More than 120 years after Oscar Wilde submitted The Picture of Dorian Gray for publication in Lippincott's Monthly Magazine, the uncensored version of his novel appears here for the first time in a paperback edition. This volume restores all of the material removed by the novel's first editor. Upon receipt of the typescript, Wilde's editor panicked at what he saw. Contained within its pages was material he feared readers would find "offensive"--especially instances of graphic homosexual content. He proceeded to go through the typescript with his pencil, cleaning it up until he made it "acceptable to the most fastidious taste." Wilde did not see these changes until his novel appeared in print. Wilde's editor's concern was well placed. Even in its redacted form, the novel caused public outcry. The British press condemned it as "vulgar," "unclean," "poisonous," "discreditable," and "a sham." When Wilde later enlarged the novel for publication in book form, he responded to his critics by further toning down its "immoral" elements. Wilde famously said that The Picture of Dorian Gray "contains much of me": Basil Hallward is "what I think I am," Lord Henry "what the world thinks me," and "Dorian what I would like to be--in other ages, perhaps." Wilde's comment suggests a backward glance to a Greek or Dorian Age, but also a forward-looking view to a more permissive time than his own repressive Victorian era. By implication, Wilde would have preferred we read today the uncensored version of his novel.

Lord Alfred Douglas’ translation of Wilde’s great play (originally written in French), with all well-known Beardsley illustrations, including suppressed plates. The best edition. 28 Beardsley illustrations; introduction by Robert Ross.

Oscar Wilde was a major celebrity in the late Victorian era. He was an Irish playwright, novelist, poet, and short story writer. His works are known for their caustic wit. Wilde spent two years in a hard labor prison after being convicted of gross indecency. The Canterville Ghost is a novella parody featuring an ambassador and a spirit. The ambassador moves his family into a castle, which is known to be haunted.

This is Oscar Wilde's tale of the American family moved into a British mansion, Canterville Chase, much to the annoyance its tired ghost. The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance. . . .

Oscar Wilde's brilliant play makes fun of the English upper classes with light-hearted satire and dazzling humour. It is 1890's England and two young gentlemen are being somewhat limited with the truth. To inject some excitement into their lives, Mr Worthing invents a brother, Earnest, as an excuse to leave his dull country life behind him to pursue the object of his desire, the ravishing Gwendolyn. While across town Algernon Montecrieff decides to take the name Earnest, when visiting Worthing's young ward Cecily. The real fun and confusion begins when the two end up together and their deceptions are in danger of being revealed.

The text of this Norton Critical Edition of The Importance of Being Earnest is the established three-act version. Originally in four acts, Wilde shortened it to three at the urging of George Alexander, the owner of the St. James Theatre and first actor to play Jack Worthing. The play is accompanied by explanatory annotations and by an appendix of excised portions.
"Backgrounds" includes essays on Wilde and the 1890s by prominent cultural critics Joseph Donohue, Regenia Gagnier, and Karl Beckson.
"Reviews and Reactions" collects contemporary responses to The Importance of Being Earnest, among them George Bernard Shaw's famous dissenting view and the American assessment by H. F. "Essays in Criticism" includes six diverse assessments of Wilde and the play by E. H. Mikhail, Camille Paglia, Christopher Craft, Michael Patrick Gillespie, Peter Raby, and Richard Haslam.
A Chronology and Selected Bibliography are also included.
About the Series : No other series of classic texts equals the caliber of the Norton Critical Editions . Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

On 13 December 2000, BBC Radio 3 broadcast a new radio adaptation directed by Howard Davies starring Geraldine McEwan as "Lady Bracknell", Simon Russell Beale as "Jack Worthing", Julian Wadham as "Algernon Moncrieff", Geoffrey Palmer as "Rev. Canon Chasuble", Celia Imrie as "Miss Prism", Victoria Hamilton as "Gwendolen" and Emma Fielding as "Cecily", with music composed by Dominic Muldowney.

