《一报还一报》是英国剧作家威廉·莎士比亚创作的戏剧。
该剧讲述公爵文森修统治着维也纳，他想暂时离开公国，派安哲鲁代行职权。安哲鲁担任新职不久，发生了一位叫克劳狄奥的绅士勾引一位年轻小姐并导致其怀孕的事件。安哲鲁按照法律条文把克劳狄奥关进监狱，并判处死刑。克劳狄奥托人叫他姐姐依莎贝拉向安哲鲁求情。安哲鲁对美丽的伊莎贝拉动了邪念。他对伊莎贝拉表示：如果她把处女的贞洁献给他，他可以饶她弟弟一命。伊莎贝拉坚决拒绝。公爵用计谋揭穿了安哲鲁的卑鄙行径，保全了克劳狄奥的性命，也成全了克劳狄奥的婚姻。

《伪君子》写伪装圣洁的教会骗子答尔丢夫混进商人奥尔恭家，图谋勾引其妻子并夺取其家财，最后真相败露，锒镗入狱。剧作深刻揭露了教会的虚伪和丑恶，答尔丢夫也成为“伪君子”的代名词。其剧作在许多方面突破古典主义的陈规旧套，结构严谨，人物性格和矛盾冲突鲜明突出，语言机智生动，手法夸张滑稽，风格泼辣尖利，对世界喜剧艺术的发展有深远的影响。

富商耶德曼的名字Jedermann在德语中就是“每个人”的意思，象征着资本主义社会中的“每个人”都是被金钱异化的人。他为富不仁，上帝派死神去人间将他缉拿归案，清算他在世上的罪孽。他想找一个陪他同去的人，可是找不到一个愿意陪他到上帝那里去的人。他只好带了自己的钱箱上路，想不到金钱竟从钱箱里跳出来嘲笑他，说他占有了金钱，却受着金钱的控制，金钱是主人的“主人’，将永存于世。这时，他过去做过的一点儿“好事”告诉他，愿在审判日为他出庭作证。他开始感到人生要有“信仰”。于是，“好事”和“信仰”陪同他去见上帝，获得了上帝的宽恕，逃脱了魔鬼的惩罚，“信仰”陪同他走进了坟墓。剧中，人物只有象征性的名字，以此揭露资本主义社会人的异化现象，每个人都成为了金钱的奴隶，只有“好事”和“信仰”才能拯救人的灵魂。

What is Europe? Is it a continent, a collective culture, a bygone dream, a mutual feeling of solidarity, or the ability to forgive? In moments that have most defined European history, great thinkers—from François Mitterrand to Barack Obama—have found the words to express the very notion of Europe. Now, in 2016, a year that has seen Europe’s future hanging in the balance, we are kicking off Re:Creating Europe with a performance directed by one of the world’s leading theatre directors: Ivo van Hove.

Jude Law, Lars Eidinger, and actors from Toneelgroep Amsterdam, including Gijs Scholten van Aschat, Halina Reijn, Hugo Koolschijn, Marieke Heebink, Robert de Hoog, Hans Kesting, Ramsey Nasr, and Chris Nietvelt, bring Europe’s defining historic and fictional speeches to life: a launching pad for a new way of imagining tomorrow’s Europe.

该剧围绕美国电影明星Mira展开，她因事业问题和近期的分手而幻想破灭。Mira前往法国，参与经典法国默片《吸血鬼》的翻拍，在其中饰演Irma Vep。在这部犯罪惊悚片的拍摄过程中，Mira逐渐发现自己和角色之间的区别变得模糊。

Hedda and Jørgen Tesman come back from their honeymoon to their brand new house in the western part of the city. It is apparent from the start that the couple is a mismatch, and it becomes clear that Hedda will soon be bored to tears by her petit-bourgeois existence. Until she hears a man she loved a few years back is in town, the writer Eilert Løvborg.

在安宁病房工作的护士，接触到的除了垂死病人外，就是无止尽的孤寂，直到她发现邻居男人偷窥她，生活开始有了无法控制的转变……

The Austrian expressionist poet Georg Trakl was in love with her sister. And she loved him back. Their relationship became sexual and caused quite a stir in the local society. But when his sister asked him to flee with her to Australia where no one knew them and they could live as husband and wife, he refuse for he could not live without the beauty of the German language. Torn between his love for words and his love for Grete, Georg turned to drugs and entered a downward spiral.

