First in a series of hardcover box sets celebrating the literary achievement of Christopher Tolkien, featuring double-sided dustjackets. Set 1 contains special editions of THE SILMARILLION and UNFINISHED TALES reproducing the first edition text, together with the two volumes of THE BOOK OF LOST TALES.
The Silmarillion is an account of the Elder Days, of the First Age of Tolkien’s World. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them, such as Elrond and Galadriel, took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor.
Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth and the rise of Númenor in the Second Age to the end of the War of the Ring, and provides those who have read The Hobbit and The Lord of the Rings with a whole collection of background and new stories from the twentieth century’s most acclaimed popular author.
The Book of Lost Tales stands at the beginning of the entire conception of Middle-earth and Valinor for the Tales were the first form of the myths and legends that came to be called The Silmarillion. Embedded in English legend and English association, they are set in the narrative frame of a great westward voyage over the Ocean by a mariner named Eriol to the lonely Isle where the Elves dwelt; from them he learned their true history, the Lost Tales of Elfinesse.
In the two volumes of the Tales are found the earliest accounts of Gods and Elves, Dwarves, Balrogs and Orcs; of the Silmarils and the Two Trees of Valinor; of the geography and cosmology of Tolkien’s invented world.
Published together for the first time, these four books collect the beginning of Christopher Tolkien’s forty-year career devoted to presenting his father J.R.R. Tolkien’s writings on Middle-earth, a unique accomplishment that celebrates the greatest invented world in all of fantasy literature.

Special unjacketed hardback edition of the prelude to J.R.R. Tolkien’s epic masterpiece, The Lord of the Rings. This edition of The Silmarillion features the complete work with a unique cover design and black and red endpaper maps.
The Silmarillion is an account of the Elder Days, of the First Age of Tolkien’s World. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them, such as Elrond and Galadriel, took part.
The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor.
This special ‘collectors hardback’ edition of the work includes a unique cover design that illustrates Telperion and Laurelin, the Two Trees of Valinor, and the three Silmarils.

Primera edición independiente de uno de los dramas poéticos más importantes de Tolkien.
Obra sobre la naturaleza del heroísmo y la caballería durante la guerra.
El poema épico La batalla de Maldon, del que solo sobrevive un fragmento de 325 versos, es considerado el último fragmento sobreviviente de la antigua poesía épica inglesa. Es el poema en inglés antiguo que más influyó en la ficción de Tolkien, además del Beowulf.
Esta edición presenta por primera vez la traducción de Tolkien del poema original La batalla de Maldon junto con El regreso de Beorhtnoth, un diálogo dramático en verso que imagina las secuelas de la batalla.
Incluye también varios ensayos y conferencias de Tolkien sobre la versificación en inglés antiguo.

Painstakingly restored from Tolkien’s manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and Lúthien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien’s Middle-earth.
The tale of Beren and Lúthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year.
Essential to the story, and never changed, is the fate that shadowed the love of Beren and Lúthien: for Beren was a mortal man, but Lúthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Lúthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Lúthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril.
In this book Christopher Tolkien has attempted to extract the story of Beren and Lúthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.

In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar.
Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo's desires and designs.
Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo's designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon's daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.
At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Tuor and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.
Following his presentation of Beren and Lúthien Christopher Tolkien has used the same 'history in sequence' mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three 'Great Tales' of the Elder Days.

