Who was Moliere? He is known everywhere as one of the world's greatest playwrights. But who was he? Born Jean-Baptiste Poquelin in 1622, the son of a prosperous tapestry maker. His mother died when he was a boy. Growing up in the teeming streets of 17th century Paris, Jean Baptiste received a good Jesuit education and was fascinated by the street fairs and traveling carnivals that flourished in spite of the religious repression and hypocrisy of those cruel times. As a young man he joined the theatrical Bejart family to establish the Illustre-Theatre, which soon went bankrupt. The troupe reformed, found patronage, and went on the road for thirteen years, performing all over France. Poquelin developed his stagecraft adapting Commedia dell Arte plots to please brutalized peasants and cynical townspeople. He also married Madeline Bejart, the widowed daughter of the troupe's founder. Later he entered into a love affair with Mme Bejart's daughter, to the dismay of all. The troupe eventually... Written by John Christopher

故事发生在美国加利福尼亚州，雷（尼克·诺特 Nick Nolte 饰）刚刚走下战场，回到久违的家中，准备迎接珍贵的平静生活。在战场上，他结识了名为约翰（迈克尔·莫里亚蒂 Michael Moriarty 饰）的年轻士兵，枪林弹雨中，两位生死之交结下了深厚的友谊。
退伍之后的生活并不如雷所想象的那么美好，很快，囊状羞涩的现状便让他陷入了水深火热之中。就在此时，约翰找到了他，说有一笔大买卖能让他们赚得盆满钵满，经不住约翰的游说和金钱的诱惑，雷开始和约翰一同干起了走私海洛因的勾当。没想到，一场意外让雷和约翰惹上了杀身之祸，约翰选择了一走了之，留下了妻子麦琪（塔斯黛·韦尔德 Tuesday Weld 饰）和雷一同面临穷凶极恶的凶徒。

奥尔加（Galina Belyayeva 饰）是守林人的女儿，十九岁的她年轻，美丽热情，全身上下充满了活力，然而，在极具欺骗性的外表之下，隐藏着一颗奸诈刻薄又趋炎附势的内心。乌尔边宁（Leonid Markov 饰）、卡尔涅耶夫（基里尔·拉夫罗夫 Kirill Lavrov 饰）和卡梅舍夫（奥列格·扬科夫斯基 Oleg Yankovsky 饰）三个男人拜倒在奥尔加的石榴裙下，想要娶她为妻，最终，奥尔加选择了看起来最有钱的乌尔边宁，然而，在新婚那天，奥尔加又对卡梅舍夫表达了爱意。结婚之后，奥尔加才知道，乌尔边宁根本没有看起来的那样有钱，受不了贫穷日子的奥尔加转而成为了卡尔涅耶夫的情妇。

Melina Mercouri plays an actress who is attempting a comeback with a staging of the Greek tragedy "Medea" (about a woman who kills her children) in her native Greece. As a publicity stunt, she arranges a meeting with an American woman (Ellen Burstyn) who is serving a prison term for killing her own children. Features Mercouri performing "Medea" in the original, intercut with Burstyn narrating her crime.

A brothel in a small Hungarian town becomes the home of a medical student after his favorite working girls find out he's out of rent money. Trouble brews as they learn his mother is coming for a visit and they must transform the house.

Michele, Goffredo, Mirko and Vito are four friends who have participated in the battles of the student in Sixties. Now in the Seventies, the four friends don't know what to do, though young and with so many possibilities to find a job in life. Intellectuals marginalized and misunderstood, the four friends find themselves when they can in a restaurant to discuss their outlandish theories. A girl named Olga disrupts their life, but Michele is her favorite, although he does not know what to do with the girl.

很奇怪这部影片在绍拉的所有电影中是被提及最少的一部，其实绍拉与杰拉丁-卓别林在60-70年代合作的每一部影片都很好，但许多人了解的似乎还停留在《饲养乌鸦》《安娜与狼》《艾丽莎我的爱》等几部上面。。。为什么同样甚至更为出色的《被蒙上的双眼》从未被出版过？

Whatever his reasons or intent, when the young man carrying a cello begins working at the old-folks home, he strikes up an acquaintance with the man known as "the Maestro" (Fernando Fernan Gomez), who is full of plans to produce a play based on a Caribbean love affair and adventure in his youth. As he listens to the old man's reminiscences of love, he thinks of his own girlfriend (both are played by Angela Molina). Eventually, the beloved eccentric's play is produced, accompanied by the boy's cello music.

A young man who long ago gave over the hard work of being a composer for the easy life of a rich man's son is bamboozled into slapping together a musical production. Having borrowed right and left, and plagiarized the works of a friend, he feels cheap, very cheap. He feels even worse when the awful thing is a success.

在这起看似莫名其妙的事件中，一名男子在仲冬驾车前往一家度假酒店，扔掉车钥匙，进入酒店，并继续以他的紧迫感激怒他遇到的每个人——这是他无法传达的信息。 然后他就离开了，消失在雪地里。 后来，那些让他心烦意乱的人聚集起来寻找他，发现他被冻伤了，但还活着。 他们前往他被带到的疗养院探望他，逐渐发现了到底发生了什么。

寂寞，是火車疾駛而過的風景顫動，也是火爐散發的灼熱觸感；一景一物，在慕勒的固定鏡頭、精準構圖與鬱蒼色調下，瀰漫沉重孤寂感，映照瑪莉安的內心世界。因突然覺醒丈夫會離她而去，瑪莉安決定先行拋棄他，與孩子在巴黎鄉郊展開獨立生活，在翻譯福樓拜的著作中尋覓到自由與喜樂，在悠悠天地重新發掘自我。由雲溫達斯監製，《歧路》（1975）、《柏林蒼穹下》（1987）的編劇彼得漢奇首執導筒，親自將同名小說搬上銀幕，拍出女性擺脫喧鬧世界的倥傯。孤獨，也可以是一種選擇。

The wife of photographer J.A. Martin decides to go with him in his tour of the hard Canadian countryside at the turn of the century. She hopes the intimacy will revive their marriage.

