Power is one of the most misunderstood—and therefore vilified—concepts in our society. Many assume power is predetermined by personality or wealth, or that it’s gained by strong-arming others. You might even write it off as “dirty” and want nothing to do with it. But by staying away from power, you give it up to someone else who may not have your best interest in mind. We must understand and use our power to have impact, and pioneering researchers Julie Battilana and Tiziana Casciaro provide the playbook for doing so in Power, for All.
Battilana and Casciaro offer a “necessary” (Tarana Burke, creator of the #MeToo movement and bestselling author of Unbound) and “invaluable” (David Gergen, CNN political analyst) vision of power: the ability to influence someone else’s behavior. This influence is derived from having access to valued resources, which anyone can have, regardless of their income or status in life. Everyone has a resource to offer, so everyone can have access to power.
With proven strategies of agitating, innovating, and orchestrating change, Power, for All shows how those with less power can challenge established structures to make them more balanced. The authors teach you how to power-map your workplace to find who can create real change at work, plan for and cause sustaining shifts, and understand the two basic needs all human beings share—safety and self-esteem—and the resources people seek to satisfy those needs: money and status, but also autonomy, achievement, affiliation, and mortality. They explore how these dynamics play out through vivid storytelling: as Donatella Versace successfully leads her brother’s company after his death—despite having a title, but little influence; what social movements can learn from youth climate activists and how they can go farther; and how a manager can gain the trust of skeptical employees and improve the workplace.
Power, for All demystifies the essential mechanisms for acquiring and using power for all people.

“Deeply reported and bracingly written, this book is an indispensable guide to modern innovation and entrepreneurship.” —Walter Isaacson, New York Times bestselling author of Code Breaker
A definitive, deeply reported look at the origin of PayPal and its founding team, including Elon Musk, Peter Thiel, Reid Hoffman, Max Levchin, and others whose stories have never before been told. They have defined the modern world. This experience defined them.
Today, PayPal’s founders and earliest employees are considered the technology industry’s most powerful network. Since leaving PayPal, they have formed, funded, and advised the leading companies of our era, including Tesla, Facebook, YouTube, SpaceX, Yelp, Palantir, LinkedIn, Pinterest, and Airbnb, among many others. They defined 21st-century innovation and entrepreneurship—and still shape that template today. Their names stir passions; they’re as controversial as they are admired.
Yet for all their influence, the story of how they first connected and cut their start-up teeth has gone untold. Before igniting the commercial space race or jumpstarting social media’s rise, they were the unknown creators of a scrappy online payment company called PayPal. It would grow to become one of the world’s foremost companies, but that success was anything but certain. From the outset, the team faced industry skeptics, bruising competition, internal strife, the emergence of widespread online fraud, and the devastating dot-com bust of the 2000s.
In The Founders: The Story of PayPal and the Entrepreneurs Who Shaped Silicon Valley, award-winning author and biographer Jimmy Soni pulls back the curtain on PayPal’s turbulent early days. With hundreds of interviews and unprecedented access to thousands of pages of internal material, Soni shows how the seeds of so much of what shapes our world today—fast-scaling digital start-ups, cashless currency concepts, mobile money transfer—were planted two decades ago. He also reveals the countless individuals whose stories never made the front pages nor earned banner headlines—but whose contributions were vital to PayPal’s success.
The Founders is a story of iteration and inventiveness, one that casts a long and powerful shadow over modern life. Jimmy Soni’s narrative offers deep insight into how this once-in-a-generation assemblage of talent came to work together and how that collaboration changed our world forever.

"What's the point anyway — Of suffering, dying? It teaches us to live, boy. A man who does not struggle does not live, he survives." (quote from the book)<br /><br />The book is a pseudo-biography about Alexandros Panagoulis written in the form of a novel. Fallaci had an intense romantic relationship with Panagoulis. She uses the novel to put forth her view that Panagoulis was assassinated by a vast conspiracy, a view widely shared by many Greeks.

