《黑色党徒》根据2014年罗恩·斯塔尔沃斯所著的自传改编，讲述了一名科罗拉多州的黑人警察，成功潜入当地的3K党组织做卧底的故事。

故事发生在墨西哥城的一个中产阶级社区“罗马”，讲述年轻女佣克里奥（雅利扎·阿巴里西奥饰）在雇主索菲亚（玛丽娜·德·塔维拉饰）家中工作，该家中索菲亚的丈夫长期在外，由女佣克里奥照顾索菲的四个孩子。突如其来的两个意外，同时砸中了女佣克里奥和雇主索菲亚，两人究竟该如何面对苦涩茫然的生活？四位孩子似乎是希望所在。 这是以导演阿方索·卡隆的儿时记忆铸成的影片，而卡隆其实就是片中某一位小孩。

《毒枭》在经过三季于哥伦比亚的反毒战争后将告一段落。Netflix将原来的第四季独立出来作为衍生剧《毒枭：墨西哥篇》（Narcos: Mexico）。
本作将聚焦于反毒战争的起源 – 墨西哥的瓜达拉哈拉贩毒集团，时间也将移前至80年代，讲述冷静﹑大胆﹑头脑清晰﹑忠于 亲友的Felix Gallardo（Diego Luna饰）如何把散乱的贩毒者统一起来，成为被称为「Godfather」的大毒枭。
而缉毒局探员Kiki Camarena（Michael Pena饰）带着妻儿从加州搬到瓜达拉哈拉，但他没意料到此反毒战的危险程度，并引发了惨剧。在《毒枭》第一季中曾提到，Kiki被贩毒集团抓获后，死前曾被剥了两腿的皮﹑对着手脚开枪﹑用电钻钻头等。不过他的死也令缉毒局开始对毒枭穷追猛打。

　　托尼（维果·莫腾森 Viggo Mortensen 饰）是一个吊儿郎当游手好闲的混混，在一家夜总会做侍者。这间夜总会因故要停业几个月，可托尼所要支付的房租和生活费不会因此取消，所以他的当务之急是去寻找另一份工作来填补这几个月的空缺。在这个节骨眼上，一位名叫唐雪莉（马赫沙拉·阿里 Mahershala Ali 饰）的黑人钢琴家提出雇佣托尼。
　　唐雪莉即将开始为期八个星期的南下巡回演出，可是，那个时候南方对黑人的歧视非常的严重，于是托尼便成为了唐雪莉的司机兼保镖。一路上，两人迥异的性格使得他们之间产生了很多的矛盾，与此同时，唐雪莉在南方所遭受的种种不公平的对待也让托尼对种族歧视感到深恶痛绝。

An essential reconsideration of one of the most far-reaching theories in modern neuroscience and psychology.
In 1992, a group of neuroscientists from Parma, Italy, reported a new class of brain cells discovered in the motor cortex of the macaque monkey. These cells, later dubbed mirror neurons, responded equally well during the monkey’s own motor actions, such as grabbing an object, and while the monkey watched someone else perform similar motor actions. Researchers speculated that the neurons allowed the monkey to understand others by simulating their actions in its own brain.
Mirror neurons soon jumped species and took human neuroscience and psychology by storm. In the late 1990s theorists showed how the cells provided an elegantly simple new way to explain the evolution of language, the development of human empathy, and the neural foundation of autism. In the years that followed, a stream of scientific studies implicated mirror neurons in everything from schizophrenia and drug abuse to sexual orientation and contagious yawning.
In The Myth of Mirror Neurons, neuroscientist Gregory Hickok reexamines the mirror neuron story and finds that it is built on a tenuous foundation—a pair of codependent assumptions about mirror neuron activity and human understanding. Drawing on a broad range of observations from work on animal behavior, modern neuroimaging, neurological disorders, and more, Hickok argues that the foundational assumptions fall flat in light of the facts. He then explores alternative explanations of mirror neuron function while illuminating crucial questions about human cognition and brain function: Why do humans imitate so prodigiously? How different are the left and right hemispheres of the brain? Why do we have two visual systems? Do we need to be able to talk to understand speech? What’s going wrong in autism? Can humans read minds?
The Myth of Mirror Neurons not only delivers an instructive tale about the course of scientific progress—from discovery to theory to revision—but also provides deep insights into the organization and function of the human brain and the nature of communication and cognition.

