Hunky Dory is the fourth studio album by the English musician David Bowie, released on 17 December 1971 by RCA Records. Following the release of his 1970 album, The Man Who Sold the World, Bowie took time off from recording and touring.

Following "Sue (Or In a Season of Crime)," David Bowie has released the single's B-side, "'Tis a Pity She Was a Whore." Bowie's latest arrives courtesy of BBC Radio 6 DJ Shaun Keaveny, who played the cut on his show before its Stateside digital release. The glam rocker also introduced "'Tis a Pity" via his Facebook page, claiming that it "acknowledges the shocking rawness of the First World War," sounds like “if Vorticists wrote Rock Music,” and gets its title from a 17th century John Ford play.
A horn-filled, atonal, anxious-sounding song, "Tis a Pity" has an equally offputting set of lyrics, opening with the line, "Man, she punched me like a dude." (Huh. Well, nothing unusual for the man who once exclaimed "Dance, magic, dance!" with an infant in his arms.)
Stream the full song on BBC Radio (go to the two hour, fourty-nine minute mark), and get a physical copy of "Tis a Pity" when it's released on 10" single and digital bundle with "Sue (Or In a Season of Crime)" on November 17 via Parlophone. Also on November 17, grab Bowie's Nothing Has Changed compilation.

Full Title - The Deram Anthology 1966-1968. Japanese limited edition reissue (5000 copies) of debut album packaged in a miniature LP sleeve features 27 tracks including 13 bonus tracks, 'Rubber Band' (single version), 'The London Boys', 'The Laughing Gnome', 'The Gospel According To Tony Day', 'Love You Till Tuesday' (single version), 'Did You Ever Have A Dream', 'Karma Man', 'Let Me Sleep Beside You', 'In The Heat Of The Morning', 'Ching-A-Ling', 'Sell Me A Coat', 'When I Live My Dream', & 'Space Oddity'. Deram. 2004.

David Robert Jones OAL, known professionally as David Bowie, was an English singer-songwriter and actor. A leading figure in the music industry, Bowie is regarded as one of the most influential musicians of the 20th century.

A collection of acoustic performances from various locations in very good sound quality.

Out of print in the U.S. Taking Changesbowie one step further, Singles collects all of the Thin White Duke's biggest hits from 'Space Oddity' to 'Day-In Day-Out' and features overlooked gems like 'Drive-In Saturday', 'TVC 15', 'Beauty & The Beast' and others. Always five steps of everyone else, each of Bowie's releases pre-dated musical movements, often by years. For the average musician, this would have been a case of 'wrong place, wrong time' but in Bowie's case, he was always the leader and never the follower. It just took everyone else awhile to catch up to what he was doing. 37 tracks in all. EMI.

The fourth single from Bowie's 1999 outing, the top 50 'Hours...'. No U.S. release is scheduled. Each part features previously unreleased material. The third & final part contains three tracks, all recorded live at the Kit Kat Klub in New York, 'Seven', '

Taking its title as a mockery of U2's self-mocking Achtung Baby, Oy Vey, Baby is one last dying gasp of the failed Tin Machine project. Not reaching nearly the appeal that was expected, with many Bowie fans being downright virulent in their dislike of this group, the Machine was unable to support themselves. (Interestingly, the roadies for this group were known to sport T-shirts that read "F*** You, I LIKE Tin Machine.") This is a rough record. The polished songs of Tin Machine II do not translate well to a live recording. "I Can't Read," one of the rougher songs on the eponymous album, appears here as scarcely recognizable. And extended versions of "Stateside" and "Heaven's in Here" (with its ethereal "I'm a King Bee" interlude) cause one to lose patience rather quickly. Static and a noisy energy level are maintained throughout much of the record, causing the songs to meld together. You do get to hear Reeves Gabrels really cut loose in places, and fans of experimental guitar work will find a lot to dig for on this record. And it does have its strong moments as well — "Amazing," "You Belong in Rock & Roll," and "Goodbye Mr. Ed" have great treatment

Limited Edition reissue of this classic 1972 album comes housed in a mini LP sleeve featuring the original album artwork. This remains Bowie's most influential album, and is still considered on of the greatest albums of the Rock generation. 11 tracks including 'Moonage Daydream', 'Star', 'Suffragette City' and, of course, 'Ziggy Stardust'.Japanese pressing distriibuted for a limited time in Europe with new UPC number. EMI. 2007.

