此ISBN最早使用于1995年的版本。最初封面为黑太阳，此封面共印刷九次。第十次印刷时改为红太阳，由此恢复托老原本意愿。值得注意的是，HC于2007年出版的广为人知的70周年纪念版仍沿用了此ISBN。

Before "The Hobbit" and "The Lord of the Rings" came this previously unpublished work by Tolkien, written during the 1920s and 1930s, that makes available the author's extensive retelling in English narrative verse of the epic Norse tales of Sigurd the Volsung and The Fall of the Niflungs.

The translation of Beowulf by J.R.R. Tolkien was an early work, very distinctive in its mode, completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication. This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book.
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From his creative attention to detail in these lectures there arises a sense of the immediacy and clarity of his vision. It is as if he entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beached their ship on the coast of Denmark, listening to the rising anger of Beowulf at the taunting of Unferth, or looking up in amazement at Grendel’s terrible hand set under the roof of Heorot.
But the commentary in this book includes also much from those lectures in which, while always anchored in the text, he expressed his wider perceptions. He looks closely at the dragon that would slay Beowulf "snuffling in baffled rage and injured greed when he discovers the theft of the cup"; but he rebuts the notion that this is "a mere treasure story", "just another dragon tale". He turns to the lines that tell of the burying of the golden things long ago, and observes that it is "the feeling for the treasure itself, this sad history" that raises it to another level. "The whole thing is sombre, tragic, sinister, curiously real. The ‘treasure’ is not just some lucky wealth that will enable the finder to have a good time, or marry the princess. It is laden with history, leading back into the dark heathen ages beyond the memory of song, but not beyond the reach of imagination." Sellic spell, a "marvellous tale", is a story written by Tolkien suggesting what might have been the form and style of an Old English folk-tale of Beowulf, in which there was no association with the "historical legends" of the Northern kingdoms.

The Children of Hurin is the first complete book by J.R.R.Tolkien since the 1977 publication of The Silmarillion. Six thousand years before the One Ring is destroyed, Middle-earth lies under the shadow of the Dark Lord Morgoth. The greatest warriors among elves and men have perished, and all is in darkness and despair. But a deadly new leader rises, Turin, son of Hurin, and with his grim band of outlaws begins to turn the tide in the war for Middle-earth -- awaiting the day he confronts his destiny and the deadly curse laid upon him. The paperback edition of The Children of Hurin includes eight color paintings by Alan Lee and a black-and-white map.

Throughout this vast and intricate mythology, says Publishers Weekly, "one marvels anew at the depth, breadth, and persistence of J.R.R. Tolkien's labor. No one sympathetic to his aims, the invention of a secondary universe, will want to miss this chance to be present at the creation." In this capstone to that creation, we find the chronology of Middle-earth's later Ages, the Hobbit genealogies, and the Western language or Common Speech. These early essays show that Tolkien's fertile imagination was at work on Middle-earth's Second and Third Ages long before he explored them in the Appendices to The Lord of the Rings . Here too are valuable writings from Tolkien's last years: " The New Shadow," in Gondor of the Fourth Age, and" Tal-elmar," the tale of the coming of the Nœmen-rean ships.

In this sixth volume of The History of Middle-earth the story reaches The Lord of the Rings. In The Return of the Shadow (an abandoned title for the first volume) Christopher Tolkien describes, with full citation of the earliest notes, outline plans, and narrative drafts, the intricate evolution of The Fellowship of the Ring and the gradual emergence of the conceptions that transformed what J.R.R. Tolkien for long believed would be a far shorter book, 'a sequel to The Hobbit'. The enlargement of Bilbo's 'magic ring' into the supremely potent and dangerous Ruling Ring of the Dark Lord is traced and the precise moment is seen when, in an astonishing and unforeseen leap in the earliest narrative, a Black Rider first rode into the Shire, his significance still unknown. The character of the hobbit called Trotter (afterwards Strider or Aragorn) is developed while his indentity remains an absolute puzzle, and the suspicion only very slowly becomes certainty that he must after all be a Man. The hobbits, Frodo's companions, undergo intricate permutations of name and personality, and other major figures appear in strange modes: a sinister Treebeard, in league with the Enemy, a ferocious and malevolent Farmer Maggot.
The story in this book ends at the point where J.R.R. Tolkien halted in the story for a long time, as the Company of the Ring, still lacking Legolas and Gimli, stood before the tomb of Balin in the Mines of Moria. The Return of the Shadow is illustrated with reproductions of the first maps and notable pages from the earliest manuscripts.

