本片讲述了一位黑人文员Frank与白人离婚女子Julie的婚姻故事，而Julie的前夫则认定这样一场婚姻将对孩子产生负面影响，企图将Julie与其所生的女儿带走，法庭上争夺抚养权的一幕是本片高潮，催人泪下。跨种族婚姻是当时的禁忌题材，本片在六十年代可以说是一次非常大胆的尝试。女主角Barbara Barrie凭借此片中的精湛演出荣获1964年戛纳电影节最佳女演员奖，电影在次年奥斯卡奖上荣获最佳原创剧本提名。

1963 film by László Ranódy

侦探C.G.开始调查一名漂亮女子的死亡，她的裸体在比佛利山庄被发现。当他找到她的日记时，他被带到了她的过去，在那里他发现她过着性滥交的生活。也许在日记中会有凶手身份的线索。

一个男人发现一个全身长毛的女子。他与她结婚了，目的是为了把她拿到市场上去展览和赚钱。尽管他们的“生意”很成功，但是意想不到的危机随之而来……

Я шагаю по Москве
年轻的维修工瓦洛佳在送殉职的同事回乡的路上，绕道莫斯科停留一天，以便同《青年》杂志社的编辑见面。瓦洛佳在《青年》杂志发表了自己的第一篇作品。这一天瓦洛佳结识了新朋友，两个莫斯科青年，高利亚和萨沙，并遇到了年轻姑娘莲卡……

卡拉（英格丽·褒曼 Ingrid Bergman 饰）是一位腰缠万贯的亿万富婆，她决定返回阔别已久的家乡——一个正在衰败之中的小镇，对于小镇居民们来说，卡拉宛如救世主一般的存在，尤其是市长先生（汉斯·克里斯蒂安·布勒希 Hans Christian Blech 饰），他坚信善良的卡拉一定不会对小镇的萧条坐视不管。为了增加自己手上的筹码，市长找到了卡拉的旧情人伊尔，允诺如果伊尔能够说服卡拉掏腰包，就把下一任市长的位置拱手相让。
实际上，卡拉早就不再是当初离开小镇时的那个单纯又天真的女孩了，此番回到小镇，卡拉内心里一直燃烧着复仇的火焰。原来，曾经，卡拉怀上了伊尔的孩子，但是惨遭伊尔抛弃，不仅如此，伊尔还设计令卡拉被赶出了小镇，就此开始了颠沛流离的一生。

罗科（让-保罗.贝蒙）和他的女帮凶安吉儿（安妮.迈尔-康菲妮）在撒哈拉沙漠中劫持了一辆卡车，卡车运输公司的负责人卡斯聘请罗科的朋友利诺拉和德国人汉斯去追回车上价值不菲的物品。两伙人展开了一场喜感十足的冒险追逐。

The inextricably intertwined stories of five sex workers who live in a brothel at Pireas harbor.

Jaromil Jires（1935年12月10日 — 2001年10月26日）以他那部在政治上和形式上均十分大胆的FAMU毕业作品《迷失脚步的走廊》(Sal ztracenych kroku，1958)步入捷克影坛，并迅速因此片使自己成为“重要的新秀”。尽管如此，然而真正将Jaromil Jires推到捷克斯洛伐克电影前台的却是他的另一部作品《哭泣》(Krik，1963)。作为最初几部昭示捷克斯洛伐克新电影景象到来的影片之一。
《哭泣》用一种复杂的没有明显年代顺序的方式讲述了一对年轻夫妇和他们孩子的感人故事。尽管里面有狡猾的政治暗示和背离社会主义现实主义主旨的手法，但是捷克当局对Jires同辈的那些人的激进行为正顾之不暇，所以没有把此片放在眼里；事实上反而高度赞扬了此片并把它作为推广“积极普及电影制作”的典型。Jires对此评价感到十分不适便开始绕有兴致地在其后来的剧本写作中大谈政治。坚决而毫不妥协的影像使Jires的剧本一再被党政检查机关枪毙；尽管他在捷克电影界依旧十分活跃，但是他被禁止拍摄长片四年之久。杜布切克政权倡导的短暂的民主化进程使涅尔斯重新回到了工作岗位并拍摄了一部改编自米兰·昆德拉严厉控诉斯大林政权的小说的批判现实主义电影——《玩笑》（Zert）。尽管玩笑火药味十足（这部电影在其多年后出版的官方传记中被抹去），但是Jires这个“幸运儿”却是在1968年8月苏联入侵和其后“正常化”的几年中唯一依旧被准许拍电影的捷克新浪潮干将。他接下来的一部作品《瓦莱里和她的奇迹一周》(Valerie a tyden divu，1970)是一部照片式的超现实主义吸血鬼的故事，是涅尔斯回归诗化影像风格作品。
Jires在其后的捷克共和国拍片不辍，直到2001年10月去世。

