Films Directed by Women

這部紀錄片詳述強尼·凱許在 1970 年的白宮參訪。凱許帶著新興的理念來到白宮，與理查·尼克森的政策呈現巨大衝突。

In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.

虽然与她的母亲的死亡和优越的生活的挣扎着彷徨着，一个失意的年轻女子企图收回她的幸福，她认为是连接到一个心爱的麒麟桨船，她的父亲被迫出售她的克星。

身处动荡的恋情和形势紧张的巴黎，一名年轻女子发现自己陷入令人不解的梦境、回忆和假设中

时尚博主爱上电游视频博主，他们的浪漫故事迅速在网上走红。然而将虚拟世界和现实生活区分开来却成了一桩困难事。

「匿名鐵粉:我非常緊張你 / 妳不是真實的人物。」─《超級網紅真裸告白》 　　20 歲的伊娃科萊，出生於義大利，現於柏林生活，她在網路上化名為「亞當」，是知名的斜槓網紅，靠寫作、 創作音樂謀生，同時是位模特兒，也是性工作者，她宣稱自己是無性別與無政府主義者，主張「任何人都能裝扮成 自 己 想 成 為 的 人 」。 片 中 真 實 呈 現 伊 娃 的 網 交 、 做 愛 ， 甚 至 目 睹 她 與 買 春 客 戶 的 真 槍 實 彈 ， 辯 證 偷 窺 與 紀 錄 、 表 演 與真實的邊界，以及「自我裸露」和「自我揭露」的差異，帶來一場毫無束縛的青春真人秀。 　　本片是德國導演匹亞黑倫塔爾首部紀錄長片，採用高度反思的手法，透過伊娃科萊的游移身份，探討身份符 號的混淆，是一部難以界定類型的電影，亦是網路直播世代的無性別肖像。

三十二岁的佩图尼亚身材微胖、相貌平平，空有一张历史文凭却毫无工作经验，面试再度失利还被男主管狠狠羞辱。在返家路上，佩图尼亚遇上男士限定的年度主显节“泳渡夺十字”大赛，抢到十字架的人将获得一整年的好运。神父在吟唱时失手提早开赛，上百位教徒壮丁争相跃入冰冷河水，万念具灰的她也不假思索地跳河奋游，竟破天荒抢得头筹。男性群起愤慨、神父大喊亵渎，一切随着网路影片疯传越演越烈，警方、记者、家人、朋友全都作对，这场前所未见的闹剧该如何解决？
启发自马其顿的真实事件，导演以强烈的影像，幽默讽刺的口吻，透过精准的女性特写，大胆批判马其顿的性别不平等，冲撞保守的宗教戒律，更呈现出司法和媒体的种种乱象。特立独行的佩图尼亚，仿佛是上帝派来考验那些陷入疯狂的世人，缩影了整个荒谬社会，成为一则当代警世寓言。

'Heaven is Now' is a colorful, psychological thriller that journeys into the enigmatic realm of Mira's unconscious as she becomes entangled in a devastating love affair with Penny, the pink-haired, perverse girl-next-door. Her haunting encounters with a woman named Claudia drive Mira into a world of drugs, crime and otherworldly circumstances. Mira's sense of reality blurs further into her dreamworld, as she gets trapped in her inner extremes of both heaven and hell.

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.

当迈克·胡利汉警探被叫去调查天体物理学家及黑洞专家詹妮弗·罗克韦尔的枪击案时，她也因此受到了巨大的影响....

Aline Issermann's "Shades of Doubt" ("L'Ombre du Doute"), a French film about a wrenching family crisis, is set forth with remarkable restraint. The subject is incest, but the story's potential for tawdriness is never exploited. Instead, Ms. Issermann presents a discreet, methodical account of how 12-year-old Alexandrine comes to bring and then recant charges against her father, Jean.

1983 film by Aline Issermann

1986 film by Aline Issermann

片名：偶像，我母亲的情人和傻瓜医生的儿子 Dieu, l'amant de ma mère et le fils du charcutier

2007 film by Aline Issermann

1989 film directed by Aline Issermann

The self-help industry is worth $11 billion a year. It’s an industry that captivates those seeking happiness, release from suffering and those longing for a path and a leader to follow. James Arthur Ray for many who followed him was that leader to guide his flock. But as the story unfolds, as told by Ray himself and also by his followers, we learn that that path was fraught with danger and perhaps even greater suffering.

.Americans have had a long love affair with dogs, with many of us referring to our canine companions as best friends, significant others, soul mates, even children. But lost amidst all the pampering and pedestaling are hard and often tragic truths surrounding dog ownership, care and commerce, not to mention the daunting odds continuing to face millions of unwanted shelter dogs. Divided into three parts – “Fear,” “Loss” and “Betrayal” – this 73-minute documentary is comprised of eight case studies that probe the complicated and conflicted relationship we have with canines. Collectively, the segments reveal the sobering realities behind our relationship with dogs, showing not only how far some dog lovers will go for their pets, but how far we as nation have to go in order to treat all dogs humanely.

2016 film by Sherng-Lee Huang, Livia Ungur