<b>A former <i>Rookie </i>contributor and creator of the popular blog <i>Effing Dykes</i> investigates the disappearance of America’s lesbian bars by visiting the last few in existence.</b><br /><br />Lesbian bars have always been treasured safe spaces for their customers, providing not only a good time but a shelter from societal alienation and outright persecution. In 1987, there were 206 of them in America. Today, only a couple dozen remain. How and why did this happen? What has been lost—or possibly gained—by such a decline? What transpires when marginalized communities become more accepted and mainstream?<br /> <br />In <i>Moby Dyke</i>, Krista Burton attempts to answer these questions firsthand, venturing on an epic cross-country pilgrimage to the last few remaining dyke bars. Her pilgrimage includes taking in her first drag show since the onset of the pandemic at The Back Door in Bloomington, Indiana; competing in dildo races at Houston’s Pearl Bar; and, despite her deep-seated hatred of karaoke, joining a group serenade at Nashville’s Lipstick Lounge and enjoying the dreaded pastime for the first time in her life. While Burton sets out on the excursion to assess the current state of lesbian bars, she also winds up examining her own personal journey, from coming out to her Mormon parents to recently marrying her husband, a trans man whose presence on the trip underscores the important conversation about who precisely is welcome in certain queer spaces—and how they and their occupants continue to evolve.<br /> <br /><i>Moby Dyke</i> is an insightful and hilarious travelogue that celebrates the kind of community that can only be found in windowless rooms soundtracked by Britney Spears-heavy playlists and illuminated by overhead holiday lights no matter the time of year.

The death of Christopher Hitchens in December 2011 prematurely silenced a voice that was among the most admired of contemporary writers. For more than forty years, Hitchens delivered to numerous publications on both sides of the Atlantic essays that were astonishingly wide-ranging and provocative. The judges for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, posthumously bestowed on Hitchens, praised him for the way he wrote “with fervor about the books and writers he loved and with unbridled venom about ideas and political figures he loathed.” He could write, the judges went on to say, with “undisguised brio, mining the resources of the language as if alert to every possibility of color and inflection.” He was, as Benjamin Schwarz, his editor at The Atlantic magazine, recalled, “slashing and lively, biting and funny—and with a nuanced sensibility and a refined ear that he kept in tune with his encyclopedic knowledge and near photographic memory of English poetry.” And as Michael Dirda, writing in the Times Literary Supplement, observed, Hitchens “was a flail and a scourge, but also a gift to readers everywhere.”
The author of five previous volumes of selected writings, including the international bestseller Arguably, Hitchens left at his death nearly 250,000 words of essays not yet published in book form. And Yet… assembles a selection that usefully adds to Hitchens’s oeuvre. It ranges from the literary to the political and is, by turns, a banquet of entertaining and instructive delights, including essays on Orwell, Lermontov, Chesterton, Fleming, Naipaul, Rushdie, Pamuk, and Dickens, among others, as well as his laugh-out-loud self-mocking “makeover.” The range and quality of Hitchens’s essays transcend the particular occasions for which they were originally written. Often prescient, always pugnacious, and formidably learned, Hitchens was a polemicist for the ages. With this posthumous volume, his reputation and his readers will continue to grow.

A new voice of the hip-hop generation speaks out about the reality of being a black woman in America today. In this fresh, funky, and ferociously honest book, award-winning journalist Joan Morgan bravely probes the complex issues facing African-American women in today's world: a world where feminists often have not-so-clandestine affairs with the most sexist of men; where women who treasure their independence often prefer men who pick up the tab; and where the deluge of babymothers and babyfathers reminds black women who long for marriage that traditional nuclear families are a reality for less than 40 percent of the African-American population.

Prize-winning Miami Herald reporters Guy Gugliotta and Jeff Leen tell the complete and revealing story of the powerful Colombian narcotics organization that grew to control eighty percent of the world’s cocaine market.