继获奖影片《乌鸦的崛起》之后，西班牙电影制片人卡洛斯·绍拉又匆匆拍摄了低调的心理剧《爱丽莎》。杰拉尔丁·卓别林饰演爱丽莎，她阔别 20 年之后与父亲费尔南多·雷伊重逢（卓别林凭借出色的表演获得了戛纳电影节“最佳男演员”奖）。爱丽莎刚刚摆脱了不幸的婚姻，她希望治愈家庭中长期存在的旧伤。绍拉在电影中热衷于探索“不可言说”的主题，因此人们可以推断，爱丽莎和她父亲之间的关系可能比乍看时要复杂得多。《爱丽莎，我之爱》在英语国家上映时的名字是《爱丽莎》。

Car Wash is a 1976 American comedy film released by Universal Pictures. The Art Linson Production was directed by Michael Schultz from a screenplay by Joel Schumacher. Starring Franklyn Ajaye, Bill Duke, George Carlin, Irwin Corey, Ivan Dixon, Antonio Fargas, Jack Kehoe, Clarence Muse, Lorraine Gary, The Pointer Sisters and Richard Pryor, Car Wash is an episodic comedy about a day in the lives of the employees and the owner, Mr. B (Sully Boyar), of a Los Angeles, California car wash (filmed at a Westlake car wash at the corner of Rampart Blvd. and 6th Street). Car Wash is a broad and scabrous comedy, in which African American working class and gay characters are depicted in a more forthright manner than was common at the time the film was made.
Overview
Originally conceived as a musical, Car Wash deals with the exploits of a close-knit, multiracial group of employees at a Los Angeles car wash. In an episodic fashion, the film covers a full day, during which all manner of strange visitors make appearances, including Lorraine Gary as a hysterical wealthy woman from Beverly Hills dealing with a young carsick son, Richard Pryor as a hustling, flamboyant, money-hungry evangelist whose pseudo-gospel of financial prosperity is loved by most (including his female entourage, played by The Pointer Sisters) but loathed by one (the one being Abdullah (Bill Duke), a young and frustrated Black Power revolutionary); there's also a man ("Professor" Irwin Corey) whose strange actions and dress fit the profile of the notorious "pop bottle bomber" being sought that day by the police, causing all the employees, customers and Mr. B to fear for their lives, but the strange man's pop bottle "bomb" is none other than a urine sample as he is on his way to the hospital.
Mr B's son Irwin (Richard Brestoff), a left-wing college student who smokes pot in the men's restroom and carries around a copy of Quotations from Chairman Mao, insists on spending a day with the "working class" employees, since he considers them "brothers" in the "struggle", but as he's the boss's son, they give him the first "human car wash" as a joke, which he takes in a good-natured (if pot-induced) stride. Additionally, George Carlin appears as a taxi driver searching for a prostitute who stiffed him for a fare; the prostitute, Marlene, has her own hopes shattered as a customer (unseen) that she apparently has fallen in love with has given her a false telephone number. Lonnie (Ivan Dixon) is an older employee who tries to mentor Abdullah while struggling to raise two young children on the meager salary paid by Mr. B, as well as fending off his parole officer (Jason Bernard). Abdullah has a confrontation with Lindy (Antonio Fargas) and sharply criticizes Lindy's transvestite status, to which Lindy coolly replies, "I'm more man than you'll ever be and more woman than you'll ever get".

A middle-aged man travels to France and is discouraged by the attitudes of the people concerning his native land until he meets and begins relationships with two lonely women.

她（伊莎贝尔·于佩尔 Isabelle Huppert饰）是个安静沉默的女子，有点自卑，有点害羞，内心的世界仿佛自成一体，只向寥寥知心人透露。与好友一同度假的旅程，改变了她的一生。
她在海滩胜地与他（萨宾·阿泽玛 Sabine Azéma饰）遇上。他是个大学在读博士，被她恬静的气质征服，二人相爱，像无数恋人一样，有美好的开始和甜蜜的阶段。然而，当她在他面前失去了新鲜感，当她的安静变成感情进一步发展的牵绊，他提出分手，如同很多人那样，男孩并没有意识到自己的残忍。
直到很久之后，他重遇她，是在一个精神病院里。他才明白自己把她伤得有多深。即使他给她安慰，与她散步，她都默默接受，然后又回到自己的世界中……

With his mauve taxi, the old philosopher Dr. Seamus Scully runs around the small green roads of the south of Ireland, becoming confident of his patients, while trying to help them find their way.

Leni Gruyetin, a resident of Nazi Germany, lives a tumultuous life as she bears witness to the fascist regime of the Nazis.

In this complex chronicle of the evolution of a provincial family's life, the story follows three generations of at least two neighboring families from the 1890s to the 1970s. In one of many related tales, a man who was engaged to the older daughter of a farmer elopes with the younger one. After many years and the birth of five children, the man leaves his wife and family for the bright lights of the city but continues turning up from time to time, until he is finally taken into the home of one of his sons when he is a quite old man. The complex interactions of the legitimate and illegitimate children of a womanizing miner give rise to yet another set of related stories.

1977 film