在上个世纪中叶，有一位名叫巴巴图的伟大战士。尼日利亚跨线从Dounga Gurunsi区域入侵该国并在那里定居下来。勇敢的囚犯被纳入军队，妇女拥护。五十年来，来自尼日尔富有冒险精神的年轻人巴巴图被载入史册。
Once upon a time, in the middle of the last century, a great warrior named Babatou. Nigerian jumper from the region Dounga Gurunsi invaded the country and settled there. The brave prisoners were integrated into the army, women espoused. For fifty years, the adventurous young people from Niger Babatou went to live in the epic.
戛纳国际电影节提名

1941年八月的巴黎，一位德国军官在地铁里被共产主义分子杀害。当晚，维希政府授予内政部长全权调查。部长普舍早已野心勃勃准备多时，举行例外法律投票，设立特别法庭。德军的压力加速了此项法律的颁布。几个早已被监禁的共产主义分子立刻被特别法庭重新审判。

根据1970年真实事件改编。当时因为加拿大魁北克的独立分子经常制造舆论，致使官方出动大批警察逮捕可疑分子。当地政府请求国会发布戒严令。于是，警察和部队逮捕了一次集会中的近450人，把他们都投进监狱，却没有指控任何犯罪行为。他们在狱中饱受精神以及肉体的折磨。这种毫无任何理由的关押让人们感到震惊。

1975年奥斯卡最佳外语片提名
1975年戛纳最佳男演员
1976年凯撒最佳外语片

正处在青春期的少女夏娃（Grazyna Dlugolecka 饰）是一个善良、美丽、单纯的姑娘，受家庭的影响，她的世界一尘不染，未受侵袭。不过鲁卡茨•尼泊洛姆斯基（Jerzy Zelnik 饰）的到来却打破了这一切。鲁卡茨是租住夏娃家房子的留学生，虽已结婚，婚后生活却并不幸福，当地的宗教风俗也禁止离婚。夏娃很快和鲁卡茨陷入热烈之中。
鲁卡茨前往罗马，希望在那里赢回自由之身。与此同时，夏娃也发现自己怀有身孕。堕胎后的夏娃追寻爱人的脚步走遍意大利、法国、德国和波兰，却发现……
本片根据俄国著名作家斯达芬•柴洛姆斯基的同名小说改编而成。

本片根据真人真事改编，揭示了一位精神失常但极具天赋的女性的痛苦生活。阿洛伊斯（德尔菲娜-塞里格 Delphine Seyrig 饰）在上世纪初的瑞士被关押在精神病院时，创作了一系列令人魂牵梦萦的画作。在她还是一个有音乐天赋的女孩时，以及后来成为一名年轻女子时，她经受了种种折磨；她逐渐变得疯狂的经历和当时的野蛮待遇都在影片中得到了展现。

“我”（菅貫太郎 饰）是一名电影导演，当前正在拍摄一部带有自传性质的影片，影片的情节如下：童年的“我”（高野浩幸 饰）生活在一个偏远山村，与母亲过着孤单辛苦的生活。父亲早年过世，“我”只能通过巫术叫出父亲的鬼魂与他对话。隔壁的少妇（八千草薫 饰）美艳动人，我深深为之着迷。某日，一支流动马戏团来到“我”的村庄，从他们的口中，“我”得知外面大千世界的精彩。于是在某个夜晚，“我”和隔壁的少妇整理行囊，偷偷离开了家乡。
影片进行到这里，“我”却突然陷入瓶颈。那天，“我”遇到了童年的自己，藉着对童年时代的回溯，“我”发现影片中竟然有着如此多的虚伪和不真实。“我”找到了真实的过去，以及所有被刻意遗忘的残酷回忆……

影片鲜明而真实地表现了1942年夏季苏军在顿河草原上的保卫战：一支团队在撤退途中，奉命占领一个小村后面的十字路口的高地。主人公在战前从事着不同的职业，战争使他们聚集到了一起。经过艰苦卓绝的战斗，这支团队完成了占领高地的任务，保住了团队的旗帜，但付出了惨痛的代价，伤亡十分严重。

A satellite view of the earth is the first camera shot of this film then it plunges down to the island on which Crusoe (O'Toole) is stranded.A quick and direct start to a film. Every now and again I expected John Cleese to be playing a piano on the beach.There is a scene when the two characters are on a podium after racing, it's straight out of Monty Python. There is definitely something about this film even though there are some cringe worthy singing scenes that, I think are a little ludicrous.It delves into religion, class,education, race, the idea of money and the general cultural relativism that exists between the proverbial "savage" and "civilized" man. Although people have said that Crusoe is the fool in this version, I do tend to see some sense in the things he does, like the need for money in order to keep a work ethic and a civilized notion of transaction of possessions.However his religious spin on everything is a little monotonous and self deceiving. He is put into context of his origin when some Brithish missionaries arrive on the island.He is actually not that bad a fellow at all.
Friday (Rountree)is a bit of a hippy in this really and overly idealistic.
Some where in the middle of the two characters is the sort of person you could live on a desert island with!
I thought Crusoe's shooting himself was a wonderfully dark ending.
从星期五的角度出发讲述的鲁宾逊漂流记。

1974 film by Jos Stelling

An ubiquitous folk singer narrates the tale of a young boy, who apparently becomes immune to gunfire after his mother arranges for him to have an amulet bearing Ogum's blessings. As time goes by, he becomes a valuable member of a mobster's hit-team, but ends up joining a group of people who resist his original employers.