Hell's Bells is a new feature-length film by John Bock. Developed over the last five years and shot in Germany in 2016, the film is styled as a contemporary Western. It interweaves the familiar story and stock characters of the genre with the theatrical and anarchic mode of Surrealism for which Bock has become known. The story unfolds in a gloomy, nocturnal realm - an indistinct conflation of reality and dream - centering on an unnamed town. Against a backdrop of simultaneous industrialization and grinding poverty, Bock tells the story of a stranger (played by Bibiana Beglau) who arrives in town pursued by mysterious guilt. She is accompanied by a young deaf girl, who emerges gradually as a powerful force - telepathically controlling the course of the story. A conflict develops between two other characters - the local priest (Ulrich Matthes) and a diabolical, dandified villain (Lars Eidinger) who plays with Death in the style of a medieval demon. Each character is revealed to be burdened by a different kind of guilt - stemming variously from the loss of a child, the loss of morality, and the loss of religion.

Holzemer, who has previously directed documentaries about Dries Van Noten, Anton Corbijn, William Eggleston, David Lynch and several other important artists, accompanied Eidinger during the summer of 2021, when the 45-year-old actor was preparing for, and starting to play, the main part in a stage production of Everyman. The Play of the Rich Man's Death by Hugo von Hofmannsthal. The play, which became one of the hits at this year’s edition of the Salzburg Festival, provided Holzemer with an opportunity to glimpse Eidinger's intensive working method while preparing for a new role. Holzemer subsequently followed Eidinger to the USA for his first appearance in a major Hollywood production.

What is the relationship between “I” and “the others”, and what would change if you could define the rules of the game at will? David Schalko’s absurd satire explores these questions with razor-sharp dialogue and a delight in escalation.

1981年的东柏林，雄心勃勃的科学家弗朗兹·瓦尔特被国家安全局招募，并被派往西德执行任务。由于他对东德的批判态度越来越强烈，导致他很快就陷入困境，并被指控为间谍。

在不远的未来，人们熟知的地球已经不复存在。太阳挂在天上用不可思议的热度炙烤着地球已经整整四年时间了。在这种热度的摧残下，地球分成了两块——一块洪水肆虐，一块干旱无比。由于大饥荒，人类到了濒临灭绝的边缘，少数幸存者靠着剩余的事物和水度日。有传闻说，在一些山区，这种情况有所改善，很显然，那里在下雨。
玛娜和妹妹莱奥尼想尝试进山碰碰运气，为了能成行，她们找来了菲利普。交易很简单，玛娜用身体换食物和安全。半路上，菲利普的车坏了，而且汽油也用尽了。于是他们找到了一个废弃的加油站，希望能在修好车并找到点补给。在偶遇了一些饿得半死的家伙，而且莱奥尼被劫持为人知之后，菲利普找到了一个叫做汤姆的人，汤姆能把他们的车修好并带他们上山。菲利普同意和汤姆一起开始旅途——虽然同行的姑娘都不是很情愿。
事实证明，这一路并不平坦，而且他们的补给一直在莫名其妙地减少。几天的相处之后，玛娜觉得汤姆是一个比菲利普更为可靠的伴侣。可是无情的自然也总会令他陷入僵局和困顿。慢慢地，玛娜发现偷他们补给的人不仅仅是对食物和水感兴趣，它更大的兴趣还在于她本人。但是，如果她希望看到自己妹妹还活着，她就一定要克服自己的恐惧，在没有菲利普的情况下，独自一人面对这太阳的炙热以及抢匪的绑架与威胁。
一个巨大的挑战正在慢慢靠近——这是玛娜连做梦都无法料想到的巨大的挑战……

当一个过去的人物再次出现时，琼·维拉不知所措，带着她的儿子内森回到了乡下。在那里，她经历了过去浪漫遭遇的支离破碎的回忆。

犯罪年代剧《巴比伦柏林》背景设置在上世纪二十年代的柏林，故事聚焦社会大环境下的生活百态。

马克尔（拉斯·艾丁格 Lars Eidinger 饰）的父亲恩斯特（恩斯特·施托兹 Ernst Stötzner 饰）和母亲吉特（科琳娜·哈弗奇 Corinna Harfouch 饰）居住在德国南部的一个小城市之中。曾经，恩斯特是一位著名的出版商，出版过许多脍炙人口的鸿篇巨制。如今已经退休的他依旧没有荒废事业，仍然整日埋兽于卷轴之中。
吉特常年患有抑郁症，一直依靠药物控制。恩斯特即将前往中东进行研究，这也就意味着吉特将无人照拂。好在两人还有一个儿子雅各布（塞巴斯蒂安·季默 Sebastian Zimmler 饰），承担起了照顾母亲的责任。雅各布是一名牙医，在光鲜的表面下亦问题重重。某日，当一家人聚在一起度假时，吉特突然失踪了。