The cocaine trade is capitalism on overdrive—supply meeting demand on exponential levels. From small-time suitcase smuggling to levels of unimaginable sophistication and daring, Pablo Escobar Gaviria, Jorge Luis Ochoa Vasquez, Carlos Lehder Rivas, and Jose Gonzalo Rodriguez Gacha came to be known as the most successful cocaine dealers in the world.

Kings of Cocaine is the story of the four men who grew from a rag tag group of hippies and sociopaths into regal kings as they manipulated world leaders, corrupted revolutionary movements, and protected themselves with the worst kind of violence as they built the modern cocaine business.

<b>From the author of <i>Steve Jobs</i> and other bestselling biographies, this is the astonishingly intimate story of the most fascinating and controversial innovator of our era—a rule-breaking visionary who helped to lead the world into the era of electric vehicles, private space exploration, and artificial intelligence. Oh, and took over Twitter.</b><br /><br />When Elon Musk was a kid in South Africa, he was regularly beaten by bullies. One day a group pushed him down some concrete steps and kicked him until his face was a swollen ball of flesh. He was in the hospital for a week. But the physical scars were minor compared to the emotional ones inflicted by his father, an engineer, rogue, and charismatic fantasist.<br /><br />His father’s impact on his psyche would linger. He developed into a tough yet vulnerable man-child, prone to abrupt Jekyll-and-Hyde mood swings, with an exceedingly high tolerance for risk, a craving for drama, an epic sense of mission, and a maniacal intensity that was callous and at times destructive.<br /><br />At the beginning of 2022—after a year marked by SpaceX launching thirty-one rockets into orbit, Tesla selling a million cars, and him becoming the richest man on earth—Musk spoke ruefully about his compulsion to stir up dramas. “I need to shift my mindset away from being in crisis mode, which it has been for about fourteen years now, or arguably most of my life,” he said.<br /><br />It was a wistful comment, not a New Year’s resolution. Even as he said it, he was secretly buying up shares of Twitter, the world’s ultimate playground. Over the years, whenever he was in a dark place, his mind went back to being bullied on the playground. Now he had the chance to own the playground.<br /><br />For two years, Isaacson shadowed Musk, attended his meetings, walked his factories with him, and spent hours interviewing him, his family, friends, coworkers, and adversaries. The result is the revealing inside story, filled with amazing tales of triumphs and turmoil, that addresses the are the demons that drive Musk also what it takes to drive innovation and progress?

<b>From the author of <i>Steve Jobs</i> and other bestselling biographies, this is the astonishingly intimate story of the most fascinating and controversial innovator of our era—a rule-breaking visionary who helped to lead the world into the era of electric vehicles, private space exploration, and artificial intelligence. Oh, and took over Twitter.</b><br /><br />When Elon Musk was a kid in South Africa, he was regularly beaten by bullies. One day a group pushed him down some concrete steps and kicked him until his face was a swollen ball of flesh. He was in the hospital for a week. But the physical scars were minor compared to the emotional ones inflicted by his father, an engineer, rogue, and charismatic fantasist.<br /><br />His father’s impact on his psyche would linger. He developed into a tough yet vulnerable man-child, prone to abrupt Jekyll-and-Hyde mood swings, with an exceedingly high tolerance for risk, a craving for drama, an epic sense of mission, and a maniacal intensity that was callous and at times destructive.<br /><br />At the beginning of 2022—after a year marked by SpaceX launching thirty-one rockets into orbit, Tesla selling a million cars, and him becoming the richest man on earth—Musk spoke ruefully about his compulsion to stir up dramas. “I need to shift my mindset away from being in crisis mode, which it has been for about fourteen years now, or arguably most of my life,” he said.<br /><br />It was a wistful comment, not a New Year’s resolution. Even as he said it, he was secretly buying up shares of Twitter, the world’s ultimate playground. Over the years, whenever he was in a dark place, his mind went back to being bullied on the playground. Now he had the chance to own the playground.<br /><br />For two years, Isaacson shadowed Musk, attended his meetings, walked his factories with him, and spent hours interviewing him, his family, friends, coworkers, and adversaries. The result is the revealing inside story, filled with amazing tales of triumphs and turmoil, that addresses the are the demons that drive Musk also what it takes to drive innovation and progress?