海波太近，到最後他不得不這樣想。獨自一人駕?自製的十九呎長小船，就從大阪灣出發，決心橫渡太平洋，直抵三藩市。這是兒時夢想，是壯舉、蠻勁，也徹底反映了一種再無可輸的，垮掉一代的心情。寥寂、風暴、危險，最致命的還是回憶。他的一生就在身後，也在目前。海洋是敵人，也帶來跟過去和解的契機。回憶中彰顯的家庭價值、點點的幽默片段，說到底，何止洗滌了旅人的心靈？根據崛江鍵一真實故事寫成的心理研究劇改編，《電影旬報》年度十大第四位。

Henry Orient is a madly egocentric and overly amorous avant-garde concert pianist who is hilariously pursued all around New York City by two 14-year-old fans. The girls, Val and Gil chase a harassed Henry all over the city, thwarting his afternoon liaisons with a married woman and leaving utter chaos behind them - until Val's sexually promiscuous mother appears on the scene to put a stop to the girls' shenanigans

1964 film by Fernando Ayala

Rocio and Raphael are a young couple from a small Spanish town. Rocio must mourn the death of a relative for six months and is forbidden to see Raphael. Very much in love, they are frustrated by the old-fashioned customs of their village. When they can finally see each other, the two plan to soon marry. Unfortunately, the girl's grandfather dies and she must start the process of mourning all over again. This time Raphael begs her to rebel against her family and the villagers, but she refuses for fear of persecution. When Rocio has had enough of putting her own happiness aside, she decides to run away with Raphael in spite of what her family will say. Things do not go as planned, however, when yet another family member passes away.

A girl goes to sleep on her wedding night, wakes up 15 years later to find herself living a different life, where people call her by her sister's name.

The White Caravan is a 1963 Soviet black-and-white drama directed by Tamaz Meliava and Eldar Shengelaya. It was entered into the 1964 Cannes Film Festival. Eldar Shengelaia and Tamaz Meliava shot their debut film White Caravan (1964) which showed shepards life, difficulties of their everyday routine, dramatism of contradictions between their wishes and alternatives.

1963 film by Moni Bhattacharjee

一个童话般的捷克小镇，镇上住著各式各样的怪诞人物，一天镇上来了一位魔法师，这位魔法师拥有一只神奇的猫，只要它戴上眼镜便能看穿人心，叫人无所遁形。它能将说谎的人变成紫色、将小偷变成灰色、不忠诚的人变成黄色，还能将恋爱中的人变成红色，却也引来害怕被看穿的人追杀。这是部带有警示、哲学意味的现代童话寓言，魔幻写实的风格、缤纷七彩的影像，带领我们进入梦幻般的异想世界。

An ex-convict struggles to survive by brute force alone in a turn-of-the-century slum in Bucharest. Codine is the thug who served 10 years for murdering a friend. He returns home to his miserly mother, whose penny-pinching ways infuriate her son. A young boy looks up to Codine, and through the man's eyes he sees the economic and social injustices from an adult perspective. When Codine kills another man who violated his trust, his mother becomes more unhinged and paranoid. Thinking her son will steal her hoarded money, she plots to kill her only son. The impressionable child watches in horror and amazement at the cruel machinations of the adult work that surrounds him.

本片是对夫权制的讽刺：一个新婚的丈夫成为他的只想传宗接代生儿育女的妻子的应声虫；这种过分的要求发展到使他丧生的地步。费雷里想讽刺天主教的婚姻道德；但影片是否符合意大利过去和现在的现实是令人怀疑的。

1918 year. A woman commissar has been appointed from the Central Committee of the Bolshevik Party to the Russian warship Gromoboi, which is ruled by anarchist sailors. The leader of the ship is the anarchist Vozhak. The Commissioner was instructed to reorganize the naval detachment into the First Sailor Regiment. She faces a difficult task: to win the authority of the sailors and eradicate anarchy. Of the remaining officers on the ship — lieutenant Bering, who served in the tsarist fleet on the battleship "Emperor Paul I". He must become the commander and, together with the sent commissar, lead the regiment to the front in the Black Sea region.