Films Directed by Women

Franz West (1909-85) remembers his youth in Vienna: the variety of the Jewish population of the so called Matzah-Island, his commitment to the worker’s movement of the Red Vienna and the rise of Austro-fascism and National Socialism. West’s masterly narration combined with impressing archive footage illustrate and elucidate the complex Austrian history between WW1 and WW2.

Beckermann's parents met in Vienna after the Holocaust. Tracing the migratory paths of her family before World War II, Beckerman returns to the European Jewish communities which inspired her childhood stories.

本片由吉兰自编自演，李·佩斯加盟出演。凯伦·吉兰在片中扮演迷失的女人露西，并计划用旅行找回自己。李·佩斯则扮演闯入露西敏感世界的英国男人戴尔，两人将会擦出怎样的火花？

A collection of gut-twisting and nerve-shredding tales, all Frankstein’d together to form a feature-length monster of the best and bloodiest in short-film horror.

“告诉我你有多爱我，我才会懂得如何去爱。”导演和她的角色们一起探索了一个关于亲密关系的研究课题。站在现实和虚幻的模糊边界之上，《不要碰我》跟随着劳拉，托马斯和克里斯蒂安的情感之旅，以一种深深的共情的姿态洞察他们的生活。对亲密关系渴求的痛死又对其抱有着恐惧，他们努力克服旧有模式，防御机制以及禁忌，去切断束缚，最终获得自由。它以最特别的手法令人思考，我们如何找到亲密感以及我们如何在爱对方的同时不失去自我。

2015 film by Amber Fares

A chance encounter alters a teenage girl's perception of herself and her outlook on life.

1991年，在以色列，一个犹太家庭的一个兄弟去世了，全家人来到死者的家里，在老母亲的带领下举丧7天。每个人都必须遵守犹太教的传统，不准吃肉、所有的镜子都必须遮盖起来、不能离开公用的厅堂……。在封闭的空间里，气氛很快变得非常沉闷。兄弟姐妹加上各自的配偶，日夜被迫互相忍受，抱怨和争吵不久就取代了哀悼，压抑多年的金钱争执、怨恨、尚未愈合的创伤重新浮上台面。本片以幽默和自嘲手法描述一个犹太家庭，今年5月曾在戛纳电影节“国际影评周”单元作为开幕片。

这是一个发生在犹太教安息日前三天的故事。髮型师维维安的梦想是能有一辆小汽车，让一家人都能去度假。但她的丈夫阿裡亚生性刻板，不愿放下工作去度假，更不愿为了度假而错过安息日礼拜。这使她又一次产生了离开丈夫阿裡亚的念头。但在她的犹太传统中，女人就是应该时时刻刻守在丈夫、孩子和家庭旁边。维维安对这种没有梦想没有权利的生活非常厌倦。她虽然为了孩子留下来了，但是貌合神离的婚姻生活已经无法挽回。这时，曾经深爱着维维安的阿尔伯特重新回到了她的生活，这是一个知道生命宝贵而短暂的男人，而他也让维维安知道了其他男人都拒绝告诉她的：自由是属于她自己的。

男孩查理是足球场上一颗冉冉升起的新星，当他踢球时，一切仿佛都在他的掌控之中。目前有一家顶尖的俱乐部非常想和他签约，对他来说未来似乎是那么美好，而成功也仿佛就在眼前。 然而鲜为人知的是，查理一直觉得自己的内心住着一个女孩的灵魂。他既想要达成父亲的夙愿，又想要直面自我，成为一个只是叫查理的人。眼见秘密无法再隐瞒下去，查理的决定或许会让他的家庭关系被撕裂，也可能将他完美的世界拖入怀疑、偏见和混乱中去……

After the tragic death of her husband, a soldier posted to Afghanistan, Bryony tries to build a new life for herself and her young son, James. Struggling with her own grief she fails to notice that James has become secretive and withdrawn, spending hours alone playing out death scenes with his toys. When things start to go missing and furniture is smashed Bryony blames James but when she confronts him she finds herself facing a reality more terrifying than any nightmare. As her world crashes around her Bryony realises that unless she can find a way to reconnect with her son she and James will be separated for ever.

In September 2014, Samia Shahid got married in Bradford, West Yorkshire. In July 2016, Samia went to Pakistan to visit family. Six days later, she was found dead. This film uses interviews with Samia's closest friends. Actors have been used to protect their identities, but some of the voices you hear are their own. The film contains dramatic reconstructions inspired by events in Samia's life. Social media, texts, photos and voice recordings are original.

Victoria Spick，一位单身女律师在一场婚礼上遇见了三个人，David，前任男友以及女儿的父亲，Vincent，一位朋友，Sam，她保释出来的毒品贩子。
第二天，Vincent被他的伴侣以谋杀未遂罪起诉。

去年法国大选很热烘，社会党奥朗德惊险击败萨尔科齐；对于忙于走街采访的新闻报导员Laetitia来说，普选星期天更是惊心动魄。为了阻止偏执前夫Vincent接近女儿，出动楼下大只男也只是阻得一时，她做了一个「死得人」的决定，要胆小如鼠的男褓母带两个还在押尿片的婴孩到千人造势现场，张力来自燥底和腾鸡的角色，街头事态随时失控。楚特过人之处是将纪录剧情巧妙糅合，人山人海的逼爆镜头，忽尔羊肠小径，让局中人带着无知小孩走出来：这是危险处境戏剧，也是不一样的吵闹喜剧。

因为患有一种罕见的疾病，少女玛德琳一直活在一座无菌的玻璃房子里，她一直都在幻想着外面的世界。
十八岁那年，隔壁搬来了一个少年，他有着蜂蜜色的肌肤，只穿黑色的衣服，笑起来会有一个酒窝。
他那么自由，就像夏威夷的阳光，他让玛德琳知道，原来她从书上看来的，都是虚幻的人生。
为了爱，为了自由，玛德琳想要走出那座房子，哪怕牺牲一切，她也想要去看看她心仪的绚烂世界。
遇见了爱的人，遇见了崭新的世界，女孩玛德琳此刻才明白，拼尽全力去活一次，她才不枉这短暂的一生。

Chaos ensues after the estranged patriarch of the Jones family dies on their doorstep. When the paramedic who answers their 911 call tried to win over acerbic Jean Jones, his attempts are disrupted by old conflicts that come to a boil at the funeral.

A documentary about BASE jumping, the extreme sport that dates back to the 1970s, when it was invented by engineer-filmmaker Carl Boenish.

巴黎，夏天，年轻单身的医生安妮，求诊病人寥寥。她的生活和她的诊疗室一样，空空如也。但很快，工作和生活同时给她带来烦恼。卢卡患了爱滋病，拒绝治疗，这使安妮无法理解。还有一个演员里查，他俩最初在餐桌上认识，现在他愈发经常地来到她的诊所，看来似乎患上了妄想症……

The lives of three people faced with an uncertain future. Marguerite, 17, is uncomfortable with her family enviroment and turns to God. Claire, who desperately wants a child, encounters again a former lover. Eva asks the unemployed Jacques, who has been left by his wife and his daughter, to find a missing friend.

2004 film directed by Laurence Ferreira Barbosa