Second in a series of hardback boxed sets celebrating the literary achievement of Christopher Tolkien, featuring double-sided dustjackets. Includes THE LAYS OF BELERIAND, THE SHAPING OF MIDDLE-EARTH and THE LOST ROAD, which contain the early myths and legends that led to the writings of THE SILMARILLION.
The Lays of Beleriand gives us a privileged insight into the creation of the mythology of Middle-earth through the alliterative verse tales of two of the most crucial stories in Tolkien’s world – those of Túrin and of Beren and Lúthien. Accompanying the poems are commentaries on the evolution of the history of the Elder Days, together with the notable criticism of The Lay of Leithian by C.S. Lewis, who read the poem in 1929.
InThe Shaping of Middle-earth the chronological and geographical structure of the legends of Middle-earth and Valinor is spread before us. We are introduced to the hitherto unknown Ambarkanta or ‘Shape of the World’, the only account ever given of the nature of the imagined Universe, accompanied by maps and diagrams of the world before and after the cataclysms of the War of the Gods and the Downfall of Númenor. Also included are the original ‘Silmarillion’ of 1926, and the Quenta Noldorinwa of 1930 – the only version of the myths and legends of the First Age that J.R.R. Tolkien completed to their end.
The Lost Road completes the examination of Tolkien’s writing completes the examination of Tolkien's writing before he began The Lord of the Rings, presenting later forms of the annals of Valinor and Beleriand, the legend of the downfall of Númenor, and the abandoned ‘time-travel’ story The Lost Road, linking the world of Númenor and Middle-earth with the legends of many other times and peoples.
Published together for the first time, these three books comprise a fascinating period of Christopher Tolkien’s forty-year career devoted to presenting his father J.R.R. Tolkien’s writings on Middle-earth, itself a unique accomplishment that celebrates the greatest invented world in all of fantasy literature.

BOOK DESCRIPTION:<br /><br />Can you imagine writing to Father Christmas and actually getting a reply? For more than twenty years, the children of J.R.R. Tolkien received letters from the North Pole - from Father Christmas himself! They told wonderful stories of mischief and disaster, adventures, and battles: how the reindeer got loose and scattered presents all over the place, how the accident-prone Polar Bear climbed the North Pole and fell through the roof of Father Christmas's house, and many others.<br /><br />Now, for the first time, these letters are brought to life with specially arranged holiday music.<br /><br />REVIEW:<br /><br />"Tolkien at his relaxed and ingenious best." The Times of London<br /><br />ABOUT THE AUTHOR:<br /><br />J.R.R. TOLKIEN (1892-1973) is the creator of Middle-earth and author of such classic extraordinary works of fiction as 'The Hobbit', 'The Lord of the Rings', and 'The Silmarillion.' His books have been translated into more than fifty languages and have sold many millions of copies worldwide.<br /><br />©1997, 2004 (P)1997 Harper Collins UK

In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar.

Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo's desires and designs.

Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo's designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon's daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.

At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Tuor and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.

Following his presentation of Beren and Lúthien Christopher Tolkien has used the same 'history in sequence' mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three 'Great Tales' of the Elder Days.

„Upadek króla Artura”, jedyną wyprawę J.R.R. Tolkiena do świata legend arturiańskich, można śmiało uznać za jego najlepsze osiągnięcie w posługiwaniu się staroangielskim metrum. Przekształcił on dawne opowieści, nadając im atmosferę powagi i nieuchronności wydarzeń: zamorską wyprawę Artura, króla Brytanii, do dalekich pogańskich krain, ucieczkę Ginewry z Kamelotu, wielką bitwę morską po powrocie Artura do Brytanii, portret zdradzieckiego Mordreda, pełne udręki rozważania Lancelota w jego francuskim zamku. Niestety, „Upadek króla Artura” to jeden z tych poematów, których pisanie Tolkien zarzucił. Jednakże z tekstem poematu jest związanych wiele rękopisów, z których wyłaniają się wyraźne, choć tajemnicze związki zakończenia legendy arturiańskiej z „Silmarillionem” oraz niezrealizowany opis gorzkiego końca miłości Lancelota i Ginewry.

Nawet w tej fragmentarycznej i niedokończonej postaci „Upadek króla Artura” jest ewidentnie dziełem J.R.R. Tolkiena. To niedokończona, lecz niezwykle frapująca nowa wersja być może najsłynniejszej i najbardziej ulubionej brytyjskiej legendy, według syna autora i opiekuna jego literackiej spuścizny, Christophera Tolkiena, rozpoczęta na początku lat trzydziestych XX wieku i zarzucona w 1937 roku. Może nie był to zbieg okoliczności, że w tym właśnie roku został wydany „Hobbit”, dający czytelnikom przedsmak wymyślonego świata, który miał ukształtować wyobraźnię XX wieku i sięgnąć w wiek XXI.

