worldwide collaboration that has resulted in an exceptional musical genre never before heard. This film will give the viewer an insightful historical perspective of how global influences shaped, and continue to shape, a musical quilt that formed the music of this extraordinary city. Influences came from many places: Cuba, South America, Africa, Europe, Canada, America. All contributed to the blending and shaping of a musical genre that is rich in culture and heritage. We, as Americans, are the conservators of this unique cultural phenomenon. - official site

记述“灵魂歌后”艾瑞莎·弗兰克林音乐会的纪录片[奇异恩典](Amazing Grace，暂译)终于问世，该片北美定档颁奖季，将率先在纽约、洛杉矶小范围上映，同时影片也将成为明年奥斯卡最佳纪录长片的有力争夺者。
1972年，艾瑞莎·弗兰克林推出专辑《奇异恩典》，导演西德尼·波拉克根据艾瑞莎·弗兰克林在洛杉矶举行的两场音乐会拍摄了同名纪录片，但影片因音效问题一直延映，制片艾伦·艾利奥特最终完成了影片的制作。2015年，该片曾一度计划亮相特柳赖德电影节、多伦多电影节，但因版权问题上映被叫停。艾瑞莎·弗兰克林于今年8月去世。

The documentary weaves through the apocalyptic effects of Hurricane Katrina, the Saints' subsequently nomadic 2005 season, the tireless efforts of countless many to salvage both New Orleans and the Superdome, the reorganization of the Saints' coaching hierarchy led by Loomis and Payton, the overhauling of the Saints' roster highlighted by the addition of a wounded Brees, and the behind-the-scenes musical inspirations led by musical icon The Edge and the importance that New Orleans has on the global music community. The documentary culminates with the unforgettable events surrounding the Saints' return to New Orleans on Sept. 25 and the team's 23-3 victory over NFC South rival Atlanta Falcons. In the succinct words of Payton, "I told the team that they only way the night would truly be special was if we won."

After waiting for 43 years, the patience of long-suffering fans in the Gulf Coast region was finally rewarded. The New Orleans Saints, long the symbol of football futility, enjoyed the greatest year in franchise history. They posted the team's best-ever regular-season record, then earned their first-ever trip to the Super Bowl. The Saints then completed a storybook finish by upsetting the favored Colts to claim their first Vince Lombardi Trophy.
Relive all the thrilling moments of the 2009 season, from opening day right through their triumph in Miami, with action from every regular-season and playoff game--the cliffhangers, comebacks and unforgettable moments. Hear all the sideline sound, player and coaches wires and locker room celebrations as the cameras and microphones of NFL Films recapture the thrills and drama of the Saints' super season--a championship that restored hope and pride to the Crescent City.

“火把剧团”的称呼来自于文革期间，当时传统的川剧剧目在公共演出场所被禁，但偏远的农村却在私下演出，因常在夜间，需用火把照明，渐渐有此称呼。
2001年，成都的6个国家川剧团合并为一个剧团，除了出国演出外，在成都已经基本没有演出了。而更多的地方小型川剧团均遭解散。现在的“火把剧团”就是在20世纪90年代后，在国营川剧团渐至解散、演员下岗后自行组建的民间演出组织。它的产生、发展和消亡都与时代息息相关……
成都还有三四个“火把剧团”， 一般都在老居民区里的茶馆里演出，光靠门票收入难以为继：一场演出三个小时，需十几个演员，而观众仅一百多人，三元钱的门票中还有一元是茶水钱。为了生存，他们甚至上门为办丧事的主家表演变脸。
剧团的主要观众是老人，他们越来越老，越来越少，新的观众群却根本不出现。与此同时，茶馆还面临着城市改造带来的拆迁的命运。演员们看到剧团大势已去，纷纷改行，有的去跳舞，有的去做小生意……在市场经济的冲击下，城市面貌、传统文化和生活方式一天天被改变。
李保亭，从八岁就开始学唱川剧的老把式，如今只能告别川剧舞台，改行表演歌舞，走进以低俗流行为特点的流动剧场及酒吧歌厅演出。
王斌，一个坚持以川剧表演为生的人，不得不面临被社会淘汰的命运。老茶馆终于被拆，每天演出的舞台从此消失。数月后，王斌在成都市雕塑公园内一个临时搭建的大蓬里继续表演川剧。默默地坐在舞台的幕布后面，面对这个繁华的世界，王斌是那样的无奈……