画面开始，一双丰满的手灵巧地揉面、按记儿、擀皮儿、包包子。没过一会儿，一笼白白净净又馋人的包子就做得了。相貌平平的女主人推开厨房的窗户，短暂的歇息。稍后，包子蒸熟，女主人端着它来到餐桌前。此时，她的老公已经起床，正目不转睛地盯着电视的新闻。而他看了表后狼吞虎咽，便匆匆上班去了。失落的女主人拿起最后一个包子，可刚一张嘴包子便大哭了起来。不知为何包子有了生命，而倍感孤独的女主人格外开心，于是将包宝宝当做自己的孩子抚养。小包子一天天长大，他起初和女主人分外亲近，但是他渐渐有了自己的个性，渴望独立，渴望远行……
本片是《超人总动员2》的贴片短片，荣获奥斯卡电影金像奖最佳动画短片奖。

本剧根据麦克·康纳利的畅销小系列《哈里·博斯》改编，主角哈里·博斯是一名洛杉矶警局的凶案组探员，主角为解决一件对13岁男孩的谋杀而奔波，却因为谋杀了一名连环杀人犯而被告。
作者简介：迈克尔·康奈利是美国前总统比尔·克林顿、摇滚巨星米克·贾格尔等人最喜欢的推理小说家，他也被称为世界上最好的警探小说作家。他的小说迄今为止销售了700万册，被翻译成31种文字，并年年蝉联《纽约时报》畅销书排行榜榜首。惊悚小说大师斯蒂芬·金非常赏识他的作品，还特为他的《诗人》一书作序。
迈克尔·康奈利从事小说创作之前，在《洛杉矶时报》担任犯罪新闻记者，丰富的体验为他的写作提供了坚实的基础。1992年他创作了以洛杉矶警探哈里·博斯为主角的小说《黑色回色》，获得当年爱伦·坡奖的最佳处女作奖。截止2006年，他一共写十一部“哈里·博斯系列”小说，为洛杉矶市创造了一个保护者的形象。 除“哈里·博斯系列”外，康奈利还有《诗人》、《血型拼图》等作品，也同样登上畅销书排行榜。

《风骚律师》宣布续订第4季，长时间谈判后终于等来这消息了。根据该剧状况是不愁续订的，毕竟是AMC收视第三(次于《行尸走肉》《行尸之惧》)，但此前主创Vince Gilligan和Peter Gould与AMC就很多问题在谈判，有不确定因素。

剧情延续上季时间线，吉米的哥哥查克（迈克尔·麦基恩饰）悄悄录下吉米（鲍勃·奥登科克饰）承认在法律文件上做手脚的不当行为，想毁掉弟弟的律师前程 ，两兄弟的对峙促使本性善良的吉米更进一步转变为游走在法律边缘的无良律师“索尔·古德曼”