(Informacja ze strony wydawcy)

Listy Tolkiena są obowiązkową lekturą dla każdego miłośnika i badacza jego dzieł.
Korespondencja z przyjaciółmi, wydawcami, a nawet fanami stanowi podstawowy komentarz do „Władcy Pierścieni” i zawiera wiele cennych uwag niezwykle przydatnych przy interpretowaniu mitologii Śródziemia. Wyłaniający się z listów portret, przedstawia autora jako gawędziarza, profesora, katolika, kochającego ojca i uważnego obserwatora otaczającego świata, a czytelnik ma szansę poznać go ze strony bardziej prywatnej.

OD TŁUMACZKI
Niniejsze, drugie polskie wydanie zbioru listów J.R.R. Tolkiena pod redakcją Humphreya Carpentera (wyd. I ukazało się nakładem Wydawnictwa Zysk i S-ka w 2000 r.) różni się od pierwszego przede wszystkim zmianami w terminologii dotyczącej stworzonego przez Tolkiena świata Śródziemia. Użyte w tamtej edycji nazwy własne, utworzone na potrzeby polskiego tłumaczenia „Władcy Pierścieni” przez Jerzego Łozińskiego, zostały zastąpione przez nazewnictwo autorstwa Marii Skibniewskiej. Jeśli tylko jest to możliwe, wszelkie cytaty oraz numeracja stron odsyłają do następujących polskich wydań podstawowych dzieł Tolkiena:
„Władca Pierścieni”, t. I–III, przeł. M. Skibniewska, Wydawnictwo Muza, Warszawa 2003 (nowa redakcja tłumaczenia, dlatego m.in. tytuł tomu I brzmi „Drużyna Pierścienia”, a nie „Wyprawa”, jak to było w wydaniach z 1961, 1981 i 1990 r.),
„Hobbit, czyli tam i z powrotem”, przeł. M. Skibniewska, Państwowe Wydawnictwo „Iskry”, Warszawa 1985,
„Niedokończone opowieści”, przeł. P. Braiter i A. Sylwanowicz, Wydawnictwo Atlantis-Rubicon, Warszawa 1994.
Wykorzystano też okazję, by poprawić błędy, które się wkradły do poprzedniego wydania. W obecnej edycji książka została zaopatrzona w indeks, na którego brak powszechnie narzekano.
Uważny Czytelnik dostrzeże, że pisownia niektórych słów i nazw własnych (np. mâmuk, Kirith) różni się od tej, którą znamy z opublikowanych dzieł J.R.R. Tolkiena. Nie jest to jednak błąd tłumaczki czy redaktora, lecz świadectwo ewoluowania językowych koncepcji Autora. Podobne są powody tego, że niekiedy te same słowa (imiona bohaterów, nazwy geograficzne czy wyrazy w językach elfów) w listach z różnych okresów różnią się zapisem, m.in. użyciem znaków diakrytycznych.

alternate cover edition of ASIN B0079KT81G

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.

Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001). Unforgettable!

【编辑推荐：】
　　平凡的霍比特人战栗在末日烈焰面前，他能战胜这噬灭灵魂的至尊魔戒吗？
　　★ 我们时代伟大的奇幻史诗。20世纪严肃想象力之源，蕴含对世间万物本真的好奇心与深刻的洞察力。
　　★ J.K.罗琳、乔治·马丁、彼得·杰克逊、阿西莫夫、阿瑟·克拉克……众天才敬仰的大师高峰。
　　★ 50种语言世间传诵，60载光阴历久弥新。
　　★ 托尔金基金会指定，全新纯正译本。托尔金专家邓嘉宛据《魔戒》50周年纪念版重译。
　　★ 面向未来的装帧设计。华语世界首次完整还原托尔金亲绘《魔戒》封面插画。

