A figure like Plato or Hegel walks here among us! - Slavoj Zizek An heir to Jean-Paul Sartre and Louis Althusser. - New Statesman Badiou has been an intellectual hero of France's anti-capitalist left since the Paris street protests of 1968. - BBC HARDtalk One of the most important philosophers writing today. - Joan Copjec
The Age of the Poets revisits the age-old problem of the relation between literature and philosophy, arguing against both Plato and Heidegger’s famous arguments. Philosophy neither has to ban the poets from the republic nor abdicate its own powers to the sole benefit of poetry or art. Instead, it must declare the end of what Badiou names the “age of the poets,” which stretches from Hölderlin to Celan. Drawing on ideas from his first publication on the subject, “The Autonomy of the Aesthetic Process,” Badiou offers an illuminating set of readings of contemporary French prose writers, giving us fascinating insights into the theory of the novel while also accounting for the specific position of literature between science and ideology.

In the uprisings of the Arab world, Alain Badiou discerns echoes of the European revolutions of 1848. In both cases, the object was to overthrow despotic regimes maintained by the great powers - regimes designed to impose the will of financial oligarchies. Both events occurred after what was commonly thought to be the end of a revolutionary epoch: in 1815 the final defeat of Napoleon and in 1989 the fall of the Soviet Union. But the revolutions of 1848 proclaimed for a century and a half the return of revolutionary thought and action. Likewise, the uprisings under way today herald a worldwide resurgence in the liberating force of the masses - despite the attempts of the "international community" to neutralize its power. Badiou's book salutes this reawakening of history, weaving examples from the Arab Spring and elsewhere into a global analysis of the return of emancipatory universalism.

Badiou is widely considered to be France's most important and exciting contemporary thinker. Much of Badiou's earlier work (including "Being and Event") can only be fully understood with a clear grasp of "Theory of the Subject", one of his most important works."Theory of the Subject", first published in France in 1982, is without doubt one of Alain Badiou's most important works, laying many of the foundations for his magnum opus, "Being and Event". Here Badiou seeks to provide a theory of the subject for Marxism through a study of Lacanian psychoanalysis, offering a major contribution to Marxism, as well as to the larger debate regarding the relationship between psychoanalysis and philosophy.The book also provides a history and theory of structuralism and poststructuralism, a unique evaluation of the achievements of French Maoism during the 1970s and the significance of the events of May 1968, and breathtaking analyses of art and literature. As a theoretical synthesis, the book is extraordinary in terms of its originality, breadth and clarity. This is arguably Badiou's most creative and passionate book, encompassing the entire battlefield of contemporary theory, philosophy and psychoanalysis. Available for the first time in English, and including a new preface by the author, this is a must-read for anyone interested in this lively and highly original thinker.

Published in 1973, "L'Etourdit" was one of the French philosopher Jacques Lacan's most important works.
The book posed questions that traversed the entire body of Lacan's psychoanalytical explorations, including his famous idea that "there is no such thing as a sexual relationship," which seeks to undermine our certainties about intimacy and reality.
In There's No Such Thing as a Sexual Relationship, Alain Badiou and Barbara Cassin take possession of Lacan's short text, thinking "with" Lacan about his propositions and what kinds of questions they raise in relation to knowledge.
Cassin considers the relationship of the real to language through a Sophist lens, while the Platonist Badiou unpacks philosophical claims about truth.
Each of their contributions echoes back to one another, offering new ways of thinking about Lacan, his seminal ideas, and his role in advancing philosophical thought.

“We know that communism is the right hypothesis. All those who abandon this hypothesis immediately resign themselves to the market economy, to parliamentary democracy—the form of state suited to capitalism—and to the inevitable and ‘natural’ character of the most monstrous inequalities.”—Alain Badiou
Alain Badiou’s “communist hypothesis,” first stated in 2008, cut through the cant and compromises of the past twenty years to reconceptualize the Left. The hypothesis is a fresh demand for universal emancipation and a galvanizing call to arms. Anyone concerned with the future of the planet needs to reckon with the ideas outlined within this book.
“A figure like Plato or Hegel walks here among us!”—Slavoj Žižek
“A Little Red Book for our time?”—Platypus
“An heir to Jean-Paul Sartre and Louis Althusser.”—Lucy Wadham, New Statesman
“Shaking the foundations of Western liberal democracy.”—Times Higher Education Supplement
“One of the saddest, funniest books of the past 20 years.”—John Kappes, Cleveland Plain Dealer

«Pour les esprits sidérés par la référence constante et élogieuse à la Révolution culturelle et au maoïsme, et qui se montrent sceptiques ou franchement hostiles à l’idée même d’une réactivation de l’idée communiste, il y avait de quoi se réjouir à la perspective de voir Alain Badiou confronté à l’un des plus éminents théoriciens et défenseurs de la démocratie. À l’inverse, pour ceux qui considèrent que les penseurs de l’antitotalitarisme comme Marcel Gauchet ont fait le lit d’une re-légitimation du néolibéralisme en partie responsable de la crise actuelle, il y avait aussi de quoi se frotter les mains à l’idée de le voir débattre avec l’un des critiques les plus consistants et sévères du libéralisme contemporain.»