Chicago Public Library’s Best Books of 2016<br /><br />The story of two American teens recruited as killers for a Mexican cartel, and their pursuit by a Mexican-American detective who realizes the War on Drugs is unwinnable.<br /><br />What’s it like to be an employee of a global drug-trafficking organization? And how does a fifteen-year-old American boy go from star quarterback to trained assassin, surging up the cartel corporate ladder?<br /><br />At first glance, Gabriel Cardona is the poster boy American great athlete, bright, handsome, and charismatic. But the streets of his border town of Laredo, Texas, are poor and dangerous, and it isn’t long before Gabriel abandons his promising future for the allure of the Zetas, a drug cartel with roots in the Mexican military. His younger friend Bart, as well as others from Gabriel’s childhood, join him in working for the Zetas, boosting cars and smuggling drugs, eventually catching the eye of the cartel’s leadership.<br /><br />Meanwhile, Mexican-born Detective Robert Garcia has worked hard all his life and is now struggling to raise his family in America. As violence spills over the border, Detective Garcia’s pursuit of the boys, and their cartel leaders, puts him face to face with the urgent consequences of a war he sees as unwinnable.<br /><br />In Wolf Boys Dan Slater shares their stories, taking us from the Sierra Madre mountaintops to the dusty, dark alleys of Laredo, Texas, on a harrowing, often brutal journey into the heart of the Mexican drug trade. Gabriel’s evolution from good-natured teenager into a feared assassin is as inevitable as Garcia’s slow realization of the futile nature of his work. A nonfiction thriller, Wolf Boys depicts more than just Gabriel, Bart, and the officers who took them down. It shows, through vivid detail and rich, often moving, narrative, the way in which the border itself is changing, disappearing, and posing new, terrifying, and yet largely unseen threats to American security. Ultimately though, Wolf Boys is the intimate story of the “lobos” boys turned into pawns for cartels. Their stories show how poverty, ideas about identity, and government ignorance have warped the definition of the American dream.

An “exquisite” (The Washington Post) “hauntingly beautiful” (Associated Press) portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staff who spent a decade as a museum guard.

Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamourous fledgling career at The New Yorker, Patrick Bringley never thought that he’d be one of them. Then his older brother was diagnosed with fatal cancer and he found himself needing to escape the mundane clamor of daily life. So he quit The New Yorker and sought solace in the most beautiful place he knew.

To his surprise and your delight, this temporary refuge becomes Bringley’s home away from home for a decade. We follow him as he guards delicate treasures from Egypt to Rome, strolls the labyrinths beneath the galleries, wears out nine pairs of company shoes, and marvels at the beautiful works in his care. Bringley enters the museum as a ghost, silent and almost invisible, but soon finds his voice and his tribe: the artworks and their creators and the lively subculture of museum guards—a gorgeous mosaic of artists, musicians, blue-collar stalwarts, immigrants, cutups, and dreamers. As his bonds with his colleagues and the art grow, he comes to understand how fortunate he is to be walled off in this little world, and how much it resembles the best aspects of the larger world to which he gradually, gratefully returns.

In the tradition of classic workplace memoirs like Lab Girl and Working Stiff, All the Beauty in the World is an “empathic” (The New York Times Book Review), “moving” (NPR), “consoling, and beautiful” (The Guardian) portrait of a great museum, its hidden treasures, and the people who make it tick, by one of its most intimate observers.