【内容简介：】
　　《精灵宝钻》是托尔金对中洲世界起源的设定，蕴含着他为英语民族塑造创世史诗的雄心，由小儿子克里斯托弗·托尔金在其身后整理出版。16幅全彩插画，译文全新修订，新增托尔金揭秘创作历程长文。
　　始有一如，“独一之神”，其名在世间称为伊露维塔。
　　精灵，一如的首生子女，永生永世热爱星光，他们的美丽并不凋谢或者消逝。
　　人类，次生子女，一如赐给了他们决定自己命运的自由，还有一样奇特的礼物——死亡。随着时间流逝，连众神亦会嫉羡。
　　精灵宝钻，由最有天赋的精灵——费艾诺造出。宝钻蕴藏着曾在双圣树上的维林诺之光，那是尚无任何堕落发生的太初时代的最后孑遗。一代黑暗魔君、堕落的魔苟斯盗走了它们。费艾诺众子发下亵渎神灵的誓言，执意离开家园，前去向大敌发动战争、复仇到底。他们蛊惑族人违背诸神，渡海出征。
　　同族相残，堕落由此开始……
　　
　　《霍比特人》在地底的洞府中住着一个霍比特人。比尔博，一个热爱安逸生活的霍比特人，自得其乐地待在袋底洞他的霍比特洞府里。清晨和煦，睿智巫师甘道夫的到来打破了宁静。“越过冰冷而又雾蒙蒙的大山，在那深深地下洞穴已有千年……”吟着古老的歌谣，十三个矮人将比尔博拽进冒险远行的队伍。在这趟“意外之旅”之中，与世无争的霍比特人比尔博，却孤身一人在暗如永夜的山底洞穴中发现了足以改变整个世界的小小戒指。
　　《霍比特人》自1937年首次出版，已被翻译成64种语言，销售超过1亿册，成为伟大的现代经典。17年后，续作《魔戒》出版。《霍比特人》完美地融合了史诗气派与童心稚趣。故事发生在精灵强盛的时代之后、人类统治的时代之前。那时著名的黑森林依然耸立，群山间仍充满艰险。如果此前你对这些浑然不知，那么随着这位平凡探险家的不凡旅程，你会和他一道顺便认识食人妖、半兽人、矮人和精灵，也会了解到那个遭到忽视的伟大时代。
　　初入世界的前路未知，正如去而复返后的无法忘怀。

　　《魔戒》这是一部为了世界的光明未来，誓死抵抗黑暗的伟大史诗。魔戒，拥有统御众戒、奴役世界的力量，黑暗魔君索隆苦觅已久。为了守护家园，魔戒继承人弗罗多毅然离开宁谧淳朴的夏尔，踏上前途未卜的旅途。与他同行的是睿智的巫师、勇敢的人类、美善的精灵、坚毅的矮人和热爱和平的霍比特人。征途见证了勇气与友谊。跃马客栈里的重重暗影，卡扎督姆桥的怒吼炎魔，勇猛骁勇的洛汗骠骑，范贡森林的上古树须，凄厉嘶嚎的邪恶戒灵，陡峭山壁旁的巨型毒蛛……每个人各自抵御着无尽的诱惑与磨难，承担起属于自己的善恶考验。
　　平凡的霍比特人战栗在末日烈焰面前，他能战胜这噬灭灵魂的魔戒吗？
　　全书共三部：《魔戒同盟》《双塔殊途》《王者归来》。
　　奥斯卡桂冠《指环王》三部曲电影原著小说。

【作者简介：】
　　J.R.R. 托尔金（J.R.R.Tolkien），英国文豪，天才的语言学家，生于1892年1月3日，1925年开始担任牛津大学教授。他创造了一系列脍炙人口的中洲世界史诗，影响最为深远的是《霍比特人》和《魔戒》。这两部巨作，被誉为当代奇幻作品的鼻祖。1972年3月28日，托尔金获英国女王伊丽莎白二世颁发的大英帝国指挥官勋章。
　　托尔金于1973年9月2日在牛津逝世。托尔金身后，其作品声名未减，至今已畅销2.5亿余册，《魔戒》在英国Waterstones书店和第四频道合办的票选活动中被选为20世纪之书，被亚马逊网络书店票选为两千年以来最重要的书籍。

　　编者：克里斯托弗·托尔金（Christopher Tolkien），J.R.R. 托尔金的小儿子，托尔金文学遗产执行人，整理编辑有《精灵宝钻》《胡林的子女》以及十二卷本《中洲历史》等作品，曾为《魔戒》绘制地图。

Begin your journey into Middle-earth.A New Legend Begins on Prime Video, in The Lord of the The Rings of Power .The second part of J.R.R. Tolkien’s epic adventure THE LORD OF THE RINGS .The Fellowship is scattered. Some prepare for war against the Dark Lord. Some fight against the treachery of the corrupt wizard Saruman. Only Frodo and Sam are left to take the accursed Ring to be destroyed in the fires of Mount Doom.Mount Doom lies in the very heart of the Dark Lord’s realm. Their only guide on the perilous journey is Gollum, a deceitful and obsessive creature who once possessed the Ring and longs to wield its power once again.As dark forces assemble, the fate of Middle-earth rests with two lonely hobbits – but is Gollum leading them to their deaths?