The very successful first volume followed the 2009 conference called in response to Alain Badiou’s “communist hypothesis,” where an all-star cast of radical intellectuals put the idea of communism back on the map. This volume brings together papers from the subsequent 2011 New York conference organized by Verso and continues this critical discussion, highlighting the continuing philosophical and political importance of the communist idea, and discussing how to take these essential ideas forward in a world of financial and social turmoil.

Pour Alain Badiou, le cinéma est une formation, un art de vivre et une pensée. Il a écrit son rapport au septième art en une trentaine de textes, de la fin des années 1950 à aujourd'hui, qui offrent une vision et une interprétation. Ces textes proposent un parcours varié dans les films de ces cinquante dernières années, des cinéastes de la modernité (Murnau, Tati, Oliveira, Antonioni, Godard) à certaines oeuvres de l'Amérique contemporaine (Matrix, Magnolia, Un monde parfait), en passant par des expériences singulières (Guy Debord, le cinéma de 68...). Les films pensent et c'est au philosophe de les voir et de transcrire cette pensée : de quel sujet un film est-il la mise en forme ?, voici la question où s'origine la réflexion cinématographique d'Alain Badiou. De ces textes, quelques idées spécifiques se dégagent : le cinéma est l'art qui rend justice à la figure humaine inscrite dans le monde ; le cinéma est vu dans une connexion " subjuguante " avec les autres arts ; le cinéma est un voyage imaginaire et une pensée de l'autre. Le philosophe développe également l'idée du cinéma comme " producteur d'une vérité du contemporain " et du film comme une " configuration sensible de la vérité du monde ". Le cinéma apparaît enfin comme un art impur qui vampirise son temps, les autres arts, les personnes, un art majeur en ce qu'il est précisément le lieu de l'indiscernabilité entre l'art et le non-art, ce qui en fait, explique-t-il, l'art social et politique par excellence, le meilleur marqueur d'une civilisation, comme le furent, en leur temps, la tragédie grecque, le roman picaresque, l'opérette.

Un dialogue inédit et exclusif entre deux des philosophes les plus influents de notre temps et qui ne s'étaient jamais rencontrés, Alain Badiou, figure de proue de la gauche radicale dans le monde et principal avocat de l'idée communiste, et Marcel Gauchet, représentant majeur de l'antitotalitarisme et défenseur de la démocratie libérale. Ensemble, ils font le bilan de l'Histoire et répondent chacun à leur manière à la question : l'Idée communiste peut-elle survivre à l'Histoire ? Un débat de fond, sans concession, entre deux intellectuels aux positions diamétralement opposées, mais qui se rejoignent sur la nécessité de redonner du sens à la politique et qui s'interrogent sur l'opportunité, face à la crise du capitalisme, de relancer une hypothèse mise à mal par l'Histoire.

Alain Badiou raconte sa traversée des années 1937 à 1985 en s'attachant à l'inscrire dans l'histoire politique de ce demi-siècle. Dans un théâtre mondial marqué par les bouleversements que l'on connaît se déroulent les péripéties d'une existence commencée au Maroc, passée par Toulouse, Reims et Paris. Enfance, adolescence et jeunesse de ce fils de professeurs résistants sont marquées par la Seconde Guerre mondiale puis la guerre d'Algérie, et forgent les convictions de celui qui se fera socialiste réformateur avant d'adhérer à l'expérience toute nouvelle du maoïsme.Ce XXᵉ siècle revisité éclaire d'un jour nouveau l'oeuvre de ce penseur phare du communisme et les origines du "gauchisme" à la française : c'est toute une époque et une génération pour laquelle l'engagement était le maître mot qui reprennent vie au fil des pages et nous donnent à réfléchir à notre propre rapport à la chose politique.

This is the first complete English translation of the work that immediately followed Badiou's magnum opus, "Being and Event" in which Badiou provides an overview of what he sees as the four great conditions of philosophy - this book is therefore central to an understanding of Badiou's whole philosophical project.Alain Badiou is without doubt the most important and influential thinker working in European philosophy today. "Conditions" is the first major collection of essays written after "Being and Event", his extraordinary magnum opus.Beginning with a sustained critique of the so-called 'end of philosophy', the book goes on to propose a new definition of philosophy, one that is tested with respect to both its origin, in Plato, and its contemporary state. The essays that follow are ordered according to what Badiou sees as the four great conditions of philosophy: philosophy and poetry, philosophy and mathematics, philosophy and politics, and philosophy and love. Conditions provides an illuminating reworking of all the major theories in "Being and Event". In so doing, Badiou not only develops the complexity of the concepts central to "Being and Event" but also adds new ones to his already formidable arsenal. The essays contained within "Conditions" reveal the extraordinary and systematic nature of Badiou's philosophical enterprise.