故事紧接上季结尾，阿布奎基（Albuquerque）律师Jimmy McGill遭到哥哥Chuck的背叛，于是回到伊利诺伊州的家乡西塞罗（Cicero）与童年死党Marco（Mel Rodriguez）一起策划一系列诈骗诡计。他们成功了，但Marco在他们最后一次干脏活时突发心脏病。Marco死后，Jimmy回到了新墨西哥州，他的人生似乎有了新的意义。他拒绝了圣达菲（Santa Fe）一家大型律师事务所的工作邀请，朝着刑事辩护律师「Saul Goodman」的方向迈出了一大步，他「清白正直」的日子一去不返。他的转型……已然开始。但是制片人反复强调，你不会在本季看到一个完整的Saul Goodman，「Jimmy McGill才是该剧的灵魂人物」，「我们要描述的是他的故事」，「我们不会这么快和他道别」。
Jimmy本季有许多事情要做，包括修复与哥哥Chuck（Michael McKean）的关系。Chuck始终不相信Jimmy是一个合法的律师，并且阻止自己的Hamlin Hamlin & McGill律师事务所雇用Jimmy协助调查一起大案。Chuck是个荣誉感很强的人，他爱弟弟，但他不容许他破坏自己的事业和生活——即便有时他不得不承认自己的做法对Jimmy来说有点太过分。
观众将进一步了解Mike Ehrmantraut（Jonathan Banks）的个人生活。当费城侦探跑来向他质询一起双重谋杀案时，他被迫雇用Jimmy做自己的法律顾问。这起谋杀案是真实的，Mike当年为了复仇在费城杀死了两名警察，但他绝不是恶意杀人。Mike将发生一些显著的变化，但那些变化起源于小事情。
Jimmy和Mike都在朝着《Breaking Bad》中的标志性角色发展，这期间少不了许多「彩蛋」。本季还会有不少闪进情节，观众将看到「Saul在《Breaking Bad》结束后的生活」（准确地说，Cinnabon的Gene），还有「到目前为止最年轻的Jimmy」。一些观众在《Breaking Bad》首季中见过（但是之后再也未见到）的角色将在本季亮相。当然，还有观众熟悉的一些人。此外，Jimmy是个天生的「问题解决者」，他将帮助许多新角色摆脱困境。他还将遇到一个大人物Clifford（六届艾美奖提名获得者Ed Begley Jr.），他手中掌握的权力能让Jimmy诸多梦想变为现实……只要Jimmy付得起他的价钱。Clifford表面上看起来慈祥和蔼，让人很乐意和他待在一起。可一旦任何人触犯了他的利益，必将遭遇灭顶之灾。除了继续与Chuck关系紧张之外，Jimmy与Kim的矛盾也日渐升级（但是Jimmy与Kim的私人关系也变得更加纠缠不清）。你还应该特别留意Jimmy与Davis和Main的关系、Jimmy与Mike的关系。
转自天涯小筑

Amazon的《诈欺担保人 Sneaky Pete》，这剧原本是CBS的试映集，在开发失败后由Amazon接手；这剧讲述一个30多岁的骗子Marius（Giovanni Ribisi饰）出狱后，盗用了他同仓的狱友Pete的身份；他一边逃避自己过去的债主，一边应付他的新" 家族业务" - 保释担保人。他现在得处理比自己还要恶劣的坏份子，而她的拍档兼"表妹"，单身母亲的Julia（Marin Ireland饰），则怀疑他的真正动机。
Libe Barer饰演Julia的妹妹Carly，经常制造及找寻麻烦﹑Margo Martindale饰演Audrey﹑Peter Gerety饰演Otto，当他们正苦苦经营保释担保的家族生意时，他们的「孙子」Pete突然找上门。Shane Mcrae饰演Taylor，一个小镇警察，跟他那消失多时的表哥Pete重聚。
Virginia Kull则饰演循环角色Katie Boyd，曾经跟Marius/Pete一起行骗，不过现在已金盆洗手，已婚并有一个养女。不过她的平凡生活，因为Marius某天上门求助时而打乱了。

奥吉（雅各布·特瑞布雷 Jacob Tremblay 饰）是一个10岁的男孩，除了头戴一个巨大的太空头盔外，他和其他的同年龄孩子别无二致。头盔下隐藏了奥吉因为各种手术而伤痕累累的脸庞，它不仅完美的隐藏起了奥吉脆弱自卑的内心，也成功的防止了奥吉的模样吓到别的孩子。
奥吉没有上过学，他的所有文化知识都是母亲伊莎贝尔（朱莉娅·罗伯茨 Julia Roberts 饰）在家教授给他的。然而，伊莎贝尔渐渐感觉到，家庭课堂无法满足奥吉的成长需要，除了学习知识，奥吉还必须学会的，是如何同除了家人以外的人交流。在忧虑重重之中，伊莎贝尔将奥吉送入了一间公立学校里，在那里，奥吉面临的是他人生中必须要战胜的挑战。

