入籍摇滚名人殿堂+词曲创作人殿堂，囊括终身成就在内11座葛莱美奖加冕的民谣之父
别出心裁的圣诞应景特典，将销售收入捐赠给帮助肌饿和无家可归之人的慈善机构
重新演绎〈Here Comes Santa Claus〉、〈Winter Wonderland〉、〈Little Drummer Boy〉、〈Silver Bells〉、〈Have Yourself A Merry Little Christmas〉等多支耳熟能详的歌谣，内附五份精緻耶诞卡片

Out-of-print in the US. Import pressing of this Grammy Award winning album, released in 1995. Sony / BMG.

by Stephen Thomas Erlewine
Reteaming with the Band, Bob Dylan winds up with an album that recalls New Morning more than The Basement Tapes, since Planet Waves is given to a relaxed intimate tone -- all the more appropriate for a collection of modest songs about domestic life. As such, it may seem a little anticlimactic since it has none of the wildness of the best Dylan and Band music of the '60s -- just an approximation of the homespun rusticness. Considering that the record was knocked out in the course of three days, its unassuming nature shouldn't be a surprise, and sometimes it's as much a flaw as a virtue, since there are several cuts that float into the ether. Still, it is a virtue in places, as there are moments -- "On a Night Like This," "Something There Is About You," the lovely "Forever Young" -- where it just gels, almost making the diffuse nature of the rest of the record acceptable.

One of the most controversial albums in Bob Dylan's remarkable catalog, the 1970 double-LP Self Portrait continues to exercise a considerable fascination amongst Dylan devotees. Released on the heels of the artist's gamechanging Nashville Skyline, Self Portrait offered a quirky assortment of studio and live tracks, encompassing Dylan originals as well as covers of familiar pop and folk numbers, recorded with an all-star musical cast.

At the time of its original release, the sprawling, unconventional Self Portrait generated an immense amount of discussion and disagreement amongst Dylan's admirers. The ongoing controversy surrounding the album has been fueled over the years by Dylan himself. At various times, Dylan has defended Self Portrait as a heartfelt artistic statement, dismissed it as a joke and described it as a concerted effort to escape the pressures of his unwanted status as the voice of a generation. Whatever the artist's actual intentions, Self Portrait retains a unique niche in the hearts of Dylan devotees, and is often cited as an early landmark in the birth of alternative country.

Self Portrait's highlights include the Dylan originals "Wigwam," later featured in the Wes Anderson film The Royal Tenenbaums; "Living the Blues," subsequently covered by artists ranging from Leon Redbone to Antony Hegarty; and "The Mighty Quinn (Quinn the Eskimo)," which Manfred Mann had turned into a British Invasion hit in 1968. The latter song is one of a quartet of live tracks drawn from Dylan's legendary performance with The Band at the historic Isle of Wight festival, along with memorable versions of the Dylan standards "Like a Rolling Stone," "Minstrel Boy" and "She Belongs to Me." Also featured are Dylan's readings of a variety of outside material, ranging from his iconic interpretation of the rural folk song "Copper Kettle" to his distinctive takes on such familiar tunes as Paul Simon's "The Boxer," Gordon Lightfoot's "Early Mornin' Rain" and the vintage Everly Brothers hits "Let It Be Me" and "Take a Message to Mary."

Sundazed has restored this one-of-a-kind release to its original double-LP format. Mastered from the original analog master tapes, the album is pressed on high-quality, high-definition vinyl, with meticulously reproduced original gatefold cover art.

Swedish exclusive limited edition double CD 'Best Of' for the rock icon. Includes the latest single 'Things Have Changed' plus a bonus track 'Things Have Changed' (Live Grammy Version). 32 tracks in all including the classics 'Blowin' In The Wind', 'Subterranean Homesick Blues', 'All Along The Watchtower' and many more. 2000 release. Slimline double jewel case.

试听曲目不对的
1. Rainy Day Women #12 & 35
2. Blowin' In The Wind
3. The Times They Are A-Changin'
4. It Ain't Me Babe
5. Like A Rolling Stone
6. Mr Tambourine Man
7. Subterranean Homesick Blues
8. I Want You
9. Positively 4th Street
10. Just Like A Woman

Limited edition digitally remastered 2 CD collection includes 'Blowin' in the Wind', 'Knockin' on Heaven's Door', 'Jokerman', 'Hurricane', 'Not Dark Yet' and more. 36 tracks.