金棕榈提名

A pair of elderly men, friends for 40 years, find their relationship stressed when they set up housekeeping together in order to save money. Exploring similar ground to that covered in Neil Simon's play The Odd Couple, which spawned a movie and a television series, Ce Cher Victor explores the tragic and dramatic aspects of the story. The two friends, meek, sensitive Anselme (Bernard Blier) and blustering Victor (Jacques Dufilho) are swiftly driven apart by circumstances.

The film is based on the short story, No oyes ladrar los perros, written by Juan Rulfo and collected in El llano en llamas. The short story tells the tale of an old man carrying his wounded (criminal) son on his back in search of help. The film has a younger father carrying his sick child on his back looking for help. Meanwhile he tells his son about what his future life will be like. The film intercuts between the story of the man and his child and the possible future of the child as a young indigenous man looking for work in Mexico City.

After having been rescued from suicide, a young man is the object of a bet by his doctor that the doctor can help him recover his joy in life. Ironically, the doctor's life is not a very happy one either, and his boast has a hollow sound. For one thing, although he seemingly has a "happy divorce," in which he, his ex-wife and her new husband are all great pals, it's not true. He wants his wife back. All sorts of complications arise out of these lies and distortions.

Based on the novel by Thomas Mann. Charlotte Kestner, the love of Goethe's youth, became famous because she was the real-life Lotte represented in his renowned The Sorrows of Young Werther. At forty-four years of age she travels to Weimar to see Goethe again. The posturing of high society and Goethe's personal history lead her to an unexpected conclusion. Dramaturge (later Studio Director) Walter Janka was befriended by the Thomas Mann family, making this adaptation possible.

Director MIchel Drach tells here his own story,when he was a child during WW2.The film is a long flashback;Trintignant plays a director (actually Drach)who wants to transfer a screenplay -see above- to the screen.If my memory serves me,cause it's been a long time since I watched this flick for the last time,present scenes are shot in black and white whereas past sequences are in color.
Drach remembers.It was WW2,and Jews were arrested .His mother (played by Drach's then wife Marie-José Nat)had to escape from France and it was not an easy thing to do ,because of her compatriots ' greed.There's a wonderful part of a grand-mother ,marvelously played by Gabrielle Doulcet who tries to explain to her grandson the absurdity of the anti-Semitism.Nat won the best actress prize at the festival de Cannes 1974. Should appeal to people who like films like " Au nom de tous les miens" (story of Martin Gray ,directed by Robert Enrico),"un sac de billes" and of course "the diary of Anne Frank".

马勒（罗伯特·鲍威尔 Robert Powell 饰）出生在一个家风非常严苛的标准犹太教家庭之中，从很小的时候起，他就展现出了对于音乐的热情和天赋，在以音乐为目标不断的努力和深造之后，马勒终于如愿以偿的成为了知名的作曲家，并且迎娶了名为阿尔玛（乔治娜·黑尔 Georgina Hale 饰）的女子为妻，可谓是一举获得了事业和家庭的双重圆满。
然而，一位英俊的军人的到来令马勒和妻子之间的感情产生了裂痕。马勒因为声名远扬，所以作曲工作接连不断，埋首于五线谱之间的他自然而然冷落了阿尔玛，这亦导致了妻子对于他的感情日益淡薄。妻子的冷漠让马勒感到十分的焦虑，甚至患上了恐惧症。

Two women and a transvestite gay man cross paths in this French Canadian drama. The transvestite is preparing for a drag-queen beauty pageant, and has decided to present himself as Cleopatra. Of the two women, one was just fired from her waitressing job and seeks to go back to work at the nightclub where the beauty pageant is to be held. The other woman's mother has just won one million food stamps.

故事发生在位于密西西比的劳改农场之中，杀人犯鲍尔斯（基思·卡拉丹 Keith Carradine 饰）伙同他在狱中结识的一干亡命之徒实施越狱，幸运之神眷顾了他们，成功越狱后的鲍尔斯一行人来到了亲戚家，打算躲躲风头。在那里，鲍尔斯遇见了名为剀切（谢莉·杜瓦尔 Shelley Duvall 饰）的女子，剀切的温柔善良令鲍尔斯一见钟情，可是，如今沦为逃犯的鲍尔斯真的能够如他所愿抱得美人归吗？
越狱之后，鲍尔斯和他的兄弟们不甘寂寞，抢了几次小劫，“收成”尚且说得过去，这令几个大男人放松了警惕。终于，在又一次抢劫之中，劫匪们遭遇了“滑铁卢”，躲避着穷追不舍的警察，鲍尔斯来到了剀切处，希望她能够提供庇护。