The core of the ground-breaking, three text edition, this self-contained, free-standing volume gives readers the Second Quarto text (1604-5) and includes in its Introduction, notes and Appendices all the reader might expect to find in any standard Arden edition. As well as a full, illustrated Introduction to the play's historical, cultural and performance contexts and a thorough survey of critical approaches to the play, an appendix contains the additional passages found only in the 1623 text."The new Arden Hamlet is a pathbreaking edition, one that promises to change irrevocably our understanding of Shakespeare's greatest play."- Professor James Shapiro, author of 1599: A Year in the Life of William Shakespeare'Hamlet's latest editors have undertaken a heroic task with great skill and thoroughnesss.' - Stanley Wells, The Observer"(The) new Arden Hamlet is quite simply the most comprehensive edition of the play currently available, a status I suspect it will enjoy for many years to come" - The British Theatre Guide"Stunning! There is absolutely no doubt about this being the text to buy if you are studying the play at A Level. And the same stands for those students who will be studying the play at university. This critical edition gives the reader the Second Quarto Text (1604-1605), annotated with intelligence and care, a wealth of historical and cultural references and a survey of different critical approaches to the play."- The Use of English, The English Association

The Winter's Tale, one of Shakespeare's later romantic comedies, offers a striking and challenging mixture of tragic and violent events, lyrical love-speeches, farcical comedy, pastoral song and dance, and, eventually, dramatic revelations and reunions. Thematically, there is a rich orchestration of the contrasts between age and youth, corruption and innocence, decline and regeneration. Both Leontes' murderous jealousy and Perdita's love-relationship with Florizel are eloquently intense. In the theatre, The Winter's Tale often proves to be diversely entertaining and deeply moving.

Here are the books that help teach Shakespeare plays without the teacher constantly needing to explain and define Elizabethan terms, slang, and other ways of expression that are different from our own. Each play is presented with Shakespeare's original lines on each left-hand page, and a modern, easy-to-understand "translation" on the facing right-hand page. All dramas are complete, with every original Shakespearian line, and a full-length modern rendition of the text.

One of the most controversial and problematic of all of Shakespeare's plays, The Taming of the Shrew is a typical Elizabethan domestic comedy written around 1592. Petruchio, a gentleman of Verona, arrives in Padua and announces to his friends that "I come to wive it wealthily in Padua; / If wealthily, then happily in Padua". He soon finds that a group of men keen to marry Bianca, the younger daughter of rich old Baptista, are frustrated by her elder, "shrewish" sister, Katherine. There is much subsequent hilarity as Bianca's suitors make a bet with Petruchio that he cannot "tame" and marry Katherine. Despite Katherine's protestations, Petruchio goes ahead with the match, using deliberately unorthodox behaviour to confuse Katherine (including a scene where he starves her), claiming that "this is the way to kill a wife with kindness". The play culminates with a scene of Katherine's apparently spontaneous subjection to her husband's will, where she places her hand beneath her husband's foot, and tells the other wives present that "thy husband is thy lord, thy life, thy keeper". The play's gratuitous scenes of women being abused and vilified in the name of "comedy" has made many directors and critics very uncomfortable with the play, and many feminist critics have condemned contemporary productions of the play as reproducing certain 16th-century stereotypes concerning women who speak out against male authority. --Jerry Brotton --This text refers to the Paperback edition.

Macbeth is one of Shakespeare's four great tragedies, encompassing witchcraft, bloody murder, ghostly apparitions as well as high poetry, blended in such a way as to demonstrate the assured dramatic touch of Shakespeare's maturity. Macbeth's tragedy is that of a good, brave and honourable man turned into the personification of evil by the workings of unreasonable ambition. It was a lesson lost on King James I & VI, for whom the play was written.

This richly annotated edition takes a fresh look at the first part of Shakespeare's second tetralogy of history plays, showing how it relates to the other plays in the sequence. Forker places the play in its political context, discussing its relation to competing theories of monarchy, looking at how it faced censorship because of possible comparisons between Richard II and Elizabeth I, and how Bolingbroke's rebellion could be compared to the Essex rising of the time. This edition also reconsiders Shakespeare's use of sources, asking why he chose to emphasise one approach over another. Forker also looks at the play's rich afterlife, and the many interpretations that actors and directors have taken. Finally, the edition looks closely at the aesthetic relationship between language, character, structure and political import.

《莎士比亚全集》是1623年，莎士比亚的演员同僚们倾注心血集结出版了历史上第一本，著名的第一对开本，这是300多年来许多导演和演员最为钟爱的莎士比亚文本。三个多世纪以后，应英国皇家莎士比亚剧团的邀约，当今世界最为著名的两位莎学专家。Jonathan Bate 和 Eric Rasmussen 采用最新的研究方法和成果，对第一对开本进行了首次全面修订。谨以这本用莎士比亚手迹作封面背景的全新《莎士比亚全集》献给2l世纪的中国读者。

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

Book Description
The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespeare's works. The textual editing endeavours to take account of recent scholarship while giving the material a careful reappraisal. About this book: Love, sex and death are the components of Shakespeare's classic story of the love of two young people which reaches across the barriers of family and convention. It encompasses great love, high drama, low comedy and a tragic ending. Romeo and Juliet is a pure tragedy of youth told in verse that is both youthful and intense. The loveliness and the music of the poetry make believable the otherwise commonplace afflictions of blighted love. The beautiful personification of some of the main characters has caused Romeo, Juliet, Mercutio and the Nurse to become part of the world's literary mythology.
Love, sex and death are the components in this story of the love of two young people which reaches across the barriers of family and convention. It encompasses great love, high drama, low comedy and a tragic ending.
Book Dimension :
length: (cm)19.8 width:(cm)12.6
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罗密欧与朱丽叶

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Folger Shakespeare Library The world's leading center for Shakespeare studies Each edition includes: Freshly edited text based on the best earlyprinted version of the play Full explanatory notes conveniently placed on pages facing the text of the play Scene-by-scene plot summaries A key to famous lines and phrases An introduction to reading Shakespeare's language An essay by an outstanding scholar providing a modern perspective on the play Illustrations from the Folger Shakespeare Library's vast holdings of rare books Essay by Gail Kern Paster The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs.

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An exciting new edition of the complete works of Shakespeare with these features:Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages.

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The gentle melancholy and lyrical atmosphere of Twelfth Night have long made the play a favourite with Shakespearian audiences. The plot revolves around mistaken identities and unrequited love, but is further enlivened by a comic sub-plot of considerable accomplishment. In it, Sir Toby Belch and his companion outwit the pretentious Malvolio, who despite suffering their most outrageous and insulting practical jokes, emerges as an almost noble figure.

Hamlet is not only one of Shakespeare's greatest plays, but also the most fascinatingly problematical tragedy in world literature. First performed around 1600, this a gripping and exuberant drama of revenge, rich in contrasts and conflicts. Its violence alternates with introspection, its melancholy with humour, and its subtlety with spectacle. The Prince, Hamlet himself, is depicted as a complex, divided, introspective character. His reflections on death, morality and the very status of human beings make him 'the first modern man'.