日本東芝EMI決定盤1300系列 百代TOCE-13018
維瓦爾第：小提琴協奏曲“四季”。小提琴及指揮：帕爾曼，倫敦交響樂團眼周。再現了當年LP的原版封面。

贝多芬1811年完成这首《降B大调钢琴三重奏》(Op.97)，题献给好友兼赞助人鲁道夫大公(Archduke Rudolph)，此曲迄今仍被视为是钢琴三重奏中登峰造极之作，其无与伦比的丰富内涵与想象力，是贝多芬中期风格最佳的代表。《大公三重奏》在1814年4月11日首演，贝多芬担任钢琴演奏。当时贝多芬已近乎全聋，他年轻的学生莫歇尔斯(Ignaz Moscheles)描述首演的情况："许多首演的作品其实并不足以称为'新作’，只有老师的作品，尤其这一首，永远令人耳目一新！”
恢宏的第一乐章由钢琴流畅的主题展开，虽然是孕育在最温和的状态中，实际上这主题却是一首进行曲。曲思高贵而庄严，被生气篷勃的第二主题冲淡了些，后者的节奏虽然活泼，仍是采用进行曲形式。宏伟的发展部中，把原来的主题区分为两个明显不同的乐句，做为乐曲发展的素材。一个装饰华美的开场主题再度出现，引出再现部，并以精彩的尾声为整个乐章做结。
第二乐章是诙谐曲，明暗相间的中段是技巧及想象力最精彩的示范。三种乐器彼此枪奏乐句时的嘻戏，加上贝多芬出其不意的转调，使听者一直想猜测乐曲的走向如何。这种以精致风格(以赋格曲写法掩饰)对抗平实的风格(以圆舞曲代表)的写作手法，充满了活力，也只有贝多芬才写得出这样的曲子。
D大调雄心勃勃的变奏曲乐章紧随其后。开始的主题宽广而抚慰人心，而每一段变奏的装饰性逐渐加强，并以高超的技巧维系。贝多芬从安静得近乎纹风不动的方式，撩动乐章最后几个小节，然后猛然跳进终乐章，利用舞曲般的回旋曲直奔结尾，弃主调降B大调于不顾，这种欣喜的感觉急速攀升，直到尾声象快马急驰而去，结束全曲。

傳說中，拿靈魂跟魔鬼交換出神入化琴技的帕格尼尼，在當時風靡歐洲的程度，與當今搖滾巨星相比絕對毫不遜色。而不管從練習曲、安可小品、甚至浪漫派的抒情樂曲來看，帕格尼尼作品編號一的廿四首小提琴隨想曲，曲式之多樣，和聲變化之豐富，有如百科全書般的演奏技巧應用，都可說是音樂史上獨一無二的鬼才傑作，華麗的外表下，還能聽見清晰、純粹的旋律線條，其中的第廿四號隨想曲還曾經贏得拉赫曼尼諾夫與布拉姆斯的青睞，以其旋律主題延伸創作成格局宏大的變奏曲。
帕爾曼的這張隨想曲錄音，早在1972年錄製發行之後，就被普遍推崇為最高指導級的版本。透過無人能出其右的絕佳技巧，收放自如的表現力，帕爾曼就是有辦法讓這廿四首技巧艱深繁複華麗的曲子，聽起來似乎沒有那麼困難，反而突顯出旋律的美感。帕爾曼就像是個口若懸河的說書人，用招牌琴音將廿四首隨想曲娓娓道來，引人入勝。帕格尼尼當時在創作這組隨想曲，很可能就是為了職業小提琴家所譜寫，他也期待樂曲中的所有細節能被完整地呈現出來，這組作品無疑地也是當代小提琴家的試金石。從這一點來看，帕爾曼很忠實地再現了帕格尼尼創作的用心，當然這張錄音也就成為愛樂者心目中的首選，而且，至今無人能取代！