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Oscar Wilde (1854-1900) has perhaps attracted more critical and biographical attention in recent years than any other writer of the late-nineteenth century. Renowned for his skills in shocking a prurient bourgeoisie, he first built his career as a raconteur and stylish public speaker. This boxed set reprints the 1908 collected works together with the first trade edition of The Picture of Dorian Grey . Also included is Stuart Mason's comprehensive Bibliography of Oscar Wilde , which remains an indispensable research tool. 注：两种封面，随机发货。

Grade 2-5-A statue of a privileged prince develops a social conscience and a swallow intends to pause just a moment to assist him. Together they conspire to bring a modicum of contentment, financial security, and compassion to the beleaguered poor of a nameless city in northern Europe and both receive their rewards in a heavenly paradise. In this morality tale originally intended for the childlike rather than the child, Wilde addresses issues of social injustice, the loss of innocence, and the redemptive power of love. The otherwise verbatim retelling of the original contains two omissions: reference to Jewish merchants in the ghetto and part of a descriptive passage of life on the Nile that included pygmies and strange religious practices. The watercolor illustrations, varying in size and irregular in shape, are literal extensions of the text. A brief biography of Wilde is appended. Though the winsome swallow and wistful prince have appeal, buy only where literary fairy tales have a ready audience. A more evocative interpretation can be found in Ed Young's version (S & S, 1992).
Carol Ann Wilson, Westfield Memorial Library, NJ
Copyright 2002 Cahners Business Information, Inc. --This text refers to the Hardcover edition.

'The Puffin Classics series is a perfect marriage of the old and the new. Enjoy some of the best books from the past and find out why and how they inspired some of the best writers of the present. - Julia Ecclesshare, Lovereading4kids' - Julia Eccleshare, Lovereading4kids

'The horror, whatever it was, had not yet entirely spoiled that marvellous beauty'


Enthralled by his own exquisite portrait, Dorian Gray exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life, indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his decadence. The Picture of Dorian Gray was a succès de scandale . Early readers were shocked by its hints at unspeakable sins, and the book was later used as evidence against Wilde at the Old Bailey in 1895.

This definitive edition includes a selection of contemporary reviews condemning the novel's immorality, and the introduction to the first Penguin Classics edition by Peter Ackroyd.

Lord Windermere – Samuel West
Lord Darlington – Michael Sheen
Lord Augustus Lorton – Derek Waring
Mr Dumby – Peter Yapp
Mr Cecil Graham – Nicholas Boulton
Mr Hopper – Benjamin Soames
Parker – Rod Beacham
Lady Windermere – Emma Fielding
The Duchess of Berwick – Sarah Badel
Lady Plymdale/Lady Agatha Carlisle – Elaine Claxton
Lady Jedburgh/Rosalie – Delia Paton
Mrs Erlynne – Juliet Stevenson

This is one of the great recordings of a great play. John Gielgud stars as Earnest and Edith Evans gives her indomitable performance as Lady Bracknell in this classic radio recording from 1951. Performance styles may have changed, but this is an unmatched production bearing all the hallmarks of outstanding audio drama featuring some of the finest actors of the 20th century. Also included are two collections of poetry readings by John Gielgud and Edith Evans.

Wilde was both a glittering wordsmith and a social outsider. His drama emerges out of these two perhaps contradictory identities, combining epigrammatic brilliance and shrewd social observation. This book includes "Lady Windermere's Fan", "Salome", "A Woman of No Importance", "An Ideal Husband", "A Florentine Tragedy" and "The Importance of Being Earnest", which appears in full with the 'Grigsby' scene which originally made up the fourth act.

Oscar Wilde, best known for his acerbic, witty plays and urbane nonfiction, was also a master of the fairy tale. This volume brings together all of Wilde's tales from his two collections--"The Happy Prince" and "The House of Pomegranates"--and retains the evocative illustrations done for the original editions.

Oscar Wilde was already one of the best-known literary figures in Britain when he was persuaded to turn his extraordinary talents to the theatre. Between 1891 and 1895 he produced a sequence of distinctive plays which spearheaded the dramatic renaissance of the 1890s and retain their power today. This collection offers newly edited texts of Lady Windermere's Fan, A Woman of No Importance, Salome, An Ideal Husband, and, arguably the greatest farcical comedy in English, The Importance of Being Earnest.

Oscar Wilde was at once a family man and a homosexual outsider, a socialite, socialist, and Irish nationalist. His contradictions inspired him to ponder the roles and masks donned in conventional society, and his acute and wry insights are wonderfully displayed in this collection of his essential plays. Known not only for his brilliant, epigrammatic language, but also for his sense of theatrical design, color, and staging, Wilde created an enduring body of finely crafted works, whose delights and ironies still speak to modern audiences. In addition to Lady Windermere's Fan , Salomé , A Woman of No Importance , An Ideal Husband , A Florentine Tragedy , and The Importance of Being Earnest , this edition contains an introduction, notes and commentaries, and an excised scene from The Importance of Being Earnest .