The Basement Tapes is a studio album by Bob Dylan and The Band, released in 1975 by Columbia Records.
Most of the album was actually recorded eight years earlier, in the basement of a house shared by the musicians. As Bob Dylan recovered from a near-fatal motorcycle accident during 1967, he called on The Band to help him experiment with themes of traditional folk music and Americana; these explorations, and their possible links with the earlier Anthology of American Folk Music, are explored in Invisible Republic by author Greil Marcus.
The sessions laid the foundation both for the approach of Dylan's 1967 album John Wesley Harding, and for the Band finding their own voice on 1968's Music From Big Pink. The Dylan LP, a critically-acclaimed departure from the surrealist rock and roll he had recently pioneered on his milestone trio of albums from 1965 and 1966, was as much of a shock to his fans as were those records to his earlier folk audience. Both it and Music From Big Pink would greatly influence the turn, by many contemporary popular musicians, away from the psychedelic music that reached its height in 1967, toward an embrace of country-influenced folk styles.
Material from the sessions had been heavily bootlegged since 1968, with the most famous being 1969's Great White Wonder. It wasn't until Dylan's comeback with Blood on the Tracks in 1975 that any of it was officially released, and The Basement Tapes was welcomed with high praise from fans and critics. Compiled by Robbie Robertson, the album features new songs and many overdubs made by The Band long after the original sessions. More complete and authentic documents of the 1967 tapes have since surfaced and are traded by fans, while the later Band tracks have appeared as bonus tracks on CD reissues of their proper albums.
The Basement Tapes peaked at #7 in 1975 on Billboard's (North America) Pop Albums chart and reached #8 in the UK. In 2003, the album was ranked number 291 on Rolling Stone magazine's list of the 500 greatest albums of all time.

《Together Through Life》是一张典型的老摇滚，十首歌曲，时长四十五分钟，复古的范式，复古的音乐，鲍勃·迪伦用一种近乎于固执的坚持延续着自己的浪漫。鲍勃对于法国导演奥利维埃·达昂的影片《La Vie en Rose》推崇有佳，所以为他的新片《My Own Love Song》写一首歌，带着法国风情的《Life Is Hard》讲述了在路上的故事，美国、旅途、自省，这何尝不是鲍勃·迪伦内心的写照。布鲁斯味道的惬意一扫《Modern Times》里的大都市气息，这才是鲍勃·迪伦真正喜欢的声音。手风琴、班卓琴的大量运用营造出天然，乡村的恬适，更容易让人想到乡间宽大、木制地板的小酒馆而不是城市里让人压抑的俱乐部，迪伦深得到Chess Records和Sun Record厂牌的意味，他太明白怎么做一个不为时代所动的歌手，触动他的不是流行、电子，而是回家路上从人家窗户里飘出的一曲曲钢琴段子。在《Together Through Life》里，歌词里充斥着用最平实的话语，写成歌却制造出强大的感染力，《It´s All Good》里来回唱着简单到不能再简单的歌词却传达着一种高深的主题，即使再糟糕也会有希望，这类如乡村乐手汉克·威廉斯(Hank Williams)般美国老农讲给年轻人的经验之谈成了鲍勃·迪伦来回把玩的东西，当然诗人迪伦也会时不时展现出文气的一面，歌曲《Forgetful Heart》的灵感很可能来自约翰·班扬(John Bunyan) ，《I Feel a Change Coming On》则是取自圣经《旧约》。当年迪伦出道时的主流是弗兰克·辛纳特拉（Frank Sinatra），是《音乐之声》，即使到现在他仍旧没有真正融入进主流，但他毫无疑问已是几代人心中的文化精英，影响力是巨大的，也许连老迪伦自己也没想到一年前他在《Together Through Life》里写的“白话”歌曲居然能对现在的美国如此受用——灾难是可怕的，只要有爱就有希望，即使等不到希望还会有浪漫的梦想陪你度过难关。

Live at Carnegie Hall 1963 is a six-song live set by Bob Dylan. It was released as an EP by Columbia Records in 2005. The songs were recorded on October 26, 1963 at Carnegie Hall in New York City.