详细内容: Disc: 11. Violin Sonata No.1 in D major, Op.12 No.1: l Allegro con brio2. Violin Sonata No.1 in D major, Op.12 No.1: ll Tema con variazioni: Andante con moto3. Violin Sonata No.1 in D major, Op.12 No.1: lll Rondo: Allegro4. Violin Sonata No.2 in A major, Op.12 No.2: l Allegro viva5. Violin Sonata No.2 in A major, Op.12 No.2: ll Andante, piu tosto allegretto6. Violin Sonata No.2 in A major, Op.12 No.2: lll Allegro piacevolo7. Violin Sonata No.3 in E flat major, Op.12 No.3: l Allegro con spirito8. Violin Sonata No.3 in E flat major, Op.12 No.3: ll Adagio con molt'espressione9. Violin Sonata No.3 in E flat major, Op.12 No.3: lll Rondo: Allegro moltoDisc: 21. Violin Sonata No.4 in A minor, Op23: l Presto2. Violin Sonata No.4 in A minor, Op23: ll Andante scherzoso, piu allegretto3. Violin Sonata No.4 in A minor, Op23: lll Allegro molto4. Violin Sonata No.6 in A major, Op.30 No.1: l Allegro5. Violin Sonata No.4 in A minor, Op23: ll Adagio molto espressivo6. Violin Sonata No.4 in A minor, Op23: lll Allegretto con variazioni7. Violin Sonata No.8 in G major, Op.30 No.3: l Allegro assai8. Violin Sonata No.8 in G major, Op.30 No.3: ll Tempo di minuetto, ma molto moderato e grazioso9. Violin Sonata No.8 in G major, Op.30 No.3: lll Allegro vivaceDisc: 31. Violin Sonata No.9 in A major, Op.47 'Kreutzer': l Adagio sostenuto-Presto-Adagio2. Violin Sonata No.9 in A major, Op.47 'Kreutzer': ll Andante con variazioni3. Violin Sonata No.9 in A major, Op.47 'Kreutzer': lll Finale: Presto4. Violin Sonata No.5 in F Major, Op.24 'Spring'-'Le Printemps'-'Fruhlingssonate': l Allegro5. Violin Sonata No.5 in F Major, Op.24 'Spring'-'Le Printemps'-'Fruhlingssonate': ll Adagio molto espr6. Violin Sonata No.5 in F Major, Op.24 'Spring'-'Le Printemps'-'Fruhlingssonate': lll Scherzo & trio:7. Violin Sonata No.5 in F Major, Op.24 'Spring'-'Le Printemps'-'Fruhlingssonate': lV Rondo: Allegro maDisc: 41. Violin Sonata No.7 in C minor, Op.30 No.2: l Allegro con brio2. Violin Sonata No.7 in C minor, Op.30 No.2: ll Adagio cantabile3. Violin Sonata No.7 in C minor, Op.30 No.2: lll Scherzo: Allegro4. Violin Sonata No.7 in C minor, Op.30 No.2: lV Finale: Allegro5. Violin Sonata No.10 in G major, Op.96: l Allegro moderato6. Violin Sonata No.10 in G major, Op.96: ll Adagio espressivo7. Violin Sonata No.10 in G major, Op.96: lll Scherzo: Allegro8. Violin Sonata No.10 in G major, Op.96: lV Poco allegretto广告语: 贝多芬《小提琴奏鸣曲全集》/帕尔曼演奏、阿什肯纳齐钢琴伴奏。德国作曲家贝多芬是维也纳古典乐派代表人物之一。除了最著名的九首交响曲外，他还写了许多器乐作品，尤其是他的小提琴奏鸣曲，成为小提琴伤口的典范。“企鹅”评价三星带花

1.The Trout
On August 30th 1969, five young musicians, all of whom were about to become established as international artists of the highest rank, came together to play Schubert's "Trout Quintet" in the new Queen Elizabeth Hall in London. Their names: Daniel Barenboim, Itzhak Perlman, Pinchas Zukerman, Jacqueline du Pré and Zubin Mehta.
It was clear to us that the concert might well become legendary in time and so we decided to make a film about it.
The intention was two-fold: to film the concert itself live on stage, exactly as it happened, with five of the newly invented, silent 16mm film cameras and to make an introduction to it during the preceding week, documenting the preparations and, in particular, the spirit behind the event.
The artists had all been intimate friends for many years, but, more importantly, they had a great deal in common musically and, in addition, they shared an exuberance in their talents which was as appealing as it was filmable.
The introduction takes the television viewer into areas of music-making that are not normally accessible even to the committed concert-going public and the first part of the film ends with the final seven minutes of back-stage preparation before the concert. They are minutes which contain scenes that have passed into musical and television history.
The film then continues with the complete performance shot during the concert, just as it happened, with not a note re-taken.
2.The Greatest Love and the Greatest Sorrow
Franz SchubertSchubert's reputation also suffered from the fact that he did things differently and when a work of art is new and different, and the world cannot categorise or label it, it often takes a long time for the world to understand and accept what that work has to offer. In some ways, these things haunt Schubert's reputation even today.
To complicate the picture still further, Schubert lived, and in some ways his music continues to live, under the shadow of Beethoven. Schubert himself asked the question "Wer vermag nach Beethoven noch etwas zu machen?" (Who would dare to do anything after Beethoven?). The answer, of course, was Franz Peter Schubert and, most notably, in the music that he wrote after the death of his God, Ludvig van Beethoven.

