在大學教書的講師被學校裁員，好姐妹也失去工作，淪落天涯的兩人加入詩人摯友的巡演計畫，三個非裔酷兒女子，遂展開一趟穿越美國中西部的公路之旅，也沿路尋找失聯許久的朋友。旅途上，三人碰上不同的困境，考驗著他們的自我身分認同，擺盪在生活與理想、現實與夢境之間。這趟公路之旅的終點何在？人生的下一站沒有標準答案。

17岁的格尔德是一位单身母亲的私生子，她已陷入犯罪。在她在警方拘留所呆了一段时间后，格尔德的男朋友，一个学生，违背了他的父母，把她带到了国外，以保护她免受恶劣影响。这对年轻夫妇在森林里的一个偏僻小屋里呼吸着新鲜空气和爱情，直到一个漂泊者出现，他完全符合杰拉德的喜好……不像美国青少年电影中关于青少年犯罪的故事，伊迪丝·卡尔马的第十部电影同情一个像她脆弱一样活泼的青少年的困境。20岁的丽芙•厄尔曼首次担任主角，她穿上别具一格的造型，给年轻人的设计风格增添了一些元素——可乐、牛仔裤和爵士乐。不是每个人都觉得这是好事。“她的脸活泼而富有表现力，而且她有性。伊迪丝·卡尔玛过于强调她的胸部和大腿是多余的。丽芙·乌尔曼不是碧姬·巴多特式的。“她有更微妙和更重要的手段可供她使用，”莱夫·博尔特在奥斯陆日报威尔登斯帮上写道。

比约恩和古丽夫妇和好友克鲁特关系纠结的三人一起去山中狩猎，发生了枪击案，一个人死了......
Erik Løchen的长片处女作，由于出品于1959年而且手法偏向意识流也亮相于戛纳电影节，经常与法国新浪潮对比。本片中的旁白经常与电影角色以及观众交流，在当时颇为新颖。
入选联合国科教文组织：各国电影遗产15佳 挪威篇
于2011年被挪威杂志Rushprint选为最佳挪威电影第1名

兩個無賴青年人生空虛，鎮日閒晃咆哮空泛字句，搭車時喝酒嘲諷資產階級，忘我高歌又調戲乘客，惹惱旁人而被報警處理，徹夜未歸也無人在意。有人的媽媽酗酒度日昏天暗地，廚房垃圾成堆雜亂無比；有人的爸爸嫌他求職不力，生活中充滿各種言語暴力。睡在廢墟、騙失業金、偷巧克力，憤世人生 Diss 循規蹈矩，想就此出走卻又無處可去，哪裏才是容身之地？

50 歲的她身材走樣、性事乾涸，面對丈夫外遇和自我匱乏，她頻生不祥念頭，死亡如影隨形，成為人生潛在的解脫。為了尋找出口，她重返家鄉，探訪兒時摯友，試圖從記憶與過往的情感中重新認識自己。當內在對自由與真實生命的渴望逐漸清晰，她是否有勇氣掙脫婚姻與社會角色的牢籠？

Liten Ida的母亲在二战时为德国人工作,并与一位党卫军军官保持不正当关系.Liten Ida发现了她母亲通敌的事实,但还不懂得接下来该怎么办

"The subject of "Wives" is that of those who here consider themselves a subject-race: women. It is a Norwegian film that makes its points far more effectively on behalf of that downtrodden species - the film's suggestion, not mine - because it can afford to joke about its ideas.... And it also see that men, too, have their problems in the way society sees the martial state.
The story begins with a class reunion and ends with the feeling that it has also examined the union that binds and polarises both sexes. It curious mixture of frivolity and seriousness doesn't always work, but it is certainly the best hilm i have yet seen on the subject of Women's Lib.
The woman director, Anja Breien, had followed the progress of three girl-friends who, after the reunion, decided to go on a spree. They are delightfully differentiated and utterly likeable. Mie, whose clowning disguises her vulnerability; Katja hiding her identity behind pregnancies; Heidrun, the proletarian who is too easily swayed by emotion.....It is a caring film, not only about its characters but about people as people."
(Tom Hutchinson, Sunday Telegraph)

Ten years have passed since our three heroines' first outing in 1975. Now the women meet at yet another class reunion. Not surprisingly, they are still unwilling to call it a night after the party is over. Husbands and children must celebrate Christmas as best they can, while the women spend quality time drinking and taking stock of their lives.