特洛伊（丹泽尔·华盛顿 饰）曾是一名棒球希望新星，却因为一次意外的抢劫杀人案而入狱。当时美国职业棒球大联盟种族隔离政策还未完全废除，黑人登场机会很少，加上特洛伊出狱后的年龄，因此他的棒球生涯就此结束，只好去当了一名匹兹堡的环卫工人。而他最近的愿望，是答应妻子修好后院的围栏……

At once a powerful evocation of his early life in Harlem and a disturbing examination of the consequences of racial injustice--to both the individual and America at large--The Fire Next Time, which galvanized the nation in the early days of the civil rights movement, stands as one of the essential works of our literature. It remains as relevant today, widely read in classrooms and lecture halls across America, as it was when first published, 45 years ago.

#1 NEW YORK TIMES BESTSELLER • The compelling, inspiring, and comically sublime story of one man’s coming-of-age, set during the twilight of apartheid and the tumultuous days of freedom that followed
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
Michiko Kakutani, New York Times • Newsday • Esquire • NPR • Booklist
Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle.
Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.
The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.
Praise for Born a Crime
“[A] compelling new memoir . . . By turns alarming, sad and funny, [Trevor Noah’s] book provides a harrowing look, through the prism of Mr. Noah’s family, at life in South Africa under apartheid. . . . Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.”—Michiko Kakutani, The New York Times
“[An] unforgettable memoir.”—Parade
“What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. . . . What also helped was having a mother like Patricia Nombuyiselo Noah. . . . Consider Born a Crime another such gift to her—and an enormous gift to the rest of us.”—USA Today
“[Noah] thrives with the help of his astonishingly fearless mother. . . . Their fierce bond makes this story soar.”—People
“[Noah’s] electrifying memoir sparkles with funny stories . . . and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.”—Booklist (starred review)
“A gritty memoir . . . studded with insight and provocative social criticism . . . with flashes of brilliant storytelling and acute observations.”—Kirkus Reviews
Review
“[A] compelling new memoir . . . By turns alarming, sad and funny, [Trevor Noah’s] book provides a harrowing look, through the prism of Mr. Noah’s family, at life in South Africa under apartheid. . . . In the end, Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.”—Michiko Kakutani, The New York Times
“[An] unforgettable memoir.”—Parade
“You’d be hard-pressed to find a comic’s origin story better than the one Trevor Noah serves up in Born a Crime. . . . [He] developed his aptitude for witty truth telling [and]…every hardscrabble memory of helping his mother scrape together money for food, gas, school fees, and rent, or barely surviving the temper of his stepfather, Abel, reveals the anxious wellsprings of the comedian’s ambition and success. If there is harvest in spite of blight, the saying goes, one does not credit the blight-but Noah does manage to wring brilliant comedy from it.”—O: The Oprah Magazine
“What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. . . . What also helped was having a mother like Patricia Nombuyiselo Noah. . . . Consider Born a Crime another such gift to her—and an enormous gift to the rest of us.”—USA Today
“[Noah] thrives with the help of his astonishingly fearless mother. . . . Their fierce bond makes this story soar.”—People
“This isn't your average comic-writes-a-memoir: It’s a unique look at a man who is a product of his culture—and a nuanced look at a part of the world whose people have known dark times easily pushed aside.”—Refinery29
“Noah’s memoir is extraordinary . . . essential reading on every level. It’s hard to imagine anyone else doing a finer job of it.”—The Seattle Times
“Powerful prose . . . told through stories and vignettes that are sharply observed, deftly conveyed and consistently candid. Growing organically from them is an affecting investigation of identity, ethnicity, language, masculinity, nationality and, most of all, humanity—all issues that the election of Donald Trump in the United States shows are foremost in minds and hearts everywhere. . . . What the reader gleans are the insights that made Noah the thoughtful, observant, empathic man who wrote Born a Crime. . . . Here is a level-headed man, forged by remarkable and shocking life incidents, who is quietly determined and who knows where home and the heart lie. Would this unique story have been published had it been about someone not a celebrity of the planet? Possibly not, and to the detriment of potential readers, because this is a warm and very human story of the type that we will need to survive the Trump presidency’s imminent freezing of humane values.”—Mail & Guardian (South Africa)
“[Noah’s] story of surviving—and thriving—is mind-blowing.”—Cosmopolitan
“A gifted storyteller, able to deftly lace his poignant tales with amusing irony.”—Entertainment Weekly
“Noah has a real tale to tell, and he tells it well. . . . Among the many virtues of Born a Crime is a frank and telling portrait of life in South Africa during the 1980s and ’90s. . . . Born a Crime offers Americans a second introduction to Trevor Noah, and he makes a real impression.”—Newsday
“An affecting memoir, Born a Crime [is] a love letter to his mother.”—The Washington Post
“Witty and revealing . . . Noah’s story is the story of modern South Africa; though he enjoyed some privileges of the region’s slow Westernization, his formative years were shaped by poverty, injustice, and violence. Noah is quick with a disarming joke, and he skillfully integrates the parallel narratives via interstitial asides between chapters. . . . Perhaps the most harrowing tales are those of his abusive stepfather, which form the book’s final act (and which Noah cleverly foreshadows throughout earlier chapters), but equally prominent are the laugh-out-loud yarns about going to the prom, and the differences between ‘White Church’ and ‘Black Church.’”—Publishers Weekly (starred review)
“[A] substantial collection of staggering personal essays . . . Incisive, funny, and vivid, these true tales are anchored to his portrait of his courageous, rebellious, and religious mother who defied racially restrictive laws to secure an education and a career for herself—and to have a child with a white Swiss/German even though sex between whites and blacks was illegal. . . . [Trevor Noah’s] electrifying memoir sparkles with funny stories . . . and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.”—Booklist (starred review)
“A gritty memoir . . . studded with insight and provocative social criticism . . . with flashes of brilliant storytelling and acute observations.”—Kirkus Reviews