While it may not be the most rewarding way to approach this music in the long run, having four star violinists dish up a season apiece is a lot of fun, especially if you're interested in comparing styles and sounds. Mintz is bright and wiry; Perlman rich, brilliant and intense; Zukerman dark and suave; and Stern has that marvelous, warm, "old-school" sound with an almost vocal vibrato. And the violins of the Israel Philharmonic? They play as though every one of them could step up and take a solo, no doubt because having four luminaries on the stage made them want to give of their best. While the interpretations, individually and collectively, don't offer much that is new or remarkable, the sense of occasion is palpable. DG's live recording, made at the Huberman Festival in Israel in 1982, is nicely balanced and quite atmospheric. --Ted Libbey

《帕格尼尼24首随想曲》意大利小提琴巨匠帕格尼尼拥有最鬼斧神工的魔鬼琴艺，他为小提琴技巧的发展与提高作出了无法估量的巨大贡献。《24首随想曲》是帕格尼尼一生中唯一公开出版的小提琴独奏曲谱，这部作品基本上把小提琴最复杂的技巧全部展现。自其于1820年在意大利的米兰面世以来，就已经成为众多专业小提琴家的最大挑战，该作品还挑战性地标以"献给演奏家"。

诞生于以色列的帕尔曼于1972年成功录制了权威性的24首随想曲唱片，时年26岁。1/4个世纪以来，他的演绎已经成为所有其他人的评判标准。时间飞逝，正是帕尔曼演奏中所表现出来的真诚和精确成就了本张最伟大的唱片。

帕尔曼吸收了所有他所受到的影响，创造出与众不同的音质，并用敏锐的乐感在这张唱片中充分地表现出来。帕尔曼取得如此成功的地方就在于他捕捉到了随想曲中的智慧、个性以及神韵，同时体会到了更深一层的音乐共鸣。演奏的结果给我们的感受是，充满技巧炫耀的表现，却依然能引起听众的强烈共鸣。像一个色彩斑斓的风笛手一样，帕尔曼引导他的听众进入了一个不同的世界，一个帕格尼尼早已认同的变化多端的古老魔鬼的世界。

帕尔曼于20世纪70年代录制的这个版本是此曲众多版本中演奏水准与录音水准俱佳的经典之作，入选日本《唱片艺术》最佳唱片，可谓实至名归！！

★ 企鹅评鉴三星，入选日本《唱片艺术》最佳唱片！！
★ 弦乐史上最高难度的技巧音乐！！
★ 小提琴大师帕尔曼的无敌技巧展示！！

尼科罗·帕格尼尼
24Caprices,Op.1 for solo violin
24首随想曲（作品1号）
Itzhak Perlman violin
小提琴演奏：伊扎克·帕尔曼

To commemorate the Mendelssohn bicentennial in 2009, cellist Yo-Yo Ma, pianist Emanuel Ax, and violinist Itzhak Perlman collaborated together for the first time and recorded the Mendelssohn Piano Trios. This is the first chamber recording these three virtuosos have recorded together. Yo-Yo Ma is a world-renowned, multiple Grammy Award-winning cellist and is currently celebrating his 30th anniversary with Sony Masterworks.

小提琴大师 帕尔曼 (Itzhak Perlman) 门德尔松：小提琴协奏曲/布鲁赫：第1及2小提琴协奏曲 Mendelssohn: Violin Concerto in E minor Op.64 / Bruch: Violin Concerto No.1 in G minor Op.26/ Violin Concerto No.2 in D minor Op.44 艺术家：帕尔曼 (Itzhak Perlman)//阿姆斯特丹音乐厅管弦乐团 (Concertgebouw Orchestra)/海丁 (Bernard Haitink)/爱乐乐团 (New Philharmonia Orchestra)/罗贝·科博斯 (Jesus Lopez-Cobos) 世纪伟大艺人系列 Great Artists of The Century

01 Concerto for Violin and Orchestra in E minor Op. 64 (2006 Digital Remaster): I. Allegro molto appassionato-
02 Concerto for Violin and Orchestra in E minor Op. 64 (2006 Digital Remaster): II. Andante
03 Concerto for Violin and Orchestra in E minor Op. 64 (2006 Digital Remaster): III. Allegretto non troppo-Allegro molto vivace
04 Concerto for Violin and Orchestra No. 1 in G minor Op. 26 (2006 Digital Remaster): I. Vorspiel (Allegro moderato)-
05 Concerto for Violin and Orchestra No. 1 in G minor Op. 26 (2006 Digital Remaster): II. Adagio
06 Concerto for Violin and Orchestra No. 1 in G minor Op. 26 (2006 Digital Remaster): III. Finale (Allegro energico)
07 Violin Concerto No.2 in D Minor, Op.44 (2006 Digital Remaster): Ist Movement-Adagio non troppo
08 Violin Concerto No.2 in D Minor, Op.44 (2006 Digital Remaster): 2nd Movement-Allegro moderato
09 Violin Concerto No.2 in D Minor, Op.44 (2006 Digital Remaster): 3rd Movement-Finale (Allegro molto)