1968年，五月风暴席卷法国，学生运动风生水起。年轻的诗人弗朗西斯（Louis Garrel 路易斯•加莱尔 饰）逃避兵役，沉湎于大麻、诗歌和爱情之中，与好友安东尼一起，自由挥霍混乱时期的青春。不久一名叫莉莉的女孩出现在弗朗西斯面前，她是个雕塑师，在铸件厂工作。两人很快坠入爱河。 　　一年后，弗朗西斯依然过着颓废自由的生活，而机缘之巧合却使莉莉开始认真思考两人的将来……

2018年中法文化年重磅剧目，将在全国的8座城市巡演。
根据诺贝尔文学奖得主帕慕克的同名小说改编。
预计时长4小时（上半场2小时，下半场1小时30分，中场休息30分）
The poet Ka returns to Turkey after twelve years of exile in Germany. Recruited by an Istanbul newspaper, he plans to investigate the suicide of young veiled women in Kars. In this border town, where the Islamist party seems about to win the municipal elections, Ka also hopes to find the beautiful Ípek, who has just divorced. The snow falling on Kars, blocking all access to the outside, makes the theater of all possible.

三名法国记者在1978年收到红色高棉政权的邀请，前往柬埔寨，开始了一场危险的冒险。

安娜·玛丽已经和自己的男朋友阿雷克斯交往了六年，两人的关系不冷不热地维持着，因为阿雷克斯开始希望缔结真正的婚姻关系，而安娜·玛丽却仍然想保持自由身，两人于是友好分手。因为已经不再爱他，对于同阿雷克斯的分手安娜·玛丽没有感到任何的不适，然而很快她就听说阿雷克斯已经和另外一个女人同居并即将走入婚姻，听到这个消息，安娜·玛丽的心被嫉妒所吞噬了。她开始不由自主地想了解那个自己并不认识的女人，设法从互联网上搜索关于那个女人的消息，在城里不停地游荡只为了能和她不期而遇……
导演帕特里克·马里奥·伯纳德是一个艺术全才，对于造型艺术、戏剧以及电视电影作品制作均有建树。而本片的编剧皮埃尔·特里维迪奇是伯纳德电视节目制作的搭档，也是知名的剧作家，2006年的恺撒奖得主——电影《查泰莱夫人的情人》的剧本就是由他执笔。

« The scene is memory ». It is populated with a trio of faces: a mother, Amanda and her two children Laura and Tom. Amanda still pictures herself as a great southern lady. Tom provides for his family and rushes to the cinema whenever he gets the chance. Laura spends hours with her spun glass animals… Three solitudes almost behind closed doors, three frailties, three ways to dream of a different life. The plot is simple, elusive like a memory. After Arthur Miller’s A view from the bridge (2015-2016 grand prix of the Syndicat de la critique), Ivo van Hove returns to the Odéon with this founding masterpiece and offers Isabelle Huppert one of the mythical roles of the American repertoire.

« The scene is memory ». It is populated with a trio of faces: a mother, Amanda and her two children Laura and Tom. Amanda still pictures herself as a great southern lady. Tom provides for his family and rushes to the cinema whenever he gets the chance. Laura spends hours with her spun glass animals… Three solitudes almost behind closed doors, three frailties, three ways to dream of a different life. The plot is simple, elusive like a memory. After Arthur Miller’s A view from the bridge (2015-2016 grand prix of the Syndicat de la critique), Ivo van Hove returns to the Odéon with this founding masterpiece and offers Isabelle Huppert one of the mythical roles of the American repertoire.

« The scene is memory ». It is populated with a trio of faces: a mother, Amanda and her two children Laura and Tom. Amanda still pictures herself as a great southern lady. Tom provides for his family and rushes to the cinema whenever he gets the chance. Laura spends hours with her spun glass animals… Three solitudes almost behind closed doors, three frailties, three ways to dream of a different life. The plot is simple, elusive like a memory. After Arthur Miller’s A view from the bridge (2015-2016 grand prix of the Syndicat de la critique), Ivo van Hove returns to the Odéon with this founding masterpiece and offers Isabelle Huppert one of the mythical roles of the American repertoire.

Three solitudes behind almost-closed doors; three human frailties; three ways to dream of a different life. The plot is simple, and elusive like a memory. A live broadcast of Ivo van Hove's adaptation of Tennessee Williams' acclaimed play, The Glass Menagerie.

30岁的露茜只有一个想法：重新与已经分开好几年的11岁儿子迈克尔生活，但是现实生活是复杂的。当露茜发现迈克尔对摔跤运动的兴趣后，她与她的三个收银员同事组织了一个摔跤队。

2013 film directed by Mahamat-Saleh Haroun

Fred et Adam, un adolescent en rupture, ne se connaissent pas. Pourtant, grâce à une association, ils entreprennent ensemble le pèlerinage de Saint-Jacques-de-Compostelle. Elle cherche à apaiser son passé, il tente de canaliser sa colère et son sentiment d’abandon. Au fil des kilomètres, entre affrontements et instants suspendus, un lien fragile se tisse. Face aux épreuves du chemin, chacun découvre en lui une force insoupçonnée.