编辑推荐
◎大胆前卫的摇滚变色龙再度开启音乐视野，以黑色调性呈现第25张全新大碟
◎《滚石》杂志高度评价“展现艺术家气派、令人坐立难安的新专辑，自70年代以来送上最棒的反流行经典”
◎同时珍藏2015全新单曲《Blackstar》、百老汇音乐剧同名曲《Lazarus》等7首佳作
专辑介绍
素有摇滚变色龙之称的David Bowie，总在音乐中暗藏玄机，大胆且前卫地开启无限视野，立下20世纪摇滚史上传奇新页，游走于民谣、迷幻、庞克、摇滚、电子派系，结合电影、舞台剧、超现实主意、佛学概念，展现品味独到的穿着打扮抓住镁光灯焦点，更是日后视觉系的宗师。《Q》杂志“本世纪最伟大的明星”、NME“史上最具影响力的艺人”、《滚石》杂志“史上最伟大摇滚艺人”、BBC“百大英国人”，1996进入“摇滚名人殿堂”、2013年成为“科幻奇幻名人堂”会员。累积全球1亿4000万销售，格莱美+全英音乐+艾美各奖全数到手。自1968年开始，David录制首张个人专辑《Love You Till Tuesday》，带有朴实的民谣风格，之后学了一段时期的戏剧表演，《The Man Who Sold The World》引起世人瞩目。《The Rise & Fall Of Ziggy Stardust And The Spiders From Mars》以科幻与神话为题材的经典之作，同年的巡回表演中，David把自己装扮成一位身着奇装异服的太空人。伙同John Lennon推出一部经典巨作《Young American》，并参与Lou Reed的专辑监制，充分将全方位才气展露无遗。接着与先锋音乐大师Brian Eno合作两张含有大量合成配乐的《Low》和《Heroes》，过人的实验性超乎想像。2013年宝刀未老的推出《The Next Day》，赢得每日电讯报和《Q》杂志满分力捧，全面入围水星音乐、格莱美、全英音乐等重要奖项！
在欢度David的69岁大寿之际发行全新大碟《Blackstar》，笼罩一整片黑色烟雾，异常神秘的调性精彩上演。全辑7首歌曲，却长达42分钟，将延续并且变本加厉的把玩Avant-Garde风格，受到《滚石》杂志高度评价“展现艺术家气派、令人坐立难安的新专辑，自70年代以降送上最棒的反流行经典”。由伴随David经历各世代的长期合作伙伴，也是幕后混音高手Tony Visconti (T.Rex、Morrissey、Paul McCartney)协力掌控，再度将潜在David内心的疯狂因子勾引出来。原本超过11分钟的同名曲〈Blackstar〉，最后剪辑成9分57秒，微妙切换两个部分，上半场David传达Avant Jazz风格，挟带Drum and bass以及太空摇滚的元素，下半场转换清亮场景之下，却意外谱入Acid House和Blues的变奏，准备体验这一趟奇幻的音乐旅程；David的外百老汇音乐剧同名曲《Lazarus》，想像力延伸的概念运用曲中，掀起虚无混乱的层层波动；早在2014年的精选《Nothing Has Changed》中曝光过，从原7分24秒缩短至4分40秒的《Sue (Or In A Season Of Crime)》，戏剧化十足的牵连截然不同质地，铺天盖地的迎面袭来，难以招架这位传奇大师诡谲理念与听觉冲突！