Quan shu jiang shu le tian jin jin dai shang ren de chuan qi gu shi, Zhan xian feng fu duo cai de jing ying zhi dao, Chu shi zhi li. Ji xie chu shang ren de guang cai de yi mian, You bu yan shi qi ruo dian he e xi, Hai qi shang ren de ben lai mian mu. Deng.

《外国人在旧天津》在揭露外国侵略者给天津人民带来深重灾难的同时，真实地记叙了外国人在近代天津参与的政治社会经济活动，肯定了外国人在发展天津邮政、公交、公证、自来水、电灯、电话等工商业近代化进程中的贡献及其产生的广泛影响。创办中国邮政的赫德、创设中国第一家公立医院的马根济、开创天津电信的璞尔生、开创天津料器业的神谷佐兵卫等，都在书中有较翔实的记录。近代天津在中国政治舞台上的特殊地位，还成就了一批投身中华民族解放事业的外国友人。著名记者犹太人爱泼斯坦、曾任中共天津市委书记的朝鲜人李铁夫、美国著名学者拉铁摩尔、奥地利“白求恩”傅莱等都在天津开始“红色之路”。开发开放的近代天津还是一个创业者的天堂和冒险家的乐园，纷至沓来的外国淘金者在海河两岸上演了一幕幕人生“活报剧”。起士林的股东陶必治被遣送回国，“韩大人”汉纳根的败落，从“提了个包袱”到“哈同第二”的崔古柏夫的暴富奇迹，纳森叔侄如何称霸开滦矿务局等，在书中都进行了生动描述。

本书以民国时期天津银行业发行的纸币与公众对纸币的信任为重要线索，以银行职业经理人卞白眉的经历为独特视角，讲述了民国时期新兴的银行业对信任构建的努力，以及面对危机时天津城里的军阀、政客、银行主以及地方精英所做出的应对，深入探讨了民国时期天津的货币、银行及国家-社会间的关系。

该书围绕民国时期天津的自然灾害以及人为灾害展开梳理，通过近代以来天津慈善社团的活动演变来探索天津近代慈善救济、慈善思想的现代化历程。在此基础上，该书联系当代中国社会慈善事业运行中出现的问题，总结历史，提出了对发展慈善的几点建议。

本书为作者博士论文。

百度百科：https://baike.baidu.com/item/%E6%B0%91%E5%9B%BD%E6%97%B6%E6%9C%9F%E5%A4%A9%E6%B4%A5%E6%85%88%E5%96%84%E7%A4%BE%E5%9B%A2%E7%A0%94%E7%A9%B6/50682678

A paper read before the Tientsin Missionary Association March 16th, and the Union Church Guild March 31st, 1908.

有关天津民间宗教及基督教普及的记述。

Internet Archive:
https://archive.org/details/cu31924023204328/page/n11/mode/2up

From the 1890s to the 1940s, French State and entrepreneurial companies were enticed to promote French interests, beyond mere colonial targets, for the sake of economic patriotism. Chinese concessions, not including Hong Kong, were thus inserted into geo-economic moves, and French stakeholders asserted their philosophy of competition, and displayed their means of influence and investment. In this book, the author assesses the challenges which confronted French actors in the face of powerful British imperial action overseas, all the more so because German Belgian, Japanese, and then also North-American competitors joined the fray. The book targets three concessions: Canton/Guangzhou, Tientsin/Tianjin, and Hankeou/Wuhan because of their significance in the emergence of a modern economy in the country. The three main sections of the book explore the position of French stakeholders, mainly businessmen, merchant houses, bankers, and a few industrialists, in these three port-cities and China overall. The chapters gauge their capital of influence and networking, commercial tools, and banking skills in the face of competition, the hardships of crossing the changes in economic productive systems or clusters in the various port-cities and their areas, rich with commercial offshoots. Also, several chapters underscore the uncertainties caused by geopolitical and military events in China. For each of the three concessions, commercial and banking systems, assessments of the successes and limits of the French bankers and merchants are investigated, with the aim of evaluating the reality of French entrepreneurialism and power in the regions prospected by the offshoots of French capitalism. The book will be an invaluable resource for academics interested in the history of banking and finance, business, entrepreneurship, colonialism and "economic patriotism" in Chinese history, in geo-economics and in connected history.

Why has the female voice—as the resonant incarnation of the female body—inspired both fascination and ambivalence? Why were women restricted from performing on the Chinese public stage? How have female roles and voices been appropriated by men throughout much of the history of Chinese theatre? Why were the women of quyi—a community of Chinese female singers in Republican Tianjin—able to become successful, respected artists when other female singers and actors in competing performance traditions struggled for acceptance? Drawing substantially on original ethnographic fieldwork conducted in the 1980s and 1990s, Francesca R. Sborgi Lawson offers answers to these questions and demonstrates how the women of quyi successfully negotiated their sexuality and vocality in performance. Owing to their role as third-person narrators, the women of quyi bridged the gender gap, creating an androgynous persona that de-emphasized their feminine appearance and, at the same time, allowed them to showcase their female voices on public stages—places that had been previously unwelcoming to female artists. This is a story about female storytellers who sang their way to respectability and social change in the early decades of the twentieth century by minimizing their bodies in order to allow their voices to be heard.