This mellow comedy is the third entry in filmmaker Anja Breien's "Wives" series and stars the same three actresses who appeared in the first two. This episodic film begins with flashbacks to the 1975 film Wives and scenes from 1985's Wives: Ten Years Later. Now ten more years have passed and they are comfortably ensconced in middle age. They have gathered to hold a surprise birthday for Kaja aboard an Oslo streetcar. The three haven't seen each other in ages and much of the story focuses on their discussions of their disparate lives. Every word, smile and tear they share affirms the depth of their lasting friendship.

Arvid falls in love with Lydia but puts the budding romance on hold to pursue a career and material wealth. Lydia is willing to wait for Arvid, until her father dies, leaving her finances in a dire state.

Gathered at a funeral for a successful business man, the testament is to be read. They will all inherit, with a big IF; if the family company is to be joint run by all the heirs.

The year is 1630. A young woman in Laupstad comes to a small mountain village. She witnesses a woman being hunted and captured.

这是一个阴郁的下午，空荡的校园内，阿曼德的妈妈和乔恩的妈妈陷入了一场绝望的争斗，所有的手段都已用尽，很快，疯狂、欲望和痴迷交织在一起。真相到底在哪里，我们无从知晓。观众开始意识到，剧情的重点已经从这两个孩子之间的事情，开始滑向成年人的世界。导演大量运用演员的面部特写镜头 营造了紧张的叙事感，而以《世界上最糟糕的人》勇夺戛纳最佳女演员的雷娜特·赖因斯夫则在片中贡献了炸裂的演技。哈夫丹·厄尔曼·滕德尔的这部导演首作中很难找到祖父伯格曼和丽芙·乌曼的作品风格，而更贴近当代北欧导演的气质。本片入围2024年戛纳电影节一种关注单元，并获导演首作金摄影机奖。

久未聯繫而疏遠的叔叔，自庫德族的家鄉隻身來到奧斯陸，拜訪於學校任教的姪子，儘管與友人合租的空間有限，姪子仍讓叔叔「借住」幾天。然而，不請自來的他，除了大改公寓的生活守則，更看起來不打算離開，使其他室友不堪其擾。當意外聽見叔叔在一家當地餐廳與同鄉的對話後，姪子才逐漸了解他到訪的緣由，一段遊走在法律與道德之間，關係到人權與親情的追逐之旅，進而展開。

1945 年，德意志第三帝國覆滅，戰時由納粹扶持的挪威總理吉斯林旋即遭到逮捕。候審期間，牧師進入獄中引導他真誠懺悔。吉斯林堅稱無罪、意志頑強的態度，掀起了牧師不堪回首的二戰記憶，他的虔誠信仰也面臨試煉。隨著叛國罪審判的展開，指證歷歷的戰爭罪行逐一攤在陽光下，吉斯林漸漸流露執拗外表下的不安。

What would you say about a female teacher falling in love with a 15-year-old? What would you think when you heard her confession? How do you set borders for someone's love and feelings?

Ingrid tries, together with several acquaintances, to compose a song for the wedding of a mutual friend. However, she's more occupied with her mother's death that she may have contributed to.

What happens to us when people stop acting like they're supposed to? A nurse gets into a dispute at work because she switches to speaking English when she gets nervous. A translator compromises her integrity when persuaded to translate a book she doesn't believe in. An elderly woman and her daughter are humiliated when offered a present of one million kroner from a relative. I Belong is a warm and nuanced film about people who all mean well, but end up hurting one another. About how people who act on integrity and feelings are seen as troublesome in a society where the ideal is to behave rationally. A playful tragedy-comedy about how what seems like something of little importance to one person, can seem like a grand disaster to another. Written by Motlys

威尼斯电影节威尼斯日单元竞赛

两个异性恋婚姻中的男人，他们的意外经历挑战了他们对性、性别和身份的看法。