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<b>A rare, riveting insider’s account on Wall Street—an updated <i>Liar’s Poker</i>—where greed coupled with misogyny and discrimination enforces a culture of exclusion in the upper echelons of Goldman Sachs</b>
</b><br /><br />Jamie Fiore Higgins became one of the few women at the highest ranks of Goldman Sachs. Spurred on by the obligation she felt to her working-class immigrant family, she rose through the ranks and saw it all: out-of-control, lavish parties flowing with never-ending drinks; affairs flaunted in the office; rampant drug use; and most pervasively, a discriminatory culture that seemed designed to hold back the few women and people of color employed at the company.<br /> <br />Goldman Sachs had the right talking points and statistics, but Fiore Higgins soon realized that these provided a veneer to cover up what she found to be an abusive culture. Her account is one filled with shocking stories of harassment and jaw-dropping tales of exclusionary behavior: when she was told she only got promoted because she is a woman; when her coworkers mooed at her after she pumped for her fourth child, defying the superior who had advised her not to breastfeed; or when a male boss used a racial epithet in front of her, other colleagues, and clients without any repercussions.<br /> <br /><i>Bully Market </i>sounds the alarm on the culture of finance and corporate America, while offering clear, actionable ideas for creating a fairer workplace. Both a revealing, extraordinary look at the industry and a top Wall Streeter’s explosive personal story, <i>Bully Market</i> is an essential account of one woman’s experience in a flawed system that speaks to the challenge and urgency for change.

The brilliant screenplay of the Academy Award–nominated film The Trial of the Chicago 7 by Academy and Emmy Award–winning screenwriter and director Aaron Sorkin.
Sorkin’s film dramatizes the 1969 trial of seven prominent anti-Vietnam War activists in Chicago. Originally there were eight defendants, but one, Bobby Seale, was severed from the trial by Judge Julius Hoffman—after Hoffman had ordered Seale bound and gagged in court.
The defendants were a mix of counterculture revolutionaries such as Abbie Hoffman and Jerry Rubin, and political activists such as Tom Hayden, Rennie Davis, and David Dellinger, the last a longtime pacifist who was a generation older than the others. Their lawyers argued that the right to free speech was on trial, whether that speech concerned lifestyles or politics.
The Trial of the Chicago 7 stars Sacha Baron Cohen, Eddie Redmayne, Frank Langella, and Mark Rylance, among others, directed by Aaron Sorkin. This book is Sorkin’s screenplay, the first of his movie screenplays ever published.

By the publisher of the prestigious Grant’s Interest Rate Observer, an account of the deep economic slump of 1920–21 that proposes, with respect to federal intervention, “less is more.” This is a free-market rejoinder to the Keynesian stimulus applied by Bush and Obama to the 2007–09 recession, in whose aftereffects, Grant asserts, the nation still toils.
James Grant tells the story of America’s last governmentally-untreated depression; relatively brief and self-correcting, it gave way to the Roaring Twenties. His book appears in the fifth year of a lackluster recovery from the overmedicated downturn of 2007–2009.
In 1920–21, Woodrow Wilson and Warren G. Harding met a deep economic slump by seeming to ignore it, implementing policies that most twenty-first century economists would call backward. Confronted with plunging prices, wages, and employment, the government balanced the budget and, through the Federal Reserve, raised interest rates. No “stimulus” was administered, and a powerful, job-filled recovery was under way by late in 1921.
In 1929, the economy once again slumped—and kept right on slumping as the Hoover administration adopted the very policies that Wilson and Harding had declined to put in place. Grant argues that well-intended federal intervention, notably the White House-led campaign to prop up industrial wages, helped to turn a bad recession into America’s worst depression. He offers the experience of the earlier depression for lessons for today and the future. This is a powerful response to the prevailing notion of how to fight recession. The enterprise system is more resilient than even its friends give it credit for being, Grant demonstrates.