This book, first published in 1941, is a comprehensive study on the native banks that linked small Chinese traders and the larger Chinese and foreign banks. It is based on extensive research in Tientsin and Peking, and a large number of interviews with native bankers, and the result is an exhaustive study on the practice.

本书所收档案起自1860年,迄于1948年为止,其中包括清代、民国、日伪及国民党政府统治时期的材料。

Ben zhi shang xian kai shi yu 1860 nian tian jin kai bu,Xia xian zhi yu 1949 nian tian jin jie fang,Yi tu pian xing shi fan ying jin bai nian lai tian jin zai zheng zhi,Jing ji,Wen hua,She hui deng fang mian de mian mao.

天津档案馆珍藏老照片

哲学社会科学“七五”期间国家重点研究课题 国家社会科学基金资助
目录
第一编 近代以前的天津城市演进过程（远古-1840）
第二编 近代港口贸易与工商业城市地位的奠定（1842-1900）
第三编 近代多功能中心城市的初步形成（1900-1927）
第四编 区域性多功能中心城市地位的确立（1927-1937）
第五编 区域性多功能城市的变态——日、“满”、华经济一体化的重要基地（1937-1945）
第一编 从发展到停滞——近代天津城市发展的终结（1945-1949）
讲叙了天津近代城市化的历史

清末，列强为瓜分势力范围，先后在中国开辟租界，天津形成“九国租界”格局，其中的日租界建立了日本居留民团。本书对天津日本居留民团的形成轨迹、组织结构、行政管理权及警察执法权，以及所谓教育文化卫生等活动进行了全面而系统的梳理和剖析，揭示了日本居留民团在日本驻天津总领事馆的监督下进行侵略扩张、旨在建立殖民制度的实质。

《天津老教堂》一书以生动晓畅的文字，分七个专题，对著名的城乡旧教堂、知名的传教士，旧教会与社会名人的交往及其社会事业，旧教会的结局等等，在近代天津这样的历史大背景中展开叙述。《天津老教堂》首次挖掘利用了天津档案馆的宗教专题档案，插配了大量的历史图片，披露了很多弥足珍贵的历史信息。作者还访问了多位知情老人，并对旧教堂的遗址进行了实地考察。书后的附录，包含三部分内容，分别是关于天津旧教堂、教会、神职人员的统计和简介资料，对研究近代教会历史具有极为珍贵的价值。

《旧天津的大案》内容简介：档案是人类社会活动的原始记录，是人类文明传承的载体，它随着社会的进步而进步，随着社会的发展而发展。近年来，全社会呈现出一个突出的现象就是“文化热”。在这股文化热潮中，越来越多的人走进档案馆，研究档案内容，挖掘档案文化。而全国各省市、地区档案馆也越来越重视档案文化产品的开发，一大批档案文化产品应运而生。在一定程度上说，档案文化的实力决定着档案行业命运的沉浮，决定着档案事业在当下语境中话语权的强弱。

“戏园子”是我国独特戏曲文化的产物，它作为人们娱乐消遣的场所，也反映了那个时代的背景，本书根据详细的档案资料及珍贵的史实照片，对近代以为天津的戏园子和戏曲文化的发展进行了一次详细的记叙，表现了天津浓厚的文化氛围，展现了近代天津城市变迁中的人文风貌和天津文化艺术的辉煌。

《旧天津的新生》作者以天津档案馆馆藏档案为基础，参考当年旧报刊资料，通俗的文学语言，真实再现了市公安部门与各种反革命、敌特分子展开的一场场看不见硝烟的战争，详细记述了旧天津烟毒、娼妓、乞丐、反动会道门的发展历史及彻底铲除的全过程，并通过近200幅珍贵插图，或从某个侧面，或以某个人物，或凭某个场景，生动鲜活地揭露了旧天津的这些顽伪杂流。
今天，在改革开放和发展市场经济的大潮中，一些贩毒吸毒、卖淫嫖娼、反动邪教、职业乞丐等建国初期早已消灭、绝迹的腐朽丑恶现象又沉渣泛起，严重影响和败坏了社会风气，毒化人民特别是青少年，妨碍改革开放和现代化建设，损害社会主义形象，人民群众对此深恶痛绝。该书的出版，不仅可以帮助读者尤其是青少年，了解旧天津各种丑恶现象的本质，从而认清危害，增强自尊、自信和自强的精神，抵御腐朽思想的侵蚀，树立正确的人生观、价值观，做有理想、有道德、有文化、有纪律的时代新人，而且也为再次彻底铲除这些社会丑恶现象，提供了可供参考的历史经验。这正是总结这段历史的现实意义之所在。