At the end of the 1937 J.R.R. Tolkien reluctantly set aside his now greatly elaborated work on the myths and heroic legends of Valinor and Middle-earth and began The Lord of the Rings. This fifth volume of The History of Middle-earth, edited by Christopher Tolkien, completes the presentation of the whole compass of his writing on those themes up to that time. Later forms of the Annuals of Valinor and the Annals of Berleriand had been composed, The Silmarillion was nearing completion in a greatly amplified version, and a new map had been made; the myth of the Music of the Ainur had become a separate work; and the legend of the Downfall of Numenor had already entered in a primitive form, introducing the cardinal ideas of the World Made Round and the Straight Path into the vanished West.
Closely associated with this was the abandoned time-travel story, The Lost Road, which was to link the world of Numenor and Middle-earth with the legends of many other times and peoples.
A long essay, The Lhammas, had been written on the ever more complex relations of the languages and dialects of Middle-earth; and an etymological dictionary had been undertaken, in which a great number of words and names in the Elvish languages were registered and their formation explained - thus providing by far the most extensive account of their vocabularies that has appeared.

This is the fourth volume of The History of Middle-earth, edited by Christopher Tolkien, the first two comprising The Book of Lost Tales Parts One and Two, and the third The Lays of Beleriand.
It has been given the title The Shaping of Middle-earth because the writings it includes display a great advance in the chronological and geographical structure of the legends of Middle-earth and Valinor. The hitherto wholly unknown "Ambarkanta," or Shape of the World, is the only account ever given of the nature of the imagined Universe, and it is accompanied by diagrams and maps of the world before and after the cataclysms of the War of the Gods and the Downfall of Numenor. The first map of Beleriand, in the North-west of Middle-earth, is also reproduced and discussed. In the "Annals of Valinor" and the "Annals of Beleriand" the chronology of the First Age is given shape; and with these are given the fragments of the translations into Anglo-Saxon made by Aelfwine, the Englishman who voyaged into the True West and came to Tol Eressea, the Lonely Isle, where he learned the ancient history of Elves and Men.
Also included are the original "Silmarillion," written in 1926, from which all the later development proceeded, and the "Quenta Noldorinwa" of 1930, the only version of the myths and legends of the First Age that J.R.R. Tolkien completed to their end. As Christopher Tolkien continues editing the unpublished papers that form the bedrock from which The Lord of the Rings and The Silmarillion were quarried, the vastness of his father's accomplishment becomes even more extraordinary.

This is the third volume of the History of Middle-earth, which comprises here-tofore unpublished manuscripts that were written over a period of many years before Tolkien's Simlarillion was published. Volumes 1 and 2 were the Book of Lost Tales, Part One and The Book of Lost Tales, Part Two. Together, these volumes encompass an extraordinarily extensive body of material ornamenting and buttressing what must be the most fully realized world ever to spring from a single author's imagination.
"I write alliterative verse with pleasure," wrote J.R.R. Tolkien in 1955, "though I have published little beyond the fragments in The Lord of the Rings, except The Homecoming of Beorhtnoth." The first of the poems in The Lays of Beleriand is the previously unpublished Lay of the Children of Hurin, his early but most sustained work in the ancient English meter, intended to narrate on a grand scale the tragedy of Turin Turambar. It was account of the killing by Turin of his friend Beleg, as well as a unique description of the great redoubt of Nargothrond.
The Lay of the Children of Hurin was supplanted by the Lay of Leithian, "Release from Bondage", in which another major legend of the Elder Days received poetic form, in this case in rhyme. The chief source of the short prose tale of Beren and Luthien is The Silmarillion.
This, too, was not completed, but the whole Quest of the Silmaril is told, and the poem breaks off only after the encounter with Morgoth in his subterranean fortress. Many years later, when The Lord of the rings was finished, J.R.R. Tolkien returned to the Lay of Leithian and started on a new version, which is also given in this book.
Accompanying the poems are commentaries on the evolution of the history of the Elder Days, which was much developed during the years of the composition of the two Lays. Also included is the notable criticism in detail of the Lay of Lethian by C.S. Lewis, Tolkien's friend and colleague, who read the poem in 1929. By assuming that this poem is actually a fragment from a past lost in history, Lewis underlined the remarkable power of its author's imaginative talents and academic competence.