In order to understand why people pray, The Energy of Prayer examines the applications and effectiveness of prayer in Buddhist and other spiritual traditions. Arguing that prayer is not about asking some external force for what we need, but about creating an internal environment in which it is easier to get what we want, the book introduces several methods of prayer. These methods are meditative in nature and reenvision prayer as an inclusive, accessible practice that is not tied to a particular religious or spiritual affiliation, but rather that can help anyone create a healthy life through the power of awareness and intention. Ultimately, author Thich Nhat Hanh presents prayer as more than just relaxation: is it a way to satisfy the basic human need to make a connection with something larger than our everyday self. Included are visualization and breathing exercises as well as a rich sampling of prayers, chants, and invocations from the Buddhist tradition.

is about identity, soul-searching, and being on the never-ending journey of finding ourselves and finding God. As both a member of the Potawatomi Nation and a Christian, Kaitlin Curtice offers a unique perspective on these topics. In this book, she shows how reconnecting with her Native American roots both informs and challenges her Christian faith.
Drawing on the narrative of her personal journey and the poetry, imagery, and stories of the Potawatomi people, Curtice addresses themes at the forefront of today's discussions of faith and culture in a positive and constructive way. She encourages us to embrace our own origins and to share and listen to each other's stories so we can build a more inclusive and diverse future for the church. Each of our stories matters for the church to be truly whole. As Curtice shares what it means to experience her faith through the lens of her Indigenous heritage, she reveals that a vibrant spirituality has its origins in identity, belonging, and a sense of place.

Though it is the fastest growing religion in the world, Islam remains shrouded by ignorance and fear. What is the essence of this ancient faith? Is it a religion of peace or war? How does Allah differ from the God of Jews and Christians? Can an Islamic state be founded on democratic values such as pluralism and human rights? A writer and scholar of comparative religions, Reza Aslan has earned international acclaim for the passion and clarity he has brought to these questions. In
, challenging the “clash of civilizations” mentality that has distorted our view of Islam, Aslan explains this critical faith in all its complexity, beauty, and compassion.
Contrary to popular perception in the West, Islam is a religion firmly rooted in the prophetic traditions of the Jewish and Christian scriptures. Aslan begins with a vivid account of the social and religious milieu in which the Prophet Muhammad lilved. The revelations that Muhammad received in Mecca and Medina, which were recorded in the Quran, became the foundation for a radically more egalitarian community, the likes of which had never been seen before.
Soon after his death, the Prophet’s successors set about the overwhelming task of defining and interpreting Muhammad’s message for future generations. Their efforts led to the development of a comprehensive code of conduct that was expected to regulate every aspect of the believer’s life. But this attempt only widened the chasm between orthodox Islam and its two major sects, Shiism and Sufism, both of which Aslan discusses in rich detail.
Finally,
examines how, in the shadow of European colonialism, Muslims developed conflicting strategies to reconcile traditional Islamic values with the social and political realities of the modern world. With the emergence of the Islamic state in the twentieth century, this contest over the future of Islam has become a passionate, sometimes violent battle between those who seek to enforce a rigid and archaic legal code and those who struggle to harmonize the teachings of the Prophet with contemporary ideals of democracy and human rights. According to Reza Aslan, we are now living in the era of “the Islamic Reformation.”
is a persuasive and elegantly written account of the roots of this reformation and the future of Islamic faith.

When his mom deposits him at the Red Hook housing project in Brooklyn to spend the summer with the grandfather he’s never met, young Flik may as well have landed on Mars. Fresh from his cushy life in Atlanta, he’s bored and friendless, and his strict grandfather, Enoch, a firebrand preacher, is bent on getting him to accept Jesus Christ as his personal savior. Only Chazz, the feisty girl from church, provides a diversion from the drudgery. As hot summer simmers and Sunday mornings brim with Enoch’s operatic sermons, things turn anything but dull as people’s conflicting agendas collide.

An exploration of twentieth and twenty-first century U.S. Muslim womanhood that centers the lived experience of women of color
For Sylvia Chan-Malik, Muslim womanhood is constructed through everyday and embodied acts of resistance, what she calls affective insurgency. In negotiating the histories of anti-Blackness, U.S. imperialism, and women’s rights of the twentieth and twenty-first centuries, Being Muslim explores how U.S. Muslim women’s identities are expressions of Islam as both Black protest religion and universal faith tradition. Through archival images, cultural texts, popular media, and interviews, the author maps how communities of American Islam became sites of safety, support, spirituality, and social activism, and how women of color were central to their formation. By accounting for American Islam’s rich histories of mobilization and community, Being Muslim brings insight to the resistance that all Muslim women must engage in the post-9/11 United States.
From the stories that she gathers, Chan-Malik demonstrates the diversity and similarities of Black, Arab, South Asian, Latina, and multiracial Muslim women, and how American understandings of Islam have shifted against the evolution of U.S. white nationalism over the past century. In borrowing from the lineages of Black and women-of-color feminism, Chan-Malik offers us a new vocabulary for U.S. Muslim feminism, one that is as conscious of race, gender, sexuality, and nation, as it is region and religion.