Ecrite en 1954, cette nouvelle d'inspiration autobiographique raconte l'amitié intense entre Sylvie et Andrée, dite Zaza. Les deux filles se sont connues et appréciées dès leur première rencontre sur les bancs de l'école et ne se sont plus quittées jusqu'à la mort d'Andrée.

Set in Paris on the eve of World War II and sizzling with love, anger, and revenge, She Came to Stay explores the changes wrought in the soul of a woman and a city soon to fall. Although Fran oise considers her relationship with Pierre an open one, she falls prey to jealousy when the gamine Xavi re catches his attention. The moody young woman from the countryside pries her way between Fran oise and Pierre, playing up to each one and deviously pulling them apart, until the only way out of the triangle is destruction. "Behind the sympathy there is curiosity. . . . A writer whose tears for her characters freeze as they drop." Sunday London Times

Blonde bombshell Brigitte Bardot was more than just a participant; she triggered change and for a short period became its icon. Always controversial and hotly debated, national obsession and blonde bombshell Bardot led France to a new vision of femininity both on and off screen.
Brigitte Anne-Marie Bardotis a French former actress, singer, and fashion model, who later became an animal rights activist. She was one of the best known sex symbols of the 1950s and 1960s, and was widely referred to simply by her initials. Starting in 1969, Bardot became the official face of Marianne (who had previously been anonymous) to represent the liberty of France. Bardot was an aspiring ballerina in early life. She started her acting career in 1952 and, after appearing in 16 routine comedy films with limited international release, became world-famous in 1957 with the controversial film And God Created Woman. She later starred in Jean-Luc Godard's 1963 film Le Mépris. Bardot was nominated for a BAFTA Award for Best Foreign Actress for her role in Louis Malle's 1965 film Viva Maria!. Bardot caught the attention of French intellectuals. She was the subject of Simone de Beauvoir's 1959 essay, The Lolita Syndrome, which described Bardot as a "locomotive of women's history" and built upon existentialist themes to declare her the first and most liberated woman of post-war France. Bardot retired from the entertainment industry in 1973. During her career in show business, she starred in 47 films, performed in several musical shows, and recorded over 60 songs.

Here is the ultimate American road book, one with a perspective unlike that of any other. In January 1947 Simone de Beauvoir landed at La Guardia airport and began a four-month journey that took her from one coast of the United States to the other, and back again. Embraced by the Conde Nast set in a swirl of cocktail parties in New York, where she was hailed as the 'prettiest existentialist' by Janet Flanner in "The New Yorker", de Beauvoir traveled west by car, train, and Greyhound, immersing herself in the nation's culture, customs, people, and landscape. The detailed diary she kept of her trip became "America Day by Day", published in France in 1948 and offered here in a completely new translation. It is one of the most intimate, warm, and compulsively readable texts from the great writer's pen. Fascinating passages are devoted to Hollywood, the Grand Canyon, New Orleans, Las Vegas, and San Antonio. We see de Beauvoir gambling in a Reno casino, smoking her first marijuana cigarette in the Plaza Hotel, donning raingear to view Niagara Falls, lecturing at Vassar College, and learning firsthand about the Chicago underworld of morphine addicts and petty thieves with her lover Nelson Algren as her guide. This fresh, faithful translation superbly captures the essence of Simone de Beauvoir's distinctive voice. It demonstrates once again why she is one of the most profound, original, and influential writers and thinkers of the twentieth century. On New York: 'I walk between the steep cliffs at the bottom of a canyon where no sun penetrates: it's permeated by a salt smell. Human history is not inscribed on these carefully calibrated buildings: They are closer to prehistoric caves than to the houses of Paris or Rome'. On Los Angeles: 'I watch the Mexican dances and eat chili con carne, which takes the roof off my mouth, I drink the tequila and I'm utterly dazed with pleasure'.

Of all the writing that emerged from the existentialist movement, Simone de Beauvoir's groundbreaking study of women will probably have the most extensive and enduring impact. It is at once a work of anthropology and sociology, of biology and psychoanalysis, from the pen of a writer and novelist of penetrating imaginative power. THE SECOND SEX stands, four decades after its first appearance, as the first landmark in the modern feminist upsurge that has transformed perceptions of the social relationship of man and womankind in our time.

Jean Blomart, patriot leader against the German forces of occupation, waits throughout an endless night for his lover, Helene, to die. He is the one who sent her on the mission that led to her death, and before morning, he must ultimately decide how many others to send to a similar fate.

