"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart)
The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged.
Each volume features:
* Authoritative, reliable texts
* High quality introductions and notes
* New, more readable trade trim size
* An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts

The acclaimed Pelican Shakespeare series, now in a dazzling new series design.
This edition of Macbeth is edited with an introduction by series editor Stephen Orgel. and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. Cover artist Manuja Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series.
The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.

The acclaimed Pelican Shakespeare series, now in a dazzling new series design<br /><br />Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition<br /><br />Gold Medal Winner of the 3×3 Illustration Annual No. 14<br /> <br />This edition of The Tempest is edited with an introduction and notes by Peter Holland and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series.<br /><br />The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.<br /><br />For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.<br /><br />Source: penguinrandomhouse.com

In its towering central characters, vast geographical and historical sweep, and its variety of style and mood, Anthony and Cleopatra is perhaps the most ambitious of Shakespeare's designs. Yet the degree and nature of its success remain surprisingly contentious, and performances of the play have seldom matched the extravagant expectations of its admirers. Michael Neill's wide-ranging introduction from a number of angles, including those of gender and race. He examines the sources and discusses the theatrical challenge presented by Shakespeare's technique, with its extraordinary tensions between rhetoric and action. A full stage history further illustrates its theatrical fortunes; both here and in the extensive commentary this edition illuminates the play's theatrical dimensions as well as the rich complexity of its poetic language. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

For anyone who's in love - or hopes to be - what greater celebration could there be than to hear the world's greatest love poetry read lovingly by Richard Armitage? With 15 poems by William Shakespeare, Edgar Allan Poe, Elizabeth Barrett Browning, and more, Classic Love Poems is a listening treat for Valentine's Day - or any day.
Included in this collection are:
• "How do I love thee?" by Elizabeth Barrett Browning
• "Sonnet 116" by William Shakespeare
• "Annabel Lee" by Edgar Allan Poe
• "To Be One with Each Other" by George Eliot
• "Maud" by Alfred, Lord Tennyson
• "To His Coy Mistress" by Andrew Marvell
• "Bright Star" by John Keats
• "Love's Philosophy" by Percy Bysshe Shelley
• 1 Corinthians 13:4-8
• "Meeting at Night" by Robert Browning
• "The Dream" by Edna St. Vincent Millay
• "The Passionate Shepherd to His Love" by Christopher Marlowe
• "I carry your heart" by e. e. cummings
• "She Walks in Beauty" by Lord Byron
• "Give All to Love" by Ralph Waldo Emerson
Length: 22 mins / Public Domain (P)2015 Audible Inc.

Each edition includes: • Freshly edited text based on the best early printed version of the play • Full explanatory notes conveniently placed on pages facing the text of the play • Scene-by-scene plot summaries • A key to famous lines and phrases • An introduction to reading Shakespeare's language • An essay by an outstanding scholar providing a modern perspective on the play • Illustrations from the Folger Shakespeare Library's vast holdings of rare books Essay by Susan Snyder The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.

The Arden Shakespeare has long been acclaimed as the established scholarly edition of Shakespeare's work. Now being totally reedited for the third time, Arden editions offer the very best in contemporary scholarship. Each volume provides a clear and authoritative text, edited to the highest standards; detailed textual notes and commentary on the same page of the text; full contextual, illustrated introduction, including an in-depth survey of critical and performance approaches to the play; and selected bibliography.

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Among Shakespeare's plays, Hamlet is considered by many his masterpiece. Among actors, the role of Hamlet, Prince of Denmark, is considered the jewel in the crown of a triumphant theatrical career. Now Kenneth Branagh plays the leading role and co-directs a brillant ensemble performance. Three generations of legendary leading actors, many of whom first assembled for the Oscar-winning film Henry V, gather here to perform the rarely heard complete version of the play. This clear, subtly nuanced, stunning dramatization, presented by The Renaissance Theatre Company in association with Bbc Broadcasting, features such luminaries as Sir John Gielgud, Derek Jacobi, Emma Thompson and Christopher Ravenscroft. It combines a full cast with stirring music and sound effects to bring this magnificent Shakespearen classic vividly to life. Revealing new riches with each listening, this production of Hamlet is an invaluable aid for students, teachers and all true lovers of Shakespeare -- a recording to be treasured for decades to come. --This text refers to an out of print or unavailable edition of this title.