“Relying on a rich cache of previously classified notes, transcripts, cables, policy briefs, and memoranda, Andrew Cooper explains how oil drove, even corrupted, American foreign policy during a time when Cold War imperatives still applied,”* and tells why in the 1970s the U.S. switched its Middle East allegiance from the Shah of Iran to the Saudi royal family. Amid the oil shocks of the early 1970s, there was one man the U.S. could rely on: the Shah of Iran. The Shah sold us oil; we sold him weapons. But the U.S. and other industrialized economies could not tolerate repeated annual double digit increases in oil prices. During the 1976 election campaign, President Gerald Ford decided that he had to find a country that would break the OPEC monopoly and sell the U.S. oil more cheaply. On the advice of Treasury Secretary William Simon—and against the advice of Secretary of State Henry Kissinger—Ford made a deal to sell advanced weaponry to the Saudis in exchange for a more moderate price hike in oil. The Shah’s economy was destabilized, and disaffected elements mobilized to overthrow him. The U.S. had embarked on a long relationship with the autocratic Saudi kingdom that continues to this day. Brilliantly reported and filled with astonishing details about some key figures of the time, The Oil Kings is a new history of an era that we thought we knew, an era when momentous events occurred that still reverberate today.

After many years of research, award-winning historian Hugh Thomas portrays, in a balanced account, the complete history of the slave trade. Beginning with the first Portuguese slaving expeditions, he describes and analyzes the rise of one of the largest and most elaborate maritime and commercial ventures in all of history. Between 1492 and 1870, approximately eleven million black slaves were carried from Africa to the Americas to work on plantations, in mines, or as servants in houses. The Slave Trade is alive with villains and heroes and illuminated by eyewitness accounts. Hugh Thomas's achievement is not only to present a compelling history of the time but to answer as well such controversial questions as who the traders were, the extent of the profits, and why so many African rulers and peoples willingly collaborated. Thomas also movingly describes such accounts as are available from the slaves themselves.

Robert P. Jones, CEO of the Public Religion Research Institute (PRRI), challenges us to grasp the profound political and cultural consequences of a new reality—that America is no longer a majority white Christian nation.
For most of our nation’s history, White Christian America (WCA)—the cultural and political edifice built primarily by white Protestant Christians—set the tone for our national policy and shaped American ideals. But especially since the 1990s, WCA has steadily lost influence, following declines within both its mainline and evangelical branches. Today, America is no longer demographically or culturally a majority white Christian nation.
Drawing on more than four decades of polling data, The End of White Christian America explains and analyzes the waning vitality of WCA. Jones argues that the visceral nature of today’s most heated issues—the vociferous arguments around same-sex marriage and religious liberty, the rise of the Tea Party following the election of our first black president, and stark disagreements between black and white Americans over the fairness of the criminal justice system—can only be understood against the backdrop of white Christians’ anxieties as America’s racial and religious topography shifts around them.
In 2016 and beyond, the descendants of WCA will lack the political power they once had to set the terms of the nation’s debate over values and morals and to determine election outcomes. Looking ahead, Jones forecasts the ways that they might adjust to find their place in the new America—and the consequences for us all if they don’t.

The first full-scale biography of John Hay since 1934: From secretary to Abraham Lincoln to secretary of state for Theodore Roosevelt, Hay was an essential American figure for more than half a century.
John Taliaferro’s brilliant biography captures the extraordinary life of Hay, one of the most amazing figures in American history, and restores him to his rightful place. Private secretary to Lincoln and secretary of state to Theodore Roosevelt, Hay was both witness and author of many of the most significant chapters in American history—from the birth of the Republican Party, the Civil War, the Spanish-American War, to the prelude to World War I. As an ambassador and statesman, he guided many of the country’s major diplomatic initiatives at the turn of the twentieth century: the Open Door with China, the creation of the Panama Canal, and the establishment of America as a world leader.
Hay’s friends are a who’s who of the era: Mark Twain, Horace Greeley, Henry Adams, Henry James, and virtually every president, sovereign, author, artist, power broker, and robber baron of the Gilded Age. His peers esteemed him as “a perfectly cut stone” and “the greatest prime minister this republic has ever known.” But for all his poise and polish, he had his secrets. His marriage to one of the wealthiest women in the country did not prevent him from pursuing the Madame X of Washington society, whose other secret suitor was Hay’s best friend, Henry Adams.
All the Great Prizes, the first authoritative biography of Hay in eighty years, renders a rich and fascinating portrait of this brilliant American and his many worlds.