In three “immensely intelligent stories about the decay of passion” (
[London]), Simone de Beauvoir draws us into the lives of three women, all past their first youth, all facing unexpected crises.

Enthralling as faction, suffused with de Beauvoir’s remarkable insights into women,
gives us a legendary writer at her best.

When Andree joins her school, Sylvie is immediately fascinated. Andree is small for her age, but walks with the confidence of an adult. Under her red coat, she hides terrible burn scars. And when she imagines beautiful things, she gets goosebumps... Secretly Selvie believes that Andree us a prodigy about whom books will be written. The girls become close. They talk for hours about equality, justice, war and religion; they lose respect for their teachers; they build a world of their own. But they can't stay like this forever.
Written in 1954, five years after The Second Sex, the novel was never published in Simone de Beauvoir's lifetime. This first English edition includes an afterword by her adopted daughter, who discovered the manuscript hidden in a drawer, and photographs of the real-life friendship which inspired and tormented the author.

Jean-Paul Sartre was undoubtedly one of the greatest and most popular philosophers of the 20th Century. Also a prominent novelist, playwright and biographer, Sartre was, above all, the embodiment of the engag intellectual, active in a variety of political causes, as well as an individual who attempted to live his life in accordance with the philosophy he professed. It was this that gave his lifelong preoccupation with freedom, choice and what he came to refer to as social conditioning, its cutting edge. Sartre's life was in many ways an illustration of his brand of existentialism in action. These three interviews, including one with Simone de Beauvoir, take Sartre on a wide-ranging tour of his philosophy and politics. Topics discussed include "freedom of choice," his uneasy relationship with Freudian concepts, his debates with Marx, and his acute observations on drama, the Cultural Revolution, Stalinism, women's rights, the May "Events" and of course, the Vietnam War. Their breadth remains a testimony to one man's attempt to make philosophical sense of the tumultuous world around him.

「第二性」是西蒙．波娃（１９０８～１９８６）的傑作。這部被視作二十世紀女性運動宣言的經典名著迄今在全世界各國仍然享譽不衰，銷售量已逾一百萬冊以上。批評界公認它是討論女人最健全、最理智、最充滿智慧的一本書。
現在棈選全書最精采的部分，分成第一卷「形成期」（歐陽子譯），第二卷「處境」（楊美惠譯），第三卷「正當的主張與邁向解放」（楊楊翠屏譯）刊行，以饗讀者。

'It is possible for man to snatch the world from the darkness of absurdity'

How should we think and act in the world? These writings on the human condition by one of the twentieth century's great philosophers explore the absurdity of our notions of good and evil, and show instead how we make our own destiny simply by being.

One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

On a toujours embarrassé les écrivains en leur demandant : pourquoi écrivez-vous ? Mais jamais sans doute ne se sont-ils sentis aussi perplexes qu'au lendemain de la dernière guerre. Étonnes par quatre années d'horreur et par les perspectives qui s'ouvraient soudain au monde, ils découvraient que les vieilles valeurs avaient fait long feu et qu'une nouvelle figure de l'homme était en train de naître : quel rôle l'avenir leur réservait-il? les mots pouvaient-ils encore servir? à qui ? pour quoi ? Entre le nihilisme, l'esthétisme, l'action politique, où se situait la littérature? Ce livre n'apporte aucune réponse à ces questions : c'est un roman. Il relate seulement l'histoire de gens qui se les sont posées. On dit volontiers que les écrivains ne sont pas des personnages romanesques : pourtant les aventures de la pensée sont aussi réelles que les autres et elles mettent en jeu l'individu tout entier : pourquoi ne tenterait-on pas de les raconter ?

«- Qu'est-ce qui ne va pas ?- Rien, tout va très bien, dis-je d'un ton dégagé.- Allons ! Allons ! je sais ce que ça veut dire quand tu prends ta voix de dame du monde, dit Robert. Je suis sûr qu'en ce moment ça tourne dur dans cette tête. Combien de verres de punch as-tu bus ?- Sûrement moins que vous, et le punch n'y est pour rien.- Ah ! tu avoues ! dit Robert d'un ton triomphant ; il y a quelque chose et le punch n'y est pour rien ; quoi donc ?- C'est Scriassine, dis-je en riant ; il m'a expliqué que les intellectuels français étaient foutus.»