The Oxford School Shakespeare is a well-established series which helps students understand and enjoy Shakespeare's plays. As well as the complete and unabridged text, each play in this series has an extensive range of students' notes. These include detailed and clear explanations of difficult words and passages, a synopsis of the plot, summaries of individual scenes, and notes on the main characters. Also included is a wide range of questions and activities for work in class, together with the historical background to Shakespeare's England, a brief biography of Shakespeare, and a complete list of his plays. Roma Gill, the series editor, has taught Shakespeare at all levels. She has acted in and directed Shakespeare's plays, and has lectured on Shakespeare all over the world.

An elaborately annotated edition of Shakespeare's masterpieces of wit and erotic word-play.
When a volume of poetry entitled Shakespeares Sonnets. Never before Imprinted appeared in 1609, Shakespeare was forty-five and most of his greatest plays had seen several performances. Some of the sonnets, speaking of the begetting of children, mortality and memory, art, desire and jealousy, are addressed to a beloved youth; others are addressed to a treacherous mistress, a "dark lady." Appended to the sonnets is "A Lover's Complaint," a beautiful poem in rhyme-royal in which a young woman is overheard lamenting her betrayal by a heartless seducer.
While Shakespeare's biographers continue their investigations, readers may find the "secret" of the sonnets in the poetry itself. In this spirit John Kerrigan provides an illuminating Introduction to the volume as a whole, together with 258 pages of commentaries on the poems, a textual history, and suggestions for further reading.
Edited with an Introduction by John Kerrigan.

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Book Description
Presents the story of Antonio who risks his life to borrow money from his enemy, Shylock, and is saved by Portia, an heiress posing as a lawyer.
Book Dimension
length: (cm)17.1 　　　 　　　　　 　　　　　 width:(cm)10.8

From Longman's new Cultural Editions Series, Othello, edited by prominent Shakespearean scholar Clare Carroll, includes Othello, Cary's The Tragedy of Mariam, Fair Queen of Jewry, and source materials on early modern ethnography and on women and gender. Longman Cultural Editions are a new series of teaching texts edited by prominent scholars. In addition to Othello, the second volume offer Frankenstein, with selections from Mary Shelley's journals and contextual materials on Romantic images of Satan. Other titles offered in the series include Dickens' Hard Times, Mary Shelley's Frankenstein, and Jane Austen's Pride and Prejudice. Future titles will include Shakespeare's King Lear and Beowulf.

If there ever has been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be the Applause Folio Texts. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. The heavy mascara of four centuries of Shakespearean glossing has by now glossed over the original countenance of Shakespeare's work. Never has there been a Folio available in modern reading fonts. While other complete Folio editions continue to trade simply on the facsimile appearance of the Elizabethan "look," none of them is easily and practically utilized in general Shakespeare studies or performances.

William Shakespeare:
Pericles
Cymbeline
The Winter's Tale
The Tempest
edited by David Bevington with a Foreword by Joseph Papp
Bantam Classics

The acclaimed Pelican Shakespeare series, now in a dazzling new series design
This edition of King Lear presents a conflated text, combining the 1608 Quarto and 1623 Folio Texts, edited with an introduction by series editor Stephen Orgel and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series.
The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.

An ageing king makes a capricious decision to divide his realm among his three daughters according to the love they express for him. When the youngest daughter refuses to take part in this charade, she is banished, leaving the king dependent on her manipulative and untrustworthy sisters. In the scheming and recriminations that follow, not only does the king's own sanity crumble, but the stability of the realm itself is also threatened.

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Though this great tragedy of unsurpassed intensity and emotion is played out against Renaissance splendor, its story of the doomed marriage of a Venetian senator’s daughter, Desdemona, to a Moorish general, Othello, is especially relevant to modern audiences. The differences in race and background create an initial tension that allows the horrifyingly envious villain Iago methodically to promote the “green-eyed monster” jealousy, until, in one of the most deeply moving scenes in theatrical history, the noble Moor destroys the woman he loves–only to discover too late that she was innocent.
Each Edition Includes:
• Comprehensive explanatory notes
• Vivid introductions and the most up-to-date scholarship
• Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English
• Completely updated, detailed bibliographies and performance histories
• An interpretive essay on film adaptations of the play, along with an extensive filmography