6500万年前，一颗小行星与地球擦肩而过，称霸这个世界的恐龙懵懵懂懂地逃过了灭顶之灾。之后又过了数百万年，恐龙的智力得到进化，它们学会种植、畜牧、建筑，并且拥有属于自己的语言和家庭。某座山脚下的平原地带，雷龙一家迎来三个性格各异的娃娃，最小的阿洛（雷蒙德·奥乔亚 Ray mond Ochoa 配音）孱弱胆怯，与父亲的生离死别更在他的心中投下难以磨灭的阴影。一连串的事件过后，他与妈妈、哥哥、姐姐相隔万里。阿洛将这一切都归罪于原始人类的小孩点点（杰克·布赖特 Jack Bright 配音）。而点点似乎不为所动，他主动亲近阿洛，仿佛是一条忠诚勇敢的小狗。
在充满坎坷和危险的回家之路上，阿洛与点点结伴而行，而这两个本不该碰面的恐龙和人类，将缔结超越了种族和时空的纯真友情……

Amazon过去以两季直接预定拿下Julia Roberts主演﹑Sam Esmail开发的新剧《归途 Homecoming》。本剧根据Gimlet Media同名爆热播客改编，其甫一上线就成为了多家电影电视制作方和制片人想要争夺的热门IP。在经过激烈角逐后，Universal Cable Productions拿下改编权并与Sam Esmail联手将其搬上电视荧幕。
定于11月2日上线的半小时剧《归途》将由原播客作者改编，是一部政治惊悚剧，剧中讲述了一个协助士兵重返社会的秘密政府机构工作的社工Heidi Bergman（Julia Roberts饰演）、她的上级和一名士兵Walter（Stephan James饰）的故事。Bobby Cannavale饰演Colin Belfast，他是「Homecoming Initiative」部门的非现场主管，具有野心。
四年后Heidi离开了机构，与母亲Ellen Bergman（Sissy Spacek饰）同住的她在小镇当侍应。某天一名国防部稽核员（Shea Whigham饰）前来询问女主那政府机构的事，令Heidi洞悉四年前的事件可能另有秘密。

影片以作家詹姆斯·鲍德温未完成的小说《记住这个房子》为切入点，片中还涉及马丁·路德·金、马尔克姆·X、梅加·埃弗斯的故事。