J.R.R. Tolkien's classic prelude to his Lord of the Rings trilogy...Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely traveling any farther than his pantry or cellar. But his contentment is disturbed when the wizard Gandalf and a company of dwarves arrive on his doorstep one day to whisk him away on an adventure. They have launched a plot to raid the treasure hoard guarded by Smaug the Magnificent, a large and very dangerous dragon. Bilbo reluctantly joins their quest, unaware that on his journey to the Lonely Mountain he will encounter both a magic ring and a frightening creature known as Gollum.Written for J.R.R. Tolkien's own children, The Hobbit has sold many millions of copies worldwide and established itself as a modern classic.

Der Schauplatz des Herrn der Ringe ist Mittelerde, eine alternative Welt, und erzählt wird von der gefahrvollen Quest einiger Gefährten, die in einem dramatischen Kampf gegen das Böse endet.

Durch einen merkwürdigen Zufall fällt dem Hobbit Bilbo Beutlin ein Zauberring zu, dessen Kraft, käme er in die falschen Hände, zu einer absoluten Herrschaft des Bösen führen würde. Bilbo übergibt den Ring an seinen Neffen Frodo, der den Ring in der Schicksalskluft zerstören soll.

Hobbits sind kleine, gemütliche Leute, dabei aber erstaunlich zäh. Sie leben in einem ländlichen Idyll, dem Auenland.

《精灵宝钻》（The Silmarillion），是英国牛津大学教授兼语言学家J.R.R.托尔金的传奇神话故事，也是耗尽托尔金一生心血创作而成的优秀作品。本书被称赞“一本严酷、悲伤、细密构思而又美丽不已的书，充满著英雄主义与希望”。
“精灵宝钻”是意译，最早出现于2002年由邓嘉宛翻译，联经出版社出版的译本中。“Silmarillion”在昆雅语中是“茜玛丽尔（Silmaril）”的复数所有格，故原标题可理解为“关于众茜玛丽尔的故事”。其中茜玛丽尔是指诺多族的王子费诺以物质茜丽玛（Silima）所打造出的宝石名字，在昆雅语中意为“纯净光芒的光辉”。因此，“精灵宝钻”是一个恰当而不失文雅的译名，在国内也常以“精灵宝钻”称呼“茜玛丽尔”。
托尔金创作《精灵宝钻》共花费了60年时间（1917年初稿至1973年托尔金去世仍未完成，1977年由其子整理出版）。本书从浩大壮阔的宇观宏景，到缠绵悱恻的浪漫传说，架构的神话世界格局恢弘精深，托尔金自称该史诗的类型为“Legendarium（可理解作神话故事集）”，并认为撰写和阅读神话是对生命中最重要的真理的沉思。
全书共五部分：《埃努的大乐章》、《维拉本纪》、《精灵宝钻争战史》、《努曼诺尔沦亡史》、《魔戒及第三纪元》。

THE RETURN OF THE KING, which brings to a close the great epic of war and adventure begun in The Fellowship of the Ring and continued in The Two Towers, is the third and final part of J. R. R. Tolkien’s masterpiece, “The Lord of the Rings.”

In these three books, which form one continuous narrative, Tolkien created the saga of the Hobbits of Middle-earth and the great War of the Rings. Praised by such writers and poets as W. H. Auden, Richard Hughes and C. S. Lewis, “The Lord of the Rings” – that special world of beauty and terror and meaning – holds a secure place among the books that will live.
--back cover

The Two Towers. Book Two in J.R.R. Tolkien's acclaimed trilogy, a masterpiece of high fantasy.

Frodo and his Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in a battle in the Mines of Moria. And Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape, the rest of the company was attacked by Orcs.

Now they continue the journey alone down the great River Anduin -- alone, that is, save for the mysterious creeping figure that follows wherever they go.

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them.

In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell into the hands of Bilbo Baggins, as told in The Hobbit .

In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.