一群来自全国各地的困境少年，被选进北京市郊一个爱心棒球基地，组成了一支特殊的棒球队，跟着70岁传奇教练“师爷”从零开始学习打棒球。 少年马虎以“刺头”状态闯进了基地，天天打架干仗；而“元老球员”小双心思细腻敏感，对未来满是怀疑和不确定。不同家庭背景和心性习惯的少年在一起训练、生活，一支棒球棍，把他们带进无尽的冲突和欢乐，也带给他们久违的热血与梦想。 几个月后，他们将飞往美国，代表中国登上世界少棒的顶级赛场，但基地的球场和宿舍却面临拆迁…… 少年们能否逆风挥棒，叫板自己的命运？

NHK 最后一课 The Last Lecture系列：上野千鹤子的最后一课

Denise Ho - Becoming the Song profiles the openly gay Hong Kong singer and human rights activist Denise Ho. Drawing on unprecedented, years-long access, the film explores her remarkable journey from commercial Cantopop superstar to outspoken political activist, an artist who has put her life and career on the line in support of the determined struggle of Hong Kong citizens to maintain their identity and freedom.

这部电影讲述了一位29岁的日本记者伊藤诗织的动人故事，她声称自己是在2015年的一次工作晚餐会上被时任东京广播公司华盛顿分社的社长、日本首相安倍晋三的传记作者山口敬之强奸。但山口先生强烈否认了这一说法。
尽管向警方报案，但警方要求伊藤用真人大小的娃娃重新模拟所谓的强奸案，该案件经过一年的调查后被撤销。当伊藤采取前所未有的决定公开她的指控并揭露她的身份时，她遭到了公开的羞辱和仇恨邮件。
这部影片在上映后的一年内，以独特的方式记录了伊藤。虽然全球MeToo运动激励全世界的女性大肆宣传他们对性侵犯的指控，但在日本的回应却很平静。伊藤没有被吓倒，她访问了认为她失败的机构，并见了其他害怕不敢说话的女性。这部电影将伊藤的故事与日本更广泛的社会背景交织在一起，直到2017年，强奸的最低刑期短于盗窃。

本纪录片取材于野生动物保护主义者蒂莫西·崔德威尔（Timothy Treadwell）1999～2003年在美国阿拉斯加州卡特迈国家公园及自然保护区所拍摄的素材。崔德威尔从1989年起致力于野生灰熊的研究和保护，并与朋友成立了“熊人协会”，每年夏天来到卡特迈独自野营，观察记录灰熊的生活习性，并义务对数千名学童进行讲解，呼吁社会打击偷猎，关注、保护灰熊。导演沃纳·赫尔佐格（Werner Herzog）探访了崔德威尔的父母和前女友，并对2003年10月崔德威尔及女友艾米·胡格纳德（Amie Huguenard） 之死的细节进行了细致采访描绘，试图在展示崔德威尔非凡经历的同时，回答究竟是什么使他选择远离人类放逐荒野，将生命献给灰熊。 　　本片获圣丹斯电影节纪录片评审团大奖提名及艾尔弗·斯隆奖，并获2005年独立精神奖、洛杉矶影评人协会、纽约影评人协会、美国国家影评人协会等多个协会的最佳纪录片奖。

When a Chinese-American family travels from California to Mississippi to visit the grave of their ancestors, they stumble upon surprising revelations. Along the way, they meet a diverse group of local residents and historians, who shed light on the racially complex history of the early Chinese in the segregated South. Their emotional journey also leads them to discover how the Chinese Exclusion Act of 1882 impacted their family and how deep their roots run in America.

Documentary on the 1838 Cherokee removal from the southeastern United States, dubbed the "Trail of Tears."

From Rich-Heape Films, the award winning producers of Trail of Tears Cherokee Legacy and Black Indians An American Story and told from the Native American perspective, this documentary uncovers the dark history of the US government policy and will give a voice to the countless Indian children forced through the system. The film deals with both the schools run by Christian missionaries and those run by the United States' Bureau of Indian Affairs. It addresses the schools' role of forcing cultural assimilation of the resident children into the ways of the majority culture of European Americans.[2]

This comprehensive look at the ancient health and healing methods of American aboriginals uncovers the invaluable contributions that Native Americans made to early frontier living.